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Everything Falls for You
Songs like
Everything Falls for You
by
Seaforth
Based on a tempo of (+/- 10%) and a similar genre
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Seaforth
Everything Falls for You
57 bpm • B Maj • 03:00 • -6.9db
36% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Doleac
Girl in Love
67 bpm • A# Maj • 03:18 • -5db
37% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Steven Lee Olsen
Just Married
69 bpm • G Maj • 03:52 • -8.27db
24% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Mickey Guyton
Lay It On Me
69 bpm • A# Maj • 03:09 • -4.45db
45% Popularity • 40% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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FINMAR
In Common
72 bpm • D Maj • 03:03 • -7.76db
26% Popularity • 35% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Schnacky
Hello Beautiful
74 bpm • A Maj • 03:36 • -6.93db
49% Popularity • 50% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Rachel Wammack
Something People Say
74 bpm • C Maj • 03:42 • -6.91db
18% Popularity • 49% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kenny Chesney
You Don't Get To
74 bpm • F Maj • 03:36 • -7.4db
43% Popularity • 36% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Austin Burke
Take My Life
74 bpm • G# Maj • 03:20 • -5.5db
39% Popularity • 49% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Caylee Hammack
Small Town Hypocrite
74 bpm • D# Maj • 04:02 • -9db
32% Popularity • 44% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Seaforth
Breakups
75 bpm • C# Maj • 03:43 • -6db
42% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Allen
Why Things Happen
75 bpm • B Maj • 03:16 • -4.86db
37% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Doleac
Biggest Fan
75 bpm • A Maj • 03:12 • -7.18db
41% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Stell
Everywhere But On - Acoustic
75 bpm • F# Maj • 03:13 • -5.03db
24% Popularity • 44% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Ryan Griffin
Going Going Gone
75 bpm • D Maj • 03:24 • -4.25db
28% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Tyler Rich
A Little Bit Of You
75 bpm • G Maj • 03:00 • -4.96db
38% Popularity • 44% Danceability • 60% Energy • 28% Liveness
12% Instrumentalness • 30% Positiveness
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Seaforth
Talk to Me
75 bpm • D Maj • 02:56 • -7db
26% Popularity • 69% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Lindsay Ell
make you
75 bpm • G Maj • 04:18 • -5.74db
19% Popularity • 53% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Adam Doleac
Another
75 bpm • G Maj • 03:08 • -6.28db
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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SixForty1
Forget Those Heels
75 bpm • A Maj • 03:25 • -4.69db
28% Popularity • 49% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Gone West
Gamblin' Town
75 bpm • E Maj • 03:00 • -8.35db
17% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Cam
Till There's Nothing Left
76 bpm • D Maj • 03:15 • -7db
54% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Seaforth
Breakups - Acoustic
75 bpm • C# Maj • 03:47 • -7.09db
42% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Maddie & Tae
Die From A Broken Heart - Acoustic
76 bpm • A Maj • 03:11 • -6.26db
33% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Restless Road
It Ain't Easy
76 bpm • F# Maj • 03:34 • -5db
31% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Jannakos
Wine Country
76 bpm • G Maj • 03:09 • -5.44db
35% Popularity • 53% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Smithfield
We'll Figure It Out
76 bpm • C# Maj • 03:12 • -9db
55% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Old Dominion
Dancing Forever
76 bpm • C Maj • 03:31 • -4.44db
33% Popularity • 57% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Griffin
Play It by Heart
76 bpm • C# Maj • 03:25 • -4.67db
22% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Lily Rose
Better Than That
76 bpm • A Maj • 02:55 • -6db
39% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Doleac
Meet Me in the City - Stripped
76 bpm • G Maj • 03:13 • -7.24db
25% Popularity • 49% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Amanda Jordan
I Choose You
76 bpm • B Maj • 03:13 • -6.87db
35% Popularity • 44% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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David J
Always Never
76 bpm • A# Maj • 03:03 • -5.95db
32% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Dylan Brady
Don't Love a Girl
76 bpm • B Maj • 03:36 • -6db
25% Popularity • 37% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Tenille Arts
Another Life
77 bpm • C Maj • 04:36 • -8.02db
23% Popularity • 39% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Waterloo Revival
Something You Ain't Ever Had
77 bpm • A Maj • 03:08 • -5.76db
34% Popularity • 49% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Leah Mason
Far Boy
77 bpm • A Maj • 03:06 • -6.37db
33% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Stell
Reason Why
78 bpm • G min • 02:58 • -4.08db
30% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Gabby Barrett
Hall of Fame
78 bpm • E Maj • 03:20 • -4.15db
34% Popularity • 51% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Adam Hambrick
Do the Math
78 bpm • A# Maj • 03:03 • -5.52db
13% Popularity • 60% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Bandi
Would Have Loved Her
78 bpm • G Maj • 03:16 • -6.09db
46% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rascal Flatts
Warmer
78 bpm • C# Maj • 03:05 • -5.05db
29% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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LANCO
What I See
78 bpm • D Maj • 03:49 • -6.77db
41% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Kane Brown
Worship You
78 bpm • G# Maj • 03:25 • -7.01db
47% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Garrett Jacobs
The Healing
78 bpm • G# Maj • 03:36 • -7.59db
15% Popularity • 53% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Robyn Ottolini
Trust Issues
78 bpm • C Maj • 03:23 • -5.98db
42% Popularity • 45% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Bandi
Would Have Loved Her - Stripped
78 bpm • G Maj • 03:16 • -8.17db
38% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Maren Morris
To Hell & Back
78 bpm • C Maj • 03:15 • -7db
52% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ingrid Andress
More Hearts Than Mine
79 bpm • C Maj • 03:34 • -7.39db
67% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jaden Hamilton
Long Night Letting Go
79 bpm • C Maj • 03:04 • -10db
39% Popularity • 33% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Brett Sheroky
Ain't My Place - Acoustic
79 bpm • F# Maj • 03:36 • -6.54db
25% Popularity • 64% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Maddie & Tae
Everywhere I'm Goin'
79 bpm • G Maj • 03:27 • -7.28db
27% Popularity • 61% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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CB30
Love That About Her
79 bpm • C# min • 03:19 • -5.14db
14% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Drew Baldridge
Before You
79 bpm • F Maj • 03:39 • -6.17db
35% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Ingrid Andress
The Stranger
79 bpm • F# min • 03:11 • -6.99db
46% Popularity • 27% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Seaforth
Get The Girl
79 bpm • C Maj • 02:52 • -6.94db
46% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Restless Road
Growing Old With You - First Dance Versi...
79 bpm • F Maj • 03:12 • -7.76db
47% Popularity • 30% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Maddie & Tae
Everywhere I'm Goin'
79 bpm • G Maj • 03:28 • -4.66db
41% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Smithfield
Sunday Best
79 bpm • C Maj • 02:47 • -5db
32% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Tiera Kennedy
Found It In You (Tiera's Version)
79 bpm • F min • 03:14 • -5.82db
32% Popularity • 39% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Ingrid Andress
Wishful Drinking - Bonus Track
79 bpm • A# Maj • 03:14 • -7db
55% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Thomas Rhett
Heaven Right Now
80 bpm • C Maj • 03:48 • -9.3db
39% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Seaforth
I Can't Take You Anywhere
80 bpm • A# Maj • 03:31 • -7db
32% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Devin Dawson
All On Me - Recorded at Spotify Studios ...
80 bpm • E Maj • 03:31 • -10db
36% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Drew Baldridge
Gentle Man
80 bpm • B Maj • 03:20 • -7.44db
34% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Hunter Metts
20,000 Kisses
80 bpm • C# Maj • 02:58 • -6.2db
31% Popularity • 57% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Abby Anderson
Be That Girl
80 bpm • G# min • 03:26 • -7.99db
27% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Hunter Brothers
Just Wanted You to Know
80 bpm • C Maj • 03:57 • -6.93db
31% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Shawn Austin
The Little Things
80 bpm • A Maj • 03:04 • -6db
20% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Gone West
Talkin' Bout You
80 bpm • C Maj • 02:57 • -6.27db
20% Popularity • 58% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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BEXAR
Be Good to Her
80 bpm • F# Maj • 03:03 • -6.49db
38% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Leaving Austin
American Avenue
80 bpm • B Maj • 03:15 • -4.91db
24% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Lauren Alaina
What Do You Think Of?
81 bpm • G# Maj • 03:38 • -7db
31% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Alex Hall
Heart Shut
80 bpm • D# Maj • 03:21 • -5.19db
38% Popularity • 41% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tenille Arts
I Hate This
81 bpm • F# Maj • 03:08 • -6.84db
54% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Russell Dickerson
All Fall Down
81 bpm • G Maj • 03:08 • -6.23db
35% Popularity • 51% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Justin Lee
Where I Belong
81 bpm • F Maj • 03:15 • -8db
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Noah Schnacky
Where’d You Go
81 bpm • C Maj • 03:32 • -9db
22% Popularity • 33% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
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Ingrid Andress
Both
81 bpm • B Maj • 03:23 • -6db
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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American Young
Say It To Me Sober
82 bpm • F Maj • 03:08 • -5.39db
8% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Devin Dawson
The Difference
82 bpm • G# Maj • 03:09 • -6db
25% Popularity • 41% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Austin Burke
Speed of Life
82 bpm • C# min • 03:13 • -6.57db
27% Popularity • 53% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Gone West
Knew You
82 bpm • G# Maj • 03:37 • -7.77db
29% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Brandon Ratcliff
Slow Down Hometown
82 bpm • D# Maj • 03:48 • -6.78db
15% Popularity • 39% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Arts
Call You Names
82 bpm • F# Maj • 03:50 • -7.47db
25% Popularity • 43% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Seaforth
Used to It
84 bpm • F Maj • 03:26 • -6db
28% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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RaeLynn
Me About Me
84 bpm • C# Maj • 02:46 • -5.3db
35% Popularity • 46% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Adam Hambrick
Between Me and the End of the World
84 bpm • B Maj • 03:40 • -6db
32% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Jannakos
Somebody Loves You
84 bpm • A# Maj • 02:32 • -4.46db
22% Popularity • 55% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Halle Kearns
Whatever You Do
84 bpm • G Maj • 02:55 • -5.1db
26% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Tenille Arts
Right Guy Wrong Time
83 bpm • F# Maj • 03:39 • -7.21db
34% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Seth Ennis
U-Turn
84 bpm • A Maj • 03:11 • -4.71db
23% Popularity • 67% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Lindsay Ell
good on you
85 bpm • A Maj • 03:17 • -5.56db
27% Popularity • 64% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Noah Schnacky
Maybe We Will - 2020 Version
85 bpm • E Maj • 03:10 • -7.76db
21% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Mickey Guyton
What Are You Gonna Tell Her?
86 bpm • G Maj • 03:15 • -6.85db
23% Popularity • 51% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Gone West
This Time
86 bpm • A Maj • 03:39 • -8.23db
26% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Arts
Give It To Me Straight
83 bpm • C Maj • 03:14 • -4.1db
41% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Roman Alexander
Better In A Car
86 bpm • C Maj • 03:14 • -4.79db
25% Popularity • 47% Danceability • 87% Energy • 76% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Griffin
Down
87 bpm • F min • 03:07 • -3.96db
20% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Seth Ennis
Call Your Mama
86 bpm • F# Maj • 03:16 • -7.93db
39% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Everything Falls for You