Songs like Everything I Do I Do It for You by Brian Adams
Based on a tempo of (+/- 10%) and a similar genre
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Lightning Rock
Just a Dream
131 bpm • F# min • 04:38 • -7.95db
12% Popularity • 52% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 52% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Ethel Ricardo
Growth Of Love
132 bpm • A# Maj • 04:35 • -5.07db
30% Popularity • 54% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 54% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Colin Lillie
The Headlights
130 bpm • G Maj • 03:33 • -7.3db
13% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Brian Adams
You’re Not Alone
132 bpm • G# Maj • 03:34 • -17.37db
5% Popularity • 63% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 63% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Ward & Lord
Hold the Pain
132 bpm • G Maj • 04:54 • -10.66db
13% Popularity • 57% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 57% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Clay LaBeff
Shame On Me
130 bpm • G Maj • 03:35 • -6.62db
10% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Lightning Rock
Just a Dream (Acoustic)
131 bpm • G# Maj • 04:16 • -11.46db
9% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Kaden N' the Fill-Ins
Slowly Falling In Love
130 bpm • G Maj • 04:31 • -7.5db
18% Popularity • 45% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
18% Popularity • 45% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Jim sowers
I'm Not an Outlaw
132 bpm • C min • 04:26 • -13.27db
7% Popularity • 49% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 49% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Hendrix
Be Someone (Ihx Mix)
132 bpm • C Maj • 05:06 • -5.39db
10% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Mark Baile
The Reign "Taylors Song"
130 bpm • A Maj • 04:44 • -6.15db
21% Popularity • 38% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 38% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Saddle Brown
Good Guy
132 bpm • A# Maj • 03:43 • -6.75db
11% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Isaac Kenneth
California Babe
130 bpm • A Maj • 03:04 • -5.89db
24% Popularity • 67% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 67% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Abe Mac
I’ll Be Waiting
132 bpm • B Maj • 03:49 • -7.16db
9% Popularity • 64% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
9% Popularity • 64% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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William Wallace Band
Next Ex-Wife
130 bpm • C Maj • 03:26 • -12.04db
12% Popularity • 65% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 65% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Morgan Alexander
Before Goodbye
132 bpm • C# min • 03:52 • -10.68db
9% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 66% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Patrick J. Albritton
You Ask Me Do I Love You
130 bpm • A Maj • 02:58 • -14.17db
15% Popularity • 62% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 62% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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John Michael Ferrari
Who's That Girl
132 bpm • A Maj • 02:54 • -6.06db
16% Popularity • 65% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 65% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Gra/ey Duck
Left
130 bpm • G Maj • 04:11 • -9db
19% Popularity • 54% Danceability • 55% Energy • 17% Liveness
9% Instrumentalness • 13% Positiveness
19% Popularity • 54% Danceability • 55% Energy • 17% Liveness
9% Instrumentalness • 13% Positiveness
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Jeramie Crawford
Wherever You Are
130 bpm • G Maj • 04:24 • -10.15db
25% Popularity • 54% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 54% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Hunter Lott
Look Down on Me
132 bpm • B Maj • 04:35 • -8.28db
26% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Gary Joseph
Paint Me A Birmingham (Parody) - Short V...
132 bpm • A Maj • 01:14 • -15.99db
13% Popularity • 65% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 65% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Mike Thomas
Diamonds
132 bpm • C# Maj • 04:39 • -9.96db
8% Popularity • 58% Danceability • 37% Energy • 9% Liveness
3% Instrumentalness • 19% Positiveness
8% Popularity • 58% Danceability • 37% Energy • 9% Liveness
3% Instrumentalness • 19% Positiveness
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Drew Dixon
Whiskey and Wine
133 bpm • B Maj • 03:41 • -8.36db
15% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Whitehead
She Was More of a Man Than You Were
129 bpm • F# Maj • 04:11 • -8.17db
10% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Tim Brink
Crujali & Pigeonhole
129 bpm • G Maj • 03:17 • -5.73db
16% Popularity • 57% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 57% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Chad Lodge
Are You Lonesome - Demo
129 bpm • A# min • 04:19 • -7.49db
11% Popularity • 53% Danceability • 61% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 53% Danceability • 61% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
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The Red Dirt Skinners
Behind the Wheel
128 bpm • A min • 03:39 • -5.99db
15% Popularity • 56% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 56% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Saltwater Sky
A Thousand Times
134 bpm • C# Maj • 03:17 • -7.66db
20% Popularity • 71% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 71% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Jerry Headd
I'll Lose Control
134 bpm • E Maj • 03:02 • -9.92db
11% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mike Thomas
Three Reasons
134 bpm • G Maj • 06:03 • -7.71db
12% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Josh Langston
She Goes Crazy - Swamp Sessions
134 bpm • G Maj • 04:12 • -5db
15% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Jon Bailey & The Heathen Revival
Call Your Momma (Katherine's Song)
134 bpm • D# Maj • 04:26 • -7.67db
7% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Eskridge
When Life Happens
134 bpm • G Maj • 03:48 • -7db
18% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Shane Barnhill
Other Side of Lonely
134 bpm • D Maj • 03:31 • -8.97db
7% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Teley Irons
I Ain't Jumping Bail (Or Breaking Free)
128 bpm • D Maj • 04:59 • -4.19db
21% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kevin Quigley
Soul Sold
128 bpm • E Maj • 04:23 • -6.37db
28% Popularity • 41% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 41% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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John Daly
The Day She Went to Heaven
134 bpm • D Maj • 04:00 • -7.62db
13% Popularity • 59% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 59% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Caio Zancan
Believe me I'm lying
128 bpm • A min • 04:11 • -9.9db
28% Popularity • 72% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 72% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Alton Dean
My baby girl
134 bpm • A Maj • 03:38 • -9.94db
13% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Tracy Inman
On Facebook
128 bpm • G Maj • 03:40 • -7.89db
4% Popularity • 76% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
4% Popularity • 76% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Maddox Ross
Indiana Harmony
128 bpm • C# Maj • 04:14 • -11.67db
18% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Woodmountain
Compared To Nothing
134 bpm • G Maj • 04:00 • -11.33db
13% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Rye Davis
Monsters
134 bpm • A Maj • 03:44 • -8.58db
11% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Mitchells Theatre
Go Big
128 bpm • B Maj • 03:36 • -9.23db
16% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Darick Parson
Facing Mountains
128 bpm • C Maj • 03:57 • -5.64db
13% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Pat Michaels
Maybe This Time
134 bpm • G Maj • 03:56 • -8.63db
15% Popularity • 56% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 56% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Blackstone Three
Montana
134 bpm • G# Maj • 03:49 • -3.73db
14% Popularity • 49% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 49% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Ronnie Gossett
I'm The One - Live
134 bpm • G# Maj • 03:43 • -14.59db
40% Popularity • 71% Danceability • 35% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
40% Popularity • 71% Danceability • 35% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
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Jesper Nielsen Band
Restless Heart
135 bpm • C Maj • 03:26 • -7.94db
15% Popularity • 57% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 57% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Abila
Becky's Bible
135 bpm • F Maj • 04:10 • -9.66db
11% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Mike Casto
Guitar on My Back
135 bpm • A Maj • 03:52 • -8.77db
12% Popularity • 62% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
12% Popularity • 62% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
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Adam Harbison
My Love Letter Goodbye
135 bpm • G Maj • 04:28 • -5.81db
9% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Derrick McLendon
No Motorcyles, No Tattoos
127 bpm • G# Maj • 03:48 • -6.95db
12% Popularity • 54% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 54% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Robert Deitch
Three Church Two Tavern Town (Official)
127 bpm • F Maj • 03:28 • -8.52db
8% Popularity • 57% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 57% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Punch Douglas
Can't Even Say Goodbye
127 bpm • G Maj • 04:20 • -7.66db
13% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Smoke & The Poet
4 Speeds, No More
127 bpm • E Maj • 04:28 • -7.24db
7% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Bobby Cool
Wings of an Angel
127 bpm • G Maj • 03:00 • -4.76db
13% Popularity • 58% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 58% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Joel Kellar
Aye Que Rico
127 bpm • F# Maj • 02:22 • -7.92db
8% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Jerry Headd
Our Friendship Will Never End
127 bpm • E Maj • 02:26 • -9.52db
13% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dean James
Ghost Of You - demo
136 bpm • A# Maj • 04:07 • -12.09db
11% Popularity • 55% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 55% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Saltwater Sky
Chasing My Yesterdays
136 bpm • G Maj • 04:19 • -13.54db
10% Popularity • 51% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 51% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Hope and The Jackwagons
Horse of a Different Color
127 bpm • E Maj • 03:12 • -11.79db
14% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Micah Dearstone
Endure
136 bpm • C# Maj • 05:04 • -11.44db
16% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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DMC DUO
Loved You Anyway
136 bpm • A Maj • 04:08 • -8.4db
18% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Kremidas
Never Break Me
126 bpm • E Maj • 03:20 • -5.09db
9% Popularity • 55% Danceability • 88% Energy • 26% Liveness
1% Instrumentalness • 83% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 26% Liveness
1% Instrumentalness • 83% Positiveness
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Brother Slade
How Broken Is Broken
136 bpm • G Maj • 03:15 • -8.29db
12% Popularity • 64% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 64% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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KC Cameron
Average
126 bpm • A Maj • 03:26 • -5.74db
14% Popularity • 50% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 50% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Truck Pierce
I'd Know Her Anywhere
136 bpm • D Maj • 04:12 • -8.42db
17% Popularity • 60% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 60% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 18% Positiveness
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Neil Walsh
The Weight
136 bpm • A Maj • 04:19 • -10.89db
10% Popularity • 63% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 63% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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Derik Bross
Slow Burning
126 bpm • G Maj • 03:15 • -5.14db
9% Popularity • 58% Danceability • 69% Energy • 26% Liveness
2% Instrumentalness • 42% Positiveness
9% Popularity • 58% Danceability • 69% Energy • 26% Liveness
2% Instrumentalness • 42% Positiveness
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Sam Miller
That's the Cowboy Way
126 bpm • G Maj • 03:42 • -11.1db
11% Popularity • 73% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 73% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Crosstown Chameleons
Maybe I'm Just Crazy
126 bpm • D Maj • 05:05 • -12.66db
9% Popularity • 61% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 61% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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D Boone Pittman
The Question
126 bpm • F# Maj • 05:14 • -9.83db
9% Popularity • 60% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 60% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Rudolf Korv
When I Get Home from Memphis
126 bpm • F# Maj • 04:52 • -9.83db
17% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Shane Pons
So Many Whiskeys Ago
126 bpm • D min • 03:30 • -6.79db
14% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Davis
Outlaw Queen
126 bpm • F# Maj • 02:58 • -9.61db
13% Popularity • 62% Danceability • 50% Energy • 9% Liveness
16% Instrumentalness • 31% Positiveness
13% Popularity • 62% Danceability • 50% Energy • 9% Liveness
16% Instrumentalness • 31% Positiveness
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Andrew Dean and the Farm Machine
Country Time
136 bpm • A Maj • 03:02 • -6.5db
8% Popularity • 57% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 57% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Stephen Martin
Ain't Enough Sad Songs
126 bpm • D# Maj • 03:44 • -14.34db
12% Popularity • 57% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 57% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Jerry Headd
Jesus Is Best
126 bpm • E Maj • 03:27 • -10.09db
10% Popularity • 69% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 69% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Nashvillains
Don't Let Me Hang
137 bpm • C Maj • 03:57 • -8.02db
10% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Enlisted: Songs from a Veteran
Sergeant "Doc" Van Tuyl (Save a Life)
137 bpm • D Maj • 02:54 • -8.67db
14% Popularity • 52% Danceability • 45% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 52% Danceability • 45% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
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Hurricane Highway
Road Trip
137 bpm • G Maj • 03:10 • -6.34db
1% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Dave Glabb
Knockin On Heavens Door
125 bpm • A Maj • 03:49 • -9.6db
6% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
6% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Pelico
Cold Trees
137 bpm • C Maj • 03:40 • -8.18db
8% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jerry Headd
Santa's on His Way
125 bpm • A Maj • 03:09 • -4.33db
8% Popularity • 64% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 64% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 80% Positiveness
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Gregg Hill
Clinging to the Wind
125 bpm • E Maj • 04:47 • -8.18db
8% Popularity • 68% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 68% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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A Little Bit Country
Shot At Loving You
125 bpm • B Maj • 03:42 • -6.73db
2% Popularity • 52% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 52% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Shayne Rammler
Redheads and Whiskey
137 bpm • A# Maj • 04:36 • -8.73db
11% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Rosenthal Parkway Band
Another Round of Whiskey
125 bpm • G Maj • 02:54 • -9.53db
19% Popularity • 67% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 67% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Lightning Rock
Cruising with Your Memory
137 bpm • C# min • 03:33 • -8.71db
9% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 45% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Michael Todd
Footlights
138 bpm • A# Maj • 04:09 • -11.07db
10% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Bruce Worthington
Chains of Love
125 bpm • E Maj • 03:53 • -8.53db
10% Popularity • 59% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 59% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Bubba Bishop
Paying My Dues
138 bpm • D# Maj • 04:16 • -6.04db
14% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Shane Thompson
In Color - Live
138 bpm • D# Maj • 04:07 • -11.73db
12% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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IROCK
West Montana
138 bpm • E Maj • 03:57 • -28.14db
10% Popularity • 64% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 64% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Garrett Bradford
Give Dad A Call
138 bpm • E Maj • 02:11 • -12.43db
21% Popularity • 73% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 73% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Shannon Hudson
Heartbreak Eyes
138 bpm • D Maj • 03:43 • -5.02db
20% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
