Songs like Everything I Say by Vic Chesnutt
Based on a tempo of (+/- 10%) and a similar genre
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Vic Chesnutt
Everything I Say
148 bpm • F Maj • 06:53 • -7.99db
13% Popularity • 28% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 18% Positiveness
13% Popularity • 28% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 18% Positiveness
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Spain
Untitled #1
147 bpm • A# min • 06:38 • -14db
39% Popularity • 86% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 72% Positiveness
39% Popularity • 86% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 72% Positiveness
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Sonic Youth
New Hampshire
148 bpm • G min • 05:12 • -8.73db
29% Popularity • 48% Danceability • 86% Energy • 11% Liveness
57% Instrumentalness • 49% Positiveness
29% Popularity • 48% Danceability • 86% Energy • 11% Liveness
57% Instrumentalness • 49% Positiveness
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Luna
Time to Quit
147 bpm • C Maj • 03:04 • -11.21db
14% Popularity • 32% Danceability • 58% Energy • 11% Liveness
17% Instrumentalness • 58% Positiveness
14% Popularity • 32% Danceability • 58% Energy • 11% Liveness
17% Instrumentalness • 58% Positiveness
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The Drones
Shark Fin Blues
147 bpm • D Maj • 05:43 • -4.33db
34% Popularity • 24% Danceability • 86% Energy • 31% Liveness
8% Instrumentalness • 27% Positiveness
34% Popularity • 24% Danceability • 86% Energy • 31% Liveness
8% Instrumentalness • 27% Positiveness
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Sun Kil Moon
Tonight the Sky
147 bpm • D Maj • 10:21 • -11.41db
20% Popularity • 41% Danceability • 44% Energy • 15% Liveness
7% Instrumentalness • 22% Positiveness
20% Popularity • 41% Danceability • 44% Energy • 15% Liveness
7% Instrumentalness • 22% Positiveness
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Vic Chesnutt
Sad Peter Pan
149 bpm • F Maj • 03:30 • -11.85db
30% Popularity • 62% Danceability • 36% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
30% Popularity • 62% Danceability • 36% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
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Songs: Ohia
Two Blue Lights
150 bpm • E min • 02:15 • -11.91db
34% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
34% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Akron/Family
Before And Again
146 bpm • E min • 04:36 • -11.04db
20% Popularity • 54% Danceability • 28% Energy • 14% Liveness
10% Instrumentalness • 13% Positiveness
20% Popularity • 54% Danceability • 28% Energy • 14% Liveness
10% Instrumentalness • 13% Positiveness
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Sparklehorse
Weird Sisters
146 bpm • D Maj • 04:59 • -10.29db
29% Popularity • 49% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 26% Positiveness
29% Popularity • 49% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 26% Positiveness
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PJ Harvey
The Colour Of The Earth
146 bpm • G# Maj • 02:33 • -10.66db
26% Popularity • 50% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 50% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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The Black Heart Procession
When We Reach the Hill
150 bpm • B min • 03:43 • -12.44db
15% Popularity • 48% Danceability • 22% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
15% Popularity • 48% Danceability • 22% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Vic Chesnutt
Latent/Blatant
147 bpm • C Maj • 03:20 • -9.34db
2% Popularity • 42% Danceability • 66% Energy • 12% Liveness
53% Instrumentalness • 50% Positiveness
2% Popularity • 42% Danceability • 66% Energy • 12% Liveness
53% Instrumentalness • 50% Positiveness
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Sophia
The River Song
146 bpm • G Maj • 04:50 • -6.19db
10% Popularity • 46% Danceability • 92% Energy • 15% Liveness
4% Instrumentalness • 57% Positiveness
10% Popularity • 46% Danceability • 92% Energy • 15% Liveness
4% Instrumentalness • 57% Positiveness
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Papa M
Roses In The Snow
150 bpm • D Maj • 03:44 • -11.71db
22% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Pavement
The Hexx
146 bpm • C min • 05:39 • -13.15db
31% Popularity • 38% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 12% Positiveness
31% Popularity • 38% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 12% Positiveness
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Smog
Held
150 bpm • G# Maj • 04:02 • -9db
35% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Ranaldo
Off the Wall
145 bpm • A# Maj • 03:04 • -6.37db
17% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Vic Chesnutt
Debriefing
146 bpm • A min • 08:27 • -6.68db
6% Popularity • 25% Danceability • 79% Energy • 26% Liveness
9% Instrumentalness • 19% Positiveness
6% Popularity • 25% Danceability • 79% Energy • 26% Liveness
9% Instrumentalness • 19% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
50% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Molina
It Costs You Nothing
145 bpm • G# Maj • 03:59 • -15.13db
16% Popularity • 48% Danceability • 16% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
16% Popularity • 48% Danceability • 16% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
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Angels Of Light
Evangeline
145 bpm • D Maj • 08:45 • -9db
26% Popularity • 38% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
26% Popularity • 38% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Belle and Sebastian
The State I Am In
145 bpm • F# Maj • 04:57 • -13.19db
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lambchop
Gone Tomorrow
145 bpm • F# Maj • 06:59 • -12.94db
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
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Vic Chesnutt
Thailand
145 bpm • A# Maj • 03:54 • -9.1db
5% Popularity • 49% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 16% Positiveness
5% Popularity • 49% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 16% Positiveness
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The Beta Band
Dogs Got a Bone
144 bpm • A Maj • 05:58 • -10db
28% Popularity • 32% Danceability • 52% Energy • 15% Liveness
20% Instrumentalness • 68% Positiveness
28% Popularity • 32% Danceability • 52% Energy • 15% Liveness
20% Instrumentalness • 68% Positiveness
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Stereolab
Jenny Ondioline (Part One)
144 bpm • F# Maj • 03:40 • -6.73db
13% Popularity • 36% Danceability • 76% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
13% Popularity • 36% Danceability • 76% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
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Richard Buckner
Believer
144 bpm • F min • 02:10 • -6.55db
13% Popularity • 41% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 41% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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American Music Club
Sick Of Food
144 bpm • E min • 04:02 • -11.95db
14% Popularity • 22% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 22% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Stuart A. Staples
Shame on You
152 bpm • G Maj • 02:22 • -7.75db
15% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Vic Chesnutt
Until The Led
145 bpm • C Maj • 03:38 • -15.05db
10% Popularity • 53% Danceability • 55% Energy • 6% Liveness
24% Instrumentalness • 84% Positiveness
10% Popularity • 53% Danceability • 55% Energy • 6% Liveness
24% Instrumentalness • 84% Positiveness
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Pavement
Stop Breathin
153 bpm • F min • 04:27 • -14db
35% Popularity • 35% Danceability • 35% Energy • 15% Liveness
91% Instrumentalness • 23% Positiveness
35% Popularity • 35% Danceability • 35% Energy • 15% Liveness
91% Instrumentalness • 23% Positiveness
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Wovenhand
The Good Hand
143 bpm • E min • 04:10 • -5.45db
26% Popularity • 57% Danceability • 75% Energy • 11% Liveness
37% Instrumentalness • 54% Positiveness
26% Popularity • 57% Danceability • 75% Energy • 11% Liveness
37% Instrumentalness • 54% Positiveness
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Lou Reed
The Bed
143 bpm • G Maj • 05:51 • -19.95db
26% Popularity • 33% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 10% Positiveness
26% Popularity • 33% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 10% Positiveness
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Thurston Moore
Circulation
143 bpm • G Maj • 04:10 • -6db
14% Popularity • 39% Danceability • 72% Energy • 9% Liveness
74% Instrumentalness • 29% Positiveness
14% Popularity • 39% Danceability • 72% Energy • 9% Liveness
74% Instrumentalness • 29% Positiveness
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Jason Molina
Shadow Answers the Wall
154 bpm • A Maj • 02:36 • -11.5db
23% Popularity • 64% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
23% Popularity • 64% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
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PJ Harvey
Teclo
142 bpm • E min • 04:56 • -15.9db
33% Popularity • 58% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 58% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Smog
Teenage Spaceship
142 bpm • D Maj • 03:58 • -22.29db
33% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
33% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
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Jim White
Still Waters
154 bpm • C Maj • 06:36 • -15.06db
25% Popularity • 51% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 52% Positiveness
25% Popularity • 51% Danceability • 41% Energy • 6% Liveness
3% Instrumentalness • 52% Positiveness
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Bill Wells
The Greatest Story Ever Told
155 bpm • G Maj • 04:19 • -11db
8% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Thurston Moore
Fri/End
143 bpm • D Maj • 03:33 • -7.89db
9% Popularity • 47% Danceability • 83% Energy • 49% Liveness
10% Instrumentalness • 57% Positiveness
9% Popularity • 47% Danceability • 83% Energy • 49% Liveness
10% Instrumentalness • 57% Positiveness
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The Besnard Lakes
Devastation
141 bpm • D Maj • 05:50 • -5.5db
8% Popularity • 18% Danceability • 65% Energy • 18% Liveness
4% Instrumentalness • 34% Positiveness
8% Popularity • 18% Danceability • 65% Energy • 18% Liveness
4% Instrumentalness • 34% Positiveness
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PJ Harvey
Sixteen, Fifteen, Fourteen
155 bpm • G# min • 03:32 • -7.41db
21% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Stuart A. Staples
Goodbye to Old Friends
140 bpm • F# min • 06:13 • -8.82db
25% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
25% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
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Wovenhand
Blue Pail Fever
140 bpm • F# min • 04:58 • -9db
26% Popularity • 56% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
26% Popularity • 56% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Grinderman
Mickey Mouse and the Goodbye Man
156 bpm • A Maj • 05:42 • -6.66db
25% Popularity • 42% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
25% Popularity • 42% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Thurston Moore
Honest James
142 bpm • D# Maj • 03:52 • -10.08db
12% Popularity • 43% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
12% Popularity • 43% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Mark Kozelek & Jimmy LaValle
Gustavo
140 bpm • F Maj • 07:11 • -13.89db
28% Popularity • 74% Danceability • 24% Energy • 8% Liveness
12% Instrumentalness • 19% Positiveness
28% Popularity • 74% Danceability • 24% Energy • 8% Liveness
12% Instrumentalness • 19% Positiveness
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Built To Spill
Gone
140 bpm • D min • 05:41 • -7.6db
3% Popularity • 28% Danceability • 64% Energy • 26% Liveness
57% Instrumentalness • 20% Positiveness
3% Popularity • 28% Danceability • 64% Energy • 26% Liveness
57% Instrumentalness • 20% Positiveness
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Calla
Strangler
140 bpm • B min • 04:24 • -6.7db
18% Popularity • 53% Danceability • 72% Energy • 25% Liveness
64% Instrumentalness • 54% Positiveness
18% Popularity • 53% Danceability • 72% Energy • 25% Liveness
64% Instrumentalness • 54% Positiveness
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Papa M
Beloved Woman
140 bpm • F# min • 03:26 • -9.44db
28% Popularity • 40% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
28% Popularity • 40% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Sparklehorse
Cow
157 bpm • C Maj • 07:12 • -8db
31% Popularity • 30% Danceability • 56% Energy • 36% Liveness
64% Instrumentalness • 52% Positiveness
31% Popularity • 30% Danceability • 56% Energy • 36% Liveness
64% Instrumentalness • 52% Positiveness
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Sophia
The Death of a Salesman
157 bpm • B min • 03:17 • -13.31db
7% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Spacemen 3
Lord Can You Hear Me
139 bpm • D Maj • 04:33 • -16db
36% Popularity • 45% Danceability • 7% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
36% Popularity • 45% Danceability • 7% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Swans
Song for a Warrior
139 bpm • C Maj • 03:58 • -17.79db
24% Popularity • 27% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 27% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Sonic Youth
Sacred Trickster
158 bpm • A Maj • 02:11 • -5.03db
26% Popularity • 32% Danceability • 98% Energy • 11% Liveness
25% Instrumentalness • 21% Positiveness
26% Popularity • 32% Danceability • 98% Energy • 11% Liveness
25% Instrumentalness • 21% Positiveness
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Joe Lally
What Makes You
158 bpm • F min • 02:43 • -11db
18% Popularity • 60% Danceability • 43% Energy • 18% Liveness
54% Instrumentalness • 49% Positiveness
18% Popularity • 60% Danceability • 43% Energy • 18% Liveness
54% Instrumentalness • 49% Positiveness
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Vic Chesnutt
Gravity of the Situation
139 bpm • C Maj • 04:09 • -10.83db
21% Popularity • 50% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 50% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Smog
Rock Bottom Riser
158 bpm • B Maj • 05:44 • -16db
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
35% Popularity • 54% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 10% Positiveness
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East River Pipe
Shiny, Shiny Pimpmobile
138 bpm • C Maj • 03:40 • -12.1db
19% Popularity • 43% Danceability • 49% Energy • 34% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 43% Danceability • 49% Energy • 34% Liveness
8% Instrumentalness • 4% Positiveness
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Grandaddy
Summer Here Kids
137 bpm • C# min • 03:36 • -7db
27% Popularity • 52% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
27% Popularity • 52% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Red House Painters
Mistress
160 bpm • A# Maj • 04:05 • -12db
32% Popularity • 28% Danceability • 62% Energy • 10% Liveness
71% Instrumentalness • 59% Positiveness
32% Popularity • 28% Danceability • 62% Energy • 10% Liveness
71% Instrumentalness • 59% Positiveness
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16 Horsepower
American Wheeze
136 bpm • G min • 03:32 • -10.4db
28% Popularity • 69% Danceability • 67% Energy • 8% Liveness
44% Instrumentalness • 51% Positiveness
28% Popularity • 69% Danceability • 67% Energy • 8% Liveness
44% Instrumentalness • 51% Positiveness
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Vic Chesnutt
Guilty By Association
137 bpm • E Maj • 04:19 • -12.62db
21% Popularity • 55% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
21% Popularity • 55% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
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Nina Nastasia
I've Been Out Walking
136 bpm • C# min • 03:18 • -17.33db
9% Popularity • 46% Danceability • 38% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
9% Popularity • 46% Danceability • 38% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
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Smog
Palimpsest
138 bpm • D# min • 02:52 • -17.2db
37% Popularity • 56% Danceability • 19% Energy • 16% Liveness
19% Instrumentalness • 29% Positiveness
37% Popularity • 56% Danceability • 19% Energy • 16% Liveness
19% Instrumentalness • 29% Positiveness
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Thurston Moore
Vocabularies
136 bpm • A Maj • 04:30 • -9.62db
9% Popularity • 45% Danceability • 55% Energy • 28% Liveness
7% Instrumentalness • 16% Positiveness
9% Popularity • 45% Danceability • 55% Energy • 28% Liveness
7% Instrumentalness • 16% Positiveness
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Jerry Joseph And The Jackmormons
Your Glass Eye
135 bpm • F Maj • 04:35 • -9.24db
2% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Micah P. Hinson
The Possibilities
136 bpm • E Maj • 03:48 • -15.95db
35% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
35% Popularity • 50% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
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Vic Chesnutt
Concord Country Jubilee
136 bpm • G Maj • 04:32 • -11.5db
12% Popularity • 38% Danceability • 43% Energy • 13% Liveness
33% Instrumentalness • 38% Positiveness
12% Popularity • 38% Danceability • 43% Energy • 13% Liveness
33% Instrumentalness • 38% Positiveness
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Midlake
Branches
135 bpm • D Maj • 05:02 • -12.73db
27% Popularity • 35% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 35% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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The Feelies
Slow Down
135 bpm • B Maj • 03:14 • -11.91db
7% Popularity • 51% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
7% Popularity • 51% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Brute
All Kinds
162 bpm • D Maj • 05:31 • -9.25db
3% Popularity • 26% Danceability • 47% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
3% Popularity • 26% Danceability • 47% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Beck
Lonesome Tears
135 bpm • F# Maj • 05:37 • -8.92db
41% Popularity • 20% Danceability • 52% Energy • 11% Liveness
61% Instrumentalness • 11% Positiveness
41% Popularity • 20% Danceability • 52% Energy • 11% Liveness
61% Instrumentalness • 11% Positiveness
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David Thomas Broughton
Ever Rotating Sky
134 bpm • G# min • 09:07 • -11.2db
10% Popularity • 55% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 55% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Vic Chesnutt
Supernatural
163 bpm • F Maj • 03:36 • -18.16db
33% Popularity • 50% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 50% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Dinosaur Jr.
Love Is...
134 bpm • A min • 03:40 • -6.17db
20% Popularity • 42% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 42% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Sparklehorse
Getting It Wrong
134 bpm • A min • 02:16 • -14db
37% Popularity • 80% Danceability • 13% Energy • 12% Liveness
46% Instrumentalness • 31% Positiveness
37% Popularity • 80% Danceability • 13% Energy • 12% Liveness
46% Instrumentalness • 31% Positiveness
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Galaxie 500
Isn't It A Pity
164 bpm • A min • 05:12 • -7.28db
9% Popularity • 21% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
9% Popularity • 21% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 31% Positiveness
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The Afghan Whigs
When We Two Parted - Remastered
134 bpm • E Maj • 05:47 • -8.11db
21% Popularity • 37% Danceability • 51% Energy • 10% Liveness
15% Instrumentalness • 33% Positiveness
21% Popularity • 37% Danceability • 51% Energy • 10% Liveness
15% Instrumentalness • 33% Positiveness
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Loose Fur
Laminated Cat
134 bpm • D Maj • 07:18 • -17.53db
21% Popularity • 53% Danceability • 42% Energy • 9% Liveness
54% Instrumentalness • 38% Positiveness
21% Popularity • 53% Danceability • 42% Energy • 9% Liveness
54% Instrumentalness • 38% Positiveness
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Vic Chesnutt
When I Ran off and Left Her
165 bpm • G Maj • 02:54 • -10.92db
27% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Mercury Rev
Opus 40
133 bpm • F min • 05:10 • -7.34db
35% Popularity • 36% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 36% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mogwai
Cody
133 bpm • E min • 06:33 • -12.73db
27% Popularity • 39% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
27% Popularity • 39% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Jason Molina
34 Blues
133 bpm • F# Maj • 02:52 • -16.16db
17% Popularity • 49% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
17% Popularity • 49% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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Nina Nastasia
This Is What It Is
133 bpm • B min • 04:17 • -13.83db
9% Popularity • 53% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 53% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Three Mile Pilot
Longest Day
132 bpm • A# Maj • 04:16 • -7.9db
14% Popularity • 62% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 62% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Vic Chesnutt
Florida
133 bpm • E Maj • 04:28 • -11.89db
4% Popularity • 35% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 35% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Micah P. Hinson
Tell Me It Ain't So
132 bpm • C# Maj • 04:09 • -12.59db
24% Popularity • 45% Danceability • 27% Energy • 30% Liveness
18% Instrumentalness • 24% Positiveness
24% Popularity • 45% Danceability • 27% Energy • 30% Liveness
18% Instrumentalness • 24% Positiveness
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Red House Painters
Japanese to English
166 bpm • A# Maj • 04:41 • -15.39db
28% Popularity • 37% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 37% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Ranaldo
Waiting on a Dream
132 bpm • C min • 06:14 • -6db
23% Popularity • 37% Danceability • 90% Energy • 11% Liveness
52% Instrumentalness • 23% Positiveness
23% Popularity • 37% Danceability • 90% Energy • 11% Liveness
52% Instrumentalness • 23% Positiveness
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Jason Molina
Alone With The Owl
131 bpm • E Maj • 02:24 • -13db
28% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Thurston Moore
Benediction
131 bpm • A# Maj • 05:16 • -8.92db
23% Popularity • 52% Danceability • 48% Energy • 17% Liveness
79% Instrumentalness • 56% Positiveness
23% Popularity • 52% Danceability • 48% Energy • 17% Liveness
79% Instrumentalness • 56% Positiveness
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Smog
Ex-Con
131 bpm • C Maj • 03:35 • -11.81db
35% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
35% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
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Morphine
In Spite of Me
167 bpm • G Maj • 02:34 • -15db
48% Popularity • 43% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 49% Positiveness
48% Popularity • 43% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 49% Positiveness
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Sebadoh
Happily Divided
168 bpm • F# min • 02:20 • -15.57db
28% Popularity • 54% Danceability • 28% Energy • 11% Liveness
59% Instrumentalness • 33% Positiveness
28% Popularity • 54% Danceability • 28% Energy • 11% Liveness
59% Instrumentalness • 33% Positiveness
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Grandaddy
Jed The Humanoid
131 bpm • G Maj • 04:13 • -14.06db
25% Popularity • 23% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 24% Positiveness
25% Popularity • 23% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 24% Positiveness
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Palace Brothers
Pushkin
130 bpm • C min • 02:52 • -17.24db
15% Popularity • 45% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 45% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
