Songs like Everything You Touch Is Gold (Epekdrezzsan) by Gregory Porter
Based on a tempo of (+/- 10%) and a similar genre
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Jazzanova
Face at My Window
150 bpm • D min • 03:26 • -13.1db
20% Popularity • 79% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 79% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Safa Liron
YouMe
150 bpm • G# min • 03:05 • -7.29db
21% Popularity • 47% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
21% Popularity • 47% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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Quinn Oulton
Show Your Face
150 bpm • C# Maj • 04:09 • -9.53db
19% Popularity • 70% Danceability • 43% Energy • 16% Liveness
2% Instrumentalness • 46% Positiveness
19% Popularity • 70% Danceability • 43% Energy • 16% Liveness
2% Instrumentalness • 46% Positiveness
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Full Crate
Beh Beh
150 bpm • F min • 03:18 • -14.78db
34% Popularity • 69% Danceability • 34% Energy • 12% Liveness
34% Instrumentalness • 61% Positiveness
34% Popularity • 69% Danceability • 34% Energy • 12% Liveness
34% Instrumentalness • 61% Positiveness
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Gregory Porter
Everything You Touch Is Gold (Epekdrezzs...
150 bpm • E Maj • 03:18 • -11.36db
23% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Braxton Cook
Statistics
150 bpm • F# Maj • 03:29 • -7.59db
19% Popularity • 52% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
19% Popularity • 52% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Here It Is
Suzanne
149 bpm • E Maj • 04:33 • -13.83db
46% Popularity • 36% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 36% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Son Little
bend yr ear
151 bpm • G min • 03:53 • -9db
40% Popularity • 37% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 37% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Jeff Cascaro
Soul of a Singer
152 bpm • G min • 03:27 • -7.74db
35% Popularity • 75% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 75% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Adi Oasis
9
148 bpm • C Maj • 04:31 • -7.4db
28% Popularity • 59% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 59% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Samm Henshaw
Still Broke - Keyon's Cocktail Mix
148 bpm • F min • 03:57 • -7.56db
28% Popularity • 50% Danceability • 57% Energy • 26% Liveness
63% Instrumentalness • 46% Positiveness
28% Popularity • 50% Danceability • 57% Energy • 26% Liveness
63% Instrumentalness • 46% Positiveness
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Magnus Lindgren
Souls
152 bpm • C# min • 03:06 • -10db
35% Popularity • 72% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
35% Popularity • 72% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
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Melody Gardot
You Never Ask - from 'Madame Sean Conner...
148 bpm • G# min • 04:05 • -15.63db
29% Popularity • 34% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
29% Popularity • 34% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Royce Wood Junior
Spit Up
148 bpm • A min • 03:53 • -4.31db
15% Popularity • 80% Danceability • 76% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
15% Popularity • 80% Danceability • 76% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
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Noa Lauryn
Bubble
152 bpm • D# Maj • 03:15 • -11.25db
34% Popularity • 61% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 61% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Lauren Henderson
What You Won't Do for Love
153 bpm • F min • 04:53 • -12.17db
26% Popularity • 56% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
26% Popularity • 56% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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MATTERS UNKNOWN
Other Side
153 bpm • A# min • 05:01 • -9.79db
11% Popularity • 48% Danceability • 51% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
11% Popularity • 48% Danceability • 51% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Ashley Henry
Melanin
147 bpm • F Maj • 04:20 • -11.98db
27% Popularity • 66% Danceability • 60% Energy • 36% Liveness
57% Instrumentalness • 55% Positiveness
27% Popularity • 66% Danceability • 60% Energy • 36% Liveness
57% Instrumentalness • 55% Positiveness
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The Suffers
How Do We Heal
154 bpm • F# min • 05:11 • -11db
15% Popularity • 52% Danceability • 45% Energy • 14% Liveness
7% Instrumentalness • 44% Positiveness
15% Popularity • 52% Danceability • 45% Energy • 14% Liveness
7% Instrumentalness • 44% Positiveness
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Izy
Out The Door
154 bpm • D Maj • 04:03 • -9.87db
29% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Remy Shand
Everlasting
154 bpm • A min • 04:21 • -7.42db
37% Popularity • 62% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 62% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Lauren Henderson
Conjuring
153 bpm • F# min • 03:36 • -14.37db
28% Popularity • 40% Danceability • 32% Energy • 10% Liveness
24% Instrumentalness • 37% Positiveness
28% Popularity • 40% Danceability • 32% Energy • 10% Liveness
24% Instrumentalness • 37% Positiveness
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Michael Mayo
The Way
145 bpm • F min • 04:08 • -7.89db
20% Popularity • 40% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 40% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Footprint Project
Been in Between
145 bpm • A# min • 04:37 • -9.89db
8% Popularity • 64% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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Maverick Sabre
Can't Be Wrong
155 bpm • E min • 04:10 • -7db
20% Popularity • 41% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 41% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Laville
Giants
145 bpm • F Maj • 04:20 • -14.51db
7% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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James Chatburn
The Hurt
145 bpm • A Maj • 03:59 • -10db
30% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Gavin Holligan
This Hotel Is Closed - Radio Edit
144 bpm • D min • 03:31 • -9.23db
16% Popularity • 62% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 62% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Beady Belle
The Animal
144 bpm • C Maj • 03:50 • -10.88db
9% Popularity • 85% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 85% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Ida Sand
Ain't No Sunshine
157 bpm • D min • 03:45 • -11db
54% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Yakul
April
143 bpm • G# min • 04:18 • -6.62db
33% Popularity • 44% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 44% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Cæcilie Norby
Soul Sister
142 bpm • A min • 04:12 • -7.36db
29% Popularity • 63% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 63% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Gregory Porter
Real Good Hands
143 bpm • A Maj • 04:12 • -11.09db
28% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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mokina
City
141 bpm • B min • 02:58 • -15db
27% Popularity • 78% Danceability • 35% Energy • 23% Liveness
5% Instrumentalness • 62% Positiveness
27% Popularity • 78% Danceability • 35% Energy • 23% Liveness
5% Instrumentalness • 62% Positiveness
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Robben Ford
Common Ground
160 bpm • F Maj • 04:14 • -9.9db
27% Popularity • 47% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 47% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Frida Touray
Mending
160 bpm • F Maj • 03:54 • -10.45db
28% Popularity • 68% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
28% Popularity • 68% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
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Brandee Younger
Brand New Life
140 bpm • F min • 04:32 • -9.08db
34% Popularity • 56% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
34% Popularity • 56% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
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Jack Page
Play That Too
140 bpm • D# Maj • 03:30 • -8.46db
30% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Gregory Porter
Merchants Of Paradise
142 bpm • F Maj • 06:02 • -9.15db
24% Popularity • 58% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
24% Popularity • 58% Danceability • 44% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Swink
Coffee Beans
140 bpm • E Maj • 02:20 • -20.48db
24% Popularity • 58% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
24% Popularity • 58% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
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Hemai
Feet Will Fall
140 bpm • D# min • 03:47 • -12.79db
20% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Frank Mccomb
White Line in the Sky
140 bpm • C# Maj • 01:48 • -13.03db
35% Popularity • 72% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 61% Positiveness
35% Popularity • 72% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 61% Positiveness
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GeeJay
Staring in the Mirror
140 bpm • B min • 02:59 • -8.31db
37% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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FKAjazz
Meet Me Halfway
162 bpm • A# min • 02:49 • -7.47db
11% Popularity • 42% Danceability • 64% Energy • 8% Liveness
5% Instrumentalness • 28% Positiveness
11% Popularity • 42% Danceability • 64% Energy • 8% Liveness
5% Instrumentalness • 28% Positiveness
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Gregory Porter
Bad Girl Love
140 bpm • D Maj • 04:39 • -14.52db
21% Popularity • 36% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 36% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Lady Blackbird
Beware the Stranger
140 bpm • A Maj • 04:13 • -9.51db
25% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sophie Faith
Heart Is On My Sleeve
139 bpm • B Maj • 04:13 • -12.4db
37% Popularity • 45% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 45% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ibrahim Maalouf
Humble
138 bpm • C# min • 03:22 • -13.47db
18% Popularity • 50% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
18% Popularity • 50% Danceability • 39% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Secret Night Gang
Fall in love
138 bpm • G min • 05:54 • -7.61db
9% Popularity • 44% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 44% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Rita Ray
Little Girl
138 bpm • E Maj • 04:33 • -9.76db
22% Popularity • 63% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 91% Positiveness
22% Popularity • 63% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 91% Positiveness
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Gregory Porter
I Will
140 bpm • F min • 04:27 • -8.58db
24% Popularity • 45% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 45% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Flo Naegeli
Loving You Is Easy
164 bpm • F min • 03:29 • -8.12db
41% Popularity • 77% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 77% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Son Little
6 AM
137 bpm • B Maj • 03:50 • -8.4db
32% Popularity • 42% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 42% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Erik Truffaz
Reflections
137 bpm • C min • 03:44 • -10.26db
31% Popularity • 73% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Anomalie
Untouchable
136 bpm • C min • 03:04 • -10.98db
27% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Marvin Gaye
I Want You - John Morales M+M Pianopella...
136 bpm • C# min • 08:22 • -6.63db
17% Popularity • 50% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 50% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Gregory Porter
On My Way to Harlem
139 bpm • A# Maj • 07:40 • -10.65db
29% Popularity • 62% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
29% Popularity • 62% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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FKJ
Greener
166 bpm • B min • 03:54 • -9.61db
48% Popularity • 60% Danceability • 51% Energy • 7% Liveness
19% Instrumentalness • 56% Positiveness
48% Popularity • 60% Danceability • 51% Energy • 7% Liveness
19% Instrumentalness • 56% Positiveness
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The Dip
Eye to Eye
135 bpm • E Maj • 03:22 • -11.44db
44% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Joesef
Fire
166 bpm • C# min • 03:57 • -5.17db
37% Popularity • 48% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 48% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Ella Fitzgerald
People Will Say We're In Love
135 bpm • G# Maj • 03:14 • -11.47db
27% Popularity • 30% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 30% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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TOI
Way That We Feel
135 bpm • C min • 03:10 • -7.3db
25% Popularity • 70% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 70% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Gregory Porter
Be Good (Lion's Song)
138 bpm • A# Maj • 06:26 • -12db
37% Popularity • 47% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 47% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Natalie Duncan
Found Myself
135 bpm • F min • 03:43 • -7.27db
15% Popularity • 81% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 81% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Shannon Lauren Callihan
Used To Be My Love
168 bpm • C# Maj • 04:12 • -9.44db
30% Popularity • 50% Danceability • 62% Energy • 7% Liveness
13% Instrumentalness • 56% Positiveness
30% Popularity • 50% Danceability • 62% Energy • 7% Liveness
13% Instrumentalness • 56% Positiveness
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Acantha Lang
It's Gonna Be Alright
168 bpm • F min • 04:37 • -8.36db
25% Popularity • 46% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 46% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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Cosma Joy
The Loneliest Thing
134 bpm • A min • 02:59 • -13.44db
35% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Mamas Gun
Cure The Jones
134 bpm • D Maj • 04:14 • -8.73db
10% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Gregory Porter
Brown Grass
137 bpm • C# Maj • 04:16 • -10.7db
34% Popularity • 59% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 59% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Pastel
window pain
168 bpm • B min • 02:40 • -5.62db
24% Popularity • 71% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 77% Positiveness
24% Popularity • 71% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 77% Positiveness
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Here It Is
Famous Blue Raincoat
134 bpm • D min • 05:58 • -13db
24% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Full Crate
Tell Me Why
169 bpm • C Maj • 03:08 • -7.74db
36% Popularity • 62% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
36% Popularity • 62% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Johnny Burgos
Hit Me Like
170 bpm • D Maj • 03:20 • -7.49db
35% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 63% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Footprint Project
Did I Get You Right
133 bpm • C# Maj • 05:46 • -10.81db
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
51% Instrumentalness • 46% Positiveness
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
51% Instrumentalness • 46% Positiveness
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Gregory Porter
Dad Gone Thing
166 bpm • C# Maj • 05:01 • -7.24db
27% Popularity • 52% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 52% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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![By Design [Evel Knievel] cover art](https://i.scdn.co/image/ab67616d00001e026bbe302a044664c94a4a6c08)
Jacob Banks
By Design [Evel Knievel]
170 bpm • F# Maj • 03:46 • -7.92db
40% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Joel Culpepper
Black Boy
170 bpm • F# Maj • 04:03 • -5.12db
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Nubiyan Twist
Through The Noise (Chant No. 2)
132 bpm • C min • 04:48 • -6.89db
25% Popularity • 62% Danceability • 76% Energy • 8% Liveness
8% Instrumentalness • 53% Positiveness
25% Popularity • 62% Danceability • 76% Energy • 8% Liveness
8% Instrumentalness • 53% Positiveness
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Ben L'Oncle Soul
Is It You?
132 bpm • G Maj • 03:45 • -11.12db
40% Popularity • 82% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 82% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Jamison Ross
Freedom Ain't Easy
172 bpm • G min • 05:20 • -11.63db
13% Popularity • 47% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 47% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Gregory Porter
Real Good Hands
136 bpm • A Maj • 04:50 • -11.57db
39% Popularity • 61% Danceability • 37% Energy • 52% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 61% Danceability • 37% Energy • 52% Liveness
0% Instrumentalness • 51% Positiveness
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Jacob Banks
Won't Turn Back
170 bpm • A Maj • 04:00 • -6.74db
37% Popularity • 40% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 40% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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![Brown Sugar Queen [Feat. Janice] cover art](https://i.scdn.co/image/ab67616d00001e02222b8a3a4b593095f255958d)
Devon Gilfillian
Brown Sugar Queen [Janice]
172 bpm • C Maj • 03:28 • -9.27db
23% Popularity • 63% Danceability • 59% Energy • 8% Liveness
13% Instrumentalness • 54% Positiveness
23% Popularity • 63% Danceability • 59% Energy • 8% Liveness
13% Instrumentalness • 54% Positiveness
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Ida Sand
Use Me
172 bpm • G min • 03:16 • -9db
39% Popularity • 68% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 68% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Ben L'Oncle Soul
Levitate
130 bpm • F min • 03:19 • -12.58db
32% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Bluey Robinson
Simmer Down
130 bpm • C Maj • 03:03 • -12.36db
19% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 66% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Gregory Porter
Grandma's Hands
167 bpm • B min • 03:32 • -14.78db
35% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Alan Hsiao
I Don't Know Anything
130 bpm • D Maj • 04:18 • -11.41db
19% Popularity • 75% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 75% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Victoria Victoria
Over My Shoulder
130 bpm • C# min • 04:03 • -10.99db
25% Popularity • 64% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 64% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Jamila Woods
Boundaries
130 bpm • D min • 03:15 • -9.91db
28% Popularity • 52% Danceability • 60% Energy • 14% Liveness
5% Instrumentalness • 57% Positiveness
28% Popularity • 52% Danceability • 60% Energy • 14% Liveness
5% Instrumentalness • 57% Positiveness
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Astèr Fekre
Seasons
130 bpm • F min • 05:06 • -7.54db
38% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Tank and The Bangas
Communion in My Cup
130 bpm • A min • 03:28 • -7.98db
31% Popularity • 70% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 70% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Gregory Porter
No Love Dying - 2021 "Still Rising" Vers...
134 bpm • C# Maj • 05:33 • -9.57db
24% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ibrahim Maalouf
Capacity to Love
130 bpm • F min • 04:25 • -9.73db
22% Popularity • 41% Danceability • 52% Energy • 32% Liveness
16% Instrumentalness • 14% Positiveness
22% Popularity • 41% Danceability • 52% Energy • 32% Liveness
16% Instrumentalness • 14% Positiveness
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Nikki Yanofsky
Waiting On The Sun
174 bpm • C# Maj • 03:55 • -5db
25% Popularity • 52% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
25% Popularity • 52% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Kurt Elling
Wrap It Up
174 bpm • C# Maj • 03:53 • -4.58db
20% Popularity • 60% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 60% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Monophonics
Last One Standing - Radio Edit
129 bpm • F# min • 03:23 • -6.34db
37% Popularity • 65% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 65% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Somi
Love Tastes Like Strawberries
175 bpm • C min • 03:38 • -8.6db
27% Popularity • 61% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
27% Popularity • 61% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness