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Everything
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Hurricane Fall
Based on a tempo of (+/- 10%) and a similar genre
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McAlister Kemp
Hell Yeah
170 bpm • D Maj • 03:45 • -3.26db
24% Popularity • 42% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Melanie Dyer
Busy Doing Nothing
170 bpm • A# Maj • 03:42 • -4.1db
16% Popularity • 56% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Hurricane Fall
Everything
170 bpm • G Maj • 03:05 • -4.2db
17% Popularity • 22% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Drew McAlister
The Stranger
170 bpm • B Maj • 03:23 • -10.03db
7% Popularity • 45% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Hayley Jensen
Summertime Soundtrack
170 bpm • F# Maj • 03:23 • -3.99db
15% Popularity • 46% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Willie Tate
King of Killin Time
170 bpm • E Maj • 02:46 • -4.42db
36% Popularity • 50% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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The McClymonts
Backfired
170 bpm • C min • 03:14 • -4db
9% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Troy Kemp
Before Summer Starts To Fall
168 bpm • F# Maj • 03:32 • -4.94db
17% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Darlinghurst
Pretty Doesn't Make You Good
172 bpm • G# Maj • 02:53 • -2.85db
30% Popularity • 44% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Cass Hopetoun
Shots
168 bpm • C Maj • 03:10 • -4.54db
9% Popularity • 54% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Kirsty Lee Akers
Ain't That Kinda Girl
167 bpm • C# Maj • 04:02 • -4.35db
18% Popularity • 46% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Christie Lamb
Flamethrower
174 bpm • G Maj • 02:57 • -4.34db
18% Popularity • 48% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Kroeze
Better on a Boat
174 bpm • A Maj • 03:05 • -4.55db
15% Popularity • 50% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Kaleb Lee
Nothin' on You
166 bpm • D Maj • 03:15 • -3.53db
21% Popularity • 47% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Route 33
Meet Me at the Water
174 bpm • D Maj • 04:13 • -5.05db
9% Popularity • 49% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Kaylee Bell
Next Somebody
174 bpm • B min • 03:29 • -3.56db
28% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Davisson Brothers Band
Get Down South
174 bpm • G Maj • 03:14 • -4.32db
17% Popularity • 61% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Charles Esten
A Road and a Radio
174 bpm • A Maj • 03:15 • -3.12db
23% Popularity • 37% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Kip Moore
Mary Was The Marrying Kind
174 bpm • D Maj • 03:34 • -5db
37% Popularity • 47% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Hinterland
Loud
174 bpm • G Maj • 03:36 • -4.52db
23% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Taylor Moss
Get It Girl
166 bpm • G Maj • 03:19 • -3.98db
27% Popularity • 50% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Blake O'Connor
Worth A Little More
174 bpm • F# Maj • 04:24 • -5.01db
19% Popularity • 27% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Drew McAlister
Black Sky
166 bpm • G Maj • 03:11 • -3db
12% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brooke McClymont & Adam Eckersley
Memory Lane
176 bpm • F Maj • 03:33 • -4.41db
23% Popularity • 38% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan Robinette
Everything Under the Sun
176 bpm • G# Maj • 03:02 • -3.41db
20% Popularity • 38% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Hinterland
Treating Me Good
166 bpm • F# min • 02:54 • -2.41db
35% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Jayne Denham
Black Coffee and White Lines
176 bpm • D Maj • 02:55 • -7.7db
17% Popularity • 42% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Blake O'Connor
Travelin' Man
164 bpm • C# Maj • 04:22 • -8db
12% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Kip Moore
Come Home With You
176 bpm • D Maj • 03:24 • -8.07db
36% Popularity • 51% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Hurricane Fall
Don't Miss Me
164 bpm • D Maj • 04:00 • -6db
12% Popularity • 42% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Will Day
Always A Girl
164 bpm • C Maj • 03:08 • -3.98db
18% Popularity • 41% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Rachael Fahim
Confetti
176 bpm • D Maj • 02:59 • -4.91db
11% Popularity • 45% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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The Sunny Cowgirls
Rev It Up
164 bpm • G Maj • 03:52 • -5.09db
31% Popularity • 67% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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LOCASH
Beers to Catch Up On
164 bpm • F# Maj • 03:00 • -3.47db
34% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Robinette
Tailgate Down Town
164 bpm • G Maj • 02:55 • -3db
35% Popularity • 56% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Jody Direen
Anyman of Mine
164 bpm • G# Maj • 03:27 • -6db
20% Popularity • 48% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Christie Lamb
Old Country Soul
178 bpm • C Maj • 03:07 • -8.51db
27% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Darlinghurst
Where Do We Go
177 bpm • G Maj • 03:35 • -6.7db
18% Popularity • 56% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Colin Elmore
Guys Like Me
178 bpm • G# Maj • 03:49 • -4.41db
15% Popularity • 38% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Dallas Smith
I'm Already Gone
178 bpm • C Maj • 03:07 • -4.07db
17% Popularity • 46% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Drew McAlister
Till Summer Slips Away
178 bpm • C Maj • 03:41 • -4.72db
10% Popularity • 38% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Andrew Swift
Right on Down
162 bpm • G Maj • 02:43 • -7.02db
18% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Clay Walker
Rock the Radio
162 bpm • G# Maj • 03:30 • -5.79db
16% Popularity • 53% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Hayley Jensen
Four Boots
162 bpm • G Maj • 03:04 • -4.48db
22% Popularity • 58% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Hurricane Fall
Hell Of A Ride
162 bpm • D Maj • 03:24 • -3.69db
20% Popularity • 45% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Kasey Tyndall
Bar That's Open
162 bpm • E Maj • 03:24 • -3.79db
15% Popularity • 55% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Taylor Moss
Let Me Be
180 bpm • E Maj • 03:06 • -7.75db
12% Popularity • 46% Danceability • 62% Energy • 10% Liveness
17% Instrumentalness • 55% Positiveness
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Dan Davidson
I Do
180 bpm • C Maj • 03:19 • -9.04db
24% Popularity • 46% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Kaylens Rain
Firefly Summer
162 bpm • E Maj • 03:43 • -6db
8% Popularity • 44% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Kaylee Bell
Who I Am
180 bpm • G Maj • 03:35 • -3.44db
32% Popularity • 33% Danceability • 86% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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Steve Forde
Guns & Guitars
180 bpm • G Maj • 03:17 • -7db
26% Popularity • 47% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Rayne Johnson
Last Name
160 bpm • F# Maj • 03:30 • -4db
25% Popularity • 61% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Dallas Smith
What Kind of Love
180 bpm • D Maj • 03:33 • -2.83db
25% Popularity • 37% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Jarred Taylor
And We Danced
180 bpm • D Maj • 03:42 • -3.4db
9% Popularity • 43% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Jake Mathews
Just Like a Country Song
160 bpm • E Maj • 03:15 • -2.96db
13% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Kaylee Bell
Getting Closer
180 bpm • G# Maj • 02:52 • -2.59db
37% Popularity • 46% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Jade Eagleson
Got Your Name On It - Acoustic
160 bpm • C# Maj • 02:58 • -6.53db
23% Popularity • 72% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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HUTCH
Let It Go
160 bpm • G Maj • 03:26 • -5.2db
14% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Mick Lindsay
Afterparty
160 bpm • A# Maj • 03:07 • -3.36db
18% Popularity • 54% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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McAlister Kemp
Paid for Drinking Beer
160 bpm • A Maj • 03:12 • -4.35db
8% Popularity • 47% Danceability • 93% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Davey
The Way She Does
160 bpm • A# Maj • 02:58 • -4.7db
15% Popularity • 58% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Max Jackson
Stratosphere
160 bpm • D Maj • 03:07 • -4.58db
22% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Viper Creek Band
Just Press Play
160 bpm • G Maj • 03:22 • -7db
24% Popularity • 56% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Brooke McClymont & Adam Eckersley
Train Wreck
160 bpm • C# Maj • 03:43 • -3.83db
25% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Morgan Evans
Everything Changes
160 bpm • C# Maj • 03:17 • -6.25db
32% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Kaylee Bell
Living Free
160 bpm • D Maj • 03:05 • -5db
36% Popularity • 50% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Sabrina Durante
Glad It's Not Me
160 bpm • D Maj • 03:44 • -4.2db
14% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Southbound xo
Drink
160 bpm • C# Maj • 03:02 • -3db
36% Popularity • 45% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Troy Kemp
Takin' Me Back
160 bpm • E min • 03:01 • -5.65db
17% Popularity • 47% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine Britt
Fav'Rit Song
160 bpm • C Maj • 03:33 • -5db
23% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Zac & George
Jump Right In
160 bpm • D# Maj • 03:07 • -5.08db
30% Popularity • 38% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Janson
Normal People
182 bpm • C Maj • 02:56 • -3.78db
22% Popularity • 50% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Taylor Moss
What Am I Gonna Do?
182 bpm • D Maj • 02:46 • -3.26db
31% Popularity • 50% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Jade Eagleson
Lucky
158 bpm • C# Maj • 03:18 • -5.71db
38% Popularity • 61% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Troy Kemp
A Little More Country
182 bpm • G Maj • 03:44 • -3.08db
25% Popularity • 35% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Jody Direen
Dirt Rich
182 bpm • E min • 02:42 • -3.5db
8% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Steve Forde
Another Man
158 bpm • G Maj • 02:53 • -5.35db
21% Popularity • 49% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Kaylens Rain
Lost in the Moonshine
158 bpm • D Maj • 03:09 • -3.7db
28% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Hurricane Fall
Another One More Time
158 bpm • C Maj • 03:16 • -3db
25% Popularity • 48% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Ellen Amy
Jealous
158 bpm • C# Maj • 02:39 • -4.14db
9% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Josh Arnold
Taste the Country Life
184 bpm • G Maj • 03:07 • -3.64db
14% Popularity • 43% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Missy Lancaster
Never the Bride
184 bpm • C# min • 03:08 • -4.81db
16% Popularity • 49% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Caitlyn Shadbolt
My Breakup Anthem
184 bpm • G# Maj • 03:10 • -7.17db
24% Popularity • 55% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Steve Forde
The Letter
157 bpm • E Maj • 04:19 • -5.52db
14% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Rachael Fahim
City Girls In The Country
184 bpm • C Maj • 03:13 • -4.4db
19% Popularity • 44% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Morgan Evans
Sing Along Drink Along
184 bpm • G Maj • 03:13 • -5db
33% Popularity • 44% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Jojo Mason
As If We Won't
184 bpm • G# Maj • 03:38 • -6.81db
24% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Darlinghurst
Gotta Go Rodeo
185 bpm • E Maj • 03:05 • -4.27db
29% Popularity • 41% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Jake Davey
Admire
156 bpm • B Maj • 03:34 • -4.03db
16% Popularity • 55% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Hayley Jensen
Shake My Bones
156 bpm • A min • 03:36 • -3.79db
15% Popularity • 52% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Route 33
Showing Off
156 bpm • G# Maj • 03:32 • -4db
23% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Missy Lancaster
Heatwave
156 bpm • E Maj • 03:16 • -4db
24% Popularity • 50% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Andrew Swift
Courting Calamity
156 bpm • C Maj • 03:28 • -4.93db
12% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Darlinghurst
Unforgettable
156 bpm • B Maj • 03:30 • -7.46db
19% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Troy Kemp
Small Town Girl
186 bpm • A Maj • 03:21 • -4.16db
14% Popularity • 46% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Petric
Single Problem
186 bpm • A Maj • 02:55 • -4db
11% Popularity • 47% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Kenton Bryant
Since You’re Gone
154 bpm • C# Maj • 02:58 • -3.12db
13% Popularity • 55% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Steven Lee Olsen
Hello Country
154 bpm • D# Maj • 02:53 • -3.46db
31% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Hurricane Fall
This Night Forever
154 bpm • C Maj • 02:51 • -3.82db
12% Popularity • 53% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Lee Kernaghan
Take It Down a Backroad
154 bpm • B Maj • 03:29 • -7db
25% Popularity • 51% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Everything