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Ev'rything I Love
Songs like
Ev'rything I Love
by
Morgana King
Based on a tempo of (+/- 10%) and a similar genre
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Dakota Staton
When Lights Are Low
96 bpm • C min • 01:56 • -9db
47% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Gerry Mulligan
Fall Out
96 bpm • G# Maj • 05:45 • -15db
35% Popularity • 79% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 67% Positiveness
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Buddy Greco
So Danco Samba
96 bpm • F min • 02:59 • -22.79db
42% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Emma Smith
Makin' Whoopee
96 bpm • F min • 04:24 • -16db
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Morgana King
Just The Way You Are
96 bpm • F# Maj • 04:33 • -25.83db
1% Popularity • 49% Danceability • 5% Energy • 10% Liveness
26% Instrumentalness • 29% Positiveness
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Nancy Wilson
This Time The Dream's On Me - Remastered
96 bpm • A# min • 02:19 • -8.85db
36% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Dakota Staton
I Hear Music
96 bpm • F min • 02:33 • -6.8db
34% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Susannah McCorkle
P'rá Machucar Meu Coração (The Day We...
96 bpm • C# Maj • 06:10 • -18.36db
14% Popularity • 55% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Teddy Wilson
All Of Me
96 bpm • A Maj • 02:57 • -14.86db
40% Popularity • 54% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Camille Howard
Has Your Love Grown Cold? - Vocal
97 bpm • C min • 02:40 • -16db
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Lester Young
This Years Kisses
95 bpm • D# Maj • 06:44 • -12.34db
36% Popularity • 68% Danceability • 18% Energy • 14% Liveness
23% Instrumentalness • 37% Positiveness
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Dakota Staton
Willow Weep For Me
97 bpm • C Maj • 02:30 • -12db
44% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Jo Stafford
In The Still Of The Night
95 bpm • C Maj • 02:42 • -11.39db
17% Popularity • 31% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Beverly Kenney
A Lover Like You
95 bpm • G# Maj • 03:27 • -14.93db
8% Popularity • 38% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Sue Raney
Impossible
97 bpm • E Maj • 02:58 • -16.04db
9% Popularity • 28% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Mark Murphy
Fascinating Rhythm
97 bpm • C Maj • 02:04 • -14.36db
19% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Morgana King
This Is My Song
95 bpm • A Maj • 02:36 • -10.71db
2% Popularity • 24% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Benny Goodman Trio
Lazy River
97 bpm • A min • 03:02 • -16.29db
33% Popularity • 64% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
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Ann Hampton Callaway
A Kiss To Build A Dream On
98 bpm • G Maj • 03:05 • -12db
48% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Anita O'Day
Angel Eyes
95 bpm • D# Maj • 03:39 • -21.54db
40% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Lambert, Hendricks & Ross
Four
98 bpm • D# Maj • 04:13 • -13.54db
10% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Irene Kral
I Let A Song Go Out Of My Heart
98 bpm • G# Maj • 02:43 • -8.11db
27% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Sue Raney
All By Myself - 2006 Remaster
98 bpm • F# Maj • 02:53 • -16.94db
10% Popularity • 59% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Teddy Wilson
When You're Smiling (01-06-38)
94 bpm • D# Maj • 02:52 • -12db
34% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Red Garland
Almost Like Being In Love
94 bpm • C min • 04:50 • -12.6db
56% Popularity • 56% Danceability • 35% Energy • 10% Liveness
40% Instrumentalness • 70% Positiveness
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Morgana King
Wild Is Love
94 bpm • C Maj • 01:53 • -12.17db
2% Popularity • 46% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Stanley Turrentine
Journey Into The Melody
98 bpm • F Maj • 04:58 • -21db
39% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
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Paul Desmond
For All We Know
99 bpm • F# Maj • 05:31 • -18.71db
44% Popularity • 54% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Teddy Wilson
Foolin' Myself (06-01-37)
94 bpm • A# Maj • 03:02 • -14.55db
22% Popularity • 69% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Ben Webster Quintet
Makin' Whoopee
93 bpm • G# Maj • 04:31 • -19.13db
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sheila Jordan
If You Could See Me Now
93 bpm • A min • 04:32 • -23.03db
10% Popularity • 28% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Blossom Dearie
Lover Man (Oh Where Can You Be)
99 bpm • G min • 02:46 • -18.73db
41% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Teddy Wilson
Seranade In Blue
99 bpm • D# Maj • 03:01 • -18.8db
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
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Helen Merrill
Comes Love
92 bpm • D min • 03:01 • -16.16db
28% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Morgana King
The End of a Love Affair
100 bpm • C# Maj • 02:40 • -3.98db
0% Popularity • 50% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Sue Raney
September In The Rain
100 bpm • C min • 02:34 • -15db
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Dorothy Dandridge
I Didn't Know What Time It Was
100 bpm • G Maj • 02:41 • -15.22db
24% Popularity • 55% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Dianne Reeves
How High The Moon
92 bpm • C Maj • 02:20 • -14.98db
29% Popularity • 36% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Susie Arioli
It's Always You
101 bpm • C Maj • 02:52 • -11.65db
38% Popularity • 64% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Sue Raney
Wrap Your Troubles In Dreams
101 bpm • A min • 02:38 • -12.55db
11% Popularity • 52% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Hartman
I Just Dropped By To Say Hello
101 bpm • F min • 04:05 • -23.07db
43% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Teddy Wilson
As Times Goes By
91 bpm • G# Maj • 03:07 • -16db
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
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Ike Quebec
Blue And Sentimental - Remastered 2007/R...
101 bpm • D# Maj • 07:28 • -10db
42% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Helen O'Connell
Star Eyes
91 bpm • C# Maj • 02:59 • -17.07db
19% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Carmen McRae
Them There Eyes
91 bpm • G Maj • 02:45 • -11db
41% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Katherine Kostoff
It Happens Like That
102 bpm • A min • 03:31 • -10.77db
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Mildred Bailey
A Cigarette and a Silhouette
102 bpm • F Maj • 03:04 • -7.44db
31% Popularity • 70% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Morgana King
How About You
102 bpm • A# Maj • 03:09 • -14.28db
1% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jackie Paris
If Love Is Good To Me
90 bpm • A# Maj • 03:13 • -19.15db
30% Popularity • 31% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Teddy Wilson
Say It Isn't So
102 bpm • F Maj • 02:41 • -14.92db
51% Popularity • 69% Danceability • 26% Energy • 27% Liveness
94% Instrumentalness • 51% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Jaimee Paul
Love, You Didn't Do Right By Me
90 bpm • C Maj • 03:29 • -14.39db
10% Popularity • 63% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Art Farmer With The Quincy Jones Orchestra
Sometimes I'm Happy (Bonus Track)
90 bpm • G min • 05:52 • -13.17db
21% Popularity • 66% Danceability • 29% Energy • 14% Liveness
10% Instrumentalness • 74% Positiveness
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Dorothy Dandridge
It's Easy To Remember
90 bpm • F min • 02:25 • -19.62db
32% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lena Horne
I Let A Song Go Out Of My Heart
103 bpm • A Maj • 02:44 • -15.79db
18% Popularity • 48% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Lee Wiley
Oh Look at Me Now
90 bpm • A# min • 03:12 • -16db
29% Popularity • 50% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Roberta Gambarini
So In Love
103 bpm • D Maj • 03:04 • -17.31db
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Art Pepper
You'd Be So Nice to Come Home To
89 bpm • F Maj • 05:27 • -11.74db
46% Popularity • 66% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Mark Murphy
Alone Together
103 bpm • G Maj • 02:59 • -18.18db
13% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Susannah McCorkle
Why Don't We Try Staying Home?
104 bpm • F# Maj • 04:26 • -21db
19% Popularity • 57% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Lee Konitz Quartet
When You're Smiling
103 bpm • E min • 03:46 • -17db
37% Popularity • 55% Danceability • 15% Energy • 14% Liveness
21% Instrumentalness • 52% Positiveness
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Morgana King
More Than You Know
103 bpm • G# Maj • 04:02 • -15.29db
5% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Red Garland
You Better Go Now
104 bpm • C min • 05:11 • -16.84db
22% Popularity • 75% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Dorothy Dandridge
The Nearness Of You
88 bpm • G Maj • 03:20 • -18.34db
26% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Cannonball Adderley Quartet
I Guess I'll Hang My Tears Out To Dry
104 bpm • D min • 05:34 • -12.43db
39% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Susannah McCorkle
I Don't Want To Set The World On Fire
89 bpm • A# min • 03:27 • -14db
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Fred Astaire
I Concentrate On You
104 bpm • C Maj • 02:47 • -23.76db
39% Popularity • 52% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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Buddy Greco
Gee, Baby, Ain't I Good To You
105 bpm • D# Maj • 03:20 • -13.52db
26% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Zoot Sims
My Old Flame
88 bpm • G Maj • 03:23 • -11.03db
33% Popularity • 54% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 40% Positiveness
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Morgana King
Can't Help Lovin' Dat Man
105 bpm • A# Maj • 03:53 • -17.84db
2% Popularity • 43% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Sarah McKenzie
Tea For Two
105 bpm • C# Maj • 04:06 • -7.59db
45% Popularity • 74% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Dorothy Dandridge
Somebody
88 bpm • C# Maj • 02:50 • -13.04db
16% Popularity • 26% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lambert, Hendricks & Ross
Centerpiece
105 bpm • C# Maj • 02:27 • -8db
28% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Gene Ammons
Angel Eyes
88 bpm • C min • 08:48 • -15.13db
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Morgana King
Down In The Depths
105 bpm • G Maj • 03:10 • -15db
26% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Lorez Alexandria
But Beautiful
105 bpm • C Maj • 04:15 • -17db
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Coleman Hawkins
When Day Is Done
88 bpm • C Maj • 04:25 • -14.89db
37% Popularity • 48% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 30% Positiveness
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Freddy Cole
This Is The Life
88 bpm • G Maj • 03:19 • -12db
13% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Sue Raney
Heart And Soul
105 bpm • G min • 02:58 • -10db
23% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Dorothy Dandridge
That Old Feeling
88 bpm • C min • 03:08 • -16db
29% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Morgana King
Desert Hush
88 bpm • G Maj • 04:24 • -16.51db
0% Popularity • 17% Danceability • 20% Energy • 12% Liveness
38% Instrumentalness • 11% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Vic Damone
Out of Nowhere
87 bpm • F Maj • 03:42 • -15.99db
25% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Dorothy Dandridge
I've Grown Accustomed To Your Face
87 bpm • D# Maj • 01:51 • -16.81db
31% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Irene Kral
When I Look In Your Eyes
106 bpm • D min • 03:38 • -23.47db
33% Popularity • 47% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
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Morgana King
Why Was I Born?
105 bpm • A# Maj • 03:56 • -17.46db
2% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Anita O'Day
Peel Me A Grape
106 bpm • D# min • 03:05 • -14.29db
34% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ev'rything I Love