Songs like Exam - Original Mix by Just
Based on a tempo of (+/- 10%) and a similar genre
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Just
Exam - Original Mix
120 bpm • A# Maj • 06:08 • -6.06db
0% Popularity • 76% Danceability • 93% Energy • 7% Liveness
92% Instrumentalness • 64% Positiveness
0% Popularity • 76% Danceability • 93% Energy • 7% Liveness
92% Instrumentalness • 64% Positiveness
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Mike Cedric
Wasting Time (Acoustic)
120 bpm • B Maj • 03:09 • -14.13db
22% Popularity • 62% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 62% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Dekkar
You Asked for a Hero
120 bpm • A# Maj • 01:59 • -7.78db
13% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Rob Jones TV
Fire Sell
120 bpm • F# min • 03:46 • -5.67db
7% Popularity • 66% Danceability • 92% Energy • 53% Liveness
68% Instrumentalness • 38% Positiveness
7% Popularity • 66% Danceability • 92% Energy • 53% Liveness
68% Instrumentalness • 38% Positiveness
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Philipp Alexej Voigtländer
Routine
120 bpm • E min • 03:02 • -7.16db
9% Popularity • 71% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 71% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Robie Wood
This Is My Way
120 bpm • A min • 04:43 • -5.77db
16% Popularity • 57% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
16% Popularity • 57% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Guest
Curtain
120 bpm • G Maj • 02:14 • -10.88db
11% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Stroke 9
Come As You Are
120 bpm • A min • 02:11 • -13.99db
11% Popularity • 61% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 61% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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MargoFitz
Not Guilty
120 bpm • G# Maj • 03:52 • -9.77db
27% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Rob Jones TV
Drop It Like a Bomb
120 bpm • G min • 03:34 • -3.91db
21% Popularity • 65% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 65% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Tino.
Reset
120 bpm • C Maj • 03:01 • -7.46db
10% Popularity • 78% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 78% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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A Boy Named Sue
By the Rivers of Babylon
120 bpm • G Maj • 01:37 • -14.73db
11% Popularity • 95% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 95% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Dooley
Back in the Nigt
120 bpm • E Maj • 03:52 • -11.92db
8% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Marwan
Vænner Mig Ikk' Til Det
120 bpm • A min • 03:46 • -9.65db
2% Popularity • 65% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 65% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Jae Bedford
Disengaged
120 bpm • D Maj • 05:31 • -12.94db
8% Popularity • 88% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 88% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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The Shaken Bakers
Stacy’s Mom (Acoustic)
120 bpm • D Maj • 03:13 • -15.5db
8% Popularity • 88% Danceability • 30% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 88% Danceability • 30% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Springstead
Cassandra
120 bpm • E min • 03:06 • -5.74db
36% Popularity • 66% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 66% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Wakeup Starlight
I Will Wait
120 bpm • C Maj • 04:29 • -10.06db
11% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Stroke 9
Forever Young
120 bpm • A# Maj • 02:51 • -13db
8% Popularity • 61% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
8% Popularity • 61% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Chad Gould
Pretend
120 bpm • F min • 02:47 • -19db
23% Popularity • 80% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 80% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Per-Anders Nilsson
You Do Dream Don't Ya
120 bpm • B min • 03:01 • -13.39db
10% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bechara Saliba
Another Love
121 bpm • F min • 04:05 • -13.23db
9% Popularity • 43% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 43% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Rylei Franks
Wayside
119 bpm • G Maj • 02:42 • -14.67db
9% Popularity • 61% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 61% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Tiffany Quincey
The Last Chapter
119 bpm • D Maj • 05:56 • -12.36db
27% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Carlo Bruno
Love and Loss
119 bpm • G Maj • 04:02 • -12.58db
18% Popularity • 48% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 48% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Just
Not a Trace
121 bpm • G Maj • 03:21 • -3.75db
1% Popularity • 29% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 29% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Gearaldina Rahmani
The Struggle Is Real
118 bpm • G Maj • 02:32 • -11db
9% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Corduroy Vinyl
8 to 5
118 bpm • D# min • 06:07 • -13.42db
10% Popularity • 77% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 77% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Rylei Franks
Roll the Dice
120 bpm • E min • 02:16 • -7db
10% Popularity • 67% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 67% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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ULLSEN
Unbroken
122 bpm • G Maj • 05:16 • -9.28db
10% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Matthew Mellor
Don't Wanna Be Alone
122 bpm • E Maj • 03:53 • -8.12db
7% Popularity • 58% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 58% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Just
I
122 bpm • C# Maj • 03:36 • -7.39db
0% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 60% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Andy Lawrence
Kings March (Acoustic)
118 bpm • C# min • 02:34 • -9.81db
16% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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John Robert
Eyes Wide Shut
118 bpm • A# Maj • 03:44 • -7.42db
8% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Tom Church
Peace With the Path
123 bpm • C# Maj • 03:39 • -12.79db
10% Popularity • 72% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 72% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Town of Idiots
Dizzy live - Acoustic
122 bpm • G Maj • 04:56 • -10.23db
11% Popularity • 34% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 34% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Corduroy Vinyl
Confidential Pillow Talk
117 bpm • E Maj • 05:28 • -7.92db
10% Popularity • 73% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 73% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 8% Positiveness
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Just
이게뭐야
123 bpm • B Maj • 03:19 • -2.42db
0% Popularity • 74% Danceability • 90% Energy • 83% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 74% Danceability • 90% Energy • 83% Liveness
0% Instrumentalness • 95% Positiveness
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NSS
Did It Again
117 bpm • E Maj • 04:12 • -8.97db
20% Popularity • 69% Danceability • 64% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
20% Popularity • 69% Danceability • 64% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
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CHASE.
Humbled - Acoustic Version
117 bpm • G Maj • 03:14 • -7.33db
10% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Tritons Hound
A Call Away
117 bpm • E Maj • 03:13 • -9.04db
9% Popularity • 72% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 72% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Geoff Carne
Insanity
117 bpm • G# min • 03:21 • -10.29db
18% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Ethan Levine
Current of Angels
124 bpm • A Maj • 05:14 • -13.53db
8% Popularity • 63% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
8% Popularity • 63% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Murilo Romano
Let's Go Together
116 bpm • A min • 04:01 • -5.14db
11% Popularity • 69% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Just
Straight to the 303 - Dan Mckie Fdd Mash...
124 bpm • D Maj • 07:52 • -5.63db
0% Popularity • 81% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
0% Popularity • 81% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Biugi
Everlasting High
116 bpm • A Maj • 04:20 • -7.86db
11% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Jake Retting
Like Rain
124 bpm • D Maj • 04:09 • -10.51db
8% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Monroe Felton
A Ball
116 bpm • D Maj • 02:47 • -9.84db
26% Popularity • 57% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 57% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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Random Artist
Taggin' Along
125 bpm • C Maj • 02:22 • -9.97db
13% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Mattias Boman
Time - Acoustic Version
125 bpm • F Maj • 04:00 • -10.55db
15% Popularity • 59% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 59% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Chad Gould
Fare Thee Well
125 bpm • F# Maj • 03:14 • -15.15db
23% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Single Digits
Her Kiss Is on Fire
125 bpm • A min • 03:44 • -12.6db
11% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Used
Another Day With You
125 bpm • A# Maj • 02:36 • -6.53db
11% Popularity • 60% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 60% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Lessdmv
Closer (We Are Here) - Acoustic
125 bpm • G Maj • 02:47 • -12.08db
12% Popularity • 64% Danceability • 34% Energy • 53% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 64% Danceability • 34% Energy • 53% Liveness
0% Instrumentalness • 61% Positiveness
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Tiago Contieri
Down
125 bpm • B Maj • 02:52 • -8.78db
8% Popularity • 45% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 45% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The Moffatts
Girls of the World
115 bpm • E Maj • 02:54 • -7.27db
16% Popularity • 64% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 64% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Il Nido
Operazione Nido
115 bpm • F min • 03:40 • -4.71db
0% Popularity • 69% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
0% Popularity • 69% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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2AP
Cure Is Free
125 bpm • D Maj • 04:13 • -8.74db
16% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Wakeup Starlight
A Real Hero
115 bpm • B Maj • 03:44 • -8.24db
8% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Market Garden
Pieces of Sanity
125 bpm • G Maj • 04:42 • -9.83db
12% Popularity • 68% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 68% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Annakin Slayd
Feels Like '93 - Acoustic
115 bpm • E Maj • 03:57 • -4.28db
18% Popularity • 74% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 74% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Corduroy Vinyl
Ishmael
115 bpm • A Maj • 02:56 • -7.1db
11% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jakob Vilhelmsson
All That I Need
115 bpm • A Maj • 02:26 • -8.08db
8% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Just
다 지웠었는데
126 bpm • D Maj • 04:41 • -6.94db
0% Popularity • 50% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 50% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Silgor
The Bannermen
126 bpm • G min • 03:06 • -9.29db
10% Popularity • 70% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 70% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Kekter Dwells
Moon House
126 bpm • B Maj • 01:17 • -6.8db
11% Popularity • 56% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Bastian Baker
Can't Be Loved - Acoustic
126 bpm • E min • 02:47 • -7.85db
15% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Haiku
Take Your Life In Your Hands
114 bpm • F# min • 03:39 • -8.75db
11% Popularity • 38% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 38% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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James Seabrook
Love Letters
114 bpm • D Maj • 03:15 • -11.44db
9% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 53% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Just
Farewell Song
126 bpm • A Maj • 04:20 • -6.79db
0% Popularity • 49% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 49% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rob Jones TV
Bring the Funk
127 bpm • G Maj • 03:54 • -9.1db
21% Popularity • 79% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 79% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Alison Kozol
Im Gangsta
113 bpm • C# Maj • 03:05 • -11.29db
27% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 66% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Mellor
When We Were Young
127 bpm • G# Maj • 03:02 • -9.24db
21% Popularity • 71% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 71% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Lanterns
Just a Minute
127 bpm • F Maj • 02:12 • -9.13db
18% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Haiku
This Familiar Scene
113 bpm • C# min • 03:25 • -7.38db
11% Popularity • 55% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 55% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Just
Over My Head
114 bpm • D Maj • 02:54 • -3.55db
0% Popularity • 52% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 52% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Gearaldina Rahmani
Waiting For Summer
113 bpm • C# Maj • 02:45 • -10.39db
9% Popularity • 73% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 73% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Khristian Leredith
Listen To Your Voice
128 bpm • G# Maj • 04:31 • -13.27db
28% Popularity • 62% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 62% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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The Sweetchunks Band
Glittunderbuss
128 bpm • D# min • 01:18 • -6.82db
11% Popularity • 45% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 45% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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The Royal Jackals
Last September
113 bpm • F# Maj • 02:59 • -11.01db
16% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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W. Heath Fowler
More Damned If I Don't
128 bpm • C Maj • 03:04 • -5.81db
14% Popularity • 62% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 62% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Just
No other You
114 bpm • A min • 03:48 • -7.69db
0% Popularity • 84% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 84% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Bryan Chalk
Big Big Plans
128 bpm • G# Maj • 02:56 • -9.73db
24% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Totally Lost
Step It Out Mary - Single Release
128 bpm • G Maj • 04:36 • -9.31db
9% Popularity • 66% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 66% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ryan Huston
Waste My Time
112 bpm • D# Maj • 04:16 • -10.4db
14% Popularity • 73% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 73% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Betty Sneetch
Monkey Lovin'
112 bpm • E Maj • 02:22 • -6.83db
15% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Angelo Terrero Band
la cancion para tu
112 bpm • G# Maj • 05:17 • -12.57db
12% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Just
Need That 303 - Original Mix
128 bpm • C# Maj • 07:39 • -5.96db
0% Popularity • 80% Danceability • 85% Energy • 12% Liveness
83% Instrumentalness • 44% Positiveness
0% Popularity • 80% Danceability • 85% Energy • 12% Liveness
83% Instrumentalness • 44% Positiveness
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RG Brown
Keeping For The Right
128 bpm • D# Maj • 03:31 • -8.27db
8% Popularity • 29% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 29% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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After Years of Nothing
Find Our Way
112 bpm • C# Maj • 02:38 • -12.06db
17% Popularity • 78% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 78% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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The Nautical Theme
To the Flame
112 bpm • D Maj • 04:15 • -8.06db
12% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Camilo EG
Saturday Night
129 bpm • G# Maj • 03:35 • -6.54db
9% Popularity • 35% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 35% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Houtz
What's Left
111 bpm • D Maj • 02:54 • -4.7db
12% Popularity • 58% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 58% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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John Womack
Creator Of The Stars
130 bpm • G Maj • 02:30 • -9.65db
17% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Michael R R Wilson
Don't You (Forget About Me)
111 bpm • A Maj • 04:29 • -6.47db
8% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Chance Motta
Don't Underestimate
111 bpm • G Maj • 03:34 • -4.84db
42% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Clyde Daniel
Better - Acoustic Version
130 bpm • D Maj • 03:56 • -11.09db
17% Popularity • 48% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 48% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Rob Jones TV
Toe to Toe
130 bpm • F min • 03:24 • -4.89db
22% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 66% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
