Songs like Exile 001 A by Johannes Heil
Based on a tempo of (+/- 10%) and a similar genre
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Len Faki
Abroad
128 bpm • A# min • 07:02 • -13.39db
22% Popularity • 64% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
22% Popularity • 64% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Johannes Heil
Exile 001 A
128 bpm • B Maj • 09:03 • -12.62db
10% Popularity • 79% Danceability • 70% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
10% Popularity • 79% Danceability • 70% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
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Markus Suckut
Infinity
128 bpm • A# min • 09:32 • -14.5db
5% Popularity • 86% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
5% Popularity • 86% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Keith Carnal
Untold
128 bpm • C# min • 08:32 • -11db
22% Popularity • 79% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
22% Popularity • 79% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Lewis Fautzi
Ionic Bonding
128 bpm • G Maj • 05:03 • -10db
22% Popularity • 62% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
22% Popularity • 62% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Ricardo Garduno
Textures - Keith Carnal Remix
128 bpm • C# min • 07:37 • -13db
11% Popularity • 64% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 64% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Cari Lekebusch
Rockcarver
128 bpm • D Maj • 07:11 • -10.39db
9% Popularity • 77% Danceability • 88% Energy • 69% Liveness
90% Instrumentalness • 14% Positiveness
9% Popularity • 77% Danceability • 88% Energy • 69% Liveness
90% Instrumentalness • 14% Positiveness
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Shifted
Leather
128 bpm • C Maj • 06:51 • -11.78db
14% Popularity • 74% Danceability • 70% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
14% Popularity • 74% Danceability • 70% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Markus Suckut
Rising Sun
128 bpm • G Maj • 06:45 • -11.36db
2% Popularity • 72% Danceability • 49% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
2% Popularity • 72% Danceability • 49% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Answer Code Request
Feel Rework
128 bpm • E min • 07:07 • -13.01db
14% Popularity • 61% Danceability • 72% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
14% Popularity • 61% Danceability • 72% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Lewis Fautzi
Blood - Original Mix
128 bpm • A# min • 04:49 • -9.82db
14% Popularity • 60% Danceability • 94% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 60% Danceability • 94% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Heiko Laux
Centipede
128 bpm • D Maj • 06:29 • -12db
13% Popularity • 80% Danceability • 52% Energy • 13% Liveness
93% Instrumentalness • 51% Positiveness
13% Popularity • 80% Danceability • 52% Energy • 13% Liveness
93% Instrumentalness • 51% Positiveness
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Pfirter
Fractales
128 bpm • B min • 06:06 • -9db
10% Popularity • 86% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 86% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Sinfol
Crystalline
128 bpm • E min • 07:20 • -12db
13% Popularity • 62% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 62% Danceability • 60% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Seelow
Kkid_v2
128 bpm • G# min • 06:51 • -9.44db
10% Popularity • 72% Danceability • 93% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
10% Popularity • 72% Danceability • 93% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Petter B
Tool 01
128 bpm • B min • 04:52 • -6db
19% Popularity • 78% Danceability • 93% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 78% Danceability • 93% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Lewis Fautzi
Stagger
128 bpm • G Maj • 05:03 • -9.86db
21% Popularity • 69% Danceability • 92% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
21% Popularity • 69% Danceability • 92% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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L.B. Dub Corp
Roller Function - Len Faki Interpretatio...
128 bpm • G Maj • 06:24 • -13db
24% Popularity • 66% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
24% Popularity • 66% Danceability • 68% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Surgeon
Search
128 bpm • C Maj • 06:01 • -7.77db
14% Popularity • 74% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 74% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Takaaki Itoh
Dusker
128 bpm • E min • 06:05 • -9db
19% Popularity • 70% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 70% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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The Plant Worker
Epsilon 02 - Original Mix
128 bpm • D Maj • 05:40 • -11.72db
10% Popularity • 80% Danceability • 82% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
10% Popularity • 80% Danceability • 82% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Johannes Heil
Schubkraft
128 bpm • C# Maj • 07:02 • -10.63db
2% Popularity • 81% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
2% Popularity • 81% Danceability • 81% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Markus Suckut
First Movement
128 bpm • A Maj • 07:52 • -14.43db
4% Popularity • 85% Danceability • 52% Energy • 73% Liveness
71% Instrumentalness • 20% Positiveness
4% Popularity • 85% Danceability • 52% Energy • 73% Liveness
71% Instrumentalness • 20% Positiveness
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Keith Carnal
Tangerine
128 bpm • B min • 05:34 • -13db
31% Popularity • 70% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 70% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Ben Klock
Before One - Original Mix
128 bpm • G Maj • 07:24 • -14db
21% Popularity • 84% Danceability • 56% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
21% Popularity • 84% Danceability • 56% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Dave Clarke
Wisdom to the Wise (Red 2) - A. Mochi Re...
128 bpm • D# min • 08:06 • -7.06db
28% Popularity • 65% Danceability • 83% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 65% Danceability • 83% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Exium
Circuit V
128 bpm • F# Maj • 05:17 • -12.23db
9% Popularity • 85% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 85% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Lewis Fautzi
Blood - mixed
128 bpm • A# min • 03:31 • -15.4db
23% Popularity • 59% Danceability • 88% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
23% Popularity • 59% Danceability • 88% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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FJAAK
Wolves
128 bpm • C Maj • 04:03 • -9.16db
14% Popularity • 72% Danceability • 92% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 72% Danceability • 92% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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The Plant Worker
Zodiac
128 bpm • F Maj • 06:16 • -11.15db
10% Popularity • 75% Danceability • 62% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 75% Danceability • 62% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Benjamin Damage
Cosmonaut
128 bpm • D min • 06:03 • -11.11db
18% Popularity • 76% Danceability • 95% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
18% Popularity • 76% Danceability • 95% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Boston 168
Until the End
128 bpm • G Maj • 06:31 • -11.17db
8% Popularity • 75% Danceability • 96% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
8% Popularity • 75% Danceability • 96% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Richie Hawtin
Purrkusiv
128 bpm • G Maj • 08:48 • -11.22db
8% Popularity • 78% Danceability • 88% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
8% Popularity • 78% Danceability • 88% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Darko Esser
Clean Slate - DVS1 Remix
128 bpm • C Maj • 07:27 • -11.04db
13% Popularity • 95% Danceability • 67% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
13% Popularity • 95% Danceability • 67% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Truncate
86
128 bpm • G Maj • 06:34 • -13db
16% Popularity • 79% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
16% Popularity • 79% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Reeko
Bad Mood - Original Mix
128 bpm • B min • 05:11 • -8.37db
16% Popularity • 71% Danceability • 92% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
16% Popularity • 71% Danceability • 92% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Radio Slave
The Clone Wars - Markus Suckut Remix
128 bpm • G Maj • 07:16 • -11.21db
23% Popularity • 73% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
23% Popularity • 73% Danceability • 67% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Johannes Heil
Gospel Two
128 bpm • G# min • 08:04 • -11.48db
6% Popularity • 73% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
6% Popularity • 73% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Lewis Fautzi
Molecular Spasms
128 bpm • B Maj • 05:01 • -10.14db
13% Popularity • 65% Danceability • 85% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
13% Popularity • 65% Danceability • 85% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Den Ishu
Expand Your Mind - Johannes Heil's Mind ...
128 bpm • A Maj • 07:41 • -8.05db
0% Popularity • 80% Danceability • 81% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
0% Popularity • 80% Danceability • 81% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Truncate
Diffraction - Jonas Kopp Remix
128 bpm • D Maj • 06:02 • -10.18db
23% Popularity • 91% Danceability • 70% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
23% Popularity • 91% Danceability • 70% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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The Advent
High Horse
128 bpm • F# min • 05:00 • -7.01db
16% Popularity • 75% Danceability • 93% Energy • 12% Liveness
82% Instrumentalness • 60% Positiveness
16% Popularity • 75% Danceability • 93% Energy • 12% Liveness
82% Instrumentalness • 60% Positiveness
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Truss
Beacon
128 bpm • E min • 06:58 • -9.92db
13% Popularity • 76% Danceability • 95% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
13% Popularity • 76% Danceability • 95% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
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Markus Suckut
EXILE 006 A1
128 bpm • G Maj • 08:03 • -9.91db
3% Popularity • 66% Danceability • 70% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
3% Popularity • 66% Danceability • 70% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Lewis Fautzi
Ancient Way
128 bpm • C# min • 05:04 • -10.82db
25% Popularity • 79% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
25% Popularity • 79% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Dustin Zahn
Miss You - Truncate Remix
128 bpm • G Maj • 04:47 • -12.09db
10% Popularity • 76% Danceability • 59% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
10% Popularity • 76% Danceability • 59% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Truncate
Modify - Dustin Zahn Remix
128 bpm • G# Maj • 06:02 • -8.58db
17% Popularity • 77% Danceability • 81% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
17% Popularity • 77% Danceability • 81% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Abstract Division
The Hunt - Tensal Remix
128 bpm • C# min • 06:18 • -11.23db
14% Popularity • 68% Danceability • 78% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
14% Popularity • 68% Danceability • 78% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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James Ruskin
Post-Traumatic Son - DVS1 Pessimist Mix
128 bpm • G Maj • 07:03 • -11.56db
14% Popularity • 87% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 87% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Reeko
Segmento 5
128 bpm • G Maj • 06:14 • -15db
9% Popularity • 55% Danceability • 67% Energy • 36% Liveness
93% Instrumentalness • 5% Positiveness
9% Popularity • 55% Danceability • 67% Energy • 36% Liveness
93% Instrumentalness • 5% Positiveness
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Norman Nodge
Nn 8.0
128 bpm • A# min • 08:13 • -13.29db
25% Popularity • 65% Danceability • 60% Energy • 14% Liveness
46% Instrumentalness • 4% Positiveness
25% Popularity • 65% Danceability • 60% Energy • 14% Liveness
46% Instrumentalness • 4% Positiveness
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Marco Faraone
Desert Crash
128 bpm • G Maj • 06:07 • -11.05db
9% Popularity • 79% Danceability • 79% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 79% Danceability • 79% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Takaaki Itoh
Slicer
128 bpm • A# min • 06:39 • -6db
16% Popularity • 80% Danceability • 99% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
16% Popularity • 80% Danceability • 99% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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Inigo Kennedy
Arcing
128 bpm • A# min • 06:31 • -7.29db
12% Popularity • 68% Danceability • 74% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
12% Popularity • 68% Danceability • 74% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Heiko Laux
Hexagon
128 bpm • C# Maj • 05:55 • -8.15db
28% Popularity • 80% Danceability • 61% Energy • 8% Liveness
89% Instrumentalness • 26% Positiveness
28% Popularity • 80% Danceability • 61% Energy • 8% Liveness
89% Instrumentalness • 26% Positiveness
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Coeter One
145
128 bpm • G Maj • 07:01 • -15.73db
11% Popularity • 76% Danceability • 71% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
11% Popularity • 76% Danceability • 71% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Norman Nodge
Native Rhythm Electric - Original Mix
128 bpm • G Maj • 06:35 • -16db
13% Popularity • 80% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 80% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Bas Mooy
Exiles
128 bpm • E min • 06:18 • -11.75db
7% Popularity • 78% Danceability • 83% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 78% Danceability • 83% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Kazuya Nagaya
Wolfman's Dream - Markus Suckut Remix
128 bpm • B min • 07:32 • -9.09db
0% Popularity • 79% Danceability • 79% Energy • 10% Liveness
82% Instrumentalness • 36% Positiveness
0% Popularity • 79% Danceability • 79% Energy • 10% Liveness
82% Instrumentalness • 36% Positiveness
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Patrick Walker
Magnetic Storm
128 bpm • A# min • 06:04 • -8.45db
7% Popularity • 58% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
7% Popularity • 58% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Ricardo Garduno
Secretos - A. Mochi Remix
128 bpm • B Maj • 07:52 • -12.46db
16% Popularity • 79% Danceability • 70% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
16% Popularity • 79% Danceability • 70% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Keith Carnal
Prospect
128 bpm • C# min • 08:13 • -12.74db
17% Popularity • 76% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 76% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Reeko
Segmento 6
128 bpm • E min • 07:50 • -11.63db
17% Popularity • 70% Danceability • 80% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 70% Danceability • 80% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Boston 168
Terror Acid
128 bpm • G# Maj • 06:29 • -8.67db
29% Popularity • 68% Danceability • 100% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 68% Danceability • 100% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Yotam Avni
This Is How - Sterac Remix
128 bpm • C# Maj • 05:53 • -13.16db
12% Popularity • 75% Danceability • 53% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
12% Popularity • 75% Danceability • 53% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Dax J
Zion - Original Mix
128 bpm • G Maj • 05:56 • -9.09db
18% Popularity • 69% Danceability • 94% Energy • 65% Liveness
75% Instrumentalness • 24% Positiveness
18% Popularity • 69% Danceability • 94% Energy • 65% Liveness
75% Instrumentalness • 24% Positiveness
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Len Faki
Gathering Clouds - Pressure Mix
128 bpm • C# Maj • 05:19 • -11.69db
19% Popularity • 73% Danceability • 72% Energy • 19% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 73% Danceability • 72% Energy • 19% Liveness
89% Instrumentalness • 3% Positiveness
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Ben Klock
Wolf
128 bpm • C min • 05:28 • -12.09db
14% Popularity • 82% Danceability • 92% Energy • 10% Liveness
47% Instrumentalness • 13% Positiveness
14% Popularity • 82% Danceability • 92% Energy • 10% Liveness
47% Instrumentalness • 13% Positiveness
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Planetary Assault Systems
Tri Fn Trp
128 bpm • A# min • 05:31 • -12.18db
13% Popularity • 56% Danceability • 70% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
13% Popularity • 56% Danceability • 70% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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Developer
Take the Key
128 bpm • B min • 05:22 • -9.9db
15% Popularity • 59% Danceability • 95% Energy • 57% Liveness
71% Instrumentalness • 45% Positiveness
15% Popularity • 59% Danceability • 95% Energy • 57% Liveness
71% Instrumentalness • 45% Positiveness
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Takaaki Itoh
Wisher
128 bpm • A# min • 06:02 • -10.56db
13% Popularity • 79% Danceability • 91% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
13% Popularity • 79% Danceability • 91% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Tensal
Achievement 3
128 bpm • F Maj • 05:41 • -12.54db
5% Popularity • 79% Danceability • 72% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
5% Popularity • 79% Danceability • 72% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Psyk
Distane
128 bpm • C# min • 06:03 • -8.35db
14% Popularity • 58% Danceability • 62% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 58% Danceability • 62% Energy • 34% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Van Hoesen
Terminal
128 bpm • F# min • 05:55 • -11.81db
11% Popularity • 79% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
11% Popularity • 79% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 29% Positiveness
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Andre Kronert
Dirty Old Man - Markus Suckut Remix
128 bpm • A Maj • 06:33 • -12.47db
3% Popularity • 96% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
3% Popularity • 96% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Developer
Expressions of Lust
128 bpm • F# min • 07:30 • -12.36db
14% Popularity • 80% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
14% Popularity • 80% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Boston 168
Split String
128 bpm • D Maj • 06:02 • -9.77db
9% Popularity • 74% Danceability • 77% Energy • 20% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 74% Danceability • 77% Energy • 20% Liveness
90% Instrumentalness • 5% Positiveness
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P.E.A.R.L.
Memoria - Original Mix
128 bpm • F# Maj • 06:42 • -10.96db
7% Popularity • 79% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
7% Popularity • 79% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Raam
7 - Skudge Rmx
128 bpm • C Maj • 06:19 • -8.68db
19% Popularity • 81% Danceability • 75% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 81% Danceability • 75% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Subjected
Concept 3
128 bpm • B min • 05:52 • -7.61db
13% Popularity • 78% Danceability • 66% Energy • 11% Liveness
57% Instrumentalness • 16% Positiveness
13% Popularity • 78% Danceability • 66% Energy • 11% Liveness
57% Instrumentalness • 16% Positiveness
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Surgeon
Atol - 2014 Remaster
128 bpm • C# Maj • 04:33 • -9.27db
22% Popularity • 78% Danceability • 94% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
22% Popularity • 78% Danceability • 94% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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Johannes Heil
Gospel Five
128 bpm • G Maj • 04:05 • -8.35db
3% Popularity • 54% Danceability • 95% Energy • 9% Liveness
95% Instrumentalness • 80% Positiveness
3% Popularity • 54% Danceability • 95% Energy • 9% Liveness
95% Instrumentalness • 80% Positiveness
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Kike Pravda
Density - Original Mix
128 bpm • C Maj • 05:24 • -9.41db
11% Popularity • 71% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
11% Popularity • 71% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 37% Positiveness
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Mike Parker
Lustration Eleven - Edit Select Remix
127 bpm • F# Maj • 06:10 • -20.68db
13% Popularity • 66% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
13% Popularity • 66% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Exos
Nuclear Red Guard - mixed
127 bpm • F# Maj • 01:34 • -13.87db
17% Popularity • 84% Danceability • 80% Energy • 17% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 84% Danceability • 80% Energy • 17% Liveness
94% Instrumentalness • 33% Positiveness
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Len Faki
Truck
129 bpm • A# min • 06:14 • -10.62db
11% Popularity • 74% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
11% Popularity • 74% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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The Plant Worker
Gamma 05 - Original Mix
127 bpm • G Maj • 05:42 • -10.4db
9% Popularity • 55% Danceability • 80% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
9% Popularity • 55% Danceability • 80% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Johannes Heil
Transition Two
129 bpm • B min • 07:01 • -9.44db
3% Popularity • 61% Danceability • 72% Energy • 13% Liveness
81% Instrumentalness • 10% Positiveness
3% Popularity • 61% Danceability • 72% Energy • 13% Liveness
81% Instrumentalness • 10% Positiveness
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Slam
Vapour
129 bpm • G# min • 06:03 • -9db
32% Popularity • 72% Danceability • 79% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
32% Popularity • 72% Danceability • 79% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
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Bjarki
PC Muscles
127 bpm • C# Maj • 04:26 • -10.85db
8% Popularity • 68% Danceability • 72% Energy • 19% Liveness
74% Instrumentalness • 14% Positiveness
8% Popularity • 68% Danceability • 72% Energy • 19% Liveness
74% Instrumentalness • 14% Positiveness
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Ittara
Peace of Mind - Markus Suckut Remix
129 bpm • F min • 05:59 • -10.71db
0% Popularity • 72% Danceability • 71% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
0% Popularity • 72% Danceability • 71% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Charlotte de Witte
Trip - TWR72 Remix
129 bpm • D# min • 06:17 • -6.17db
15% Popularity • 79% Danceability • 86% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 79% Danceability • 86% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Heiko Laux
Souldancer - Jonas Kopp Remix
129 bpm • D Maj • 06:34 • -14.46db
17% Popularity • 68% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
17% Popularity • 68% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Johannes Heil
Gospel Nine
129 bpm • C# min • 05:36 • -11.24db
4% Popularity • 85% Danceability • 60% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
4% Popularity • 85% Danceability • 60% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Marcel Dettmann
Lattice
127 bpm • C# Maj • 07:43 • -15.89db
17% Popularity • 71% Danceability • 69% Energy • 66% Liveness
86% Instrumentalness • 9% Positiveness
17% Popularity • 71% Danceability • 69% Energy • 66% Liveness
86% Instrumentalness • 9% Positiveness
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Markus Suckut
A Case of Funk
127 bpm • D Maj • 07:06 • -8.46db
3% Popularity • 88% Danceability • 85% Energy • 41% Liveness
76% Instrumentalness • 4% Positiveness
3% Popularity • 88% Danceability • 85% Energy • 41% Liveness
76% Instrumentalness • 4% Positiveness
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Keith Carnal
Shallow
129 bpm • A Maj • 07:03 • -14db
16% Popularity • 75% Danceability • 69% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
16% Popularity • 75% Danceability • 69% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Amotik
Ath
129 bpm • F# Maj • 06:59 • -11db
9% Popularity • 79% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 79% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
