Songs like EXILE 006 B2 by Markus Suckut
Based on a tempo of (+/- 10%) and a similar genre
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Developer
Lost Moments - Len Faki Hardspace Mix
130 bpm • A min • 05:56 • -10db
13% Popularity • 79% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 79% Danceability • 91% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Cari Lekebusch
Outside In
130 bpm • D Maj • 07:00 • -9.9db
15% Popularity • 79% Danceability • 87% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
15% Popularity • 79% Danceability • 87% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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SHDW & Obscure Shape
Gefallene Engel
130 bpm • G Maj • 05:44 • -8.87db
14% Popularity • 74% Danceability • 85% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 74% Danceability • 85% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Takaaki Itoh
Anagrammer
130 bpm • C# min • 05:42 • -10.42db
10% Popularity • 79% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 79% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Lewis Fautzi
Range
130 bpm • G Maj • 04:58 • -11.67db
17% Popularity • 65% Danceability • 63% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 65% Danceability • 63% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Jonas Kopp
Akut - Orignal Mix
130 bpm • E Maj • 04:51 • -8.78db
13% Popularity • 78% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 78% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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TAFKAMP
When Desires Turn Evil
130 bpm • F# min • 06:36 • -8.92db
10% Popularity • 64% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
10% Popularity • 64% Danceability • 76% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Markus Suckut
Second Movement
130 bpm • C# Maj • 06:57 • -10.3db
2% Popularity • 89% Danceability • 47% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
2% Popularity • 89% Danceability • 47% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Setaoc Mass
Manifesto
130 bpm • F# min • 06:25 • -9db
22% Popularity • 64% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
22% Popularity • 64% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
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Deep'a & Biri
Parallel - Markus Suckut Remix
130 bpm • C# Maj • 06:56 • -13.6db
0% Popularity • 71% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 71% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Exium
Time - Oscar Mulero Remix
130 bpm • F# Maj • 05:48 • -12db
14% Popularity • 59% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
14% Popularity • 59% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
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Tensal
Effect 2
130 bpm • B Maj • 03:23 • -9.25db
21% Popularity • 62% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
21% Popularity • 62% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Introversion
Block 4
130 bpm • C# Maj • 06:16 • -10.65db
20% Popularity • 68% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
20% Popularity • 68% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Markus Suckut
Higher
130 bpm • B min • 06:29 • -12.3db
2% Popularity • 62% Danceability • 65% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
2% Popularity • 62% Danceability • 65% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
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Truncate
Wave 2
130 bpm • G Maj • 05:13 • -9.7db
12% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
12% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
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Marcal
Shutdown
130 bpm • E min • 05:41 • -9.01db
13% Popularity • 75% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
13% Popularity • 75% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Aleksi Perälä
UK74R1409047 - Len Faki Deepspace Mix
130 bpm • G Maj • 04:33 • -13.68db
10% Popularity • 73% Danceability • 81% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
10% Popularity • 73% Danceability • 81% Energy • 11% Liveness
94% Instrumentalness • 23% Positiveness
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Shlomi Aber
Lost in Humanity
130 bpm • G# Maj • 05:55 • -15.26db
15% Popularity • 77% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
15% Popularity • 77% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Moy Santana
Dubbisima - Markus Suckut Remix
130 bpm • C# Maj • 06:27 • -9.01db
0% Popularity • 80% Danceability • 72% Energy • 38% Liveness
79% Instrumentalness • 11% Positiveness
0% Popularity • 80% Danceability • 72% Energy • 38% Liveness
79% Instrumentalness • 11% Positiveness
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Markus Suckut
Future Is Not Always Bright
130 bpm • A# min • 05:58 • -7.47db
1% Popularity • 76% Danceability • 71% Energy • 15% Liveness
87% Instrumentalness • 42% Positiveness
1% Popularity • 76% Danceability • 71% Energy • 15% Liveness
87% Instrumentalness • 42% Positiveness
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Rødhåd
Patient Zero - Function Remix
130 bpm • G Maj • 03:40 • -8.74db
25% Popularity • 80% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
25% Popularity • 80% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
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Truncate
Our Bodies
130 bpm • A# min • 05:12 • -9.78db
12% Popularity • 79% Danceability • 67% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 79% Danceability • 67% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Border One
Throw - Thomas Hessler Mix
130 bpm • B Maj • 05:25 • -12.79db
12% Popularity • 80% Danceability • 70% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 80% Danceability • 70% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Dax J
Twilight Zone - Original Mix
130 bpm • C# Maj • 06:28 • -10.24db
9% Popularity • 64% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
9% Popularity • 64% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 41% Positiveness
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Johannes Heil
Scene Eight
130 bpm • C# min • 06:03 • -9.96db
21% Popularity • 64% Danceability • 63% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
21% Popularity • 64% Danceability • 63% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Markus Suckut
Promises
130 bpm • A min • 05:59 • -11.12db
2% Popularity • 87% Danceability • 45% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
2% Popularity • 87% Danceability • 45% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Introversion
Overnight
130 bpm • G Maj • 07:01 • -12.92db
9% Popularity • 77% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
9% Popularity • 77% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
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Dimi Angélis
Rhetorica - Jonas Kopp Remix
130 bpm • C Maj • 06:49 • -9.55db
13% Popularity • 72% Danceability • 95% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
13% Popularity • 72% Danceability • 95% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Planetary Assault Systems
Desert Races
130 bpm • D Maj • 07:37 • -11db
24% Popularity • 72% Danceability • 96% Energy • 61% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 72% Danceability • 96% Energy • 61% Liveness
86% Instrumentalness • 6% Positiveness
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Psyk
Silhouette
130 bpm • A Maj • 04:52 • -10.38db
10% Popularity • 79% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
10% Popularity • 79% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Charlotte de Witte
Trip - Twr72 Remix
130 bpm • C# min • 04:38 • -6.71db
13% Popularity • 78% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
13% Popularity • 78% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Markus Suckut
EXILE 006 B2
130 bpm • A# min • 06:31 • -11.08db
15% Popularity • 80% Danceability • 86% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 80% Danceability • 86% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Steve Stoll
Reciproheat - Len Faki Hardspace Mix
130 bpm • F# min • 04:11 • -12.38db
8% Popularity • 80% Danceability • 88% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
8% Popularity • 80% Danceability • 88% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Ilario Alicante
Echosides - Markus Suckut remix
130 bpm • G# Maj • 06:26 • -15.22db
1% Popularity • 79% Danceability • 60% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
1% Popularity • 79% Danceability • 60% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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TWR72
Reflect - Markus Suckut Remix
130 bpm • C# Maj • 06:24 • -10.7db
0% Popularity • 67% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 67% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Subjected
King Behemoth
130 bpm • G Maj • 06:19 • -7.31db
7% Popularity • 68% Danceability • 84% Energy • 8% Liveness
12% Instrumentalness • 8% Positiveness
7% Popularity • 68% Danceability • 84% Energy • 8% Liveness
12% Instrumentalness • 8% Positiveness
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Robert S PT
Acid City
130 bpm • F# min • 06:30 • -11.15db
16% Popularity • 62% Danceability • 70% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
16% Popularity • 62% Danceability • 70% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Markus Suckut
Eyes
130 bpm • B min • 08:54 • -11.26db
1% Popularity • 66% Danceability • 87% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
1% Popularity • 66% Danceability • 87% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Truncate
Hardware Jam 4
130 bpm • E Maj • 02:49 • -7.77db
13% Popularity • 79% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 79% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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FJAAK
Turn it Up
130 bpm • A# min • 05:19 • -8.45db
22% Popularity • 77% Danceability • 70% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
22% Popularity • 77% Danceability • 70% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Josh Wink
Let Go
130 bpm • A min • 05:34 • -10db
19% Popularity • 80% Danceability • 72% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
19% Popularity • 80% Danceability • 72% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Roman Poncet
Atome I
130 bpm • C Maj • 06:12 • -12.98db
12% Popularity • 80% Danceability • 54% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 80% Danceability • 54% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Rolando
Untold - Markus Suckut Remix
130 bpm • A# min • 06:46 • -9.77db
0% Popularity • 82% Danceability • 78% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
0% Popularity • 82% Danceability • 78% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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DJ Emerson
Notorious Dub - Markus Suckut Deep Mix
130 bpm • B min • 06:06 • -11.53db
0% Popularity • 80% Danceability • 86% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
0% Popularity • 80% Danceability • 86% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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Sev Dah
Saint of The Cave - Markus Suckut Sckt V...
130 bpm • G Maj • 05:59 • -16.69db
0% Popularity • 78% Danceability • 71% Energy • 11% Liveness
72% Instrumentalness • 19% Positiveness
0% Popularity • 78% Danceability • 71% Energy • 11% Liveness
72% Instrumentalness • 19% Positiveness
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FJAAK
The Wind
130 bpm • B min • 04:55 • -6.9db
16% Popularity • 86% Danceability • 63% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
16% Popularity • 86% Danceability • 63% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
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Möd3rn
Mö 13
130 bpm • C Maj • 06:38 • -9.26db
14% Popularity • 78% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
14% Popularity • 78% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Developer
In Pure Form 07
130 bpm • D# Maj • 06:26 • -10.96db
16% Popularity • 79% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 79% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Shifted
Telic
130 bpm • C Maj • 06:18 • -13.84db
13% Popularity • 78% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
13% Popularity • 78% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Rumah
Warm Bodies
130 bpm • B min • 06:28 • -7.47db
15% Popularity • 72% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
15% Popularity • 72% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Peter Van Hoesen
Subjects from the Past
130 bpm • G Maj • 03:10 • -11.79db
20% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
20% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Cleric
Blitz - Original mix
130 bpm • A Maj • 06:57 • -8.36db
15% Popularity • 77% Danceability • 92% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 77% Danceability • 92% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Truncate
Bassline
130 bpm • F# min • 05:12 • -10.63db
13% Popularity • 80% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
13% Popularity • 80% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Norman Nodge
Discipline
130 bpm • G Maj • 05:42 • -10.29db
15% Popularity • 63% Danceability • 86% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
15% Popularity • 63% Danceability • 86% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Under Black Helmet
I Was Laid-Back A Sinner Of Sorts
130 bpm • F# Maj • 05:26 • -10.34db
15% Popularity • 79% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 77% Positiveness
15% Popularity • 79% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 77% Positiveness
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James Ruskin
Page 1
130 bpm • G Maj • 03:09 • -10.71db
29% Popularity • 78% Danceability • 66% Energy • 23% Liveness
92% Instrumentalness • 29% Positiveness
29% Popularity • 78% Danceability • 66% Energy • 23% Liveness
92% Instrumentalness • 29% Positiveness
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DVS1
Electric
130 bpm • F# min • 07:24 • -11.98db
22% Popularity • 77% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
22% Popularity • 77% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Markus Suckut
Queue
130 bpm • B min • 05:58 • -12.12db
1% Popularity • 78% Danceability • 51% Energy • 13% Liveness
90% Instrumentalness • 75% Positiveness
1% Popularity • 78% Danceability • 51% Energy • 13% Liveness
90% Instrumentalness • 75% Positiveness
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Truncate
Good Morning V1
130 bpm • F# min • 05:50 • -12.53db
17% Popularity • 78% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 78% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Sebastian Mullaert
Fusion - Markus Suckut remix
130 bpm • B min • 07:11 • -16.03db
9% Popularity • 72% Danceability • 62% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
9% Popularity • 72% Danceability • 62% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
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Psyk
Eclipse
130 bpm • G# Maj • 06:48 • -10.89db
17% Popularity • 74% Danceability • 84% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
17% Popularity • 74% Danceability • 84% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Shifted
Chapter 69
130 bpm • C# Maj • 07:03 • -9.07db
16% Popularity • 70% Danceability • 87% Energy • 68% Liveness
86% Instrumentalness • 45% Positiveness
16% Popularity • 70% Danceability • 87% Energy • 68% Liveness
86% Instrumentalness • 45% Positiveness
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Michael Klein
Dirty Daddy - Markus Suckut Remix
130 bpm • F# Maj • 06:57 • -9.33db
1% Popularity • 77% Danceability • 65% Energy • 12% Liveness
79% Instrumentalness • 21% Positiveness
1% Popularity • 77% Danceability • 65% Energy • 12% Liveness
79% Instrumentalness • 21% Positiveness
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Héctor Oaks
Solarmental - Original mix
130 bpm • G# Maj • 05:53 • -12.69db
12% Popularity • 57% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
12% Popularity • 57% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Denise Rabe
Sunday Blues - Rrose Remix
130 bpm • D Maj • 05:59 • -8.75db
11% Popularity • 61% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
11% Popularity • 61% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Markus Suckut
Wonderland (Version)
130 bpm • C Maj • 07:00 • -9.68db
0% Popularity • 83% Danceability • 80% Energy • 11% Liveness
83% Instrumentalness • 48% Positiveness
0% Popularity • 83% Danceability • 80% Energy • 11% Liveness
83% Instrumentalness • 48% Positiveness
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Shlomi Aber
Paradox - Markus Suckut Remix
130 bpm • D Maj • 06:56 • -9.06db
0% Popularity • 80% Danceability • 88% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
0% Popularity • 80% Danceability • 88% Energy • 20% Liveness
87% Instrumentalness • 5% Positiveness
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Hans Bouffmyhre
Inwards - Mixed
131 bpm • E Maj • 03:03 • -14.56db
27% Popularity • 60% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
27% Popularity • 60% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Heiko Laux
Hangin'
131 bpm • B min • 04:26 • -8.45db
13% Popularity • 80% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 75% Positiveness
13% Popularity • 80% Danceability • 97% Energy • 11% Liveness
92% Instrumentalness • 75% Positiveness
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Marco Faraone
Rotaryknobs - Markus Suckut Remix
129 bpm • B min • 05:58 • -13.81db
0% Popularity • 96% Danceability • 81% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
0% Popularity • 96% Danceability • 81% Energy • 12% Liveness
88% Instrumentalness • 65% Positiveness
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The Advent
Up Close
129 bpm • F# min • 06:01 • -6.83db
14% Popularity • 67% Danceability • 89% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 67% Danceability • 89% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Markus Suckut
Take A Break
129 bpm • C# Maj • 04:00 • -8.81db
1% Popularity • 83% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 39% Positiveness
1% Popularity • 83% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 39% Positiveness
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Jeroen Search
JSMS 4.3
129 bpm • C# Maj • 06:46 • -15.16db
1% Popularity • 85% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
1% Popularity • 85% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Ben Long
The Knight Rider - Mixed
131 bpm • C# Maj • 02:49 • -11.18db
22% Popularity • 74% Danceability • 92% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
22% Popularity • 74% Danceability • 92% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Setaoc Mass
True lies - Original
131 bpm • G Maj • 06:15 • -10.4db
26% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
26% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
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DVS1
Confused
131 bpm • A# min • 06:53 • -12db
26% Popularity • 77% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
26% Popularity • 77% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Johannes Heil
Exile 002 A
129 bpm • F# min • 06:58 • -11.16db
0% Popularity • 62% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 62% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Ø [Phase]
Burden Of Proof
131 bpm • C Maj • 07:56 • -7.52db
13% Popularity • 72% Danceability • 83% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
13% Popularity • 72% Danceability • 83% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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dubspeeka
Sk30 - Markus Suckut Remix
131 bpm • G# Maj • 06:51 • -12.84db
1% Popularity • 72% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
1% Popularity • 72% Danceability • 66% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Truncate
Terminal 5 - Mixed
131 bpm • B min • 03:25 • -12.05db
24% Popularity • 60% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Markus Suckut
Plunge
129 bpm • G Maj • 05:45 • -10.87db
5% Popularity • 87% Danceability • 67% Energy • 22% Liveness
90% Instrumentalness • 16% Positiveness
5% Popularity • 87% Danceability • 67% Energy • 22% Liveness
90% Instrumentalness • 16% Positiveness
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Bas Mooy
Tilt
129 bpm • G Maj • 04:28 • -13.05db
18% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Johannes Heil
Gospel Twelve
129 bpm • C# Maj • 07:57 • -10.67db
14% Popularity • 92% Danceability • 81% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 92% Danceability • 81% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Cleric
2nd Limit - Original Mix
129 bpm • C# Maj • 06:47 • -11.46db
20% Popularity • 71% Danceability • 87% Energy • 28% Liveness
83% Instrumentalness • 13% Positiveness
20% Popularity • 71% Danceability • 87% Energy • 28% Liveness
83% Instrumentalness • 13% Positiveness
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Unbalance
Warehouse Tool 1
131 bpm • A# min • 05:44 • -10db
11% Popularity • 75% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 75% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Marcel Fengler
Thwack - Mixed
131 bpm • C Maj • 03:29 • -11.28db
18% Popularity • 78% Danceability • 63% Energy • 13% Liveness
85% Instrumentalness • 26% Positiveness
18% Popularity • 78% Danceability • 63% Energy • 13% Liveness
85% Instrumentalness • 26% Positiveness
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Markus Suckut
Fifth Movement
129 bpm • F# min • 06:45 • -11.32db
1% Popularity • 83% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 76% Positiveness
1% Popularity • 83% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 76% Positiveness
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Developer
Natives
129 bpm • A# min • 06:29 • -9db
19% Popularity • 62% Danceability • 77% Energy • 16% Liveness
80% Instrumentalness • 41% Positiveness
19% Popularity • 62% Danceability • 77% Energy • 16% Liveness
80% Instrumentalness • 41% Positiveness
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Johannes Heil
Happy 808
129 bpm • C Maj • 06:29 • -8.04db
16% Popularity • 78% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 78% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Etapp Kyle
Ahora
131 bpm • F# Maj • 05:49 • -12.09db
18% Popularity • 80% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
18% Popularity • 80% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Sterac
Track 2
129 bpm • A# min • 06:33 • -17.51db
11% Popularity • 92% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
11% Popularity • 92% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
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Ben Buitendijk
Erosion
131 bpm • G Maj • 06:13 • -12.25db
8% Popularity • 76% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 76% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Markus Suckut
Subway
131 bpm • B min • 05:27 • -11.44db
2% Popularity • 80% Danceability • 86% Energy • 8% Liveness
96% Instrumentalness • 15% Positiveness
2% Popularity • 80% Danceability • 86% Energy • 8% Liveness
96% Instrumentalness • 15% Positiveness
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Setaoc Mass
Nicmos - Original Mix
129 bpm • A Maj • 06:28 • -10db
13% Popularity • 68% Danceability • 96% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
13% Popularity • 68% Danceability • 96% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Johannes Heil
Intuition
129 bpm • A min • 06:31 • -9db
14% Popularity • 80% Danceability • 69% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
14% Popularity • 80% Danceability • 69% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Etapp Kyle
Continuum
129 bpm • G Maj • 06:29 • -14.71db
23% Popularity • 75% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
23% Popularity • 75% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Len Faki
Superstition - Azid Mix
129 bpm • A# min • 06:14 • -10.89db
26% Popularity • 72% Danceability • 87% Energy • 65% Liveness
83% Instrumentalness • 22% Positiveness
26% Popularity • 72% Danceability • 87% Energy • 65% Liveness
83% Instrumentalness • 22% Positiveness
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Remco Beekwilder
Irregular Acid - Original Mix
129 bpm • C min • 06:58 • -10db
22% Popularity • 78% Danceability • 94% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
22% Popularity • 78% Danceability • 94% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
