Songs like Exile Vilify (From the Game Portal 2) by The National
Based on a tempo of (+/- 10%) and a similar genre
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Matt Berninger
Distant Axis
120 bpm • D Maj • 04:25 • -10db
36% Popularity • 61% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
36% Popularity • 61% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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EL VY
Careless
120 bpm • C# min • 03:21 • -8db
32% Popularity • 68% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 48% Positiveness
32% Popularity • 68% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 48% Positiveness
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Great Lake Swimmers
Palmistry
120 bpm • B min • 02:34 • -7.59db
42% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Bombay Bicycle Club
How Can You Swallow So Much Sleep
120 bpm • G Maj • 03:30 • -6.64db
52% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
52% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Bear's Den
Crow
120 bpm • A Maj • 04:56 • -9.08db
45% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
45% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
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Villagers
Nothing Arrived
120 bpm • G Maj • 03:43 • -6db
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 56% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Flyte
Tough Love
120 bpm • D Maj • 03:01 • -6.87db
53% Popularity • 74% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 62% Positiveness
53% Popularity • 74% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 62% Positiveness
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Band of Horses
In Need of Repair
120 bpm • F Maj • 03:56 • -6.35db
44% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The National
Anyone's Ghost
120 bpm • F# Maj • 02:54 • -7db
47% Popularity • 74% Danceability • 79% Energy • 11% Liveness
77% Instrumentalness • 74% Positiveness
47% Popularity • 74% Danceability • 79% Energy • 11% Liveness
77% Instrumentalness • 74% Positiveness
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Sharon Van Etten
One Day
120 bpm • E Maj • 04:43 • -7db
45% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Beck
Blue Moon
120 bpm • C Maj • 04:02 • -6.73db
50% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
50% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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John Grant
Marz
120 bpm • A# Maj • 03:58 • -10.86db
46% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
82% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
82% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Shins
Phantom Limb
120 bpm • A Maj • 04:47 • -5db
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
52% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Beck
Lost Cause
120 bpm • C Maj • 03:47 • -8.73db
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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The Vaccines
Wetsuit
121 bpm • F Maj • 03:50 • -6.23db
51% Popularity • 47% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 23% Positiveness
51% Popularity • 47% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 23% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Arcade Fire
We Used to Wait
121 bpm • G# Maj • 05:01 • -7.21db
45% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
45% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Sharon Van Etten
Your Love is Killing Me
121 bpm • D Maj • 06:18 • -6.27db
36% Popularity • 40% Danceability • 71% Energy • 11% Liveness
37% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 71% Energy • 11% Liveness
37% Instrumentalness • 12% Positiveness
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Death Cab for Cutie
Pepper
119 bpm • G# Maj • 02:48 • -7.92db
47% Popularity • 79% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
47% Popularity • 79% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Frightened Rabbit
Floating in the Forth
119 bpm • F# min • 04:16 • -6.04db
14% Popularity • 52% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 52% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Wolf Alice
Delicious Things
121 bpm • D Maj • 05:04 • -5.61db
28% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
28% Popularity • 48% Danceability • 50% Energy • 28% Liveness
3% Instrumentalness • 28% Positiveness
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Volcano Choir
Tiderays
121 bpm • B Maj • 04:57 • -10db
39% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
39% Popularity • 27% Danceability • 47% Energy • 10% Liveness
29% Instrumentalness • 12% Positiveness
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Elliott Smith
Angeles
118 bpm • E min • 02:57 • -23.53db
60% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
60% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Midlake
Roscoe
122 bpm • G# min • 04:46 • -8.3db
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Bleachers
Wake Me
118 bpm • C# min • 02:43 • -10.67db
58% Popularity • 82% Danceability • 37% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
58% Popularity • 82% Danceability • 37% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
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The National
Vanderlyle Crybaby Geeks
118 bpm • A Maj • 04:12 • -8db
43% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
28% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
28% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Arcade Fire
Modern Man
122 bpm • A Maj • 04:39 • -7.35db
49% Popularity • 68% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
49% Popularity • 68% Danceability • 69% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
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Craig Finn
God in Chicago
118 bpm • F Maj • 04:45 • -13.85db
31% Popularity • 57% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 57% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sharon Van Etten
Serpents
123 bpm • F# min • 03:02 • -4.81db
46% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
72% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
72% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The National
Sorrow
122 bpm • C# min • 03:25 • -8.83db
49% Popularity • 55% Danceability • 74% Energy • 6% Liveness
66% Instrumentalness • 52% Positiveness
49% Popularity • 55% Danceability • 74% Energy • 6% Liveness
66% Instrumentalness • 52% Positiveness
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Future Islands
Back in the Tall Grass
123 bpm • C Maj • 04:15 • -9.05db
46% Popularity • 82% Danceability • 50% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
46% Popularity • 82% Danceability • 50% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Old Sea Brigade
Love Brought Weight
117 bpm • G Maj • 03:05 • -16db
65% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
65% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
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Band of Horses
Laredo
123 bpm • A# Maj • 03:12 • -5.15db
49% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Feist
How Come You Never Go There
123 bpm • A min • 03:24 • -8.17db
45% Popularity • 78% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 78% Danceability • 41% Energy • 40% Liveness
0% Instrumentalness • 22% Positiveness
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The National
England
123 bpm • C min • 05:40 • -9db
47% Popularity • 49% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
47% Popularity • 49% Danceability • 65% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
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Arcade Fire
The Suburbs (continued)
117 bpm • F# min • 01:31 • -22.32db
58% Popularity • 39% Danceability • 8% Energy • 23% Liveness
27% Instrumentalness • 5% Positiveness
58% Popularity • 39% Danceability • 8% Energy • 23% Liveness
27% Instrumentalness • 5% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Band of Horses
The Great Salt Lake
123 bpm • G# Maj • 04:45 • -6db
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Beirut
At Once
117 bpm • F Maj • 02:06 • -8.88db
48% Popularity • 56% Danceability • 42% Energy • 26% Liveness
69% Instrumentalness • 55% Positiveness
48% Popularity • 56% Danceability • 42% Energy • 26% Liveness
69% Instrumentalness • 55% Positiveness
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The National
Conversation 16
117 bpm • B min • 04:18 • -8db
45% Popularity • 55% Danceability • 85% Energy • 24% Liveness
91% Instrumentalness • 52% Positiveness
45% Popularity • 55% Danceability • 85% Energy • 24% Liveness
91% Instrumentalness • 52% Positiveness
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Wilco
How to Fight Loneliness
124 bpm • B min • 03:52 • -12.67db
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
53% Popularity • 69% Danceability • 38% Energy • 13% Liveness
11% Instrumentalness • 40% Positiveness
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First Aid Kit
Rebel Heart
116 bpm • A min • 05:23 • -6db
43% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Phosphorescent
C'est La Vie No.2
116 bpm • C Maj • 03:25 • -10.51db
51% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
51% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
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Old Sea Brigade
Call Me When You Land
116 bpm • F Maj • 04:47 • -10.17db
59% Popularity • 69% Danceability • 48% Energy • 44% Liveness
4% Instrumentalness • 58% Positiveness
59% Popularity • 69% Danceability • 48% Energy • 44% Liveness
4% Instrumentalness • 58% Positiveness
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Beirut
Fisher Island Sound
124 bpm • G Maj • 02:44 • -7.75db
51% Popularity • 56% Danceability • 74% Energy • 10% Liveness
42% Instrumentalness • 15% Positiveness
51% Popularity • 56% Danceability • 74% Energy • 10% Liveness
42% Instrumentalness • 15% Positiveness
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The National
Slipped
116 bpm • C# min • 04:25 • -10.17db
42% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Big Red Machine
Reese
116 bpm • D# Maj • 05:12 • -11db
40% Popularity • 70% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 52% Positiveness
40% Popularity • 70% Danceability • 50% Energy • 10% Liveness
21% Instrumentalness • 52% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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Beck
Turn Away
116 bpm • G Maj • 03:05 • -11.73db
43% Popularity • 61% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
43% Popularity • 61% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
30% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Manchester Orchestra
I Can Feel a Hot One
124 bpm • G# Maj • 04:19 • -11.37db
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
44% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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The National
Ada
117 bpm • G Maj • 04:03 • -9.62db
36% Popularity • 56% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
36% Popularity • 56% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Death Cab for Cutie
Title and Registration
116 bpm • A Maj • 03:39 • -10.37db
57% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
57% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
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Phoenix
Love Like a Sunset, Pt. 2
116 bpm • D# Maj • 01:56 • -9.32db
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
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Iron & Wine
Autumn Town Leaves
116 bpm • C# Maj • 03:15 • -15db
62% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Johnny Flynn
The Water
125 bpm • C Maj • 04:12 • -11.5db
48% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 49% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Shins
A Comet Appears
125 bpm • D Maj • 03:49 • -13db
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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The National
Eucalyptus
116 bpm • G# Maj • 04:24 • -7.32db
51% Popularity • 52% Danceability • 73% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
51% Popularity • 52% Danceability • 73% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Frightened Rabbit
Nitrous Gas
115 bpm • B Maj • 03:10 • -6.04db
36% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Arcade Fire
Age of Anxiety I
125 bpm • F# min • 05:27 • -11.95db
49% Popularity • 36% Danceability • 41% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
49% Popularity • 36% Danceability • 41% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Alexi Murdoch
Orange Sky
125 bpm • D Maj • 06:19 • -20.54db
60% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
60% Popularity • 68% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The National
Fireproof
116 bpm • D# min • 02:58 • -10.54db
50% Popularity • 48% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
50% Popularity • 48% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Villagers
Hot Scary Summer
115 bpm • C Maj • 04:20 • -9db
32% Popularity • 64% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 64% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
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Volcano Choir
Alaskans
126 bpm • D Maj • 04:55 • -14.48db
33% Popularity • 48% Danceability • 22% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
33% Popularity • 48% Danceability • 22% Energy • 11% Liveness
20% Instrumentalness • 29% Positiveness
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Ben Howard
The Fear
126 bpm • B Maj • 04:20 • -9.65db
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Michael Stipe
No Time For Love Like Now
126 bpm • F min • 04:20 • -6db
36% Popularity • 70% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
36% Popularity • 70% Danceability • 58% Energy • 10% Liveness
3% Instrumentalness • 53% Positiveness
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The Airborne Toxic Event
Sometime Around Midnight
126 bpm • G# Maj • 05:03 • -5.17db
54% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Conor Oberst
Cape Canaveral
126 bpm • A Maj • 04:04 • -10.18db
41% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Bear's Den
All That You Are
114 bpm • C Maj • 04:10 • -12.17db
52% Popularity • 54% Danceability • 38% Energy • 11% Liveness
33% Instrumentalness • 7% Positiveness
52% Popularity • 54% Danceability • 38% Energy • 11% Liveness
33% Instrumentalness • 7% Positiveness
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Matt Berninger
Take Me Out of Town
114 bpm • A# Maj • 04:11 • -9.32db
30% Popularity • 56% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 40% Energy • 12% Liveness
53% Instrumentalness • 45% Positiveness
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Angus & Julia Stone
Draw Your Swords
114 bpm • A min • 06:35 • -9.93db
39% Popularity • 69% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 69% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The National
Lemonworld
126 bpm • C# Maj • 03:23 • -8.55db
45% Popularity • 65% Danceability • 74% Energy • 9% Liveness
71% Instrumentalness • 59% Positiveness
45% Popularity • 65% Danceability • 74% Energy • 9% Liveness
71% Instrumentalness • 59% Positiveness
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Perfume Genius
Normal Song
127 bpm • D# Maj • 03:13 • -17db
39% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
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Ben Howard
In Dreams
127 bpm • C Maj • 03:33 • -14db
58% Popularity • 49% Danceability • 59% Energy • 14% Liveness
71% Instrumentalness • 28% Positiveness
58% Popularity • 49% Danceability • 59% Energy • 14% Liveness
71% Instrumentalness • 28% Positiveness
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Gregory Alan Isakov
If I Go, I'm Goin
114 bpm • D# Maj • 04:27 • -17.29db
62% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
62% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Bess Atwell
Co-op
127 bpm • A# Maj • 03:45 • -12db
41% Popularity • 54% Danceability • 45% Energy • 8% Liveness
26% Instrumentalness • 24% Positiveness
41% Popularity • 54% Danceability • 45% Energy • 8% Liveness
26% Instrumentalness • 24% Positiveness
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Beck
Morning
114 bpm • E Maj • 05:19 • -10db
51% Popularity • 55% Danceability • 38% Energy • 13% Liveness
10% Instrumentalness • 26% Positiveness
51% Popularity • 55% Danceability • 38% Energy • 13% Liveness
10% Instrumentalness • 26% Positiveness
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The National
Afraid of Everyone
126 bpm • A min • 04:19 • -8db
40% Popularity • 53% Danceability • 78% Energy • 10% Liveness
80% Instrumentalness • 24% Positiveness
40% Popularity • 53% Danceability • 78% Energy • 10% Liveness
80% Instrumentalness • 24% Positiveness
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Arcade Fire
Neighborhood #1 (Tunnels)
127 bpm • C Maj • 04:48 • -5.57db
56% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
56% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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Ben Howard
I Forget Where We Were
113 bpm • C Maj • 04:41 • -9.57db
56% Popularity • 30% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
56% Popularity • 30% Danceability • 46% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
60% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
