Songs like Exodus (Movement of War People) by Alabama 3
Based on a tempo of (+/- 10%) and a similar genre
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Brownout
The Wizard
100 bpm • D Maj • 04:34 • -6db
24% Popularity • 53% Danceability • 92% Energy • 21% Liveness
2% Instrumentalness • 65% Positiveness
24% Popularity • 53% Danceability • 92% Energy • 21% Liveness
2% Instrumentalness • 65% Positiveness
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The Waterboys
The Connemara Fox
100 bpm • A Maj • 05:30 • -5.98db
10% Popularity • 56% Danceability • 98% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 56% Danceability • 98% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
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Alabama 3
Exodus (Movement of War People)
100 bpm • D Maj • 05:43 • -7.46db
14% Popularity • 59% Danceability • 87% Energy • 14% Liveness
10% Instrumentalness • 17% Positiveness
14% Popularity • 59% Danceability • 87% Energy • 14% Liveness
10% Instrumentalness • 17% Positiveness
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The Cruel Sea
I Made A Friend
100 bpm • D Maj • 03:35 • -8.64db
12% Popularity • 74% Danceability • 66% Energy • 11% Liveness
3% Instrumentalness • 63% Positiveness
12% Popularity • 74% Danceability • 66% Energy • 11% Liveness
3% Instrumentalness • 63% Positiveness
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Tito & Tarantula
Everybody Needs
99 bpm • A# min • 05:24 • -5.33db
12% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Cedric Burnside
Please Tell Me Baby
99 bpm • A min • 03:37 • -9.14db
30% Popularity • 69% Danceability • 68% Energy • 19% Liveness
32% Instrumentalness • 62% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 19% Liveness
32% Instrumentalness • 62% Positiveness
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Bob Log III
Move It Wrong
99 bpm • A Maj • 03:01 • -2.69db
8% Popularity • 81% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
8% Popularity • 81% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Black Pistol Fire
Oh Well
101 bpm • A Maj • 02:47 • -8.17db
32% Popularity • 38% Danceability • 80% Energy • 22% Liveness
6% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 80% Energy • 22% Liveness
6% Instrumentalness • 18% Positiveness
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Eels
Souljacker Part I
101 bpm • A Maj • 03:14 • -5db
42% Popularity • 60% Danceability • 75% Energy • 17% Liveness
23% Instrumentalness • 11% Positiveness
42% Popularity • 60% Danceability • 75% Energy • 17% Liveness
23% Instrumentalness • 11% Positiveness
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Dirty Sweet
You've Been Warned
101 bpm • F min • 03:43 • -4.38db
30% Popularity • 61% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 61% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Alabama 3
Tranquilize Yourself Britannia
99 bpm • D min • 05:15 • -7.41db
16% Popularity • 52% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 52% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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The Juke Joint Pimps
Red Wine
101 bpm • F min • 02:31 • -3.14db
20% Popularity • 60% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 60% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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7Horse
Answer the Bell
99 bpm • G# min • 03:30 • -5.87db
32% Popularity • 46% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 46% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Quaker City Night Hawks
Rattlesnake Boogie
101 bpm • D Maj • 03:18 • -5.77db
27% Popularity • 64% Danceability • 69% Energy • 15% Liveness
4% Instrumentalness • 30% Positiveness
27% Popularity • 64% Danceability • 69% Energy • 15% Liveness
4% Instrumentalness • 30% Positiveness
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Marcus Bonfanti
Cheap Whisky
99 bpm • G Maj • 04:08 • -6.4db
8% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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The Fumes
The Dogs
101 bpm • A min • 04:57 • -4.02db
17% Popularity • 56% Danceability • 97% Energy • 34% Liveness
11% Instrumentalness • 53% Positiveness
17% Popularity • 56% Danceability • 97% Energy • 34% Liveness
11% Instrumentalness • 53% Positiveness
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Reef
Naked
99 bpm • C Maj • 03:10 • -7.8db
34% Popularity • 61% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 61% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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Henry's Funeral Shoe
Gimme Back My Morphine
99 bpm • D Maj • 03:03 • -7.43db
12% Popularity • 48% Danceability • 80% Energy • 15% Liveness
12% Instrumentalness • 28% Positiveness
12% Popularity • 48% Danceability • 80% Energy • 15% Liveness
12% Instrumentalness • 28% Positiveness
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The Cult
The Witch - Edit
101 bpm • D Maj • 04:19 • -9db
39% Popularity • 64% Danceability • 88% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
39% Popularity • 64% Danceability • 88% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
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Jeff Martin & Wayne Sheehy
Black Snake Blues
98 bpm • A Maj • 07:06 • -6.49db
8% Popularity • 34% Danceability • 66% Energy • 97% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 34% Danceability • 66% Energy • 97% Liveness
0% Instrumentalness • 48% Positiveness
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Big Sugar
Ride Like Hell
102 bpm • A min • 04:47 • -3.91db
26% Popularity • 45% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 45% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Alabama 3
Lost and Found
98 bpm • D# Maj • 03:58 • -7.2db
14% Popularity • 59% Danceability • 69% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
14% Popularity • 59% Danceability • 69% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Ben Harper And Relentless7
Lay There & Hate Me
102 bpm • A min • 04:14 • -5.23db
28% Popularity • 72% Danceability • 76% Energy • 8% Liveness
29% Instrumentalness • 73% Positiveness
28% Popularity • 72% Danceability • 76% Energy • 8% Liveness
29% Instrumentalness • 73% Positiveness
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The Wanton Bishops
Come to Me
98 bpm • D min • 04:04 • -5.82db
38% Popularity • 42% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 42% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Brother Dege
Somewhere
98 bpm • D# min • 03:31 • -8.87db
12% Popularity • 56% Danceability • 74% Energy • 23% Liveness
10% Instrumentalness • 70% Positiveness
12% Popularity • 56% Danceability • 74% Energy • 23% Liveness
10% Instrumentalness • 70% Positiveness
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Thornetta Davis
Cry
102 bpm • C Maj • 04:11 • -8.3db
32% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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The Bonnevilles
No Law In Lurgan
98 bpm • C Maj • 04:05 • -9.31db
23% Popularity • 34% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 34% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Reef
Good Feeling
102 bpm • F# Maj • 03:47 • -8.38db
24% Popularity • 68% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 68% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Fantastic Negrito
Night Has Turned to Day
102 bpm • B Maj • 02:40 • -5db
37% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Wanton Bishops
Sleep With the Lights On
102 bpm • G Maj • 03:26 • -6db
53% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
53% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Blackie & The Rodeo Kings
Stoned
103 bpm • A# Maj • 03:45 • -8db
27% Popularity • 61% Danceability • 65% Energy • 12% Liveness
33% Instrumentalness • 66% Positiveness
27% Popularity • 61% Danceability • 65% Energy • 12% Liveness
33% Instrumentalness • 66% Positiveness
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T Bird and the Breaks
Two Tone Cadillac
97 bpm • G Maj • 04:35 • -4.9db
27% Popularity • 46% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 46% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Mudcrutch
Lover of the Bayou
103 bpm • A min • 04:32 • -7db
34% Popularity • 50% Danceability • 75% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
34% Popularity • 50% Danceability • 75% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
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Republic Of Loose
Hold Up!
103 bpm • A min • 04:06 • -10.48db
19% Popularity • 82% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 59% Positiveness
19% Popularity • 82% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 59% Positiveness
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Black Diamond Heavies
Everything Is Everything
97 bpm • D Maj • 03:51 • -7.35db
15% Popularity • 42% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 42% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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The Wanton Bishops
Shake
98 bpm • E min • 02:15 • -5db
38% Popularity • 58% Danceability • 82% Energy • 17% Liveness
6% Instrumentalness • 86% Positiveness
38% Popularity • 58% Danceability • 82% Energy • 17% Liveness
6% Instrumentalness • 86% Positiveness
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The Fumes
Rogue River Woman
97 bpm • G# Maj • 03:47 • -6.41db
23% Popularity • 47% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 47% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Moreland & Arbuckle
Diamond Ring
97 bpm • C Maj • 06:07 • -5.63db
7% Popularity • 51% Danceability • 81% Energy • 8% Liveness
21% Instrumentalness • 37% Positiveness
7% Popularity • 51% Danceability • 81% Energy • 8% Liveness
21% Instrumentalness • 37% Positiveness
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Tito & Tarantula
Monsters - 2017 Remaster
104 bpm • B min • 02:50 • -5.76db
25% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Big Sugar
Natty Dread Rock
96 bpm • F min • 04:27 • -7.49db
7% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 53% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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SIMO
Stranger Blues
104 bpm • D Maj • 05:09 • -7db
13% Popularity • 44% Danceability • 92% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
13% Popularity • 44% Danceability • 92% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
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Screamin' Jay Hawkins
I Am the Cool - Remastered
104 bpm • C Maj • 04:19 • -12db
27% Popularity • 58% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 58% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Fumes
Automobile
103 bpm • C Maj • 03:59 • -4.25db
25% Popularity • 48% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 48% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Little Barrie
Tip It Over
104 bpm • B min • 05:25 • -5db
23% Popularity • 65% Danceability • 86% Energy • 11% Liveness
19% Instrumentalness • 90% Positiveness
23% Popularity • 65% Danceability • 86% Energy • 11% Liveness
19% Instrumentalness • 90% Positiveness
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Alabama 3
Terra Firma Cowboy Blues
96 bpm • G Maj • 03:29 • -6.42db
14% Popularity • 72% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 72% Danceability • 69% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
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Cedric Burnside
Ain't Gonna Take No Mess
96 bpm • B min • 03:34 • -6.48db
23% Popularity • 58% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 58% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Cashman
Pistol Blues
104 bpm • A min • 03:14 • -4.75db
22% Popularity • 55% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
22% Popularity • 55% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 93% Positiveness
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The Wanton Bishops
Smith and Wesson
96 bpm • F# min • 02:35 • -6db
43% Popularity • 49% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 49% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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The Fumes
Cuddle Up The Devil
96 bpm • F# min • 03:58 • -5db
35% Popularity • 43% Danceability • 93% Energy • 50% Liveness
12% Instrumentalness • 67% Positiveness
35% Popularity • 43% Danceability • 93% Energy • 50% Liveness
12% Instrumentalness • 67% Positiveness
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Black Rebel Motorcycle Club
Ain't No Easy Way
96 bpm • G# Maj • 02:36 • -4.19db
52% Popularity • 53% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
52% Popularity • 53% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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16 Horsepower
Brimstone Rock
104 bpm • G# Maj • 04:28 • -8.8db
29% Popularity • 69% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 69% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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C.C. Adcock
All 4 the Betta
104 bpm • F# min • 04:23 • -7.46db
18% Popularity • 84% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 84% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Suitcase Junket
On Our Own
104 bpm • C# Maj • 02:41 • -7db
43% Popularity • 52% Danceability • 50% Energy • 31% Liveness
17% Instrumentalness • 33% Positiveness
43% Popularity • 52% Danceability • 50% Energy • 31% Liveness
17% Instrumentalness • 33% Positiveness
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Brant Bjork
Locked and Loaded
96 bpm • C Maj • 10:30 • -11.22db
21% Popularity • 64% Danceability • 53% Energy • 10% Liveness
43% Instrumentalness • 19% Positiveness
21% Popularity • 64% Danceability • 53% Energy • 10% Liveness
43% Instrumentalness • 19% Positiveness
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The Yawpers
Tied
95 bpm • E Maj • 04:03 • -9.98db
10% Popularity • 44% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 60% Positiveness
10% Popularity • 44% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 60% Positiveness
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Masters Of Reality
Third Man On The Moon
95 bpm • D min • 05:12 • -7.75db
30% Popularity • 54% Danceability • 82% Energy • 24% Liveness
6% Instrumentalness • 38% Positiveness
30% Popularity • 54% Danceability • 82% Energy • 24% Liveness
6% Instrumentalness • 38% Positiveness
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Willie and the Bandits
Jack The Lad
105 bpm • A min • 04:39 • -7.51db
8% Popularity • 52% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
8% Popularity • 52% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Alabama 3
Yolanda
105 bpm • F Maj • 03:23 • -6.29db
24% Popularity • 56% Danceability • 90% Energy • 67% Liveness
44% Instrumentalness • 60% Positiveness
24% Popularity • 56% Danceability • 90% Energy • 67% Liveness
44% Instrumentalness • 60% Positiveness
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Stereo MC's
We Belong In This World Together
105 bpm • F# Maj • 04:39 • -9db
25% Popularity • 65% Danceability • 80% Energy • 67% Liveness
9% Instrumentalness • 14% Positiveness
25% Popularity • 65% Danceability • 80% Energy • 67% Liveness
9% Instrumentalness • 14% Positiveness
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Brother Dege
Supernaut
105 bpm • G Maj • 03:05 • -8db
25% Popularity • 71% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 71% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Zachary Kibbee
Hey Now
105 bpm • G Maj • 03:42 • -10.25db
19% Popularity • 79% Danceability • 55% Energy • 17% Liveness
85% Instrumentalness • 51% Positiveness
19% Popularity • 79% Danceability • 55% Energy • 17% Liveness
85% Instrumentalness • 51% Positiveness
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Henry's Funeral Shoe
Mission & Maintenance
105 bpm • C min • 03:40 • -4.85db
15% Popularity • 35% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 35% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Urban Dance Squad
Bureaucrat of Flaccostreet
95 bpm • A# min • 04:28 • -6.59db
15% Popularity • 64% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
15% Popularity • 64% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
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Alabama 3
Monday Don’t Mean Anything To Me
105 bpm • A# Maj • 04:08 • -5.89db
17% Popularity • 73% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 73% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Fumes
Tell Ya Story Walking
105 bpm • G Maj • 06:49 • -5db
29% Popularity • 37% Danceability • 90% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
29% Popularity • 37% Danceability • 90% Energy • 33% Liveness
1% Instrumentalness • 64% Positiveness
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Reef
Precious Metal
94 bpm • B min • 03:46 • -3.68db
11% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Miller Band
Get Right Church
106 bpm • C# Maj • 03:44 • -5db
41% Popularity • 48% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 48% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Tom Morello: the Nightwatchman
It Begins Tonight
106 bpm • E min • 03:01 • -5.09db
7% Popularity • 52% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
7% Popularity • 52% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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The Grand East
Kiss the Devil
94 bpm • E Maj • 05:15 • -5db
27% Popularity • 53% Danceability • 80% Energy • 23% Liveness
7% Instrumentalness • 63% Positiveness
27% Popularity • 53% Danceability • 80% Energy • 23% Liveness
7% Instrumentalness • 63% Positiveness
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Alabama 3
Rising Tide
106 bpm • C Maj • 04:27 • -7.05db
7% Popularity • 57% Danceability • 61% Energy • 13% Liveness
2% Instrumentalness • 15% Positiveness
7% Popularity • 57% Danceability • 61% Energy • 13% Liveness
2% Instrumentalness • 15% Positiveness
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The Fumes
Seven Year Itch
106 bpm • F# min • 08:00 • -6.07db
15% Popularity • 37% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 37% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Willie and the Bandits
Gypsy Woman
94 bpm • D min • 03:40 • -3.57db
8% Popularity • 40% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 40% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Ben Miller Band
Akira Kurosawa
94 bpm • D Maj • 03:04 • -7.86db
18% Popularity • 56% Danceability • 70% Energy • 29% Liveness
2% Instrumentalness • 47% Positiveness
18% Popularity • 56% Danceability • 70% Energy • 29% Liveness
2% Instrumentalness • 47% Positiveness
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Black Rebel Motorcycle Club
Complicated Situation
94 bpm • C Maj • 02:37 • -5.22db
25% Popularity • 28% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
25% Popularity • 28% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
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Black Diamond Heavies
Make Love Time
107 bpm • E min • 03:31 • -5.35db
19% Popularity • 29% Danceability • 93% Energy • 20% Liveness
18% Instrumentalness • 30% Positiveness
19% Popularity • 29% Danceability • 93% Energy • 20% Liveness
18% Instrumentalness • 30% Positiveness
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Black Joe Lewis & The Honeybears
Five Dollars
107 bpm • A min • 03:08 • -5.75db
37% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 52% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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The Reverend Shawn Amos
The Jean Genie
107 bpm • B min • 04:15 • -7db
18% Popularity • 74% Danceability • 36% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
18% Popularity • 74% Danceability • 36% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
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Cedric Burnside
We Made It
107 bpm • D Maj • 03:34 • -8db
39% Popularity • 72% Danceability • 75% Energy • 29% Liveness
4% Instrumentalness • 82% Positiveness
39% Popularity • 72% Danceability • 75% Energy • 29% Liveness
4% Instrumentalness • 82% Positiveness
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Fantastic Negrito
The Shadows
94 bpm • A min • 03:34 • -5.97db
19% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Stereo MC's
Deep Down & Dirty - Original Version
107 bpm • A# min • 04:21 • -5.41db
32% Popularity • 70% Danceability • 88% Energy • 65% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 70% Danceability • 88% Energy • 65% Liveness
1% Instrumentalness • 72% Positiveness
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Big Sugar
Wild Ox Moan
107 bpm • G Maj • 05:41 • -7.31db
9% Popularity • 41% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 41% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Alabama 3
Up Above My Head
108 bpm • C Maj • 03:57 • -5.74db
16% Popularity • 65% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 65% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
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The Dead Weather
A Child of a Few Hours Is Burning to Dea...
108 bpm • B min • 05:00 • -5db
24% Popularity • 44% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 54% Positiveness
24% Popularity • 44% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 54% Positiveness
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Don Walker
Hully Gully
92 bpm • E Maj • 03:46 • -8.02db
11% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Tito & Tarantula
Sweet Cycle - 2015 Remaster
108 bpm • B Maj • 04:58 • -6.05db
19% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Kula Shaker
Great Hosannah
108 bpm • C Maj • 06:07 • -8.59db
36% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 29% Positiveness
36% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 29% Positiveness
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Gary Lucas
Woke Up This Morning (Theme from "The So...
92 bpm • C min • 05:55 • -9.73db
5% Popularity • 46% Danceability • 61% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 46% Danceability • 61% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Urban Dance Squad
Grand Black Citizen
92 bpm • E min • 03:51 • -5.71db
24% Popularity • 69% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 69% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Marcus Bonfanti
Alley Cat
92 bpm • D# Maj • 03:54 • -5.38db
10% Popularity • 48% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 48% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Earle
Lungs
92 bpm • G Maj • 02:18 • -10.01db
17% Popularity • 58% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 58% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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The Fumes
The Letter
92 bpm • C# Maj • 04:10 • -4.02db
25% Popularity • 53% Danceability • 97% Energy • 6% Liveness
9% Instrumentalness • 65% Positiveness
25% Popularity • 53% Danceability • 97% Energy • 6% Liveness
9% Instrumentalness • 65% Positiveness
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The Bonnevilles
Hell
92 bpm • A# min • 03:58 • -7.96db
21% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Morphine
Sharks - 2018 Remaster
109 bpm • G Maj • 02:21 • -11.57db
18% Popularity • 54% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 54% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Tito & Tarantula
Come out Clean - 2017 Remaster
92 bpm • E min • 04:03 • -6db
20% Popularity • 51% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 51% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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The Reverend Peyton's Big Damn Band
Scream At The Night
91 bpm • A# Maj • 04:32 • -5.31db
19% Popularity • 57% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 57% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Black Grape
Get Higher
91 bpm • E min • 05:00 • -7.59db
25% Popularity • 50% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 50% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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Black River Delta
Rodeo
91 bpm • C Maj • 03:27 • -9.8db
27% Popularity • 25% Danceability • 69% Energy • 34% Liveness
1% Instrumentalness • 50% Positiveness
27% Popularity • 25% Danceability • 69% Energy • 34% Liveness
1% Instrumentalness • 50% Positiveness
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Masters Of Reality
J.B. Witchdance
91 bpm • G# Maj • 03:36 • -7.72db
26% Popularity • 67% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
26% Popularity • 67% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
