Songs like Experiential Awakening by Legowelt
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Naples
Benefit
127 bpm • C# Maj • 07:52 • -7db
20% Popularity • 75% Danceability • 98% Energy • 7% Liveness
84% Instrumentalness • 38% Positiveness
20% Popularity • 75% Danceability • 98% Energy • 7% Liveness
84% Instrumentalness • 38% Positiveness
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Legowelt
Experiential Awakening
127 bpm • F# Maj • 08:08 • -13.87db
23% Popularity • 55% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 69% Positiveness
23% Popularity • 55% Danceability • 84% Energy • 35% Liveness
79% Instrumentalness • 69% Positiveness
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Octo Octa
Imminent Spirit Arrival
127 bpm • G Maj • 06:34 • -8.23db
18% Popularity • 62% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
18% Popularity • 62% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Shifted
Control
127 bpm • G Maj • 07:06 • -9db
23% Popularity • 70% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
23% Popularity • 70% Danceability • 85% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Willie Burns
Sonny and Ricardo Give Good Advice
127 bpm • D Maj • 05:37 • -4.55db
9% Popularity • 74% Danceability • 87% Energy • 13% Liveness
61% Instrumentalness • 78% Positiveness
9% Popularity • 74% Danceability • 87% Energy • 13% Liveness
61% Instrumentalness • 78% Positiveness
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DJ Seinfeld
Belvedere
127 bpm • A min • 05:39 • -8.55db
11% Popularity • 70% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 42% Positiveness
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Anthony Naples
Fog FM
127 bpm • B min • 07:43 • -7db
18% Popularity • 80% Danceability • 90% Energy • 8% Liveness
86% Instrumentalness • 89% Positiveness
18% Popularity • 80% Danceability • 90% Energy • 8% Liveness
86% Instrumentalness • 89% Positiveness
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Voigt & Voigt
Tribute To A Greek God
127 bpm • C# min • 07:56 • -14.05db
13% Popularity • 74% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
13% Popularity • 74% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
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Legowelt
Fundamental Superstition
127 bpm • B min • 04:33 • -11.2db
17% Popularity • 60% Danceability • 87% Energy • 57% Liveness
77% Instrumentalness • 40% Positiveness
17% Popularity • 60% Danceability • 87% Energy • 57% Liveness
77% Instrumentalness • 40% Positiveness
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Aurora Halal
Shapeshifter
127 bpm • A# min • 06:38 • -11.93db
13% Popularity • 68% Danceability • 71% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
13% Popularity • 68% Danceability • 71% Energy • 6% Liveness
88% Instrumentalness • 43% Positiveness
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John Tejada
Farther And Fainter
127 bpm • C# Maj • 06:19 • -11.13db
34% Popularity • 78% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
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Shed
Fluid 67
127 bpm • F# Maj • 05:49 • -10.91db
21% Popularity • 40% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 39% Positiveness
21% Popularity • 40% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 39% Positiveness
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Etapp Kyle
Sakura
127 bpm • D# min • 05:09 • -17db
31% Popularity • 63% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
31% Popularity • 63% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 66% Positiveness
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efdemin
Le Ratafia
127 bpm • C# Maj • 06:03 • -12db
11% Popularity • 79% Danceability • 61% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
11% Popularity • 79% Danceability • 61% Energy • 6% Liveness
91% Instrumentalness • 73% Positiveness
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Legowelt
Legendary Freaks
127 bpm • F# min • 05:13 • -8.91db
8% Popularity • 63% Danceability • 93% Energy • 7% Liveness
73% Instrumentalness • 31% Positiveness
8% Popularity • 63% Danceability • 93% Energy • 7% Liveness
73% Instrumentalness • 31% Positiveness
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Dollkraut
Theme Of Fukuyama
127 bpm • C# Maj • 06:19 • -9.55db
15% Popularity • 71% Danceability • 55% Energy • 6% Liveness
91% Instrumentalness • 81% Positiveness
15% Popularity • 71% Danceability • 55% Energy • 6% Liveness
91% Instrumentalness • 81% Positiveness
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John Tejada
The Living Night
127 bpm • A min • 06:54 • -11db
21% Popularity • 70% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 56% Positiveness
21% Popularity • 70% Danceability • 74% Energy • 10% Liveness
84% Instrumentalness • 56% Positiveness
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FJAAK
Sixteen Levels
127 bpm • C# Maj • 04:21 • -9.9db
12% Popularity • 78% Danceability • 58% Energy • 38% Liveness
87% Instrumentalness • 8% Positiveness
12% Popularity • 78% Danceability • 58% Energy • 38% Liveness
87% Instrumentalness • 8% Positiveness
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Baba Stiltz
Cherry - Legowelt Remix
127 bpm • G Maj • 06:02 • -2.2db
2% Popularity • 66% Danceability • 97% Energy • 15% Liveness
81% Instrumentalness • 54% Positiveness
2% Popularity • 66% Danceability • 97% Energy • 15% Liveness
81% Instrumentalness • 54% Positiveness
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efdemin
Stately, Yes
127 bpm • D Maj • 05:57 • -16.56db
20% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
20% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Model 500
Starlight - Original Mix
127 bpm • C Maj • 06:19 • -22.95db
18% Popularity • 87% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 57% Positiveness
18% Popularity • 87% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 57% Positiveness
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Legowelt
Its Midnite & You Are Lost
127 bpm • F# min • 05:29 • -7.87db
17% Popularity • 62% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 62% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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sun electric
Sarotti
127 bpm • A Maj • 06:21 • -13db
21% Popularity • 41% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
21% Popularity • 41% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Kink
Yom Thorke
127 bpm • A# min • 09:04 • -10.05db
20% Popularity • 75% Danceability • 67% Energy • 7% Liveness
85% Instrumentalness • 15% Positiveness
20% Popularity • 75% Danceability • 67% Energy • 7% Liveness
85% Instrumentalness • 15% Positiveness
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Forest Drive West
Static
127 bpm • G Maj • 08:10 • -6.46db
12% Popularity • 71% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
12% Popularity • 71% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Bjarki
Orange Juice Man
127 bpm • B Maj • 05:32 • -14.16db
12% Popularity • 57% Danceability • 68% Energy • 25% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 25% Liveness
90% Instrumentalness • 15% Positiveness
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Model 500
Starlight
127 bpm • B Maj • 06:26 • -16.93db
11% Popularity • 88% Danceability • 36% Energy • 8% Liveness
84% Instrumentalness • 39% Positiveness
11% Popularity • 88% Danceability • 36% Energy • 8% Liveness
84% Instrumentalness • 39% Positiveness
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Legowelt
We Shampoo Your Dreams
127 bpm • A# min • 04:09 • -12.86db
4% Popularity • 67% Danceability • 64% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
4% Popularity • 67% Danceability • 64% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
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Overmono
Phase Magenta
127 bpm • B Maj • 06:06 • -7db
20% Popularity • 67% Danceability • 95% Energy • 19% Liveness
92% Instrumentalness • 27% Positiveness
20% Popularity • 67% Danceability • 95% Energy • 19% Liveness
92% Instrumentalness • 27% Positiveness
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Andrea
Outlines
127 bpm • F# Maj • 05:35 • -6.53db
12% Popularity • 26% Danceability • 97% Energy • 18% Liveness
86% Instrumentalness • 44% Positiveness
12% Popularity • 26% Danceability • 97% Energy • 18% Liveness
86% Instrumentalness • 44% Positiveness
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Dopplereffekt
Scientist
127 bpm • G Maj • 04:17 • -11.44db
17% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Maurizio
M04a - Full 12" Length
127 bpm • C# Maj • 06:40 • -16.24db
21% Popularity • 81% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
21% Popularity • 81% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
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Avalon Emerson
Dystopian Daddy
127 bpm • F# min • 05:38 • -13.97db
9% Popularity • 78% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
9% Popularity • 78% Danceability • 65% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Legowelt
Excalibur R8MK2
127 bpm • D min • 04:08 • -9.45db
12% Popularity • 60% Danceability • 89% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
12% Popularity • 60% Danceability • 89% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
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Plaid
Ol
127 bpm • C Maj • 04:55 • -13.05db
20% Popularity • 79% Danceability • 80% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
20% Popularity • 79% Danceability • 80% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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James Holden
10101
127 bpm • A# min • 06:05 • -14db
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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Arpanet
Wireless Internet
127 bpm • C# Maj • 05:54 • -9db
20% Popularity • 72% Danceability • 86% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
20% Popularity • 72% Danceability • 86% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
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Maurizio
M05a - Edit
127 bpm • B min • 07:32 • -20.2db
17% Popularity • 81% Danceability • 48% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
17% Popularity • 81% Danceability • 48% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Substance
Resonance
127 bpm • G# Maj • 09:11 • -16db
25% Popularity • 72% Danceability • 59% Energy • 37% Liveness
87% Instrumentalness • 39% Positiveness
25% Popularity • 72% Danceability • 59% Energy • 37% Liveness
87% Instrumentalness • 39% Positiveness
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Legowelt
Sark Island Acid
127 bpm • G min • 05:48 • -7.82db
11% Popularity • 60% Danceability • 98% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
11% Popularity • 60% Danceability • 98% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
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Drexciya
Wavejumper
127 bpm • A# min • 06:40 • -10.12db
18% Popularity • 77% Danceability • 90% Energy • 7% Liveness
80% Instrumentalness • 14% Positiveness
18% Popularity • 77% Danceability • 90% Energy • 7% Liveness
80% Instrumentalness • 14% Positiveness
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The Other People Place
Running From Love
128 bpm • F# min • 05:50 • -13.89db
21% Popularity • 70% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
21% Popularity • 70% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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DMX Krew
EPR Phenomena - Mixed
128 bpm • A# min • 02:30 • -10.91db
33% Popularity • 78% Danceability • 76% Energy • 5% Liveness
92% Instrumentalness • 86% Positiveness
33% Popularity • 78% Danceability • 76% Energy • 5% Liveness
92% Instrumentalness • 86% Positiveness
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B12
Obsessed
128 bpm • C# Maj • 05:48 • -11.72db
17% Popularity • 77% Danceability • 79% Energy • 6% Liveness
89% Instrumentalness • 87% Positiveness
17% Popularity • 77% Danceability • 79% Energy • 6% Liveness
89% Instrumentalness • 87% Positiveness
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I-F
Disko Slique - Instrumental
126 bpm • F# min • 05:39 • -10.85db
15% Popularity • 83% Danceability • 40% Energy • 8% Liveness
22% Instrumentalness • 70% Positiveness
15% Popularity • 83% Danceability • 40% Energy • 8% Liveness
22% Instrumentalness • 70% Positiveness
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Martyn
U1-U8
126 bpm • G Maj • 06:25 • -11db
24% Popularity • 74% Danceability • 86% Energy • 52% Liveness
89% Instrumentalness • 16% Positiveness
24% Popularity • 74% Danceability • 86% Energy • 52% Liveness
89% Instrumentalness • 16% Positiveness
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DJ Koze
Brutalga Square
126 bpm • A# min • 09:39 • -13.9db
14% Popularity • 69% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
14% Popularity • 69% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
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Bangkok Impact
Aus Birgittes Tagebuch
126 bpm • F Maj • 06:10 • -7.07db
16% Popularity • 78% Danceability • 72% Energy • 67% Liveness
79% Instrumentalness • 75% Positiveness
16% Popularity • 78% Danceability • 72% Energy • 67% Liveness
79% Instrumentalness • 75% Positiveness
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Legowelt
Institute of The Overmind - Photonz Remi...
126 bpm • D Maj • 04:06 • -9.98db
22% Popularity • 75% Danceability • 83% Energy • 8% Liveness
85% Instrumentalness • 24% Positiveness
22% Popularity • 75% Danceability • 83% Energy • 8% Liveness
85% Instrumentalness • 24% Positiveness
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Helena Hauff
Spur
128 bpm • G# Maj • 04:18 • -8.17db
33% Popularity • 63% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
33% Popularity • 63% Danceability • 61% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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FJAAK
VERSION 1.3.3.1
126 bpm • G# Maj • 04:27 • -8.39db
30% Popularity • 78% Danceability • 50% Energy • 6% Liveness
85% Instrumentalness • 62% Positiveness
30% Popularity • 78% Danceability • 50% Energy • 6% Liveness
85% Instrumentalness • 62% Positiveness
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efdemin
Some Kind Of Up And Down Yes - Asusu Rem...
126 bpm • B Maj • 07:42 • -14.66db
20% Popularity • 70% Danceability • 63% Energy • 24% Liveness
90% Instrumentalness • 29% Positiveness
20% Popularity • 70% Danceability • 63% Energy • 24% Liveness
90% Instrumentalness • 29% Positiveness
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Cliff Dalton
We Are The Little Ones - Legowelt Remix
128 bpm • A min • 05:49 • -9.17db
1% Popularity • 60% Danceability • 76% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
1% Popularity • 60% Danceability • 76% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
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The MFA
The Difference It Makes - Superpitcher R...
126 bpm • A Maj • 08:41 • -13.38db
23% Popularity • 66% Danceability • 27% Energy • 13% Liveness
55% Instrumentalness • 8% Positiveness
23% Popularity • 66% Danceability • 27% Energy • 13% Liveness
55% Instrumentalness • 8% Positiveness
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Carl Finlow
Anomaly
126 bpm • A# min • 06:40 • -10db
26% Popularity • 80% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 85% Positiveness
26% Popularity • 80% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 85% Positiveness
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Dauwd
Kindlinn
126 bpm • C# Maj • 06:06 • -13db
27% Popularity • 79% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
27% Popularity • 79% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 33% Positiveness
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Blawan
What You Do with What You Have
128 bpm • B min • 06:32 • -5.37db
24% Popularity • 82% Danceability • 90% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
24% Popularity • 82% Danceability • 90% Energy • 10% Liveness
8% Instrumentalness • 43% Positiveness
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efdemin
Some Kind Of Up And Down Yes
126 bpm • C# Maj • 05:58 • -19.28db
22% Popularity • 60% Danceability • 34% Energy • 35% Liveness
74% Instrumentalness • 45% Positiveness
22% Popularity • 60% Danceability • 34% Energy • 35% Liveness
74% Instrumentalness • 45% Positiveness
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John Tejada
Detector
126 bpm • F# min • 05:20 • -10.95db
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
10% Popularity • 72% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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BICEP
Closing Sequence
128 bpm • G Maj • 06:15 • -7.86db
30% Popularity • 63% Danceability • 89% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
30% Popularity • 63% Danceability • 89% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
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Palms Trax
Lost Control
128 bpm • C min • 05:34 • -9.85db
7% Popularity • 68% Danceability • 82% Energy • 7% Liveness
93% Instrumentalness • 70% Positiveness
7% Popularity • 68% Danceability • 82% Energy • 7% Liveness
93% Instrumentalness • 70% Positiveness
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Four Tet
Pyramid
128 bpm • A Maj • 08:26 • -12.1db
26% Popularity • 78% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
26% Popularity • 78% Danceability • 59% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Carl Finlow
Anomaly - 2016 Reissue
126 bpm • A# min • 06:40 • -12db
22% Popularity • 79% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
22% Popularity • 79% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
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Legowelt
In the Dominion of Melchezedik
126 bpm • G Maj • 06:05 • -15.26db
3% Popularity • 57% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 72% Positiveness
3% Popularity • 57% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 72% Positiveness
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Djedjotronic
Abyssal Zone
128 bpm • C# Maj • 05:35 • -5.54db
20% Popularity • 71% Danceability • 91% Energy • 3% Liveness
85% Instrumentalness • 16% Positiveness
20% Popularity • 71% Danceability • 91% Energy • 3% Liveness
85% Instrumentalness • 16% Positiveness
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John Tejada
Moving 909s - Plaid Remix
126 bpm • A# min • 05:26 • -8.83db
8% Popularity • 72% Danceability • 74% Energy • 5% Liveness
90% Instrumentalness • 43% Positiveness
8% Popularity • 72% Danceability • 74% Energy • 5% Liveness
90% Instrumentalness • 43% Positiveness
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Patricia
Consumer Recreation Services
126 bpm • G Maj • 06:42 • -7.88db
13% Popularity • 75% Danceability • 98% Energy • 13% Liveness
83% Instrumentalness • 3% Positiveness
13% Popularity • 75% Danceability • 98% Energy • 13% Liveness
83% Instrumentalness • 3% Positiveness
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DMX Krew
Spiritual Encounter
126 bpm • C Maj • 05:52 • -8.91db
15% Popularity • 80% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
15% Popularity • 80% Danceability • 51% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Robert Hood
Drive (The Age Of Automation)
128 bpm • B min • 05:54 • -11db
12% Popularity • 80% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
12% Popularity • 80% Danceability • 73% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Modeselektor
German Clap
128 bpm • G Maj • 06:33 • -9.51db
25% Popularity • 75% Danceability • 92% Energy • 10% Liveness
79% Instrumentalness • 37% Positiveness
25% Popularity • 75% Danceability • 92% Energy • 10% Liveness
79% Instrumentalness • 37% Positiveness
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Sterac
The Secret Life Of Machines - Original M...
128 bpm • F# Maj • 07:04 • -11db
12% Popularity • 76% Danceability • 47% Energy • 8% Liveness
82% Instrumentalness • 67% Positiveness
12% Popularity • 76% Danceability • 47% Energy • 8% Liveness
82% Instrumentalness • 67% Positiveness
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Marcel Fengler
Jaz
126 bpm • A# min • 05:59 • -11.1db
20% Popularity • 67% Danceability • 76% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
20% Popularity • 67% Danceability • 76% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Barker & Baumecker
Noctural
128 bpm • G# Maj • 08:59 • -8db
16% Popularity • 70% Danceability • 92% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
16% Popularity • 70% Danceability • 92% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
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Aril Brikha
Forever Frost - Original Mix
126 bpm • A# min • 08:02 • -11.75db
18% Popularity • 74% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
18% Popularity • 74% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 76% Positiveness
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Daso
Idee
126 bpm • A min • 07:05 • -12db
31% Popularity • 80% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
31% Popularity • 80% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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John Tejada
The End Of It All - 2015 mix
126 bpm • F# min • 06:37 • -8.05db
17% Popularity • 63% Danceability • 73% Energy • 20% Liveness
95% Instrumentalness • 52% Positiveness
17% Popularity • 63% Danceability • 73% Energy • 20% Liveness
95% Instrumentalness • 52% Positiveness
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Legowelt
Disco Rout - Younger Rebinds Remix 2
128 bpm • B min • 05:45 • -9.07db
30% Popularity • 80% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
30% Popularity • 80% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Ishome
Grade
126 bpm • G Maj • 04:19 • -11.35db
24% Popularity • 77% Danceability • 39% Energy • 11% Liveness
49% Instrumentalness • 23% Positiveness
24% Popularity • 77% Danceability • 39% Energy • 11% Liveness
49% Instrumentalness • 23% Positiveness
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Avus
Real - Original Mix
128 bpm • C Maj • 07:56 • -11.98db
9% Popularity • 86% Danceability • 34% Energy • 62% Liveness
77% Instrumentalness • 59% Positiveness
9% Popularity • 86% Danceability • 34% Energy • 62% Liveness
77% Instrumentalness • 59% Positiveness
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Answer Code Request
Thermal Capacity
126 bpm • B Maj • 06:17 • -10.58db
19% Popularity • 84% Danceability • 82% Energy • 32% Liveness
93% Instrumentalness • 19% Positiveness
19% Popularity • 84% Danceability • 82% Energy • 32% Liveness
93% Instrumentalness • 19% Positiveness
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Benjamin Damage
Kansas
126 bpm • G Maj • 08:26 • -11.59db
13% Popularity • 83% Danceability • 66% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
13% Popularity • 83% Danceability • 66% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
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Function
Distant Paradise
128 bpm • A# min • 08:04 • -8db
12% Popularity • 23% Danceability • 97% Energy • 21% Liveness
88% Instrumentalness • 12% Positiveness
12% Popularity • 23% Danceability • 97% Energy • 21% Liveness
88% Instrumentalness • 12% Positiveness
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Legowelt
Shadows in the Street Life
128 bpm • C# min • 05:32 • -13.26db
8% Popularity • 59% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
8% Popularity • 59% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
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James Holden
Lump
126 bpm • G# Maj • 06:10 • -10db
32% Popularity • 70% Danceability • 65% Energy • 21% Liveness
84% Instrumentalness • 28% Positiveness
32% Popularity • 70% Danceability • 65% Energy • 21% Liveness
84% Instrumentalness • 28% Positiveness
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John Tejada
Subdivided
128 bpm • E min • 04:50 • -10.14db
27% Popularity • 79% Danceability • 77% Energy • 16% Liveness
90% Instrumentalness • 42% Positiveness
27% Popularity • 79% Danceability • 77% Energy • 16% Liveness
90% Instrumentalness • 42% Positiveness
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Vessels
Vertical
128 bpm • A# min • 05:55 • -15.23db
24% Popularity • 54% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
24% Popularity • 54% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Octo Octa
Beam Me Up - To The Goddess Mix
128 bpm • C# min • 07:55 • -9.46db
15% Popularity • 61% Danceability • 93% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
15% Popularity • 61% Danceability • 93% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
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Juan Atkins
Lightyears
128 bpm • F# min • 06:07 • -19.41db
33% Popularity • 80% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
33% Popularity • 80% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 51% Positiveness
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Legowelt
Trips In Polarius
126 bpm • C# Maj • 05:31 • -6.39db
8% Popularity • 71% Danceability • 79% Energy • 22% Liveness
89% Instrumentalness • 13% Positiveness
8% Popularity • 71% Danceability • 79% Energy • 22% Liveness
89% Instrumentalness • 13% Positiveness
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George FitzGerald
Burns - DJ Seinfeld Remix
128 bpm • B min • 07:11 • -11db
14% Popularity • 59% Danceability • 81% Energy • 4% Liveness
88% Instrumentalness • 65% Positiveness
14% Popularity • 59% Danceability • 81% Energy • 4% Liveness
88% Instrumentalness • 65% Positiveness
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Fatima Yamaha
Half Moon Rising
128 bpm • A# min • 05:18 • -8.75db
32% Popularity • 66% Danceability • 73% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
32% Popularity • 66% Danceability • 73% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
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The MFA
The Difference It Makes - Original Mix
126 bpm • A Maj • 07:06 • -13.16db
19% Popularity • 68% Danceability • 45% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
19% Popularity • 68% Danceability • 45% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
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John Tejada
The Mess And The Magic
128 bpm • E min • 04:17 • -9.28db
16% Popularity • 70% Danceability • 74% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
16% Popularity • 70% Danceability • 74% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Hammer
Navigator
126 bpm • E min • 05:41 • -10.74db
22% Popularity • 67% Danceability • 67% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
22% Popularity • 67% Danceability • 67% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
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Legowelt
Omnibus Babylon
126 bpm • G Maj • 06:03 • -9db
7% Popularity • 71% Danceability • 83% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
7% Popularity • 71% Danceability • 83% Energy • 21% Liveness
85% Instrumentalness • 29% Positiveness
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Nathan Micay
Ecstacy Is On Maple Mountain
126 bpm • G Maj • 05:38 • -7.64db
25% Popularity • 66% Danceability • 80% Energy • 4% Liveness
75% Instrumentalness • 31% Positiveness
25% Popularity • 66% Danceability • 80% Energy • 4% Liveness
75% Instrumentalness • 31% Positiveness
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Juan Atkins
Riod
128 bpm • C# Maj • 09:14 • -16.94db
28% Popularity • 82% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
28% Popularity • 82% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Microlith
Dance With Me
126 bpm • G# min • 05:12 • -7.33db
13% Popularity • 70% Danceability • 89% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
13% Popularity • 70% Danceability • 89% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
