Songs like Eye in the Wall by Perfume Genius
Based on a tempo of (+/- 10%) and a similar genre
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Perfume Genius
Alan
129 bpm • B Maj • 02:46 • -11db
32% Popularity • 20% Danceability • 29% Energy • 10% Liveness
45% Instrumentalness • 20% Positiveness
32% Popularity • 20% Danceability • 29% Energy • 10% Liveness
45% Instrumentalness • 20% Positiveness
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Alice Phoebe Lou
She
128 bpm • D Maj • 03:55 • -8.72db
46% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
46% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Alex Cameron
Happy Ending
128 bpm • D# min • 04:03 • -8.94db
36% Popularity • 72% Danceability • 38% Energy • 7% Liveness
14% Instrumentalness • 79% Positiveness
36% Popularity • 72% Danceability • 38% Energy • 7% Liveness
14% Instrumentalness • 79% Positiveness
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Chromatics
I'm On Fire
130 bpm • A# Maj • 03:03 • -10db
30% Popularity • 67% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 47% Positiveness
30% Popularity • 67% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 47% Positiveness
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Andy Shauf
Early to the Party
130 bpm • C# Maj • 04:05 • -10.72db
44% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Future Islands
Moonlight
130 bpm • C Maj • 03:38 • -12.55db
45% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
45% Popularity • 72% Danceability • 56% Energy • 14% Liveness
81% Instrumentalness • 68% Positiveness
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Perfume Genius
Eye in the Wall
129 bpm • A# min • 08:42 • -14db
28% Popularity • 42% Danceability • 48% Energy • 34% Liveness
47% Instrumentalness • 29% Positiveness
28% Popularity • 42% Danceability • 48% Energy • 34% Liveness
47% Instrumentalness • 29% Positiveness
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Wild Beasts
End Come Too Soon
128 bpm • C Maj • 07:33 • -14db
32% Popularity • 51% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
32% Popularity • 51% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 8% Positiveness
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Grizzly Bear
Mourning Sound
128 bpm • G Maj • 04:22 • -6db
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
45% Popularity • 51% Danceability • 74% Energy • 12% Liveness
16% Instrumentalness • 44% Positiveness
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Chromatics
I'm On Fire
130 bpm • A# Maj • 04:05 • -11.83db
49% Popularity • 62% Danceability • 42% Energy • 6% Liveness
35% Instrumentalness • 32% Positiveness
49% Popularity • 62% Danceability • 42% Energy • 6% Liveness
35% Instrumentalness • 32% Positiveness
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Eleanor Friedberger
Make Me A Song
130 bpm • D Maj • 05:32 • -8db
22% Popularity • 73% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
22% Popularity • 73% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Big Thief
Masterpiece - solo
131 bpm • E Maj • 04:00 • -8.58db
51% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Perfume Genius
Borrowed Light
128 bpm • D Maj • 03:22 • -13db
21% Popularity • 27% Danceability • 21% Energy • 22% Liveness
9% Instrumentalness • 4% Positiveness
21% Popularity • 27% Danceability • 21% Energy • 22% Liveness
9% Instrumentalness • 4% Positiveness
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Young Fathers
In My View
131 bpm • C# Maj • 03:15 • -8db
45% Popularity • 40% Danceability • 76% Energy • 6% Liveness
76% Instrumentalness • 44% Positiveness
45% Popularity • 40% Danceability • 76% Energy • 6% Liveness
76% Instrumentalness • 44% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Austra
I Love You More Than You Love Yourself
131 bpm • F# Maj • 04:58 • -11db
30% Popularity • 62% Danceability • 43% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
30% Popularity • 62% Danceability • 43% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Big Thief
Shark Smile - Edit
131 bpm • F# min • 03:14 • -9.31db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
63% Instrumentalness • 67% Positiveness
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Perfume Genius
Braid
131 bpm • C Maj • 02:58 • -14.46db
23% Popularity • 37% Danceability • 8% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
23% Popularity • 37% Danceability • 8% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Snail Mail
Pristine
126 bpm • C Maj • 04:55 • -5.51db
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Amen Dunes
Song to the Siren
127 bpm • A# Maj • 03:44 • -11.52db
39% Popularity • 34% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
39% Popularity • 34% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Miya Folick
Strange Darling
132 bpm • E min • 03:42 • -14.52db
33% Popularity • 58% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
33% Popularity • 58% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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ANOHNI
Why Did You Separate Me From The Earth?
132 bpm • G Maj • 03:36 • -6.31db
22% Popularity • 61% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 61% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 21% Positiveness
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Big Thief
Shark Smile
131 bpm • F# min • 03:57 • -8.15db
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
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Perfume Genius
Normal Song
127 bpm • D# Maj • 03:13 • -17db
38% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
38% Popularity • 55% Danceability • 13% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
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The Knife
Wrap Your Arms Around Me
126 bpm • D Maj • 04:35 • -4.69db
26% Popularity • 52% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
26% Popularity • 52% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Yeah Yeah Yeahs
Hysteric
132 bpm • A# Maj • 03:50 • -7db
43% Popularity • 57% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
43% Popularity • 57% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
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Half Waif
Silt
132 bpm • D# Maj • 03:58 • -9.32db
12% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 57% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lower Dens
I Get Nervous
126 bpm • B Maj • 03:24 • -7db
30% Popularity • 40% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
30% Popularity • 40% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Karen O
Woman
126 bpm • G Maj • 02:54 • -7.5db
37% Popularity • 61% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 61% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Perfume Genius
Queen
132 bpm • C# Maj • 03:50 • -4.93db
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
46% Popularity • 42% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 13% Positiveness
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Fiona Apple
Every Single Night
126 bpm • C Maj • 03:29 • -12.61db
49% Popularity • 69% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 69% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Unloved
When a Woman Is Around
126 bpm • D# Maj • 03:44 • -6.8db
40% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
40% Popularity • 48% Danceability • 73% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
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Let's Eat Grandma
It's Not Just Me
126 bpm • C Maj • 03:55 • -7db
30% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Youth Lagoon
Daydream
125 bpm • C Maj • 05:19 • -7.03db
36% Popularity • 73% Danceability • 58% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
36% Popularity • 73% Danceability • 58% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Future Islands
Little Dreamer
125 bpm • A# Maj • 03:55 • -10.35db
49% Popularity • 78% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 78% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Perfume Genius
Too Bright
132 bpm • A# Maj • 03:25 • -11db
27% Popularity • 24% Danceability • 15% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 15% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Japanese Breakfast
Machinist
125 bpm • A min • 03:37 • -7db
38% Popularity • 57% Danceability • 72% Energy • 41% Liveness
14% Instrumentalness • 14% Positiveness
38% Popularity • 57% Danceability • 72% Energy • 41% Liveness
14% Instrumentalness • 14% Positiveness
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St. Vincent
Teenage Talk
125 bpm • D Maj • 04:08 • -8.99db
34% Popularity • 54% Danceability • 64% Energy • 9% Liveness
25% Instrumentalness • 32% Positiveness
34% Popularity • 54% Danceability • 64% Energy • 9% Liveness
25% Instrumentalness • 32% Positiveness
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Moses Sumney
Lonely World
125 bpm • G min • 04:48 • -7.95db
32% Popularity • 38% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Chastity Belt
Different Now
125 bpm • F Maj • 03:48 • -7db
46% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Beirut
Gallipoli
133 bpm • A# Maj • 04:06 • -8.1db
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
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Julia Holter
Night Song
133 bpm • C Maj • 04:12 • -8.5db
28% Popularity • 26% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 26% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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U.S. Girls
Velvet 4 Sale
134 bpm • E min • 03:44 • -5db
29% Popularity • 46% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 46% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
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St. Vincent
Pay Your Way In Pain
125 bpm • A Maj • 03:03 • -6.8db
41% Popularity • 68% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 68% Danceability • 83% Energy • 57% Liveness
0% Instrumentalness • 50% Positiveness
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Perfume Genius
Without You
134 bpm • A Maj • 02:35 • -5.33db
35% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
35% Popularity • 65% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 83% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
33% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Heather Woods Broderick
A Call for Distance
134 bpm • D Maj • 06:55 • -14.35db
8% Popularity • 24% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Okay Kaya
Comic Sans
134 bpm • C Maj • 02:49 • -11.84db
29% Popularity • 76% Danceability • 33% Energy • 24% Liveness
7% Instrumentalness • 33% Positiveness
29% Popularity • 76% Danceability • 33% Energy • 24% Liveness
7% Instrumentalness • 33% Positiveness
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Tomberlin
I'm Not Scared
124 bpm • F Maj • 04:52 • -10.09db
22% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Black Belt Eagle Scout
Soft Stud
124 bpm • D Maj • 06:08 • -7.09db
40% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
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Youth Lagoon
Highway Patrol Stun Gun
134 bpm • C# Maj • 04:10 • -6.99db
33% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Caroline Polachek
Door
124 bpm • D# Maj • 05:22 • -8.31db
50% Popularity • 68% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 68% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Amen Dunes
Miki Dora
124 bpm • A# Maj • 05:03 • -12db
25% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
25% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
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Yeah Yeah Yeahs
Spitting Off the Edge of the World - Lus...
124 bpm • D Maj • 04:23 • -5.2db
32% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Wild Beasts
Mecca
135 bpm • F min • 03:44 • -13db
37% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
37% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
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Dan Deacon
Become a Mountain
135 bpm • C min • 04:05 • -9db
38% Popularity • 48% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
38% Popularity • 48% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Destroyer
Painter in Your Pocket
123 bpm • F# min • 04:10 • -8.83db
39% Popularity • 57% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 57% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Japanese Breakfast
Essentially
135 bpm • F Maj • 03:16 • -9.05db
37% Popularity • 67% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 67% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Grizzly Bear
Wasted Acres
135 bpm • G min • 02:52 • -9.33db
34% Popularity • 50% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
34% Popularity • 50% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
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Thom Yorke
All for the Best
135 bpm • A Maj • 05:29 • -10.21db
32% Popularity • 67% Danceability • 66% Energy • 11% Liveness
21% Instrumentalness • 13% Positiveness
32% Popularity • 67% Danceability • 66% Energy • 11% Liveness
21% Instrumentalness • 13% Positiveness
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Annie Hart
Hard to Be Still
135 bpm • D Maj • 03:04 • -7.74db
18% Popularity • 64% Danceability • 45% Energy • 18% Liveness
92% Instrumentalness • 31% Positiveness
18% Popularity • 64% Danceability • 45% Energy • 18% Liveness
92% Instrumentalness • 31% Positiveness
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Moses Sumney
Don't Bother Calling
123 bpm • C Maj • 03:59 • -10.17db
41% Popularity • 40% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
41% Popularity • 40% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Cross Record
The Depths
123 bpm • B min • 04:40 • -14db
20% Popularity • 32% Danceability • 32% Energy • 9% Liveness
72% Instrumentalness • 14% Positiveness
20% Popularity • 32% Danceability • 32% Energy • 9% Liveness
72% Instrumentalness • 14% Positiveness
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Bat For Lashes
Daniel
135 bpm • G# min • 04:11 • -8.39db
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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U.S. Girls
Rage of Plastics
135 bpm • A min • 04:27 • -4.98db
28% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Amen Dunes
Time
123 bpm • C Maj • 04:50 • -9.08db
10% Popularity • 61% Danceability • 72% Energy • 11% Liveness
28% Instrumentalness • 75% Positiveness
10% Popularity • 61% Danceability • 72% Energy • 11% Liveness
28% Instrumentalness • 75% Positiveness
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Perfume Genius
Dark Parts
136 bpm • C min • 03:09 • -11.09db
26% Popularity • 29% Danceability • 49% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
26% Popularity • 29% Danceability • 49% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
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Julie Byrne
Melting Grid
136 bpm • E Maj • 04:21 • -16db
29% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 43% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Grizzly Bear
Yet Again
136 bpm • E min • 05:18 • -5db
47% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
47% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Emily Haines & The Soft Skeleton
Statuette
122 bpm • A min • 05:40 • -10.13db
22% Popularity • 66% Danceability • 65% Energy • 12% Liveness
16% Instrumentalness • 79% Positiveness
22% Popularity • 66% Danceability • 65% Energy • 12% Liveness
16% Instrumentalness • 79% Positiveness
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Westerman
Confirmation
122 bpm • G# Maj • 03:29 • -11.65db
45% Popularity • 78% Danceability • 36% Energy • 6% Liveness
34% Instrumentalness • 38% Positiveness
45% Popularity • 78% Danceability • 36% Energy • 6% Liveness
34% Instrumentalness • 38% Positiveness
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Dum Dum Girls
Coming Down
137 bpm • D Maj • 06:29 • -5.28db
50% Popularity • 22% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 26% Positiveness
50% Popularity • 22% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 26% Positiveness
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Perfume Genius
Describe
136 bpm • D# Maj • 04:44 • -10.59db
35% Popularity • 23% Danceability • 36% Energy • 22% Liveness
90% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 36% Energy • 22% Liveness
90% Instrumentalness • 5% Positiveness
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TOPS
Outside
122 bpm • B min • 03:34 • -9.09db
43% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Feist
Pleasure
122 bpm • B min • 04:45 • -8.13db
24% Popularity • 51% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 51% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
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Moses Sumney
Bless Me
137 bpm • C Maj • 04:59 • -7.69db
32% Popularity • 40% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 40% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Calvi
Strange Weather
137 bpm • A# min • 05:34 • -9.57db
44% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
44% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
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FKA twigs
sad day
137 bpm • C min • 04:15 • -10.68db
47% Popularity • 43% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 43% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Perfume Genius
Whole Life
136 bpm • F# Maj • 03:53 • -8.25db
30% Popularity • 27% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 27% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Ariel Pink
Feels Like Heaven
121 bpm • D Maj • 03:16 • -3.86db
32% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Ex:Re
Romance
121 bpm • A Maj • 06:43 • -12.44db
38% Popularity • 72% Danceability • 64% Energy • 14% Liveness
62% Instrumentalness • 46% Positiveness
38% Popularity • 72% Danceability • 64% Energy • 14% Liveness
62% Instrumentalness • 46% Positiveness
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Moses Sumney
Doomed
137 bpm • C Maj • 04:27 • -14.25db
44% Popularity • 29% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 29% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Frankie Rose
Pair of Wings
137 bpm • C Maj • 04:03 • -10.21db
32% Popularity • 21% Danceability • 29% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 29% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Shamir
Lived And Died Alone
121 bpm • A Maj • 04:24 • -9db
28% Popularity • 67% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 67% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Perfume Genius
Just a Touch
122 bpm • B min • 03:28 • -12.02db
22% Popularity • 39% Danceability • 47% Energy • 11% Liveness
13% Instrumentalness • 24% Positiveness
22% Popularity • 39% Danceability • 47% Energy • 11% Liveness
13% Instrumentalness • 24% Positiveness
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St. Vincent
New York
138 bpm • A# Maj • 02:34 • -11.65db
51% Popularity • 37% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 37% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Karen O
YO! MY SAINT (Radio Version)
121 bpm • G# Maj • 03:44 • -6.27db
41% Popularity • 35% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 35% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Loma
Relay Runner
138 bpm • C Maj • 05:00 • -11db
22% Popularity • 70% Danceability • 67% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
22% Popularity • 70% Danceability • 67% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
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Unloved
Cry Baby Cry
121 bpm • C# Maj • 05:03 • -12.82db
33% Popularity • 27% Danceability • 43% Energy • 32% Liveness
82% Instrumentalness • 9% Positiveness
33% Popularity • 27% Danceability • 43% Energy • 32% Liveness
82% Instrumentalness • 9% Positiveness
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Windsor For The Derby
The Melody of a Fallen Tree
120 bpm • G Maj • 08:10 • -11.63db
38% Popularity • 64% Danceability • 65% Energy • 9% Liveness
52% Instrumentalness • 26% Positiveness
38% Popularity • 64% Danceability • 65% Energy • 9% Liveness
52% Instrumentalness • 26% Positiveness
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Perfume Genius
Slip Away
137 bpm • C# Maj • 02:45 • -6.82db
50% Popularity • 60% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 60% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Rostam
Bike Dream
120 bpm • G# Maj • 03:21 • -2.72db
41% Popularity • 51% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 51% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Japanese Breakfast
Diving Woman
120 bpm • E Maj • 06:32 • -7db
46% Popularity • 46% Danceability • 75% Energy • 12% Liveness
63% Instrumentalness • 26% Positiveness
46% Popularity • 46% Danceability • 75% Energy • 12% Liveness
63% Instrumentalness • 26% Positiveness
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Loma
Relay Runner - Single Version
138 bpm • C Maj • 03:36 • -8.94db
29% Popularity • 70% Danceability • 71% Energy • 31% Liveness
88% Instrumentalness • 74% Positiveness
29% Popularity • 70% Danceability • 71% Energy • 31% Liveness
88% Instrumentalness • 74% Positiveness
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Damien Jurado
A.M. AM
120 bpm • C# Maj • 03:16 • -8db
36% Popularity • 57% Danceability • 78% Energy • 18% Liveness
23% Instrumentalness • 68% Positiveness
36% Popularity • 57% Danceability • 78% Energy • 18% Liveness
23% Instrumentalness • 68% Positiveness
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Helena Deland
Take It All
120 bpm • D Maj • 04:36 • -11db
29% Popularity • 68% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
29% Popularity • 68% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
