Songs like Eyelid by Nil Ciuró
Based on a tempo of (+/- 10%) and a similar genre
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Steven Gutheinz
Souvenirs
180 bpm • A Maj • 03:40 • -20.7db
37% Popularity • 47% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
37% Popularity • 47% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Ryan Teague
Artifact 3
180 bpm • G Maj • 03:12 • -18.56db
29% Popularity • 26% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
29% Popularity • 26% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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East Forest
Endings - Vocal Version
180 bpm • A# Maj • 04:56 • -19.73db
16% Popularity • 40% Danceability • 22% Energy • 19% Liveness
91% Instrumentalness • 40% Positiveness
16% Popularity • 40% Danceability • 22% Energy • 19% Liveness
91% Instrumentalness • 40% Positiveness
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Roberto Attanasio
Behind Those Eyes
180 bpm • B Maj • 03:16 • -18db
31% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
31% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Nil Ciuró
Heartfelt
180 bpm • A# Maj • 03:01 • -30.14db
2% Popularity • 27% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
2% Popularity • 27% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
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Pablo Nouvelle
Tamatert
179 bpm • B Maj • 03:20 • -28.91db
14% Popularity • 28% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Peter Sandberg
Afterwards
180 bpm • C# min • 03:44 • -28.43db
30% Popularity • 21% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
30% Popularity • 21% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Simeon Walker, Daniel Selke & Sebastian Selke
Drift
179 bpm • C Maj • 05:38 • -22.91db
8% Popularity • 8% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
8% Popularity • 8% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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East Forest
Brushed
180 bpm • D# Maj • 03:51 • -21.1db
31% Popularity • 33% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
31% Popularity • 33% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
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Frederik Flach
Venus
182 bpm • C min • 03:51 • -26.44db
10% Popularity • 21% Danceability • 7% Energy • 42% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 42% Liveness
89% Instrumentalness • 4% Positiveness
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Nil Ciuró
Eyelid
180 bpm • D min • 03:22 • -18.18db
17% Popularity • 33% Danceability • 19% Energy • 36% Liveness
70% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 19% Energy • 36% Liveness
70% Instrumentalness • 14% Positiveness
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Sten Erland Hermundstad
Waltz
182 bpm • A min • 01:18 • -26.72db
34% Popularity • 18% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Corre
A Spark, A Beginning
182 bpm • D# min • 02:25 • -24.01db
37% Popularity • 33% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
37% Popularity • 33% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Dmitry Evgrafov
Illumination
182 bpm • D Maj • 02:32 • -25.03db
34% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
34% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Tim Linghaus
Drive Me Somewhere Nice
178 bpm • D# Maj • 01:55 • -26.26db
42% Popularity • 31% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
42% Popularity • 31% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Julien Marchal
Insight XXVII
178 bpm • E min • 02:47 • -29.2db
24% Popularity • 24% Danceability • 12% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
24% Popularity • 24% Danceability • 12% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Kerim König
Reflections
178 bpm • G min • 02:48 • -19.01db
17% Popularity • 15% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
17% Popularity • 15% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
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Daniel Selke
Hiddensee
177 bpm • D Maj • 03:20 • -24db
46% Popularity • 49% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 56% Positiveness
46% Popularity • 49% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 56% Positiveness
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Akira Kosemura
The Cycle Of Nature
177 bpm • E Maj • 03:39 • -15db
22% Popularity • 39% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
22% Popularity • 39% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
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Daigo Hanada
Follow Me to the Moon
183 bpm • D Maj • 03:03 • -33.42db
20% Popularity • 24% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
20% Popularity • 24% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Gabriela Parra
Trust The Light And Wake Me Up Gently
177 bpm • D Maj • 05:07 • -18.84db
21% Popularity • 21% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Ólafur Arnalds
brot
177 bpm • D Maj • 02:54 • -21.97db
40% Popularity • 11% Danceability • 13% Energy • 28% Liveness
97% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 13% Energy • 28% Liveness
97% Instrumentalness • 4% Positiveness
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Nick Box
Signals
184 bpm • D# Maj • 02:38 • -18.25db
33% Popularity • 37% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
33% Popularity • 37% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Ella van der Woude
Prélude au Réveil d’une Ville
176 bpm • G# Maj • 03:21 • -20.69db
21% Popularity • 35% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
21% Popularity • 35% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Otto A. Totland
Closer
185 bpm • D# min • 02:13 • -34.62db
37% Popularity • 8% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Simon P. Castonguay
Sleepers
175 bpm • A# Maj • 07:15 • -13.42db
14% Popularity • 10% Danceability • 28% Energy • 34% Liveness
90% Instrumentalness • 8% Positiveness
14% Popularity • 10% Danceability • 28% Energy • 34% Liveness
90% Instrumentalness • 8% Positiveness
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Sebastian Plano
Dancing Waters
175 bpm • C# min • 04:28 • -24.42db
18% Popularity • 24% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Conor Walsh
The Front
175 bpm • F# Maj • 06:00 • -20db
32% Popularity • 44% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
32% Popularity • 44% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
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Julien Marchal
Insight XXI
174 bpm • F Maj • 03:29 • -21.05db
23% Popularity • 28% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
23% Popularity • 28% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Nil Ciuró
Marble
173 bpm • D# min • 02:47 • -29.35db
2% Popularity • 25% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
2% Popularity • 25% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Bruno Sanfilippo
Marionette
173 bpm • F# Maj • 03:18 • -21.24db
14% Popularity • 44% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
14% Popularity • 44% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Tristan Eckerson
For Natalia
173 bpm • C# Maj • 02:41 • -25.94db
25% Popularity • 26% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
25% Popularity • 26% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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East Forest
Near
172 bpm • A# Maj • 02:52 • -18db
19% Popularity • 11% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
19% Popularity • 11% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Eik Octobre
Heart Failure
188 bpm • C Maj • 04:49 • -27.9db
38% Popularity • 12% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
38% Popularity • 12% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Otto A. Totland
Steps
172 bpm • G# min • 01:52 • -30.46db
35% Popularity • 30% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 77% Positiveness
35% Popularity • 30% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 77% Positiveness
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Sindrandi
Cold Shoulder
172 bpm • G# Maj • 02:58 • -30.59db
15% Popularity • 18% Danceability • 0% Energy • 8% Liveness
77% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 0% Energy • 8% Liveness
77% Instrumentalness • 6% Positiveness
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James Heather
Last Minute Change Of Heart - String Qua...
171 bpm • C min • 04:02 • -18.45db
14% Popularity • 12% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
14% Popularity • 12% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Kerim König
Immerge - Ceeys Rework
171 bpm • A# Maj • 06:03 • -19.46db
18% Popularity • 51% Danceability • 38% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
18% Popularity • 51% Danceability • 38% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Ólafur Arnalds
inconsist
170 bpm • A Maj • 04:31 • -15.73db
37% Popularity • 51% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 51% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Niklas Paschburg
Fade Away
170 bpm • D# min • 05:09 • -14.52db
27% Popularity • 18% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
27% Popularity • 18% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Nil Ciuró
Lure
169 bpm • D# min • 02:43 • -30.47db
12% Popularity • 28% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 48% Positiveness
12% Popularity • 28% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 48% Positiveness
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Enzo
Misty Wind
169 bpm • F min • 04:06 • -30.23db
35% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
35% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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James Heather
Teardrop Tattoo
169 bpm • B min • 03:54 • -19.02db
27% Popularity • 17% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
27% Popularity • 17% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Jóhann Jóhannsson
Flight From The City - Edit
166 bpm • A# Maj • 04:42 • -20.23db
28% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Doria - Island Songs VII
170 bpm • D# Maj • 03:22 • -18.26db
50% Popularity • 20% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
50% Popularity • 20% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Ben Lukas Boysen
Sleepers Beat Theme
166 bpm • D# Maj • 04:37 • -35db
39% Popularity • 9% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Nil Ciuró
Elysian
196 bpm • D# min • 03:19 • -30.05db
33% Popularity • 24% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
33% Popularity • 24% Danceability • 5% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
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Chad Lawson
Falling Ocean
164 bpm • D# Maj • 05:32 • -26.33db
28% Popularity • 34% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
28% Popularity • 34% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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East Forest
Held
200 bpm • G min • 04:38 • -23.14db
36% Popularity • 16% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 26% Positiveness
36% Popularity • 16% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 26% Positiveness
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Mike Lazarev
Healing
198 bpm • D min • 01:57 • -26.75db
41% Popularity • 31% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
41% Popularity • 31% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Otto A. Totland
Fox
201 bpm • A min • 01:12 • -27.05db
27% Popularity • 38% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
27% Popularity • 38% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Julien Marchal
Insight XVI
160 bpm • C# Maj • 03:35 • -23.07db
26% Popularity • 45% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
26% Popularity • 45% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Nil Ciuró
Debris
201 bpm • D min • 03:03 • -30.1db
3% Popularity • 28% Danceability • 9% Energy • 9% Liveness
97% Instrumentalness • 57% Positiveness
3% Popularity • 28% Danceability • 9% Energy • 9% Liveness
97% Instrumentalness • 57% Positiveness
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Wouter Dewit
Still, It Is.
160 bpm • F Maj • 04:53 • -20.29db
18% Popularity • 32% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
18% Popularity • 32% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Olivia Belli
February Never Dies
202 bpm • D min • 02:31 • -31.74db
26% Popularity • 24% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
26% Popularity • 24% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 40% Positiveness
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Angus MacRae
Falling
160 bpm • A# min • 04:59 • -17.89db
14% Popularity • 40% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
14% Popularity • 40% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Gavin Luke
Here, Now
160 bpm • A Maj • 02:19 • -19.58db
21% Popularity • 37% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
21% Popularity • 37% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Chequerboard
The Unfolding
158 bpm • D Maj • 06:44 • -16.97db
22% Popularity • 37% Danceability • 16% Energy • 38% Liveness
83% Instrumentalness • 10% Positiveness
22% Popularity • 37% Danceability • 16% Energy • 38% Liveness
83% Instrumentalness • 10% Positiveness
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Nil Ciuró
Duino
160 bpm • G min • 03:00 • -18.16db
9% Popularity • 25% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
9% Popularity • 25% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Levi Patel
With Wings Falling - Solo Piano
159 bpm • C# Maj • 03:23 • -20.92db
21% Popularity • 45% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
21% Popularity • 45% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Carlos Cipa
The Place Where They Go
206 bpm • D# Maj • 04:15 • -28.92db
36% Popularity • 17% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
36% Popularity • 17% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Otto A. Totland
Bluss
157 bpm • F# min • 02:06 • -31.94db
19% Popularity • 23% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 56% Positiveness
19% Popularity • 23% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 56% Positiveness
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Hiatus
Precious Little
207 bpm • C Maj • 03:46 • -17.84db
36% Popularity • 13% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Snorri HallgrÃmsson
Chasing the Present
208 bpm • F min • 03:02 • -27.57db
44% Popularity • 18% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 18% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Dawn, Dawn, Dawn
Below The Horizon
155 bpm • G Maj • 02:17 • -20db
19% Popularity • 69% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 61% Positiveness
19% Popularity • 69% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 61% Positiveness
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Nil Ciuró
Collide
209 bpm • G# min • 02:58 • -22.77db
13% Popularity • 31% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
13% Popularity • 31% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
