Songs like Eyes Of The Wolf by Mikolai Stroinski
Based on a tempo of (+/- 10%) and a similar genre
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David Vanacore
Coolest Cats Sometimes Slump
106 bpm • A# min • 01:28 • -14.82db
7% Popularity • 88% Danceability • 41% Energy • 10% Liveness
78% Instrumentalness • 42% Positiveness
7% Popularity • 88% Danceability • 41% Energy • 10% Liveness
78% Instrumentalness • 42% Positiveness
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Mikolai Stroinski
I Cannot Let You Leave
106 bpm • D Maj • 01:49 • -8.5db
36% Popularity • 53% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 53% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 27% Positiveness
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Malukah
Three Hearts Afire
105 bpm • C min • 03:21 • -10.66db
35% Popularity • 22% Danceability • 76% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
35% Popularity • 22% Danceability • 76% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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Jason Hayes
Seasons of War (Intro Movie)
105 bpm • C# min • 02:58 • -14.37db
38% Popularity • 21% Danceability • 41% Energy • 11% Liveness
62% Instrumentalness • 8% Positiveness
38% Popularity • 21% Danceability • 41% Energy • 11% Liveness
62% Instrumentalness • 8% Positiveness
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Todd Masten
Campaign Intro
107 bpm • A min • 03:39 • -15.6db
30% Popularity • 37% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
30% Popularity • 37% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
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Two Feathers
Trapped!
105 bpm • D Maj • 02:26 • -14.88db
22% Popularity • 57% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
22% Popularity • 57% Danceability • 82% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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David Vanacore
Back Flip
107 bpm • C# Maj • 00:58 • -13.73db
3% Popularity • 88% Danceability • 47% Energy • 7% Liveness
92% Instrumentalness • 96% Positiveness
3% Popularity • 88% Danceability • 47% Energy • 7% Liveness
92% Instrumentalness • 96% Positiveness
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Bill Brown
Gathering Armies
105 bpm • F Maj • 02:09 • -15db
36% Popularity • 70% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
36% Popularity • 70% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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Mikolai Stroinski
Eyes Of The Wolf
106 bpm • C min • 02:04 • -11.28db
43% Popularity • 68% Danceability • 65% Energy • 38% Liveness
19% Instrumentalness • 65% Positiveness
43% Popularity • 68% Danceability • 65% Energy • 38% Liveness
19% Instrumentalness • 65% Positiveness
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Jason Hayes
Ruins
107 bpm • B min • 01:17 • -17.2db
38% Popularity • 16% Danceability • 32% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 32% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Jesper Kyd
Ground Zero
105 bpm • C Maj • 02:27 • -15.38db
21% Popularity • 62% Danceability • 49% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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Jeremy Soule
One They Fear
105 bpm • B min • 03:14 • -11db
47% Popularity • 46% Danceability • 52% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
47% Popularity • 46% Danceability • 52% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
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David Vanacore
Broken Tooth
107 bpm • G min • 00:56 • -18.81db
6% Popularity • 82% Danceability • 10% Energy • 9% Liveness
57% Instrumentalness • 60% Positiveness
6% Popularity • 82% Danceability • 10% Energy • 9% Liveness
57% Instrumentalness • 60% Positiveness
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Paul Leonard-Morgan
Arrival of the Blood Ravens
105 bpm • C Maj • 03:58 • -17.48db
25% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
25% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Lena Raine
Mordremoth
105 bpm • F min • 04:56 • -16.29db
23% Popularity • 33% Danceability • 36% Energy • 43% Liveness
90% Instrumentalness • 26% Positiveness
23% Popularity • 33% Danceability • 36% Energy • 43% Liveness
90% Instrumentalness • 26% Positiveness
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Borislav Slavov
Dancing with the Source - Oud Version
104 bpm • D Maj • 02:24 • -13.42db
35% Popularity • 70% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
35% Popularity • 70% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
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Critical Role
The Slayer's Take
108 bpm • G Maj • 03:21 • -12.31db
25% Popularity • 61% Danceability • 66% Energy • 12% Liveness
83% Instrumentalness • 10% Positiveness
25% Popularity • 61% Danceability • 66% Energy • 12% Liveness
83% Instrumentalness • 10% Positiveness
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Jason Graves
Brother, Let Us Embrace
104 bpm • D Maj • 02:32 • -15.09db
13% Popularity • 52% Danceability • 50% Energy • 11% Liveness
74% Instrumentalness • 8% Positiveness
13% Popularity • 52% Danceability • 50% Energy • 11% Liveness
74% Instrumentalness • 8% Positiveness
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David Vanacore
Chicas
108 bpm • D Maj • 01:02 • -8.15db
7% Popularity • 77% Danceability • 82% Energy • 12% Liveness
69% Instrumentalness • 97% Positiveness
7% Popularity • 77% Danceability • 82% Energy • 12% Liveness
69% Instrumentalness • 97% Positiveness
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Daniel Licht
Aristocrats of Karnaca (Ambient)
109 bpm • F# Maj • 01:51 • -25.3db
37% Popularity • 23% Danceability • 5% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
37% Popularity • 23% Danceability • 5% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
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Midnight Syndicate
Beasts of the Borderlands
109 bpm • F min • 02:57 • -13.13db
34% Popularity • 47% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 43% Positiveness
34% Popularity • 47% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 43% Positiveness
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Borislav Slavov
Dancing with the Source - Cello Version
104 bpm • D Maj • 02:23 • -14db
35% Popularity • 68% Danceability • 50% Energy • 20% Liveness
85% Instrumentalness • 30% Positiveness
35% Popularity • 68% Danceability • 50% Energy • 20% Liveness
85% Instrumentalness • 30% Positiveness
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Critical Role
Neo-Somnovem Incarnate
108 bpm • G# Maj • 03:32 • -13db
32% Popularity • 16% Danceability • 38% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
32% Popularity • 16% Danceability • 38% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
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Stuart Chatwood
The Cove Battle
110 bpm • D Maj • 04:34 • -13db
37% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
37% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
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David Vanacore
Midnight Visit
109 bpm • D Maj • 01:20 • -11.12db
6% Popularity • 86% Danceability • 62% Energy • 10% Liveness
71% Instrumentalness • 75% Positiveness
6% Popularity • 86% Danceability • 62% Energy • 10% Liveness
71% Instrumentalness • 75% Positiveness
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Raison Varner
The Unassuming Happy Docks - Tiny Tina's...
110 bpm • E min • 02:18 • -16db
36% Popularity • 70% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 68% Positiveness
36% Popularity • 70% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 68% Positiveness
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Cris Velasco
Battle With Silitha
110 bpm • G Maj • 01:53 • -12.39db
20% Popularity • 62% Danceability • 48% Energy • 37% Liveness
97% Instrumentalness • 18% Positiveness
20% Popularity • 62% Danceability • 48% Energy • 37% Liveness
97% Instrumentalness • 18% Positiveness
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Borislav Slavov
Dancing with the Source - Tambura Versio...
104 bpm • F# min • 02:25 • -15.02db
34% Popularity • 66% Danceability • 46% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
34% Popularity • 66% Danceability • 46% Energy • 11% Liveness
66% Instrumentalness • 5% Positiveness
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Critical Role
Rise of Uk'otoa
110 bpm • A min • 04:36 • -10.91db
23% Popularity • 37% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
23% Popularity • 37% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Daniel Pemberton
Together We Fight
110 bpm • D min • 04:48 • -15.14db
23% Popularity • 35% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 35% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Doyle W. Donehoo
Battlefleet Gothic Theme
110 bpm • A# Maj • 02:06 • -16.72db
28% Popularity • 41% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
28% Popularity • 41% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Jason Graves
A Hunter's Eye
110 bpm • F min • 02:38 • -12.78db
23% Popularity • 67% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
23% Popularity • 67% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Cris Velasco
Reaper Chase
110 bpm • C min • 02:04 • -8.63db
27% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
27% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
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P.T. Adamczyk
Retribution
110 bpm • A# Maj • 02:52 • -19.02db
32% Popularity • 63% Danceability • 47% Energy • 20% Liveness
97% Instrumentalness • 68% Positiveness
32% Popularity • 63% Danceability • 47% Energy • 20% Liveness
97% Instrumentalness • 68% Positiveness
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Borislav Slavov
Dancing with the Source
104 bpm • F# min • 02:26 • -16.88db
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Chance Thomas
Drums in the Deep
110 bpm • A# min • 02:19 • -9db
30% Popularity • 22% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
30% Popularity • 22% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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David Vanacore
Who's That
110 bpm • A min • 00:59 • -14.76db
5% Popularity • 73% Danceability • 36% Energy • 54% Liveness
1% Instrumentalness • 74% Positiveness
5% Popularity • 73% Danceability • 36% Energy • 54% Liveness
1% Instrumentalness • 74% Positiveness
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Sam Cardon
Might of Zandalar
102 bpm • G min • 06:05 • -14.02db
29% Popularity • 28% Danceability • 32% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
29% Popularity • 28% Danceability • 32% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Frank Klepacki
Mother of All Weapons
102 bpm • D Maj • 03:20 • -13.81db
23% Popularity • 21% Danceability • 53% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
23% Popularity • 21% Danceability • 53% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
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Krzysztof Wierzynkiewicz
Easier Said Than Killed
102 bpm • D min • 01:09 • -13.22db
27% Popularity • 50% Danceability • 90% Energy • 12% Liveness
65% Instrumentalness • 19% Positiveness
27% Popularity • 50% Danceability • 90% Energy • 12% Liveness
65% Instrumentalness • 19% Positiveness
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Borislav Slavov
Crazy Troubled Senses
104 bpm • D Maj • 02:44 • -24.75db
32% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Hayes
The Spear of Adun
110 bpm • F min • 01:46 • -14.46db
25% Popularity • 29% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
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Ramin Djawadi
Two Worlds Colliding
102 bpm • F Maj • 03:22 • -13.23db
23% Popularity • 55% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
23% Popularity • 55% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
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Will Savino
Honor in the Storm
110 bpm • D# min • 03:10 • -12.61db
24% Popularity • 35% Danceability • 66% Energy • 34% Liveness
93% Instrumentalness • 21% Positiveness
24% Popularity • 35% Danceability • 66% Energy • 34% Liveness
93% Instrumentalness • 21% Positiveness
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Sonya Belousova
Round of Applause
101 bpm • D Maj • 01:09 • -12db
37% Popularity • 31% Danceability • 50% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 31% Danceability • 50% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
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Sam Hulick
The Fleets Arrive
101 bpm • C Maj • 01:43 • -10db
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Borislav Slavov
Fane's Theme
110 bpm • E min • 02:22 • -20db
31% Popularity • 62% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
31% Popularity • 62% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Jason Hayes
Dun Morogh
111 bpm • A# Maj • 07:31 • -19db
42% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jack Wall
The Normandy Reborn
112 bpm • E min • 02:06 • -11.76db
33% Popularity • 17% Danceability • 37% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 37% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Austin Wintory
No Life Goes Forever Unbroken
112 bpm • D Maj • 02:49 • -12.32db
22% Popularity • 51% Danceability • 26% Energy • 15% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 51% Danceability • 26% Energy • 15% Liveness
4% Instrumentalness • 4% Positiveness
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Brad Derrick
A Clash of Fang and Flame
112 bpm • F Maj • 03:58 • -10.8db
31% Popularity • 22% Danceability • 62% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 62% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Midnight Syndicate
Troubled Times
112 bpm • C Maj • 04:37 • -18db
33% Popularity • 23% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
33% Popularity • 23% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Borislav Slavov
Mead, Gold and Blood - Ifan's Theme
101 bpm • C Maj • 02:40 • -14db
43% Popularity • 60% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
43% Popularity • 60% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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David Vanacore
Fresh Design
112 bpm • F Maj • 01:25 • -15.11db
7% Popularity • 66% Danceability • 43% Energy • 14% Liveness
87% Instrumentalness • 82% Positiveness
7% Popularity • 66% Danceability • 43% Energy • 14% Liveness
87% Instrumentalness • 82% Positiveness
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P.T. Adamczyk
Lair Of The Beast
112 bpm • E min • 02:32 • -16.58db
26% Popularity • 60% Danceability • 74% Energy • 12% Liveness
86% Instrumentalness • 79% Positiveness
26% Popularity • 60% Danceability • 74% Energy • 12% Liveness
86% Instrumentalness • 79% Positiveness
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Jeff van Dyck
Dune Storm
112 bpm • G Maj • 03:24 • -9.05db
20% Popularity • 52% Danceability • 94% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
20% Popularity • 52% Danceability • 94% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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Sarah Schachner
Valor
112 bpm • B min • 02:48 • -13.06db
31% Popularity • 35% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
31% Popularity • 35% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Sam Cardon
A Loa's Bargain
100 bpm • C Maj • 03:12 • -15.21db
23% Popularity • 22% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 22% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Daniel Licht
Corvo Attano's Theme
100 bpm • D min • 01:42 • -24db
41% Popularity • 39% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 39% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Mikolai Stroinski
At War!
100 bpm • D min • 01:33 • -8.66db
40% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Graves
The Fires of Conquest
100 bpm • E min • 03:50 • -13.99db
13% Popularity • 47% Danceability • 62% Energy • 34% Liveness
89% Instrumentalness • 9% Positiveness
13% Popularity • 47% Danceability • 62% Energy • 34% Liveness
89% Instrumentalness • 9% Positiveness
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Tilman Sillescu
Under the Eternal Blue Sky
100 bpm • C Maj • 07:58 • -15.08db
15% Popularity • 31% Danceability • 54% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
15% Popularity • 31% Danceability • 54% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Adam Skorupa
Howl Of The White Wolf
100 bpm • F min • 01:54 • -11.16db
33% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
33% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
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Tim Wynn
Rising Fire
100 bpm • F min • 02:09 • -11.4db
17% Popularity • 48% Danceability • 69% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
17% Popularity • 48% Danceability • 69% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
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Antti Martikainen
The Forbidden City
100 bpm • D Maj • 04:10 • -7.45db
31% Popularity • 39% Danceability • 91% Energy • 29% Liveness
83% Instrumentalness • 34% Positiveness
31% Popularity • 39% Danceability • 91% Energy • 29% Liveness
83% Instrumentalness • 34% Positiveness
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Mikolai Stroinski
Aen Seidhe
100 bpm • D Maj • 02:36 • -12.19db
47% Popularity • 49% Danceability • 42% Energy • 12% Liveness
48% Instrumentalness • 20% Positiveness
47% Popularity • 49% Danceability • 42% Energy • 12% Liveness
48% Instrumentalness • 20% Positiveness
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Daniel Pemberton
The Wolf & The Hanged Men
100 bpm • C# Maj • 02:28 • -21.88db
28% Popularity • 57% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
28% Popularity • 57% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Jeff van Dyck
Barbarian Domination
100 bpm • A# min • 01:28 • -11.28db
24% Popularity • 50% Danceability • 57% Energy • 33% Liveness
96% Instrumentalness • 49% Positiveness
24% Popularity • 50% Danceability • 57% Energy • 33% Liveness
96% Instrumentalness • 49% Positiveness
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Arnaud Roy
Together to the Stars (United Empire The...
100 bpm • G min • 05:42 • -13.61db
27% Popularity • 37% Danceability • 48% Energy • 13% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 37% Danceability • 48% Energy • 13% Liveness
97% Instrumentalness • 25% Positiveness
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Brad Derrick
A Land of War and Poetry
100 bpm • A min • 04:01 • -12db
42% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
42% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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David GarcÃa DÃaz
Helheim
100 bpm • A# Maj • 04:23 • -16db
32% Popularity • 13% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Krzysztof Wierzynkiewicz
Through The Underworld
100 bpm • C min • 03:46 • -20.15db
24% Popularity • 48% Danceability • 20% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 48% Danceability • 20% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
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Sam Cardon
Pride of the Seas
113 bpm • D min • 06:31 • -9.44db
33% Popularity • 36% Danceability • 50% Energy • 8% Liveness
49% Instrumentalness • 12% Positiveness
33% Popularity • 36% Danceability • 50% Energy • 8% Liveness
49% Instrumentalness • 12% Positiveness
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Jeff van Dyck
Oyoiyoi
100 bpm • G min • 02:33 • -8.34db
27% Popularity • 74% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
27% Popularity • 74% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Jason Graves
The Shaman's Story
113 bpm • B Maj • 01:44 • -21.68db
17% Popularity • 30% Danceability • 14% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
17% Popularity • 30% Danceability • 14% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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David Vanacore
Lumbering Klutz
113 bpm • A min • 01:24 • -15.59db
7% Popularity • 80% Danceability • 38% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
7% Popularity • 80% Danceability • 38% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
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Mikolai Stroinski
Homecoming
113 bpm • A# Maj • 03:05 • -21.6db
25% Popularity • 38% Danceability • 33% Energy • 30% Liveness
96% Instrumentalness • 28% Positiveness
25% Popularity • 38% Danceability • 33% Energy • 30% Liveness
96% Instrumentalness • 28% Positiveness
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Bill Brown
Expedition March
113 bpm • F Maj • 02:04 • -13.88db
40% Popularity • 40% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
40% Popularity • 40% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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Melvin Tsui
Trial of the Wyvern
113 bpm • D Maj • 02:11 • -8.62db
14% Popularity • 50% Danceability • 84% Energy • 49% Liveness
87% Instrumentalness • 39% Positiveness
14% Popularity • 50% Danceability • 84% Energy • 49% Liveness
87% Instrumentalness • 39% Positiveness
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Daniel Licht
Empress Death
114 bpm • C# Maj • 01:05 • -22.02db
34% Popularity • 45% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
34% Popularity • 45% Danceability • 16% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Jeff van Dyck
The Enemy is Near
113 bpm • E min • 02:35 • -15db
25% Popularity • 45% Danceability • 58% Energy • 12% Liveness
93% Instrumentalness • 39% Positiveness
25% Popularity • 45% Danceability • 58% Energy • 12% Liveness
93% Instrumentalness • 39% Positiveness
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Cris Velasco
Titan
115 bpm • G# Maj • 02:05 • -10.46db
23% Popularity • 54% Danceability • 68% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
23% Popularity • 54% Danceability • 68% Energy • 24% Liveness
92% Instrumentalness • 30% Positiveness
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Pawel Blaszczak
The Lesser Of Two Evils
115 bpm • D min • 01:55 • -10.93db
24% Popularity • 48% Danceability • 55% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
24% Popularity • 48% Danceability • 55% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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David GarcÃa DÃaz
Valravn
98 bpm • A# Maj • 04:43 • -16.03db
27% Popularity • 25% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
27% Popularity • 25% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Maclaine Diemer
Heart of Thorns Theme
97 bpm • A# Maj • 02:51 • -13.17db
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
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Hunter Rogerson
Lorenzo
97 bpm • E min • 01:50 • -13db
17% Popularity • 49% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
17% Popularity • 49% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Brad Derrick
Even Paradise Has Shadows
116 bpm • G Maj • 04:06 • -13db
29% Popularity • 22% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 28% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Daniel Licht
Dishonored 2 Trailer
96 bpm • C# Maj • 03:09 • -16.35db
20% Popularity • 24% Danceability • 38% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
20% Popularity • 24% Danceability • 38% Energy • 16% Liveness
91% Instrumentalness • 14% Positiveness
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Adam Skorupa
Withered Roses
96 bpm • G min • 01:16 • -17.9db
28% Popularity • 21% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
28% Popularity • 21% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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David Vanacore
Running Out of Options
97 bpm • A# min • 01:26 • -14.07db
4% Popularity • 35% Danceability • 50% Energy • 9% Liveness
82% Instrumentalness • 21% Positiveness
4% Popularity • 35% Danceability • 50% Energy • 9% Liveness
82% Instrumentalness • 21% Positiveness
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Maclaine Diemer
Path of Fire
96 bpm • A Maj • 02:42 • -19.04db
23% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Doyle W. Donehoo
Fight Without Hope
96 bpm • A min • 03:06 • -11.32db
28% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
28% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
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Jack Wall
The End Run
117 bpm • D min • 02:57 • -11.37db
31% Popularity • 45% Danceability • 68% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
31% Popularity • 45% Danceability • 68% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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Cris Velasco
The Blood Ravens
96 bpm • A Maj • 02:15 • -10.73db
17% Popularity • 42% Danceability • 88% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
17% Popularity • 42% Danceability • 88% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
35% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
35% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Mikolai Stroinski
Nest Of Monsters
95 bpm • C# Maj • 02:03 • -10.21db
22% Popularity • 63% Danceability • 56% Energy • 12% Liveness
41% Instrumentalness • 62% Positiveness
22% Popularity • 63% Danceability • 56% Energy • 12% Liveness
41% Instrumentalness • 62% Positiveness
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Bill Brown
The Evil's Creatures
95 bpm • E min • 02:15 • -10db
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness