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Eyes On The Road
Songs like
Eyes On The Road
by
Dirty Projectors
Based on a tempo of (+/- 10%) and a similar genre
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Dirty Projectors
Swing Lo Magellan
101 bpm • F min • 02:37 • -10db
36% Popularity • 74% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Okay Kaya
Helsevesen
101 bpm • C Maj • 02:52 • -12.84db
24% Popularity • 21% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Fleet Foxes
Shore
101 bpm • D min • 04:19 • -15.54db
29% Popularity • 36% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
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This Is The Kit
Shinbone Soap
101 bpm • F# min • 04:18 • -13.13db
20% Popularity • 52% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 57% Positiveness
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Louis Cole
Grains Of Sand
101 bpm • F# Maj • 03:14 • -13.22db
12% Popularity • 31% Danceability • 30% Energy • 8% Liveness
16% Instrumentalness • 9% Positiveness
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Arthur Russell
Soon-To-Be Innocent Fun/Let's See
101 bpm • C Maj • 09:35 • -20.99db
32% Popularity • 54% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Dirty Projectors
Eyes On The Road
101 bpm • A# Maj • 02:48 • -14.59db
13% Popularity • 22% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 6% Positiveness
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Okay Kaya
Baked Bean
102 bpm • F Maj • 03:00 • -13.58db
21% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Julia Holter
Voce Simul
100 bpm • D min • 06:34 • -17.17db
22% Popularity • 42% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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St. Vincent
Big Time Nothing
102 bpm • B min • 02:58 • -3.41db
51% Popularity • 76% Danceability • 85% Energy • 32% Liveness
1% Instrumentalness • 86% Positiveness
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Cate Le Bon
Dirt on the Bed
100 bpm • C Maj • 04:28 • -11db
23% Popularity • 57% Danceability • 30% Energy • 26% Liveness
36% Instrumentalness • 18% Positiveness
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Kassa Overall
Got Me a Plan
100 bpm • E min • 03:03 • -7.41db
9% Popularity • 73% Danceability • 75% Energy • 10% Liveness
22% Instrumentalness • 41% Positiveness
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Animal Collective
Bridge To Quiet
100 bpm • C Maj • 10:47 • -9.43db
11% Popularity • 55% Danceability • 82% Energy • 10% Liveness
30% Instrumentalness • 50% Positiveness
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Jenny Hval
Spells
100 bpm • C Maj • 06:10 • -10db
31% Popularity • 42% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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The Weather Station
Trust
100 bpm • C# min • 05:00 • -12.45db
17% Popularity • 44% Danceability • 25% Energy • 11% Liveness
9% Instrumentalness • 18% Positiveness
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Good Sad Happy Bad
Shades
102 bpm • D Maj • 04:07 • -11.05db
20% Popularity • 44% Danceability • 42% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
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Dirty Projectors
Moon, If Ever
103 bpm • A Maj • 02:19 • -16.09db
12% Popularity • 46% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Bedouine
When You're Gone
99 bpm • B min • 03:29 • -15.11db
24% Popularity • 44% Danceability • 27% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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Seamus Fogarty
Ducks & Drakes
99 bpm • D min • 04:01 • -13.65db
11% Popularity • 63% Danceability • 41% Energy • 14% Liveness
8% Instrumentalness • 15% Positiveness
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Lomelda
Kisses
103 bpm • C Maj • 03:44 • -16db
34% Popularity • 49% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Vanishing Twin
KRK (At Home in Strange Places)
103 bpm • G Maj • 04:25 • -9.99db
25% Popularity • 45% Danceability • 55% Energy • 48% Liveness
43% Instrumentalness • 56% Positiveness
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Animal Collective
Piggy Knows
103 bpm • G# min • 08:10 • -8.2db
10% Popularity • 32% Danceability • 84% Energy • 32% Liveness
85% Instrumentalness • 12% Positiveness
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Dirty Projectors
I Get Carried Away
99 bpm • C Maj • 02:11 • -12.86db
12% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Perfume Genius
One More Try
103 bpm • A Maj • 03:01 • -11.66db
25% Popularity • 77% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Anna B Savage
Corncrakes
104 bpm • D Maj • 03:43 • -11.06db
3% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Nick Hakim
BOUNCING
98 bpm • E Maj • 06:39 • -7.06db
7% Popularity • 20% Danceability • 74% Energy • 68% Liveness
1% Instrumentalness • 20% Positiveness
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Keeley Forsyth
Black Bull
104 bpm • A Maj • 03:06 • -20.08db
20% Popularity • 50% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Katie Dey
Darkness
98 bpm • B min • 03:01 • -8db
17% Popularity • 78% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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Dirty Projectors
Like Fake Blood In Crisp October
99 bpm • B Maj • 02:33 • -13.13db
10% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Owen Pallett
Polar Vortex
104 bpm • A Maj • 02:57 • -13.86db
10% Popularity • 63% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 46% Positiveness
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Arthur Russell
Wonder Boy
104 bpm • A min • 02:27 • -10db
23% Popularity • 58% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Deerhoof
Department of Corrections
98 bpm • C# Maj • 03:21 • -6.75db
15% Popularity • 46% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Avey Tare
Nostalgia in Lemonade
98 bpm • F# Maj • 03:41 • -7.41db
14% Popularity • 54% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Zsela
Liza
98 bpm • G min • 03:02 • -11.26db
15% Popularity • 48% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Dirty Projectors
Little Bubble
99 bpm • G# Maj • 05:05 • -10.38db
17% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Devendra Banhart
Scenescof
105 bpm • D# Maj • 02:36 • -22.19db
30% Popularity • 55% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Caroline Shaw
To the Sky
105 bpm • C Maj • 03:59 • -9.25db
18% Popularity • 54% Danceability • 60% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Deerhoof
Sympathy for the Baby Boo
97 bpm • C min • 02:23 • -3.25db
15% Popularity • 53% Danceability • 79% Energy • 12% Liveness
16% Instrumentalness • 57% Positiveness
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Tune-Yards
nowhere, man
97 bpm • E Maj • 03:29 • -6db
19% Popularity • 58% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Helado Negro
Mirror Talk
97 bpm • F Maj • 04:07 • -13.01db
19% Popularity • 37% Danceability • 38% Energy • 13% Liveness
30% Instrumentalness • 25% Positiveness
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Destroyer
Suicide Demo for Kara Walker
105 bpm • C Maj • 08:25 • -8.98db
30% Popularity • 63% Danceability • 57% Energy • 9% Liveness
22% Instrumentalness • 12% Positiveness
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The Books
Tokyo
97 bpm • G# Maj • 03:43 • -7.64db
31% Popularity • 62% Danceability • 57% Energy • 51% Liveness
82% Instrumentalness • 54% Positiveness
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Animal Collective
Prospect Hummer
105 bpm • G# Maj • 04:40 • -14.29db
31% Popularity • 53% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Dirty Projectors
Self Design
106 bpm • B Maj • 03:06 • -6db
17% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Buck Meek
Two Moons
106 bpm • F Maj • 03:02 • -9.87db
23% Popularity • 62% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Christelle Bofale
Miles
106 bpm • D# Maj • 04:55 • -13db
24% Popularity • 72% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Yves Jarvis
Victim
106 bpm • D Maj • 04:42 • -11.32db
10% Popularity • 53% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Devendra Banhart
Vast Ovoid
106 bpm • C Maj • 02:32 • -14.87db
9% Popularity • 75% Danceability • 28% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
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ANOHNI
It's All over Now, Baby Blue
106 bpm • D Maj • 04:12 • -6.2db
21% Popularity • 50% Danceability • 40% Energy • 27% Liveness
57% Instrumentalness • 56% Positiveness
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Uma
Nebula
96 bpm • D min • 03:46 • -11.47db
11% Popularity • 72% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Okay Kaya
Glitch
95 bpm • C Maj • 02:47 • -13.57db
20% Popularity • 29% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Kassa Overall
Find Me
107 bpm • F# Maj • 04:52 • -7.61db
11% Popularity • 55% Danceability • 62% Energy • 14% Liveness
43% Instrumentalness • 15% Positiveness
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Cassandra Jenkins
Hard Drive
107 bpm • A Maj • 05:27 • -11.46db
33% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
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Porches
Hair
107 bpm • G# Maj • 02:06 • -11.74db
18% Popularity • 68% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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The Books
Group Autogenics I
95 bpm • E Maj • 03:43 • -13.86db
6% Popularity • 82% Danceability • 34% Energy • 14% Liveness
13% Instrumentalness • 43% Positiveness
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Tune-Yards
sometime
95 bpm • A# Maj • 02:53 • -7.55db
11% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Anna Fox Rochinski
Cherry
95 bpm • A Maj • 04:13 • -9.69db
8% Popularity • 77% Danceability • 53% Energy • 37% Liveness
18% Instrumentalness • 74% Positiveness
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Cassandra Jenkins
Hailey
107 bpm • A Maj • 02:53 • -18.65db
22% Popularity • 50% Danceability • 7% Energy • 35% Liveness
25% Instrumentalness • 29% Positiveness
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Moses Sumney
Colouour
95 bpm • A Maj • 03:07 • -10.98db
39% Popularity • 33% Danceability • 27% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Cate Le Bon
You Don't Love Me
107 bpm • B min • 03:06 • -8.56db
15% Popularity • 87% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Department Of Eagles
Floating on the Lehigh
95 bpm • C# Maj • 06:08 • -8.27db
15% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Helado Negro
Wind Conversations
95 bpm • A min • 04:44 • -11.85db
22% Popularity • 51% Danceability • 31% Energy • 19% Liveness
14% Instrumentalness • 36% Positiveness
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Deerhoof
The Loved One
107 bpm • F# Maj • 02:38 • -7db
13% Popularity • 51% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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Kelsey Lu
let all the poisons that lurk in the mud...
95 bpm • G# min • 03:31 • -8db
28% Popularity • 40% Danceability • 54% Energy • 18% Liveness
3% Instrumentalness • 22% Positiveness
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Dirty Projectors
The Bride
95 bpm • C Maj • 02:49 • -7.46db
21% Popularity • 39% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Books
Fralite
108 bpm • D# Maj • 01:18 • -6.48db
31% Popularity • 67% Danceability • 64% Energy • 21% Liveness
53% Instrumentalness • 72% Positiveness
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Katie Dey
Happiness
108 bpm • E Maj • 04:03 • -8.8db
7% Popularity • 64% Danceability • 53% Energy • 18% Liveness
56% Instrumentalness • 39% Positiveness
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Daughter of Swords
Fellows
108 bpm • G min • 03:51 • -15.61db
10% Popularity • 49% Danceability • 9% Energy • 44% Liveness
2% Instrumentalness • 17% Positiveness
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SPELLLING
Golden Numbers
94 bpm • C# Maj • 02:44 • -10.89db
17% Popularity • 33% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Bedouine
Dizzy
108 bpm • G# min • 04:13 • -12.73db
25% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
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Moses Sumney
In Bloom
94 bpm • F Maj • 03:02 • -7.84db
28% Popularity • 25% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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The Books
There Is No There
108 bpm • A# Maj • 03:36 • -8.71db
25% Popularity • 64% Danceability • 51% Energy • 20% Liveness
78% Instrumentalness • 18% Positiveness
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Bartees Strange
Jealousy
94 bpm • D# Maj • 02:41 • -10db
11% Popularity • 30% Danceability • 42% Energy • 61% Liveness
2% Instrumentalness • 17% Positiveness
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Deerhoof
Fete d'Adieu
109 bpm • A Maj • 03:16 • -3.47db
31% Popularity • 70% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Jessica Pratt
Moon Dude
94 bpm • B min • 03:40 • -12db
45% Popularity • 40% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Dirty Projectors
Gimmie Gimmie Gimmie
94 bpm • F Maj • 04:52 • -14.59db
8% Popularity • 35% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Gendel
Children Of Earth
94 bpm • G Maj • 04:02 • -12.98db
10% Popularity • 47% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Cate Le Bon
Here It Comes Again
110 bpm • C Maj • 03:24 • -9.77db
27% Popularity • 62% Danceability • 38% Energy • 9% Liveness
23% Instrumentalness • 42% Positiveness
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IAN SWEET
Power
93 bpm • E Maj • 03:22 • -7.2db
14% Popularity • 54% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Porches
Wrote Some Songs
110 bpm • E min • 01:16 • -7.19db
15% Popularity • 56% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Xenia Rubinos
Did My Best
110 bpm • B Maj • 04:42 • -7.07db
8% Popularity • 28% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Perfume Genius
Some Dream
93 bpm • F# Maj • 04:18 • -7.54db
24% Popularity • 29% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Animal Collective
I Remember Learning How To Dive
110 bpm • F# Maj • 02:17 • -16db
24% Popularity • 85% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 76% Positiveness
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Genevieve Artadi
Will You Tell Me
110 bpm • F# Maj • 02:28 • -14.23db
10% Popularity • 40% Danceability • 16% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
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Taylor Skye
Take a Walk
110 bpm • F# Maj • 03:15 • -10.43db
10% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Kadhja Bonet
Procession
110 bpm • E min • 02:52 • -10.15db
22% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Kevin Morby
A Night At The Little Los Angeles
93 bpm • D Maj • 07:10 • -12.8db
21% Popularity • 56% Danceability • 18% Energy • 9% Liveness
12% Instrumentalness • 16% Positiveness
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Moses Sumney
Gagarin
92 bpm • A# Maj • 05:54 • -11.4db
25% Popularity • 21% Danceability • 39% Energy • 35% Liveness
61% Instrumentalness • 5% Positiveness
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Animal Collective
Man Of Oil
110 bpm • B Maj • 05:25 • -11.13db
41% Popularity • 63% Danceability • 56% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
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Mountain Man
Moon
111 bpm • E Maj • 03:53 • -14db
27% Popularity • 48% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Renée Reed
Fast One
111 bpm • D# Maj • 02:24 • -7.9db
25% Popularity • 59% Danceability • 34% Energy • 8% Liveness
71% Instrumentalness • 17% Positiveness
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Lightning Bug
Wings of Desire
92 bpm • D Maj • 04:53 • -13.03db
12% Popularity • 47% Danceability • 21% Energy • 11% Liveness
40% Instrumentalness • 10% Positiveness
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Badge Époque Ensemble
Sing a Silent Gospel
111 bpm • A Maj • 06:19 • -5.75db
10% Popularity • 40% Danceability • 61% Energy • 10% Liveness
71% Instrumentalness • 47% Positiveness
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Keeley Forsyth
Look to Yourself
112 bpm • E Maj • 04:53 • -19.87db
18% Popularity • 65% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
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Mount Eerie
Belief
91 bpm • G# min • 07:23 • -14.15db
22% Popularity • 41% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Moses Sumney
Conveyor
92 bpm • C# min • 03:23 • -7.8db
24% Popularity • 52% Danceability • 78% Energy • 16% Liveness
65% Instrumentalness • 40% Positiveness
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This Is The Kit
Carry Us Please
91 bpm • G# Maj • 04:13 • -10.3db
20% Popularity • 51% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 53% Positiveness
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Jessica Pratt
Jacquelyn in the Background
112 bpm • C# Maj • 03:23 • -11db
37% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Blake Mills
Window Facing A Window
112 bpm • G min • 04:58 • -19.18db
11% Popularity • 49% Danceability • 12% Energy • 30% Liveness
36% Instrumentalness • 12% Positiveness
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Eyes On The Road