Songs like F E E L S by SafetySuit
Based on a tempo of (+/- 10%) and a similar genre
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TREY
Wilderness
84 bpm • G# Maj • 04:40 • -7.67db
10% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kyle Reynolds
Friday Saturday Sunday
84 bpm • C# Maj • 03:22 • -4db
10% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Citizen Shade
One More Light
84 bpm • G# Maj • 04:17 • -9.61db
18% Popularity • 51% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 51% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Handsome Ghost
Here's To Endings
84 bpm • D Maj • 04:12 • -8db
21% Popularity • 50% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
21% Popularity • 50% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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SafetySuit
F E E L S
84 bpm • G Maj • 03:17 • -8db
16% Popularity • 50% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 50% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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John Allred
The Climb
83 bpm • C Maj • 03:34 • -15.4db
22% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 36% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Quinn XCII
Intro (Slow)
85 bpm • D Maj • 02:38 • -13.58db
39% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Scott Helman
Machine - Spotify Sessions
83 bpm • D Maj • 03:42 • -8.66db
17% Popularity • 33% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 33% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Saint Claire
Smoked out of Heaven
85 bpm • E Maj • 04:05 • -10db
20% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Handsome Ghost
Soft - Acoustic
84 bpm • C# Maj • 03:07 • -11.15db
9% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Citizen Shade
If You Want
83 bpm • A Maj • 03:31 • -6db
23% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Keelan Donovan
Undertow
83 bpm • A Maj • 03:44 • -10.75db
17% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Rayvon Owen
Can't Fight It (Stripped)
82 bpm • F Maj • 04:10 • -8.46db
19% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bryan Malpass
Change the Room
83 bpm • G Maj • 04:04 • -5.09db
18% Popularity • 57% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 57% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Saint Claire
I Got (Nothing)
85 bpm • B min • 03:35 • -6.68db
9% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Colin & Caroline
When You Love Someone
86 bpm • E min • 03:46 • -9db
12% Popularity • 43% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 43% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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JHart
Why Does It Hurt
82 bpm • C Maj • 03:18 • -5.14db
16% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 55% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Gauger
To the Moon
86 bpm • A# Maj • 03:30 • -7.32db
10% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tedy
Don't
86 bpm • G# Maj • 03:57 • -6.54db
17% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Trevor Myall
Thought of You
82 bpm • G Maj • 03:15 • -7.11db
12% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Quietdrive
Forget the Lies
82 bpm • F# Maj • 04:26 • -8.59db
35% Popularity • 48% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 48% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny Stimson
I'll Be Fine
82 bpm • E Maj • 03:08 • -10db
28% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Putnam
Harbor's Song
82 bpm • G# Maj • 03:00 • -5.45db
15% Popularity • 67% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 67% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Brendan James
Be Happy
82 bpm • B Maj • 03:39 • -5.07db
17% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Brighten
You Love Him
82 bpm • G# Maj • 03:58 • -6.33db
26% Popularity • 57% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 57% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Sam James
Love Hangover
82 bpm • G Maj • 02:40 • -2.77db
22% Popularity • 73% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 73% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Plested
Easier Said Than Done
82 bpm • A Maj • 03:21 • -9.68db
26% Popularity • 56% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 56% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Ellis
One Of A Kind
82 bpm • E Maj • 03:26 • -7.85db
7% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Hearts & Colors
Say You Will
82 bpm • B Maj • 03:31 • -11.44db
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Tin Man
Too Many Lines
86 bpm • G# Maj • 05:11 • -9db
11% Popularity • 31% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 31% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Ricky Manning
LA Is Lonely
81 bpm • D# Maj • 05:01 • -11db
30% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lou and Matthew
Red Wine
81 bpm • A Maj • 04:01 • -7.49db
25% Popularity • 32% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 32% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Ella Vos
Temporary
87 bpm • G# Maj • 02:31 • -8.27db
33% Popularity • 72% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 72% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Ciaran McMeeken
That Feeling
87 bpm • C# Maj • 04:23 • -7.12db
18% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sawyer Nunes
5 Seconds
87 bpm • G Maj • 03:10 • -7db
11% Popularity • 75% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 75% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Oh Gravity
Wherever We Are
81 bpm • C# Maj • 03:39 • -8db
28% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Whisler
That's Okay
87 bpm • E Maj • 02:50 • -10.91db
19% Popularity • 63% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 63% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Plested
Either You Love Me Or You Don't
81 bpm • A Maj • 03:21 • -6db
32% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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American Authors
Real Place
88 bpm • G Maj • 03:54 • -7.71db
21% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Havelin
Work Off My Hurt
81 bpm • F Maj • 03:38 • -6db
26% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jacob Lee
So Wrong
88 bpm • G# min • 03:18 • -4.58db
25% Popularity • 66% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 66% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Matt White
Give Me a Try
88 bpm • C# min • 03:05 • -6.14db
8% Popularity • 69% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 69% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Scott Helman
Ripple Effect
88 bpm • G# Maj • 03:22 • -6.23db
37% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Thomston
The Heights
88 bpm • C min • 03:19 • -10.34db
25% Popularity • 47% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 47% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Noah Cyrus
Team
80 bpm • A# Maj • 03:35 • -7.46db
45% Popularity • 66% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 66% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Rylie Rinehart
Welcome Home
80 bpm • E Maj • 03:27 • -25db
8% Popularity • 32% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 32% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Lostboycrow
Since the Day I Was Born
80 bpm • F Maj • 03:37 • -8db
25% Popularity • 59% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 59% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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O.A.R.
All Because of You
80 bpm • C# min • 03:33 • -8.42db
33% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Helman
House Key
80 bpm • G# Maj • 03:25 • -9.21db
32% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Wade
Three Days
80 bpm • F Maj • 03:38 • -5db
20% Popularity • 74% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 74% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Charlie Allen
Five Twenty Seven
88 bpm • E min • 02:15 • -12db
12% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Hudson
Love, Dad
80 bpm • F# min • 04:34 • -8db
35% Popularity • 34% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Jacob Lee
Secrets
88 bpm • A Maj • 03:52 • -6db
35% Popularity • 33% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 33% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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AUSTN
Mean
89 bpm • G Maj • 02:43 • -5db
18% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Workday Release
The Last Time I Was Home
80 bpm • E Maj • 03:54 • -11db
9% Popularity • 66% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 66% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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James Graham
VIRAL
89 bpm • E Maj • 03:01 • -11db
25% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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VACAY
Howlin' Wind
89 bpm • G Maj • 02:57 • -8db
4% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Quinn Lewis
Hurt Me Now
89 bpm • B Maj • 03:05 • -7.71db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Donovan Woods
What They Mean
89 bpm • G Maj • 03:22 • -15.83db
30% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Bootstraps
Replica
79 bpm • D min • 04:00 • -10.52db
22% Popularity • 51% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 51% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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The Workday Release
Blue Skies
79 bpm • E Maj • 03:42 • -8.92db
13% Popularity • 44% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 44% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Wolf and Willow
Throwing Stones
79 bpm • E Maj • 05:48 • -12.71db
17% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Van
Don't Say Anything
79 bpm • G Maj • 05:17 • -8.74db
11% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Alexander Coombs
What Do You Say
90 bpm • E Maj • 03:29 • -9.9db
22% Popularity • 56% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 56% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Abe Parker
Filthy Rich
90 bpm • B Maj • 03:40 • -11db
24% Popularity • 40% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 40% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Nicholas Roberts
Taking Over
90 bpm • G Maj • 02:46 • -8db
9% Popularity • 57% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
9% Popularity • 57% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Miki Ratsula
Young Heart
90 bpm • A# Maj • 05:17 • -8.47db
17% Popularity • 39% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 39% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Belle Mt.
Let Me
90 bpm • G Maj • 03:03 • -7.46db
11% Popularity • 55% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 55% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Zachary Knowles
i can't sleep
90 bpm • C Maj • 04:33 • -9db
22% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Dylan Rockoff
I Made a Mess Here (22 Symphony)
90 bpm • E Maj • 03:46 • -13.15db
29% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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SafetySuit
This City
90 bpm • D Maj • 03:16 • -6.04db
11% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Ocean Park Standoff
Good News - Thompson Remix
90 bpm • E Maj • 03:02 • -7.21db
14% Popularity • 60% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 60% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Lewis Watson
meant for me
78 bpm • B Maj • 03:09 • -9db
17% Popularity • 51% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 51% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Nicholas Roberts
Still Believe
90 bpm • D Maj • 03:10 • -12db
12% Popularity • 47% Danceability • 46% Energy • 13% Liveness
15% Instrumentalness • 21% Positiveness
12% Popularity • 47% Danceability • 46% Energy • 13% Liveness
15% Instrumentalness • 21% Positiveness
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Juke Ross
Not a Blade of Grass
90 bpm • C# Maj • 02:55 • -12db
29% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Andrew Galucki
We Stay Together
90 bpm • F# Maj • 03:01 • -11.95db
16% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 62% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Smallpools
Mother
78 bpm • E Maj • 03:51 • -5.83db
29% Popularity • 50% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 50% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Jordy Searcy
Always/almost
78 bpm • E min • 03:35 • -10db
29% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 67% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Shaw
Overthink
78 bpm • C# min • 03:19 • -6.25db
34% Popularity • 62% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 62% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The George Twins
Heart off You
78 bpm • F Maj • 03:06 • -7.33db
21% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Grace Grundy
Eastside
78 bpm • F# min • 02:49 • -9.29db
26% Popularity • 63% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 63% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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James TW
Different
91 bpm • G# Maj • 03:54 • -3.22db
34% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Smallpools
Mother - Stripped
78 bpm • E Maj • 03:46 • -4.87db
21% Popularity • 59% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 59% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Jordy Searcy
Rosalyn
78 bpm • G# Maj • 04:01 • -14.54db
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Rynn
Crowded Places ("From Songland")
78 bpm • B min • 02:30 • -9.69db
24% Popularity • 34% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 34% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Balik
OMW
91 bpm • E Maj • 03:29 • -7db
28% Popularity • 46% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 46% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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JT Roach
Tipsy Love
77 bpm • D# Maj • 03:01 • -13.71db
24% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Virginia Man
King & I
91 bpm • G Maj • 03:23 • -4.92db
15% Popularity • 42% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 42% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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M. the Heir Apparent
Be Free (Acoustic)
91 bpm • A# Maj • 02:49 • -7.2db
11% Popularity • 79% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 79% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Mac
whenicalledyou
92 bpm • G Maj • 03:25 • -11.3db
10% Popularity • 80% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 80% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Will Swanda
Flow Like the Sea
77 bpm • B Maj • 04:12 • -10db
15% Popularity • 54% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 54% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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SafetySuit
Looking Up
92 bpm • C Maj • 03:14 • -4.22db
13% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Brothers + Company
Forever Love
92 bpm • E Maj • 03:43 • -7.31db
20% Popularity • 44% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 44% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Dan Rodriguez
25 Years
92 bpm • G Maj • 03:22 • -7.62db
25% Popularity • 54% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 54% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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MY RED + BLUE
Keep It Moving
92 bpm • G Maj • 03:12 • -6db
14% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Wertz
Gun Shy (Change)
92 bpm • B Maj • 03:32 • -6db
20% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Cavalcade
Turn The Lights Down
92 bpm • E Maj • 03:17 • -7db
24% Popularity • 69% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 69% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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SafetySuit
Looking Up
92 bpm • C Maj • 03:14 • -4.42db
35% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
