Songs like FACE by BROCKHAMPTON
Based on a tempo of (+/- 10%) and a similar genre
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Isaiah Rashad
Headshots (4r da Locals)
120 bpm • D# Maj • 03:13 • -6.27db
64% Popularity • 89% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 66% Positiveness
64% Popularity • 89% Danceability • 62% Energy • 31% Liveness
1% Instrumentalness • 66% Positiveness
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Saba
HEAVEN ALL AROUND ME
120 bpm • G Maj • 03:32 • -11.06db
46% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Unknown Mortal Orchestra
Hunnybee
120 bpm • F# Maj • 04:28 • -7.97db
61% Popularity • 96% Danceability • 38% Energy • 31% Liveness
41% Instrumentalness • 57% Positiveness
61% Popularity • 96% Danceability • 38% Energy • 31% Liveness
41% Instrumentalness • 57% Positiveness
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Kali Uchis
Loner
120 bpm • C# min • 03:32 • -5.61db
60% Popularity • 72% Danceability • 68% Energy • 30% Liveness
12% Instrumentalness • 51% Positiveness
60% Popularity • 72% Danceability • 68% Energy • 30% Liveness
12% Instrumentalness • 51% Positiveness
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Berhana
Janet
120 bpm • C Maj • 03:24 • -8.19db
48% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 81% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Ravyn Lenae
Sticky
120 bpm • E min • 03:16 • -6.71db
50% Popularity • 71% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 71% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Smino
Amphetamine
120 bpm • F Maj • 07:49 • -9.55db
60% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Saba
LIFE
120 bpm • G Maj • 02:42 • -9.24db
54% Popularity • 90% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 90% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Lacy
N Side
120 bpm • B min • 03:44 • -6db
71% Popularity • 84% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
71% Popularity • 84% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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BROCKHAMPTON
INFATUATION
120 bpm • D# min • 03:01 • -11.34db
46% Popularity • 88% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 88% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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A$AP Rocky
L$D
120 bpm • D Maj • 03:58 • -15.09db
71% Popularity • 60% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
71% Popularity • 60% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Choker
Juno
120 bpm • G Maj • 03:51 • -12.86db
50% Popularity • 44% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 44% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Mick Jenkins
Communicate
120 bpm • E min • 03:57 • -10.14db
43% Popularity • 73% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 73% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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The Internet
Special Affair
120 bpm • A min • 02:56 • -10.13db
60% Popularity • 80% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 80% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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SiR
Hair Down
120 bpm • G# min • 03:36 • -10.98db
65% Popularity • 79% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 79% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Ravyn Lenae
Free Room
120 bpm • E Maj • 03:37 • -7.66db
57% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
57% Popularity • 78% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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WILLOW
Female Energy, Part 2
120 bpm • E min • 02:53 • -8.34db
60% Popularity • 54% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 54% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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BROCKHAMPTON
FACE
120 bpm • B min • 04:19 • -5.02db
59% Popularity • 94% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 94% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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SZA
Supermodel
120 bpm • F# Maj • 03:01 • -8.87db
72% Popularity • 61% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 61% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Jalen Santoy
Foreplay
119 bpm • F min • 02:51 • -4.84db
67% Popularity • 79% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 79% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Kali Uchis
Dead To Me
119 bpm • E min • 03:19 • -4.47db
76% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
76% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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tobi lou
I Was Sad Last Night I'm OK Now
121 bpm • F min • 03:10 • -8.37db
54% Popularity • 87% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 87% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Tyler, The Creator
I THINK
121 bpm • G# min • 03:32 • -8.24db
72% Popularity • 83% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 83% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Verzache
Needs
119 bpm • B min • 02:57 • -7.55db
65% Popularity • 81% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
65% Popularity • 81% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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Vince Staples
745
119 bpm • C# Maj • 03:47 • -9.81db
53% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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BROCKHAMPTON
CONTACTS
121 bpm • B Maj • 01:31 • -15.72db
34% Popularity • 69% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 69% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Yellow Days
Your Hand Holding Mine
118 bpm • G Maj • 04:10 • -10.64db
46% Popularity • 51% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
46% Popularity • 51% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Masego
Tadow
122 bpm • A min • 05:01 • -6.41db
81% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
81% Popularity • 70% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Isaiah Rashad
Silkk da Shocka
122 bpm • G# Maj • 02:46 • -8.2db
66% Popularity • 59% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
66% Popularity • 59% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
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The MarÃas
I Don't Know You
118 bpm • A min • 03:29 • -9.62db
65% Popularity • 88% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 59% Positiveness
65% Popularity • 88% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 59% Positiveness
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Tame Impala
Is It True
118 bpm • C Maj • 03:59 • -5.47db
71% Popularity • 73% Danceability • 66% Energy • 13% Liveness
35% Instrumentalness • 66% Positiveness
71% Popularity • 73% Danceability • 66% Energy • 13% Liveness
35% Instrumentalness • 66% Positiveness
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Duckwrth
MICHUUL.
118 bpm • C# Maj • 03:06 • -6.17db
54% Popularity • 85% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 85% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Cosmo Pyke
Social Sites
123 bpm • E min • 04:49 • -4.55db
48% Popularity • 44% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 44% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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NxWorries
Suede
117 bpm • G min • 02:54 • -7.26db
57% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Frank Ocean
DHL
123 bpm • E min • 04:28 • -10.22db
61% Popularity • 82% Danceability • 46% Energy • 13% Liveness
17% Instrumentalness • 23% Positiveness
61% Popularity • 82% Danceability • 46% Energy • 13% Liveness
17% Instrumentalness • 23% Positiveness
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BROCKHAMPTON
SUGAR
123 bpm • C# Maj • 03:24 • -8.21db
69% Popularity • 45% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 45% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Bakar
1st Time
123 bpm • D Maj • 03:01 • -7.36db
59% Popularity • 80% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 76% Positiveness
59% Popularity • 80% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 76% Positiveness
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Dominic Fike
Why
117 bpm • F# Maj • 02:19 • -2.68db
70% Popularity • 68% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
70% Popularity • 68% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Saba
BROKEN GIRLS
117 bpm • A# min • 04:37 • -11db
44% Popularity • 66% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 66% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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GoldLink
Rough Soul
117 bpm • E min • 03:01 • -18.35db
44% Popularity • 80% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 80% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Frank Ocean
Lost
123 bpm • G# Maj • 03:54 • -4.89db
83% Popularity • 91% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
83% Popularity • 91% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Omar Apollo
Trouble
123 bpm • F# Maj • 03:23 • -11.46db
45% Popularity • 66% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
45% Popularity • 66% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Yeek
Only in the West
117 bpm • G Maj • 03:16 • -6.87db
51% Popularity • 96% Danceability • 54% Energy • 22% Liveness
5% Instrumentalness • 53% Positiveness
51% Popularity • 96% Danceability • 54% Energy • 22% Liveness
5% Instrumentalness • 53% Positiveness
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Tame Impala
The Less I Know The Better
117 bpm • E Maj • 03:36 • -4.08db
86% Popularity • 64% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 78% Positiveness
86% Popularity • 64% Danceability • 74% Energy • 17% Liveness
1% Instrumentalness • 78% Positiveness
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BROCKHAMPTON
WASTE
117 bpm • A Maj • 02:34 • -11.26db
51% Popularity • 42% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 42% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Vince Staples
Summertime
124 bpm • B Maj • 04:19 • -7.75db
45% Popularity • 45% Danceability • 59% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
45% Popularity • 45% Danceability • 59% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Frank Ocean
Ivy
116 bpm • A min • 04:09 • -9.58db
83% Popularity • 57% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
83% Popularity • 57% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Healy
Unwind
124 bpm • F# min • 03:54 • -7.57db
46% Popularity • 81% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
46% Popularity • 81% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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J. Cole
Kevin’s Heart
116 bpm • F# min • 03:20 • -6.64db
73% Popularity • 83% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 48% Positiveness
73% Popularity • 83% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 48% Positiveness
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ODIE
Drums
116 bpm • G# Maj • 01:28 • -10.08db
30% Popularity • 67% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 28% Positiveness
30% Popularity • 67% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 28% Positiveness
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Daniel Caesar
Japanese Denim
124 bpm • D# Maj • 04:30 • -8.82db
77% Popularity • 71% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
77% Popularity • 71% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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BROCKHAMPTON
BOY BYE
125 bpm • A Maj • 02:22 • -7.14db
58% Popularity • 87% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
58% Popularity • 87% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Ralph Castelli
Morning Sex
125 bpm • F# Maj • 02:55 • -9.54db
71% Popularity • 81% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
71% Popularity • 81% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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A$AP Rocky
Sundress
125 bpm • F# Maj • 02:38 • -6.36db
82% Popularity • 72% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
82% Popularity • 72% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Still Woozy
Habit
125 bpm • C# Maj • 02:33 • -12db
67% Popularity • 77% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
67% Popularity • 77% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Isaiah Rashad
West Savannah
125 bpm • A Maj • 02:47 • -4.03db
70% Popularity • 65% Danceability • 91% Energy • 50% Liveness
7% Instrumentalness • 56% Positiveness
70% Popularity • 65% Danceability • 91% Energy • 50% Liveness
7% Instrumentalness • 56% Positiveness
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Daniel Caesar
SUPERPOSITION
116 bpm • E Maj • 04:23 • -11.21db
61% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Saba
Ziplock
115 bpm • B min • 03:18 • -8.86db
55% Popularity • 88% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 88% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Mick Jenkins
Jazz
125 bpm • G# Maj • 04:20 • -10db
51% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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GoldLink
U Say
115 bpm • D Maj • 03:21 • -7.69db
57% Popularity • 93% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 93% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Frank Ocean
Seigfried
125 bpm • E min • 05:34 • -11.16db
71% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
71% Popularity • 38% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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James Blake
Mile High
115 bpm • F# min • 03:13 • -9.85db
67% Popularity • 75% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 75% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Berhana
Grey Luh
126 bpm • C Maj • 04:21 • -9.17db
50% Popularity • 54% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 54% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Duckwrth
I'M DEAD
115 bpm • E min • 03:50 • -9db
45% Popularity • 59% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 59% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Vince Staples
ARE YOU WITH THAT?
126 bpm • C# min • 02:18 • -10.7db
61% Popularity • 86% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 86% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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BROCKHAMPTON
FAKE
126 bpm • G Maj • 04:35 • -9.77db
43% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 70% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Isaiah Rashad
Wat's Wrong
126 bpm • C# Maj • 05:30 • -6.36db
68% Popularity • 71% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 71% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
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Kendrick Lamar
LOVE. FEAT. ZACARI.
126 bpm • A# Maj • 03:33 • -7.34db
84% Popularity • 80% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
84% Popularity • 80% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Col3trane
Malibu Sleep
114 bpm • G# min • 03:09 • -10.23db
42% Popularity • 89% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 89% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Bakar
Unhealthy
114 bpm • B Maj • 02:33 • -9.63db
45% Popularity • 88% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 88% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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JID
Workin Out
127 bpm • A# min • 03:46 • -8.07db
62% Popularity • 82% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 82% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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BROCKHAMPTON
LOVE ME FOR LIFE
126 bpm • F Maj • 03:35 • -7.66db
45% Popularity • 84% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 84% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler, The Creator
Garden Shed
113 bpm • D min • 03:43 • -8.45db
64% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
64% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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Taylor Bennett
Favorite Colors
128 bpm • C# Maj • 02:18 • -8.68db
46% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Domo Genesis
Dapper
113 bpm • C# min • 03:13 • -9.49db
53% Popularity • 75% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 75% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Deb Never
Stone Cold
127 bpm • B Maj • 02:47 • -10.34db
34% Popularity • 85% Danceability • 39% Energy • 33% Liveness
8% Instrumentalness • 82% Positiveness
34% Popularity • 85% Danceability • 39% Energy • 33% Liveness
8% Instrumentalness • 82% Positiveness
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Feng Suave
Honey, There's No Time
128 bpm • A Maj • 04:21 • -11.92db
52% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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BROCKHAMPTON
ZIPPER
114 bpm • G# Maj • 03:22 • -4.36db
51% Popularity • 84% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 84% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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ODIE
Slowly
128 bpm • C Maj • 03:07 • -14db
51% Popularity • 58% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 29% Positiveness
51% Popularity • 58% Danceability • 31% Energy • 10% Liveness
8% Instrumentalness • 29% Positiveness
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Gus Dapperton
I'm Just Snacking
128 bpm • G# min • 03:18 • -7.35db
50% Popularity • 62% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 62% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Clairo
Pretty Girl
112 bpm • C Maj • 02:58 • -4.41db
74% Popularity • 93% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 93% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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UMI
Remember Me
112 bpm • F min • 03:19 • -8.61db
63% Popularity • 84% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
63% Popularity • 84% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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binki
Sea Sick
112 bpm • F# min • 02:10 • -8.63db
56% Popularity • 82% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 82% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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BROCKHAMPTON
STAINS
113 bpm • A# min • 02:59 • -7.23db
47% Popularity • 64% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Drake
Passionfruit
112 bpm • B Maj • 04:58 • -11.38db
84% Popularity • 81% Danceability • 46% Energy • 11% Liveness
8% Instrumentalness • 36% Positiveness
84% Popularity • 81% Danceability • 46% Energy • 11% Liveness
8% Instrumentalness • 36% Positiveness
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Dominic Fike
She Wants My Money
129 bpm • A Maj • 02:13 • -6.56db
65% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Glass Animals
Tokyo Drifting
129 bpm • G# min • 03:36 • -9.87db
61% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Cosmo Pyke
Chronic Sunshine
111 bpm • G Maj • 04:30 • -5db
53% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Saba
Photosynthesis
111 bpm • G Maj • 03:21 • -8.39db
60% Popularity • 78% Danceability • 66% Energy • 59% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 78% Danceability • 66% Energy • 59% Liveness
0% Instrumentalness • 63% Positiveness
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BROCKHAMPTON
1999 WILDFIRE
128 bpm • F Maj • 04:11 • -8.09db
55% Popularity • 81% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 81% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Drake
4422
112 bpm • B min • 03:06 • -12.36db
65% Popularity • 61% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
65% Popularity • 61% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Tame Impala
Love/Paranoia
111 bpm • F Maj • 03:05 • -5.53db
66% Popularity • 50% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 50% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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GoldLink
Crew
130 bpm • C# min • 02:56 • -8.42db
78% Popularity • 73% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
78% Popularity • 73% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Bakar
Small Town Girl
130 bpm • F Maj • 03:05 • -5.65db
54% Popularity • 81% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
54% Popularity • 81% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Kid Cudi
Kitchen
130 bpm • F min • 04:28 • -5.33db
53% Popularity • 72% Danceability • 80% Energy • 13% Liveness
4% Instrumentalness • 67% Positiveness
53% Popularity • 72% Danceability • 80% Energy • 13% Liveness
4% Instrumentalness • 67% Positiveness
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BROCKHAMPTON
DEARLY DEPARTED
128 bpm • A min • 04:40 • -6.3db
43% Popularity • 32% Danceability • 77% Energy • 34% Liveness
17% Instrumentalness • 20% Positiveness
43% Popularity • 32% Danceability • 77% Energy • 34% Liveness
17% Instrumentalness • 20% Positiveness
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Isaiah Rashad
Free Lunch
130 bpm • B min • 03:12 • -7.36db
65% Popularity • 86% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
65% Popularity • 86% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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TOKiMONSTA
Realla
130 bpm • F Maj • 03:30 • -8.45db
47% Popularity • 63% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
47% Popularity • 63% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
