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Fade Away
Songs like
Fade Away
by
Babitha
Based on a tempo of (+/- 10%) and a similar genre
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Floodlights
Colours
146 bpm • A Maj • 04:23 • -9.09db
25% Popularity • 37% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Babitha
Fade Away
146 bpm • C# Maj • 06:34 • -8.82db
7% Popularity • 32% Danceability • 53% Energy • 37% Liveness
44% Instrumentalness • 8% Positiveness
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Laney Jones
Long Way
146 bpm • F# Maj • 04:04 • -9.48db
28% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Radio Free Alice
Look What You've Done
147 bpm • C# min • 03:13 • -5.71db
35% Popularity • 44% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Charlotte Cornfield
Skateboarding by the Lake
147 bpm • B Maj • 01:33 • -12.74db
32% Popularity • 54% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Ruth Radelet
Leaving the Table
147 bpm • A Maj • 03:53 • -12db
20% Popularity • 66% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
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The Belair Lip Bombs
Look The Part
145 bpm • C# Maj • 03:53 • -5.94db
36% Popularity • 54% Danceability • 87% Energy • 9% Liveness
18% Instrumentalness • 73% Positiveness
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Floodlights
Moment Of Distraction
145 bpm • D Maj • 05:16 • -8.55db
28% Popularity • 24% Danceability • 60% Energy • 40% Liveness
1% Instrumentalness • 19% Positiveness
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Leah Senior
Pony
145 bpm • G Maj • 03:12 • -11.37db
21% Popularity • 67% Danceability • 44% Energy • 10% Liveness
12% Instrumentalness • 31% Positiveness
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Babitha
Brighter Side Of Blue
147 bpm • C Maj • 04:46 • -8.36db
11% Popularity • 49% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Charlotte Cornfield
Partner in Crime
148 bpm • G# Maj • 04:30 • -8db
27% Popularity • 80% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 72% Positiveness
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Phoebe Go
Be the Player, Not the Poet
144 bpm • D Maj • 04:54 • -13.17db
27% Popularity • 42% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
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Moreton
Downfall
148 bpm • F# min • 03:55 • -9.28db
10% Popularity • 68% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Twen
HaHaHome
148 bpm • G# Maj • 04:00 • -6db
35% Popularity • 41% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Staples
Sunny Afternoon
144 bpm • F# Maj • 04:29 • -11.43db
20% Popularity • 73% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Emma Russack
I’ll Be The Rock
144 bpm • E min • 02:21 • -7.49db
24% Popularity • 64% Danceability • 87% Energy • 36% Liveness
74% Instrumentalness • 65% Positiveness
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The Money War
Was It Ever Really Anything?
148 bpm • B Maj • 03:13 • -5.2db
7% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Oracle Sisters
RBH (OurVinyl Sessions)
144 bpm • C Maj • 05:46 • -5.18db
20% Popularity • 52% Danceability • 87% Energy • 9% Liveness
10% Instrumentalness • 59% Positiveness
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Maple Glider
As Tradition
144 bpm • D min • 04:00 • -8.57db
31% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Erny Belle
Nuclear Bombs
149 bpm • D# Maj • 03:03 • -10.37db
18% Popularity • 45% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Floodlights
Matter of Time
149 bpm • G Maj • 02:55 • -5.47db
27% Popularity • 49% Danceability • 85% Energy • 13% Liveness
10% Instrumentalness • 84% Positiveness
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Oscar Browne
Cut Me Off
143 bpm • C min • 04:20 • -11.85db
18% Popularity • 49% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 24% Positiveness
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Babitha
Happy Person
143 bpm • C Maj • 03:21 • -10.1db
17% Popularity • 47% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 35% Positiveness
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Elle Músa
Geminis
142 bpm • D Maj • 03:08 • -8.39db
32% Popularity • 60% Danceability • 68% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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GIMMY
SWEAT (An Australian Summer)
150 bpm • B min • 03:17 • -7.09db
14% Popularity • 62% Danceability • 82% Energy • 18% Liveness
25% Instrumentalness • 78% Positiveness
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Kate Davis
Long Long Long
141 bpm • D Maj • 03:54 • -8db
13% Popularity • 58% Danceability • 64% Energy • 32% Liveness
4% Instrumentalness • 62% Positiveness
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Floodlights
Things You Do
143 bpm • G Maj • 04:52 • -10.15db
30% Popularity • 35% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Hannah Cameron
Take The Blame
142 bpm • A Maj • 03:38 • -10.92db
16% Popularity • 83% Danceability • 42% Energy • 12% Liveness
17% Instrumentalness • 47% Positiveness
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Charlie Gradon
Your Mess
141 bpm • B min • 03:21 • -8.4db
19% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Prima Queen
Crow
152 bpm • C# min • 03:23 • -11.03db
19% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Ellie Bleach
Pamela
152 bpm • D# min • 04:03 • -7.77db
32% Popularity • 59% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Bonny Doon
You Can't Stay The Same
140 bpm • E Maj • 03:35 • -10.84db
33% Popularity • 54% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Junaco
Everyone Talking
140 bpm • C# Maj • 02:59 • -6.98db
20% Popularity • 72% Danceability • 62% Energy • 12% Liveness
21% Instrumentalness • 69% Positiveness
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Leah Senior
Clearest View
140 bpm • F# Maj • 04:16 • -7.07db
19% Popularity • 53% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Nightlands
Hymn To Me
152 bpm • E Maj • 05:02 • -10.22db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Royel Otis
Letter From Roy
140 bpm • G Maj • 02:04 • -7.1db
49% Popularity • 59% Danceability • 50% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
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Baby Cool
Daydream
140 bpm • G Maj • 04:03 • -9.77db
8% Popularity • 30% Danceability • 27% Energy • 11% Liveness
25% Instrumentalness • 9% Positiveness
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Bonny Doon
Naturally
139 bpm • C Maj • 03:30 • -12.23db
29% Popularity • 79% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 96% Positiveness
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Folk Bitch Trio
Friendly Neighbour
154 bpm • C Maj • 03:53 • -6.75db
24% Popularity • 35% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 45% Positiveness
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Duff Thompson
Just Like Me
138 bpm • E Maj • 03:04 • -4.93db
29% Popularity • 43% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Ruby Gill
Public panic attacks
154 bpm • C Maj • 02:56 • -14.25db
16% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Route 500
I'll Play You Out
138 bpm • E Maj • 02:44 • -13.07db
25% Popularity • 62% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
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Cousin Tony's Brand New Firebird
Red Dirt Angel
138 bpm • F Maj • 04:07 • -6.71db
26% Popularity • 55% Danceability • 84% Energy • 18% Liveness
27% Instrumentalness • 39% Positiveness
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Bonny Doon
Let There Be Music
138 bpm • C Maj • 04:41 • -9.39db
25% Popularity • 61% Danceability • 53% Energy • 32% Liveness
22% Instrumentalness • 52% Positiveness
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Floodlights
Overflowing Cup
138 bpm • G Maj • 03:51 • -8.36db
19% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Minor Gold
Way With Words
155 bpm • A Maj • 02:55 • -12.89db
22% Popularity • 56% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Hannah Cameron
Haiku Song
138 bpm • G# Maj • 04:00 • -9.41db
14% Popularity • 52% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Willie J Healey
Black Camaro
137 bpm • G Maj • 03:47 • -6.76db
29% Popularity • 55% Danceability • 59% Energy • 10% Liveness
71% Instrumentalness • 60% Positiveness
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Mikayla McVey
New Year
137 bpm • G# Maj • 06:01 • -11.53db
10% Popularity • 72% Danceability • 65% Energy • 14% Liveness
48% Instrumentalness • 59% Positiveness
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King Ibis
I'm Not Your Mum
137 bpm • G# min • 04:07 • -6.65db
14% Popularity • 59% Danceability • 77% Energy • 26% Liveness
2% Instrumentalness • 59% Positiveness
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Hand Habits
Greatest Weapon
137 bpm • C Maj • 02:54 • -10db
20% Popularity • 53% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Maple Glider
Don't Kiss Me
136 bpm • D Maj • 04:04 • -6.51db
28% Popularity • 54% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Floodlights
Painting of My Time
156 bpm • G# min • 03:59 • -7db
29% Popularity • 42% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Bell X1
Bridge & Tunnel
136 bpm • E min • 05:31 • -7.98db
16% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Vera Ellen
Carpenter
136 bpm • A Maj • 04:00 • -11.49db
15% Popularity • 55% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Jennah Barry
The Real Moon
136 bpm • D min • 02:58 • -11.01db
25% Popularity • 51% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
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Nico Paulo
The Master
136 bpm • E Maj • 03:24 • -7.42db
22% Popularity • 55% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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The Belair Lip Bombs
Easy On The Heart
158 bpm • C Maj • 03:48 • -7.2db
26% Popularity • 65% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Harmony Byrne
I Never Played The Game
135 bpm • F# Maj • 04:46 • -10.92db
8% Popularity • 44% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Sweetie
Boundary Queen
135 bpm • A Maj • 03:02 • -7.98db
15% Popularity • 51% Danceability • 79% Energy • 11% Liveness
15% Instrumentalness • 76% Positiveness
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Michael Nau
Shiftshaping
158 bpm • E Maj • 03:41 • -7.99db
37% Popularity • 35% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Beck Dawson
23:32
135 bpm • C# Maj • 03:31 • -10.75db
12% Popularity • 73% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Caitlin Harnett & The Pony Boys
I'll Get By
135 bpm • A Maj • 03:26 • -6.86db
18% Popularity • 34% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Slingers
Happy Birthday To Me
135 bpm • B min • 08:00 • -9.39db
32% Popularity • 61% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Maple Glider
For You And All The Songs We Loved
135 bpm • C Maj • 02:33 • -8.29db
24% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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La Force
condition of us
134 bpm • A Maj • 04:18 • -9.59db
29% Popularity • 59% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Samantha Crain
Reunion
158 bpm • F Maj • 03:00 • -7.19db
24% Popularity • 54% Danceability • 65% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Emma Russack
Horses
134 bpm • E min • 02:28 • -15.51db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Sister Ray
Visions
134 bpm • C min • 03:33 • -8.84db
11% Popularity • 57% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Sorcha Richardson
Good Intentions
134 bpm • C Maj • 03:43 • -7.41db
14% Popularity • 64% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Ainsley Farrell
The Way Back
134 bpm • E Maj • 02:37 • -10.69db
15% Popularity • 80% Danceability • 52% Energy • 9% Liveness
56% Instrumentalness • 73% Positiveness
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Velvet Trip
ELECTRIC DREAMS
160 bpm • G Maj • 03:35 • -7.63db
25% Popularity • 44% Danceability • 68% Energy • 35% Liveness
92% Instrumentalness • 58% Positiveness
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NewDad
Break In
133 bpm • F min • 03:42 • -6.87db
31% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jade Imagine
I Guess We'll Just Wait
133 bpm • C Maj • 04:13 • -11.72db
4% Popularity • 67% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Barrie
Races
133 bpm • D Maj • 02:13 • -9.01db
50% Popularity • 67% Danceability • 46% Energy • 12% Liveness
85% Instrumentalness • 78% Positiveness
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Bess Atwell
Red Light Heaven
132 bpm • A Maj • 03:29 • -8.94db
35% Popularity • 56% Danceability • 63% Energy • 9% Liveness
17% Instrumentalness • 36% Positiveness
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Jack Davies and The Bush Chooks
You've Got The Fear
132 bpm • D Maj • 04:47 • -8.29db
27% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Vera Ellen
Lenny Says
132 bpm • G Maj • 02:14 • -8.98db
18% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Bleach Lab
All Night
161 bpm • E Maj • 03:14 • -6.12db
35% Popularity • 42% Danceability • 70% Energy • 20% Liveness
86% Instrumentalness • 66% Positiveness
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Will Fox
Berry on a Briar
132 bpm • D Maj • 03:59 • -11.21db
22% Popularity • 59% Danceability • 46% Energy • 20% Liveness
29% Instrumentalness • 21% Positiveness
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RVG
I Used To Love You
132 bpm • C Maj • 03:33 • -5.93db
21% Popularity • 41% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Belair Lip Bombs
Say My Name
162 bpm • E Maj • 03:53 • -6.01db
32% Popularity • 40% Danceability • 93% Energy • 28% Liveness
3% Instrumentalness • 49% Positiveness
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Oracle Sisters
Most of All
162 bpm • F Maj • 03:40 • -7.77db
38% Popularity • 56% Danceability • 62% Energy • 16% Liveness
1% Instrumentalness • 73% Positiveness
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Hannah Cameron
Backsliding
162 bpm • D# Maj • 04:19 • -13.04db
14% Popularity • 52% Danceability • 36% Energy • 11% Liveness
49% Instrumentalness • 30% Positiveness
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Pearla
Unglow The
131 bpm • C Maj • 04:02 • -7db
9% Popularity • 34% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 37% Positiveness
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Bess Atwell
All You Can Do
163 bpm • C# min • 03:04 • -8.73db
39% Popularity • 36% Danceability • 62% Energy • 7% Liveness
10% Instrumentalness • 44% Positiveness
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Meagre Martin
All My Thoughts
131 bpm • E Maj • 03:12 • -5.87db
31% Popularity • 41% Danceability • 56% Energy • 11% Liveness
6% Instrumentalness • 41% Positiveness
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Ebony Lamb
Take My Hands At Night
131 bpm • G Maj • 03:55 • -14.83db
14% Popularity • 67% Danceability • 28% Energy • 10% Liveness
26% Instrumentalness • 39% Positiveness
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Purr
The Natural
131 bpm • E min • 03:50 • -4.19db
17% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Marlon Williams
Soft Boys Make The Grade
131 bpm • A min • 03:26 • -7.3db
26% Popularity • 45% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Cash Savage and the Last Drinks
So This Is Love
130 bpm • C Maj • 06:51 • -7.4db
18% Popularity • 26% Danceability • 65% Energy • 8% Liveness
83% Instrumentalness • 11% Positiveness
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Husky
Deep Sleeper
130 bpm • A Maj • 02:54 • -9.67db
36% Popularity • 68% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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The Slingers
Love is Not Enough
130 bpm • D Maj • 05:43 • -5.51db
20% Popularity • 55% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Langkamer
So Long Little Rock
130 bpm • C Maj • 02:25 • -17.07db
34% Popularity • 70% Danceability • 27% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
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Carla Geneve
What I Already Know
164 bpm • G Maj • 04:03 • -7.88db
13% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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GIMMY
Don't Be Afraid
130 bpm • C# Maj • 03:05 • -6.71db
9% Popularity • 72% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
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Winten
Bad Ones
130 bpm • C Maj • 03:26 • -9.17db
18% Popularity • 60% Danceability • 59% Energy • 11% Liveness
35% Instrumentalness • 48% Positiveness
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Caitlin Harnett & The Pony Boys
Don't Give Up On Me
129 bpm • G Maj • 04:04 • -5.89db
21% Popularity • 40% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Slingers
Raising the Dead
130 bpm • C Maj • 04:00 • -6.61db
29% Popularity • 52% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Bones and Jones
My Friend
165 bpm • A Maj • 03:39 • -4.95db
13% Popularity • 15% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Fade Away