Songs like Fading Like A Picture by DMA'S
Based on a tempo of (+/- 10%) and a similar genre
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Vida
A Place Where We Can Forget
132 bpm • B Maj • 03:26 • -5.22db
28% Popularity • 52% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 52% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Lathums
The Great Escape
132 bpm • G Maj • 03:48 • -4db
49% Popularity • 50% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 50% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Ruby Fields
Dingo
132 bpm • D min • 05:27 • -5.79db
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Ocean Alley
Stained Glass
132 bpm • A min • 03:47 • -11.04db
37% Popularity • 60% Danceability • 61% Energy • 12% Liveness
4% Instrumentalness • 37% Positiveness
37% Popularity • 60% Danceability • 61% Energy • 12% Liveness
4% Instrumentalness • 37% Positiveness
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DMA'S
Hello Girlfriend
132 bpm • G# Maj • 03:52 • -4.31db
24% Popularity • 46% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Holy Holy
Sentimental and Monday
133 bpm • F min • 04:15 • -8db
42% Popularity • 36% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 36% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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The Terrys
Penny
132 bpm • A Maj • 02:19 • -9.65db
49% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Viola Beach
Call You Up
131 bpm • C# min • 04:58 • -7.45db
46% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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San Cisco
On The Line
131 bpm • C Maj • 05:00 • -4.51db
38% Popularity • 64% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 64% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Reverend And The Makers
Heavyweight Champion of the World
133 bpm • A Maj • 03:25 • -2.41db
53% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Ruby Fields
I Want
131 bpm • E min • 04:03 • -4.43db
36% Popularity • 50% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 50% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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The Lathums
Struggle - Single Version
131 bpm • D# Maj • 03:24 • -3db
44% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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DMA'S
Round & Around
131 bpm • F# min • 04:04 • -4.2db
19% Popularity • 46% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 46% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Shambolics
If You Want It
133 bpm • B Maj • 02:47 • -6.13db
30% Popularity • 48% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 48% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Fender
Hypersonic Missiles
131 bpm • E Maj • 03:57 • -3.68db
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Catfish and the Bottlemen
Cocoon
133 bpm • G min • 03:56 • -4db
67% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Stone Roses
Sally Cinnamon - Single Mix
131 bpm • G Maj • 02:53 • -13db
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Viola Beach
Like A Fool
134 bpm • G Maj • 02:51 • -6.56db
34% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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DMA'S
For Now
133 bpm • B Maj • 04:03 • -4.52db
22% Popularity • 37% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 37% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Somebody's Child
Make You Alright
130 bpm • B Maj • 03:33 • -8db
29% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Old Mervs
Give It Up
134 bpm • B Maj • 03:01 • -6.02db
38% Popularity • 45% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 45% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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The Snuts
The Rodeo
134 bpm • C Maj • 03:04 • -5.46db
42% Popularity • 63% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 63% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Lime Cordiale
Temper Temper
130 bpm • G min • 03:28 • -7.8db
66% Popularity • 71% Danceability • 56% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 71% Danceability • 56% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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DMA'S
Warsaw - MTV Unplugged Live In Melbourne
131 bpm • A Maj • 03:56 • -6.03db
9% Popularity • 43% Danceability • 89% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 43% Danceability • 89% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
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The Lathums
I Know That Much
134 bpm • B min • 03:21 • -4db
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Corella
Say Something
134 bpm • D Maj • 03:19 • -5.49db
37% Popularity • 64% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
37% Popularity • 64% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Holy Holy
The Aftergone
130 bpm • B min • 03:55 • -4.98db
34% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Methyl Ethel
Ubu
130 bpm • D# min • 05:02 • -8.87db
45% Popularity • 68% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
45% Popularity • 68% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
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Liam Gallagher
Now That I've Found You
130 bpm • C Maj • 03:20 • -3db
45% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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DMA'S
Life Is A Game Of Changing
130 bpm • A Maj • 04:16 • -5.65db
27% Popularity • 50% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
27% Popularity • 50% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
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Lime Cordiale
Can I Be Your Lover
130 bpm • A Maj • 03:32 • -4.84db
47% Popularity • 60% Danceability • 81% Energy • 27% Liveness
3% Instrumentalness • 67% Positiveness
47% Popularity • 60% Danceability • 81% Energy • 27% Liveness
3% Instrumentalness • 67% Positiveness
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The View
Same Jeans
135 bpm • C Maj • 03:33 • -2.45db
53% Popularity • 48% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 48% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Catfish and the Bottlemen
Hourglass
130 bpm • F# Maj • 02:18 • -9.95db
58% Popularity • 65% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 65% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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The Snuts
Maybe California
135 bpm • E Maj • 02:21 • -4.73db
49% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Rions
Anakin
135 bpm • C Maj • 04:33 • -5.55db
45% Popularity • 47% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 47% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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DMA'S
The Plan
134 bpm • C Maj • 03:52 • -5.48db
19% Popularity • 61% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 61% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Gerry Cinnamon
Canter
135 bpm • A# Maj • 04:26 • -6.83db
62% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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The Jungle Giants
Bad Dream
135 bpm • E min • 04:31 • -6db
49% Popularity • 69% Danceability • 58% Energy • 7% Liveness
30% Instrumentalness • 32% Positiveness
49% Popularity • 69% Danceability • 58% Energy • 7% Liveness
30% Instrumentalness • 32% Positiveness
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Catfish and the Bottlemen
Soundcheck
135 bpm • D Maj • 04:21 • -5.79db
57% Popularity • 60% Danceability • 76% Energy • 41% Liveness
8% Instrumentalness • 65% Positiveness
57% Popularity • 60% Danceability • 76% Energy • 41% Liveness
8% Instrumentalness • 65% Positiveness
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The Snuts
All Your Friends
135 bpm • E Maj • 03:28 • -3db
35% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Reytons
Jealous Type
135 bpm • A min • 03:21 • -5.01db
47% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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DMA'S
The Switch
130 bpm • C Maj • 04:20 • -5.82db
19% Popularity • 43% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 43% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Fender
All Is On My Side
129 bpm • B min • 04:33 • -4.92db
53% Popularity • 60% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 60% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Ruby Fields
Kitchen
135 bpm • D# Maj • 04:53 • -4.92db
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Shambolics
When She Goes Home (Demo)
129 bpm • B Maj • 05:15 • -3db
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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The Snuts
Glasgow
135 bpm • B Maj • 04:26 • -1db
49% Popularity • 22% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 22% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Viola Beach
Go Outside
129 bpm • B min • 03:48 • -7.6db
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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DMA'S
We Are Midnight
129 bpm • E Maj • 03:39 • -4.13db
23% Popularity • 40% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 40% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Kasabian
Bless This Acid House
135 bpm • A Maj • 03:45 • -4.04db
47% Popularity • 39% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 39% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Skegss
Here Comes Your Man - triple j Like a Ve...
136 bpm • D Maj • 03:39 • -5.48db
43% Popularity • 37% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 37% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Rions
Head Still Hurts
136 bpm • F min • 03:39 • -4.76db
41% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Tyne-James Organ
Stranger
136 bpm • E Maj • 04:19 • -5.18db
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Viola Beach
Boys That Sing
136 bpm • B min • 03:16 • -6.46db
53% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
53% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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DMA'S
Too Soon
136 bpm • A Maj • 03:23 • -2.78db
23% Popularity • 34% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 34% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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The Snuts
Knuckles
136 bpm • A Maj • 02:40 • -5.64db
44% Popularity • 57% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 57% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Lime Cordiale
Dirt Cheap
136 bpm • D# min • 02:55 • -5.64db
51% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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PLANET
For You
136 bpm • A Maj • 03:38 • -6db
23% Popularity • 42% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 42% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Lathums
Say My Name
128 bpm • A min • 03:51 • -3db
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Jungle Giants
Used to Be in Love
128 bpm • B min • 03:42 • -5.24db
67% Popularity • 83% Danceability • 63% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
67% Popularity • 83% Danceability • 63% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
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DMA'S
Tape Deck Sick
128 bpm • B Maj • 04:12 • -7.89db
50% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Gerry Cinnamon
Sun Queen
128 bpm • C Maj • 04:07 • -9db
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Ball Park Music
Cherub
128 bpm • G# Maj • 05:28 • -8.81db
45% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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PLANET
Aching Dream
136 bpm • A# Maj • 03:37 • -7.23db
28% Popularity • 39% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 39% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Hockey Dad
Germaphobe
128 bpm • A Maj • 03:24 • -3.97db
36% Popularity • 47% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 47% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Catfish and the Bottlemen
Twice
137 bpm • C Maj • 03:16 • -5db
55% Popularity • 41% Danceability • 82% Energy • 40% Liveness
3% Instrumentalness • 29% Positiveness
55% Popularity • 41% Danceability • 82% Energy • 40% Liveness
3% Instrumentalness • 29% Positiveness
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Skegss
Smogged Out
128 bpm • A Maj • 02:54 • -10.42db
42% Popularity • 57% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 57% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Rum Jungle
Stay - triple j Like A Version
127 bpm • A min • 03:33 • -9.42db
46% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Kooks
Jackie Big Tits
137 bpm • F# Maj • 02:32 • -4db
49% Popularity • 53% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 53% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Holy Holy
Elevator
137 bpm • D Maj • 03:47 • -4.54db
37% Popularity • 46% Danceability • 91% Energy • 15% Liveness
5% Instrumentalness • 48% Positiveness
37% Popularity • 46% Danceability • 91% Energy • 15% Liveness
5% Instrumentalness • 48% Positiveness
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Tia Gostelow
Hunger
127 bpm • B min • 04:07 • -5db
32% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Vaccines
Your Love Is My Favourite Band
137 bpm • C Maj • 03:09 • -4.03db
44% Popularity • 58% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 58% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Rions
Disassociation
137 bpm • E Maj • 04:08 • -5.83db
43% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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PLANET
Resign
137 bpm • C Maj • 03:17 • -4.97db
5% Popularity • 45% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 45% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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DMA'S
Melbourne
137 bpm • C Maj • 03:35 • -2.81db
24% Popularity • 33% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 33% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Fender
Angel In Lothian
127 bpm • A min • 04:12 • -2.69db
44% Popularity • 46% Danceability • 85% Energy • 6% Liveness
2% Instrumentalness • 39% Positiveness
44% Popularity • 46% Danceability • 85% Energy • 6% Liveness
2% Instrumentalness • 39% Positiveness
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Catfish and the Bottlemen
Emily
137 bpm • C# Maj • 02:18 • -6db
58% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 49% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Hockey Dad
Good Eye
127 bpm • F# Maj • 03:54 • -4.15db
33% Popularity • 46% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 46% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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The Snuts
Manhattan Project
137 bpm • E Maj • 03:27 • -3.99db
33% Popularity • 24% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 24% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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PLANET
Reason Why
127 bpm • A# Maj • 02:57 • -4.3db
17% Popularity • 45% Danceability • 92% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
17% Popularity • 45% Danceability • 92% Energy • 15% Liveness
2% Instrumentalness • 70% Positiveness
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DMA'S
Straight Dimensions
127 bpm • A min • 04:04 • -4.57db
22% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 47% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Gang of Youths
Say Yes to Life
127 bpm • B min • 05:13 • -7.71db
37% Popularity • 34% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Teenage Dads
Video Killed the Radio Star - triple j L...
138 bpm • A Maj • 03:13 • -9.28db
43% Popularity • 53% Danceability • 62% Energy • 8% Liveness
3% Instrumentalness • 35% Positiveness
43% Popularity • 53% Danceability • 62% Energy • 8% Liveness
3% Instrumentalness • 35% Positiveness
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Ball Park Music
All I Want is You
138 bpm • C Maj • 03:29 • -8db
41% Popularity • 51% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 51% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Catfish and the Bottlemen
Kathleen
138 bpm • B min • 02:40 • -4.76db
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Old Mervs
Where I Go
138 bpm • A# min • 03:10 • -4db
49% Popularity • 43% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 43% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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DMA'S
Strangers
127 bpm • E min • 03:38 • -5.35db
20% Popularity • 56% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 56% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Fender
Poundshop Kardashians
138 bpm • D min • 02:39 • -1.6db
56% Popularity • 56% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 56% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Pacific Avenue
Leaving For London
138 bpm • C# min • 03:41 • -2.59db
46% Popularity • 46% Danceability • 92% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
46% Popularity • 46% Danceability • 92% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Wunderhorse
Midas
138 bpm • C Maj • 02:18 • -5db
46% Popularity • 39% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 39% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Lime Cordiale
On Our Own
126 bpm • A Maj • 03:36 • -7.27db
50% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The Clause
Where Are You Now?
126 bpm • C Maj • 03:54 • -9db
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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DMA'S
Warsaw
138 bpm • A Maj • 03:13 • -6.51db
28% Popularity • 41% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 41% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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The Lathums
All My Life
126 bpm • C Maj • 03:47 • -4.73db
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Catfish and the Bottlemen
Oxygen
125 bpm • C# min • 02:49 • -4.65db
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Holy Holy
True Lovers
139 bpm • B min • 04:19 • -5.09db
51% Popularity • 43% Danceability • 75% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
51% Popularity • 43% Danceability • 75% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Gang of Youths
Let Me Down Easy
139 bpm • D Maj • 05:19 • -6.88db
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
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PLANET
Aimless
125 bpm • A Maj • 02:59 • -5.4db
15% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 42% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
