Songs like Fairytale of New York (feat. Kirsty MacColl) by The Pogues
Based on a tempo of (+/- 10%) and a similar genre
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Joni Mitchell
Both Sides Now
78 bpm • D Maj • 05:45 • -13.52db
53% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
53% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Pogues
Fairytale of New York
78 bpm • D Maj • 04:32 • -7.48db
59% Popularity • 27% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 27% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Chapin
Cat's in the Cradle
78 bpm • A# Maj • 03:42 • -9.77db
66% Popularity • 49% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 49% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Mott The Hoople
All the Young Dudes
78 bpm • E min • 03:31 • -7.54db
61% Popularity • 43% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 43% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 40% Positiveness
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Simon & Garfunkel
The Only Living Boy in New York
77 bpm • B Maj • 03:58 • -12.36db
62% Popularity • 41% Danceability • 38% Energy • 13% Liveness
26% Instrumentalness • 52% Positiveness
62% Popularity • 41% Danceability • 38% Energy • 13% Liveness
26% Instrumentalness • 52% Positiveness
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Dire Straits
Brothers In Arms
76 bpm • G# min • 06:59 • -9.45db
67% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
67% Popularity • 21% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Ike & Tina Turner
Nutbush City Limits
76 bpm • A min • 02:57 • -7.61db
48% Popularity • 68% Danceability • 87% Energy • 14% Liveness
30% Instrumentalness • 84% Positiveness
48% Popularity • 68% Danceability • 87% Energy • 14% Liveness
30% Instrumentalness • 84% Positiveness
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The Proclaimers
Sunshine on Leith
76 bpm • A# Maj • 05:16 • -15db
50% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Monkees
I'm a Believer - 2006 Remaster
80 bpm • C Maj • 02:47 • -6.05db
75% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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The Hollies
He Ain't Heavy He's My Brother - 1998 Re...
76 bpm • G Maj • 04:22 • -7.77db
63% Popularity • 30% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 30% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Simon & Garfunkel
Bridge Over Troubled Water
80 bpm • D# Maj • 04:53 • -13.89db
70% Popularity • 15% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
70% Popularity • 15% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Maria McKee
Show Me Heaven - Acoustic Demo Version
80 bpm • A# min • 03:43 • -6.47db
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 57% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Ultravox
Vienna - 2008 Remaster
80 bpm • F Maj • 04:56 • -10.24db
59% Popularity • 60% Danceability • 58% Energy • 12% Liveness
19% Instrumentalness • 33% Positiveness
59% Popularity • 60% Danceability • 58% Energy • 12% Liveness
19% Instrumentalness • 33% Positiveness
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Münchener Freiheit
Keeping the Dream Alive
80 bpm • F Maj • 04:15 • -9.02db
32% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Peter Gabriel
Don't Give Up
81 bpm • D# Maj • 06:34 • -14.2db
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 67% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Thin Lizzy
The Boys Are Back In Town
81 bpm • G# Maj • 04:26 • -9.8db
74% Popularity • 44% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
74% Popularity • 44% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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The Hooters
500 Miles
75 bpm • G min • 04:22 • -7db
51% Popularity • 53% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 53% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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John Denver
Take Me Home, Country Roads
82 bpm • A Maj • 03:17 • -12.56db
75% Popularity • 38% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 38% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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The Pogues
Danny Boy - The John Peel Show, December...
82 bpm • C Maj • 03:24 • -11.03db
32% Popularity • 16% Danceability • 45% Energy • 22% Liveness
11% Instrumentalness • 9% Positiveness
32% Popularity • 16% Danceability • 45% Energy • 22% Liveness
11% Instrumentalness • 9% Positiveness
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Yusuf / Cat Stevens
Peace Train - Remastered 2021
82 bpm • C Maj • 04:13 • -8.86db
68% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
68% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mungo Jerry
In the Summertime
83 bpm • E Maj • 03:31 • -14.01db
69% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
69% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Ocean
Red Light Spells Danger
83 bpm • E Maj • 03:30 • -6.22db
59% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 54% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Wet Wet Wet
Love Is All Around
84 bpm • A# Maj • 04:06 • -6.58db
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Moody Blues
Nights In White Satin - Single Version /...
85 bpm • E min • 04:29 • -4.99db
67% Popularity • 20% Danceability • 48% Energy • 7% Liveness
50% Instrumentalness • 17% Positiveness
67% Popularity • 20% Danceability • 48% Energy • 7% Liveness
50% Instrumentalness • 17% Positiveness
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Tom Petty
Free Fallin'
84 bpm • F Maj • 04:16 • -13.33db
78% Popularity • 62% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 62% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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John Lennon
Give Peace A Chance - Remastered 2010
85 bpm • C# Maj • 04:54 • -11.5db
48% Popularity • 45% Danceability • 88% Energy • 68% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 45% Danceability • 88% Energy • 68% Liveness
0% Instrumentalness • 18% Positiveness
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Joni Mitchell
Big Yellow Taxi
86 bpm • E Maj • 02:14 • -9.14db
61% Popularity • 61% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
61% Popularity • 61% Danceability • 47% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
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John Farnham
You're the Voice
85 bpm • A# Maj • 05:00 • -11.85db
64% Popularity • 50% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 50% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Waits
I Hope That I Don't Fall In Love With Yo...
86 bpm • C Maj • 03:53 • -11.74db
59% Popularity • 54% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 54% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Disturbed
The Sound of Silence
86 bpm • F# min • 04:08 • -9.37db
75% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
75% Popularity • 32% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jim Croce
I Got a Name (Stereo Version)
87 bpm • E Maj • 03:14 • -11.63db
67% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Rolling Stones
You Can't Always Get What You Want
86 bpm • C Maj • 07:28 • -9.69db
68% Popularity • 32% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 32% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Kenny Rogers
The Gambler
87 bpm • E Maj • 03:34 • -13.12db
75% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
75% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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The Mary Wallopers
Eileen Og
87 bpm • D# min • 03:01 • -7.13db
50% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Dire Straits
Romeo And Juliet
88 bpm • F Maj • 06:00 • -12db
70% Popularity • 61% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
70% Popularity • 61% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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First Aid Kit
Emmylou
88 bpm • F# Maj • 04:18 • -5.83db
56% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Steeleye Span
Gaudete - 2009 Remaster
69 bpm • C# min • 02:27 • -15.37db
33% Popularity • 49% Danceability • 22% Energy • 89% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 49% Danceability • 22% Energy • 89% Liveness
0% Instrumentalness • 42% Positiveness
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Elvis Presley
In the Ghetto
89 bpm • A# Maj • 02:47 • -16.69db
66% Popularity • 40% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 49% Positiveness
66% Popularity • 40% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 49% Positiveness
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Billy Joel
The River of Dreams
90 bpm • G Maj • 04:07 • -8.15db
66% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
66% Popularity • 63% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Bee Gees
To Love Somebody
90 bpm • A Maj • 03:02 • -12.5db
69% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 42% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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The Proclaimers
Over and Done With
68 bpm • C Maj • 02:47 • -10.51db
45% Popularity • 60% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 60% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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The Divine Comedy
National Express
91 bpm • D Maj • 05:05 • -5.05db
46% Popularity • 42% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 42% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Supertramp
Give A Little Bit
91 bpm • D Maj • 04:08 • -5.36db
75% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
75% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
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Wings
Mull Of Kintyre - Remastered 1993
91 bpm • D Maj • 04:42 • -14db
50% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 35% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Joel
The Downeaster 'Alexa'
90 bpm • A min • 03:43 • -5.91db
57% Popularity • 46% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 46% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Don McLean
Vincent
92 bpm • G Maj • 04:03 • -19.39db
70% Popularity • 42% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
70% Popularity • 42% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Simon & Garfunkel
Mrs. Robinson
92 bpm • F# min • 04:04 • -14.04db
77% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
77% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Fleetwood Mac
Songbird - 2004 Remaster
92 bpm • F Maj • 03:20 • -15.52db
66% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
66% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Mamas & The Papas
Dream A Little Dream Of Me
93 bpm • G Maj • 03:14 • -13.14db
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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TOTO
Africa
93 bpm • A Maj • 04:55 • -18.06db
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
84% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Lindisfarne
Meet Me On The Corner
93 bpm • A Maj • 02:40 • -14.44db
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Manfred Mann
Mighty Quinn
93 bpm • B Maj • 02:53 • -2.83db
45% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Crash Test Dummies
Mmm Mmm Mmm Mmm
93 bpm • D# Maj • 03:55 • -7.72db
66% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
66% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Simon & Garfunkel
The Boxer
93 bpm • B Maj • 05:08 • -14.46db
70% Popularity • 44% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
70% Popularity • 44% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Janis Joplin
Me and Bobby McGee
93 bpm • D Maj • 04:31 • -10.96db
69% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
69% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Van Morrison
Days Like This
94 bpm • C min • 03:17 • -7.85db
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Stranglers
Golden Brown
94 bpm • F# Maj • 03:26 • -15.47db
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
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Crowded House
Weather With You
94 bpm • D Maj • 03:44 • -12.88db
71% Popularity • 64% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
71% Popularity • 64% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Luke Kelly
Scorn Not His Simplicity
94 bpm • C Maj • 03:38 • -15db
35% Popularity • 34% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 34% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Simon & Garfunkel
Homeward Bound
93 bpm • D# Maj • 02:29 • -11.77db
67% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Nick Cave & The Bad Seeds
Into My Arms
94 bpm • C Maj • 04:16 • -17.8db
64% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
64% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Primal Scream
Movin' on Up
94 bpm • F Maj • 03:48 • -12.44db
60% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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R.E.M.
Everybody Hurts
94 bpm • D Maj • 05:20 • -10.45db
75% Popularity • 47% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
75% Popularity • 47% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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The Housemartins
Caravan Of Love
95 bpm • A Maj • 03:39 • -14.51db
54% Popularity • 61% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 61% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Bragg
There Is Power in a Union
95 bpm • G Maj • 02:48 • -5.4db
36% Popularity • 45% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 45% Danceability • 54% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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George Michael
Faith - Remastered
96 bpm • B Maj • 03:13 • -11.99db
77% Popularity • 89% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
77% Popularity • 89% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Yusuf / Cat Stevens
The First Cut Is The Deepest - Stereo Ve...
96 bpm • G Maj • 03:00 • -7db
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Nena
99 Luftballons
97 bpm • E Maj • 03:51 • -10.1db
76% Popularity • 64% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
76% Popularity • 64% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Blondie
The Tide Is High
97 bpm • B Maj • 03:52 • -7.26db
62% Popularity • 78% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
62% Popularity • 78% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
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The Housemartins
Happy Hour
96 bpm • A# Maj • 02:25 • -11.05db
57% Popularity • 54% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 54% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Shakespears Sister
Stay
97 bpm • G# Maj • 03:49 • -6db
51% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Joni Mitchell
Both Sides Now
97 bpm • F# Maj • 04:33 • -15.1db
56% Popularity • 62% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 62% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Nik Kershaw
Wouldn't It Be Good
97 bpm • D min • 04:37 • -8.53db
65% Popularity • 66% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
65% Popularity • 66% Danceability • 70% Energy • 7% Liveness
1% Instrumentalness • 75% Positiveness
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Jeff Buckley
Hallelujah
97 bpm • C Maj • 06:53 • -10.33db
70% Popularity • 32% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
70% Popularity • 32% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Phil Collins
You Can't Hurry Love - 2016 Remaster
98 bpm • G Maj • 02:55 • -4.59db
77% Popularity • 62% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
77% Popularity • 62% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Pogues
The Wild Rover
98 bpm • G Maj • 02:37 • -11.87db
49% Popularity • 66% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 66% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Kirsty MacColl
Days
98 bpm • A Maj • 03:00 • -6.63db
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Mike Oldfield
To France - Remastered 2015
98 bpm • F# min • 04:43 • -9.87db
53% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Lynyrd Skynyrd
Sweet Home Alabama
98 bpm • G Maj • 04:43 • -12.15db
82% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
82% Popularity • 60% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Mark Knopfler
Sailing To Philadelphia
99 bpm • F# min • 05:53 • -10.12db
56% Popularity • 59% Danceability • 47% Energy • 9% Liveness
9% Instrumentalness • 17% Positiveness
56% Popularity • 59% Danceability • 47% Energy • 9% Liveness
9% Instrumentalness • 17% Positiveness
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The Beautiful South
Don't Marry Her
100 bpm • C Maj • 03:21 • -8.26db
54% Popularity • 63% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 63% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Terry Jacks
Seasons in the Sun
100 bpm • F# Maj • 03:28 • -8.2db
60% Popularity • 65% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 65% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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David Bowie
Starman - 2012 Remaster
100 bpm • F Maj • 04:14 • -10.3db
77% Popularity • 49% Danceability • 45% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
77% Popularity • 49% Danceability • 45% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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U2
I Still Haven't Found What I'm Looking F...
101 bpm • C# Maj • 04:37 • -9.42db
77% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 56% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Men Without Hats
The Safety Dance
102 bpm • F Maj • 02:44 • -4.48db
62% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
70% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Jam
Town Called Malice
102 bpm • G Maj • 02:53 • -8.92db
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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Nik Kershaw
The Riddle
102 bpm • A Maj • 03:54 • -7.94db
65% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Donovan
Colours
102 bpm • E Maj • 02:44 • -15.61db
48% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
48% Popularity • 45% Danceability • 48% Energy • 39% Liveness
62% Instrumentalness • 68% Positiveness
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U2
Sunday Bloody Sunday - Remastered 2008
101 bpm • F# Maj • 04:39 • -7.5db
72% Popularity • 54% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
72% Popularity • 54% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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The Beautiful South
Perfect 10
102 bpm • A Maj • 03:38 • -4.04db
54% Popularity • 73% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 73% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Pogues
Bastard Landlord
102 bpm • A Maj • 03:09 • -11.16db
31% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Simon & Garfunkel
April Come She Will
102 bpm • A Maj • 01:49 • -16.24db
69% Popularity • 49% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 49% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Gabriel
Solsbury Hill
102 bpm • B Maj • 04:21 • -8.62db
69% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
69% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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The Specials
A Message to You Rudy - 2015 Remaster
103 bpm • C Maj • 02:52 • -8.49db
63% Popularity • 90% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
63% Popularity • 90% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Warren Zevon
Werewolves of London
104 bpm • G Maj • 03:29 • -8.72db
65% Popularity • 75% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
65% Popularity • 75% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
