Songs like Fairytale of New York by The Longest Johns
Based on a tempo of (+/- 10%) and a similar genre
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Stormfrun
Long John Silver
106 bpm • A min • 04:20 • -8.26db
19% Popularity • 51% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 51% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
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The Longest Johns
Barge Ballad
106 bpm • C# Maj • 02:17 • -7.38db
36% Popularity • 70% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Mo Mo O'brien
The Lonely Goatherd
106 bpm • F min • 01:46 • -17.31db
11% Popularity • 75% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 75% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Wakefire
Mariner's Revenge
106 bpm • A min • 07:55 • -7.92db
9% Popularity • 44% Danceability • 59% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 44% Danceability • 59% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Noel McLoughlin
Mairi's Wedding
106 bpm • C Maj • 03:43 • -12db
27% Popularity • 74% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 74% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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The Makem Brothers
General Monroe
106 bpm • A# Maj • 03:19 • -8.86db
15% Popularity • 50% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 50% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Musical Blades
Brave and Mighty Captain
107 bpm • A Maj • 07:05 • -10.59db
15% Popularity • 51% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 51% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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The Longest Johns
Fairytale of New York
106 bpm • D Maj • 03:53 • -6.76db
19% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Scarlet Scallywags
The Girl with the Red Waving Hair
105 bpm • G Maj • 03:38 • -6.73db
21% Popularity • 36% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 36% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Stormfrun
Avast!
105 bpm • F Maj • 03:41 • -12.06db
22% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Heather Dale
Sir Gawain and the Green Knight
107 bpm • E min • 05:41 • -15.8db
22% Popularity • 68% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 68% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Varend Volk
This Night We Spend Ashore
105 bpm • D min • 03:27 • -5db
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Salt Sea Pirates
Fifteen Men On Deadman's Chest
105 bpm • E min • 03:57 • -13db
34% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Longest Johns
A Mighty Wave
105 bpm • F Maj • 04:03 • -7.32db
28% Popularity • 66% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 66% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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The Cog is Dead
Believer
105 bpm • A# min • 02:08 • -8.69db
26% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 71% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Noel McLoughlin
The Hills of Connemara
105 bpm • D Maj • 01:55 • -7.03db
32% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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A.R. Rahman
The Cat And The Moon
107 bpm • D Maj • 03:55 • -8db
31% Popularity • 42% Danceability • 79% Energy • 67% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 42% Danceability • 79% Energy • 67% Liveness
0% Instrumentalness • 79% Positiveness
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The Dreadnoughts
The Cruel Wars
105 bpm • D# Maj • 03:07 • -9.06db
51% Popularity • 83% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 83% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Musical Blades
Rowdy Soul
105 bpm • F Maj • 01:53 • -6.81db
19% Popularity • 76% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 76% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 97% Positiveness
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The Longest Johns
The Mary Ellen Carter
107 bpm • A Maj • 04:38 • -8.45db
33% Popularity • 77% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 77% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Ten Strings and a Goat Skin
The Night They Moved the House
105 bpm • G Maj • 03:38 • -9.35db
38% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Minstrel Boy
105 bpm • D Maj • 03:27 • -4.16db
18% Popularity • 51% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 51% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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The Pirates Charles
Raise the Whiskey High
105 bpm • C# min • 04:41 • -5.81db
23% Popularity • 54% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 54% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Derina Harvey Band
Caledonia
108 bpm • D Maj • 04:50 • -3.23db
28% Popularity • 30% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 30% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Pyrolysis
Captain Cray
108 bpm • F# min • 03:47 • -7.65db
19% Popularity • 46% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 46% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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The Longest Johns
Mingulay Boat Song
108 bpm • D Maj • 03:41 • -8.82db
39% Popularity • 58% Danceability • 16% Energy • 59% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 58% Danceability • 16% Energy • 59% Liveness
0% Instrumentalness • 33% Positiveness
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The Scarlet Scallywags
Bloody Brawl with the Devil
104 bpm • A min • 03:25 • -5.98db
16% Popularity • 35% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 35% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Hollens
Hobbit Drinking Medley
108 bpm • B Maj • 02:31 • -4.7db
46% Popularity • 56% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 56% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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R. Morgan Slade
The Biscotto Family Motto (A Dimension20...
104 bpm • E Maj • 01:27 • -7.4db
19% Popularity • 61% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Stan Rogers
The Mary Ellen Carter
108 bpm • G Maj • 05:05 • -7.89db
40% Popularity • 55% Danceability • 67% Energy • 81% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 55% Danceability • 67% Energy • 81% Liveness
0% Instrumentalness • 72% Positiveness
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Salty Dick
Christopher Columbo
104 bpm • A# Maj • 03:19 • -10.14db
20% Popularity • 86% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 86% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Longest Johns
Sugar In The Hold
108 bpm • A# min • 02:37 • -8.85db
32% Popularity • 64% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 64% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Julia Ecklar
Hope Eyrie (Julia Ecklar)
108 bpm • G Maj • 04:14 • -6.22db
25% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Kimber's Men
SOUTH AUSTRALIA
104 bpm • C Maj • 02:15 • -13.7db
39% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 81% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Khristian Leredith
I Feel Good
103 bpm • G Maj • 03:57 • -14.33db
20% Popularity • 39% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 39% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Leslie Fish
The Gods Aren't Crazy
103 bpm • F Maj • 04:07 • -10.36db
15% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Noel McLoughlin
The Bonnie Ship, "The Diamond"
103 bpm • F min • 02:47 • -6.56db
24% Popularity • 58% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 58% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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The Longest Johns
The Curse
109 bpm • B min • 03:06 • -6.64db
42% Popularity • 70% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 70% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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The Craic
Shee an Gannon
103 bpm • G Maj • 05:04 • -2.65db
17% Popularity • 55% Danceability • 98% Energy • 30% Liveness
2% Instrumentalness • 54% Positiveness
17% Popularity • 55% Danceability • 98% Energy • 30% Liveness
2% Instrumentalness • 54% Positiveness
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Julia Ecklar
Threes: Take 3 (Julia Ecklar)
104 bpm • F min • 04:04 • -11.81db
21% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Sea of Thieves
Ballad of the Mer - Original Game Soundt...
109 bpm • F Maj • 01:33 • -15db
41% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Leslie Fish
Wanderer
103 bpm • G min • 02:55 • -10.04db
27% Popularity • 77% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 77% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Noel McLoughlin
Botany Bay (arr. N. McLoughlin)
103 bpm • F Maj • 02:41 • -12.92db
35% Popularity • 75% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 75% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Smokey Bastard
Old Jack
110 bpm • C Maj • 05:04 • -5.1db
29% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Dread Crew of Oddwood
Side Quest
103 bpm • D Maj • 03:10 • -3.6db
32% Popularity • 64% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 64% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Heather Alexander
December of Cambreadth (Heather Alexande...
103 bpm • G Maj • 02:26 • -13.42db
12% Popularity • 70% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 70% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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The Tolkien Ensemble
There Is an Inn, Merry Old Inn...
110 bpm • G Maj • 04:59 • -10.16db
16% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Senate
Space Shanty
102 bpm • F Maj • 03:30 • -6.02db
31% Popularity • 50% Danceability • 77% Energy • 95% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 77% Energy • 95% Liveness
0% Instrumentalness • 57% Positiveness
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Captain's Daughter & The Sailors
Hey! Ho! to the Bottle I Go!
110 bpm • B min • 02:33 • -7.61db
20% Popularity • 84% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 84% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Perly I Lotry
Donkey Riding (A Cappella)
110 bpm • F Maj • 01:44 • -6.61db
39% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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The Cog is Dead
What Do Ya Do With A Bernie Sanders?
110 bpm • C# min • 02:12 • -4.53db
17% Popularity • 73% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 73% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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The Longest Johns
To The Ends Of The Block
110 bpm • A# Maj • 02:44 • -8.36db
29% Popularity • 94% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 94% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Cullen Vance
The Merry Blacksmith
110 bpm • D Maj • 01:56 • -6.68db
30% Popularity • 56% Danceability • 73% Energy • 38% Liveness
4% Instrumentalness • 96% Positiveness
30% Popularity • 56% Danceability • 73% Energy • 38% Liveness
4% Instrumentalness • 96% Positiveness
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Thomas Benjamin Wild Esq
Well, This Is Shit
110 bpm • G Maj • 03:24 • -10.39db
33% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Jimlapbap
Through the Fire and Flames Shanty
102 bpm • A# Maj • 03:13 • -12.88db
29% Popularity • 72% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 72% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Perly I Lotry
Wellerman
110 bpm • G# Maj • 01:52 • -7.01db
30% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Pyrates!
Old Dun Cow
110 bpm • F Maj • 04:03 • -6.66db
17% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Cog is Dead
Holy Crap, It's Snowing!
110 bpm • A min • 01:36 • -4.64db
13% Popularity • 88% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 88% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Longest Johns
Randy Dandy-O
110 bpm • G Maj • 02:06 • -4.17db
44% Popularity • 63% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 63% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Reflections of Sound
Coming Home from Tarwins Gap
110 bpm • A min • 02:09 • -14.32db
13% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Benjamin Wild Esq
Just One Day More
110 bpm • D Maj • 03:56 • -11.96db
10% Popularity • 87% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 87% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Stan Rogers
Northwest Passage
102 bpm • D Maj • 04:49 • -17.72db
46% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Leslie Fish
The Sun Is Also a Warrior
102 bpm • D min • 06:25 • -9.03db
13% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Salt Sea Pirates
Whale Of A Tale
111 bpm • A Maj • 02:38 • -15.86db
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Exmouth Shanty Men
Pump Her Dry
102 bpm • A Maj • 03:04 • -21.15db
23% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Ian Giles
The bonny ship the Diamond
111 bpm • F# min • 02:26 • -13.84db
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Stormfrun
Dividing The Plunder
101 bpm • D min • 03:09 • -5.91db
27% Popularity • 33% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 33% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 40% Positiveness
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El Pony Pisador
Pass Around the Grog
111 bpm • F Maj • 02:22 • -9.09db
23% Popularity • 54% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 54% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jimmy & Scots Folk Band
The Parting Glass
101 bpm • A Maj • 03:11 • -8.36db
16% Popularity • 57% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 57% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Jimlapbap
Iris Shanty
101 bpm • D min • 01:53 • -13.64db
34% Popularity • 68% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 68% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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David Kincaid
We’ll Fight For Uncle Sam
101 bpm • B Maj • 03:52 • -11db
36% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Holdstock & MacLeod
The Diamond
112 bpm • D Maj • 02:14 • -9.76db
11% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Skullduggers
Maui
101 bpm • E min • 02:49 • -6.05db
30% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Heather Dale
One of Us
112 bpm • C Maj • 03:25 • -5.85db
29% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Smokey Bastard
The Cumberland Crew
112 bpm • A min • 04:22 • -3.24db
35% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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R. Morgan Slade
Alfield's Kin (A Critical Role Inspired ...
112 bpm • E Maj • 03:10 • -15.86db
17% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Stormfrun
Prepare Yourself To Fight
100 bpm • A min • 04:16 • -3.6db
32% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Cami-Cat
Life of a Bard
100 bpm • A# Maj • 02:45 • -9db
34% Popularity • 78% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 78% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Ken Theriot
Robin Hood and the Beggar Knight
100 bpm • C Maj • 06:00 • -10.76db
13% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Philippe Grant
The Fools' Shanty ~ Launch Trailer
112 bpm • C Maj • 01:14 • -12.55db
30% Popularity • 73% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 73% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Paddy And The Rats
Bully in the Alley
100 bpm • G Maj • 02:38 • -4db
36% Popularity • 55% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 55% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy & Scots Folk Band
Wellerman / Drunken Sailor / Dead Man's ...
100 bpm • C# min • 03:47 • -11.13db
38% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Dreadnoughts
Spanish Ladies
100 bpm • B Maj • 03:00 • -8.17db
45% Popularity • 88% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 88% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Julia Ecklar
Legends (Julia Ecklar)
100 bpm • A min • 03:47 • -10.95db
9% Popularity • 22% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 22% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Pyrates!
Botany Bay
113 bpm • E min • 02:56 • -5.6db
12% Popularity • 75% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 75% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Silly Wizard
The Ramblin' Rover
100 bpm • C Maj • 03:17 • -9.19db
39% Popularity • 71% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 71% Danceability • 50% Energy • 97% Liveness
0% Instrumentalness • 85% Positiveness
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Mcginty
Marching Inland
100 bpm • C# Maj • 02:41 • -8db
35% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 60% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Enter The Haggis
Dryden Mine
113 bpm • C Maj • 04:53 • -5.2db
16% Popularity • 60% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 60% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Theron Statler
Blackbeard
113 bpm • C Maj • 03:50 • -8.82db
18% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Leslie Fish
Ship of Stone
113 bpm • G min • 04:58 • -13.22db
10% Popularity • 50% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 50% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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The Crimson Pirates
Ballad of Magellan
99 bpm • E min • 03:10 • -5.1db
8% Popularity • 71% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 71% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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David Kincaid
The Irish Volunteer
113 bpm • D Maj • 04:34 • -12.13db
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Stan Rogers
The Maid On The Shore
99 bpm • A min • 03:44 • -19db
30% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Derina Harvey Band
Song for the Mira
113 bpm • C Maj • 04:05 • -10.27db
24% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 61% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Captain's Beard
Eliza Lee
114 bpm • A# min • 01:53 • -6.44db
21% Popularity • 94% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 94% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Smokey Bastard
My Son John
114 bpm • F min • 01:40 • -10.3db
54% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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The Tramps
Tim Finnegan's Wake
114 bpm • C Maj • 02:27 • -10db
32% Popularity • 67% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 67% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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The Skullduggers
Flowers of Edinborough
114 bpm • G Maj • 01:46 • -7db
38% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
38% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
