Songs like Faithful Man by Lee Fields & The Expressions
Based on a tempo of (+/- 10%) and a similar genre
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
55% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
55% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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The Gene Dudley Group
I've Changed
90 bpm • A# Maj • 02:10 • -7.26db
23% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Durand Jones & The Indications
Morning In America
90 bpm • A min • 03:51 • -6db
48% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sugar Pie DeSanto
Git Back
90 bpm • G# Maj • 03:01 • -8db
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Lee Fields & The Expressions
Faithful Man
90 bpm • D min • 04:06 • -7db
24% Popularity • 38% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 38% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Eunice Collins
At the Hotel (Mixed)
90 bpm • B min • 03:38 • -11.8db
46% Popularity • 79% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 79% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Soul Scratch
Kiss Me in the Morning
90 bpm • A min • 03:15 • -10.37db
18% Popularity • 66% Danceability • 32% Energy • 14% Liveness
14% Instrumentalness • 39% Positiveness
18% Popularity • 66% Danceability • 32% Energy • 14% Liveness
14% Instrumentalness • 39% Positiveness
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Shuggie Otis
Inspiration Information
90 bpm • G Maj • 04:12 • -7db
51% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
51% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
43% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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The Meters
Hand Clapping Song
91 bpm • A Maj • 02:56 • -13db
42% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
42% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
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Mayer Hawthorne
Just Ain't Gonna Work Out
91 bpm • E Maj • 02:30 • -5db
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
50% Popularity • 78% Danceability • 54% Energy • 18% Liveness
11% Instrumentalness • 75% Positiveness
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Saun & Starr
Big Wheel
91 bpm • C# min • 03:18 • -6db
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Rotary Connection
I Am The Black Gold Of The Sun - Remaste...
89 bpm • C# min • 05:44 • -16.48db
42% Popularity • 50% Danceability • 58% Energy • 7% Liveness
10% Instrumentalness • 69% Positiveness
42% Popularity • 50% Danceability • 58% Energy • 7% Liveness
10% Instrumentalness • 69% Positiveness
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Dee Edwards
(I Can) Deal with That
91 bpm • C# Maj • 03:39 • -8.83db
35% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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In Motion Collective
Jesse's Jing
89 bpm • B min • 03:52 • -5.29db
9% Popularity • 62% Danceability • 86% Energy • 13% Liveness
58% Instrumentalness • 94% Positiveness
9% Popularity • 62% Danceability • 86% Energy • 13% Liveness
58% Instrumentalness • 94% Positiveness
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Lady Wray
Guilty
91 bpm • F min • 03:34 • -7db
58% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Minnie Riperton
Inside My Love - Remastered 1993
91 bpm • A# min • 03:58 • -12.68db
51% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
51% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Lee Fields & The Expressions
Precious Love
89 bpm • F Maj • 04:38 • -6.76db
35% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
35% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Ike & Tina Turner
Game Of Love - Remastered
91 bpm • G# Maj • 02:48 • -11.8db
35% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sugar Billy
Super Duper Love Parts 1&2
91 bpm • G Maj • 05:04 • -10db
29% Popularity • 76% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Outlaw Blues Band
Deep Gully
91 bpm • A min • 05:47 • -10.44db
31% Popularity • 52% Danceability • 42% Energy • 62% Liveness
87% Instrumentalness • 70% Positiveness
31% Popularity • 52% Danceability • 42% Energy • 62% Liveness
87% Instrumentalness • 70% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Labi Siffre
Doctor Doctor
91 bpm • C min • 04:21 • -7.31db
30% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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LaRose Jackson
How Did I Get Here?
91 bpm • G# min • 02:38 • -5db
33% Popularity • 62% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 62% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Adrian Younge
Questions
89 bpm • D Maj • 03:27 • -8.8db
32% Popularity • 54% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
32% Popularity • 54% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
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Marie "Queenie" Lyons
See And Don't See
89 bpm • D min • 03:21 • -11.15db
32% Popularity • 78% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
32% Popularity • 78% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
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Darondo
Sexy Mama
88 bpm • B min • 03:55 • -10db
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Bataan
Ordinary Guy - Jazzanova Rework Extended...
88 bpm • F Maj • 05:45 • -6.68db
17% Popularity • 70% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
17% Popularity • 70% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
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Ohio Players
Here Today Gone Tomorrow
92 bpm • C Maj • 03:35 • -10.17db
29% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Saun & Starr
Look Closer (Can't You See the Signs?)
92 bpm • A# Maj • 03:45 • -7db
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 60% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Solomon Burke
Can't Nobody Love You
92 bpm • F Maj • 02:33 • -9.66db
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:03 • -15.26db
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Donny Hathaway
Little Ghetto Boy
92 bpm • F# min • 03:52 • -7.52db
37% Popularity • 54% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 54% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 59% Positiveness
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Dry Bread
Words to My Song
93 bpm • C# min • 03:06 • -8.44db
39% Popularity • 56% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
39% Popularity • 56% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
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Marvin Gaye
You're The Man - Parts 1 & 2
92 bpm • C# Maj • 05:46 • -9.88db
24% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
24% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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D'Angelo
Sugah Daddy
93 bpm • C# Maj • 05:02 • -11.42db
43% Popularity • 79% Danceability • 55% Energy • 4% Liveness
27% Instrumentalness • 68% Positiveness
43% Popularity • 79% Danceability • 55% Energy • 4% Liveness
27% Instrumentalness • 68% Positiveness
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Gloria Ann Taylor
What's Your World - 7" Version
93 bpm • D# min • 03:52 • -11.18db
30% Popularity • 52% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 52% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Sharon Jones & The Dap-Kings
Come and Be a Winner
93 bpm • D min • 02:56 • -8.15db
62% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Labi Siffre
I Got The... - 2006 Remaster
87 bpm • C min • 06:35 • -10.85db
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Timothy McNealy
I'm so Glad You're Mine
93 bpm • G Maj • 02:28 • -15.33db
16% Popularity • 71% Danceability • 32% Energy • 11% Liveness
6% Instrumentalness • 34% Positiveness
16% Popularity • 71% Danceability • 32% Energy • 11% Liveness
6% Instrumentalness • 34% Positiveness
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Nostalgia 77
Medicine Chest
93 bpm • C# min • 05:01 • -7.86db
35% Popularity • 59% Danceability • 59% Energy • 16% Liveness
1% Instrumentalness • 45% Positiveness
35% Popularity • 59% Danceability • 59% Energy • 16% Liveness
1% Instrumentalness • 45% Positiveness
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Bobby "Blue" Bland
I'll Take Care Of You
93 bpm • F min • 02:16 • -16db
47% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Edwin Starr
Easin' In
87 bpm • F# Maj • 03:14 • -11.15db
47% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
47% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
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Labi Siffre
I Got The... - Radio Edit
87 bpm • G min • 03:51 • -12db
29% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Booker T. Jones
Representing Memphis
87 bpm • D min • 03:29 • -6db
29% Popularity • 70% Danceability • 59% Energy • 12% Liveness
26% Instrumentalness • 59% Positiveness
29% Popularity • 70% Danceability • 59% Energy • 12% Liveness
26% Instrumentalness • 59% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1 & Pt...
93 bpm • C# min • 07:09 • -13.29db
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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The Bamboos
I Don't Wanna Stop
93 bpm • F min • 04:09 • -5.12db
44% Popularity • 69% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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The Olympians
Sirens of Jupiter
93 bpm • F min • 03:42 • -8.38db
47% Popularity • 55% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 88% Positiveness
47% Popularity • 55% Danceability • 71% Energy • 8% Liveness
11% Instrumentalness • 88% Positiveness
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Lee Fields & The Expressions
Lover Man
93 bpm • A# min • 03:13 • -5.19db
20% Popularity • 69% Danceability • 65% Energy • 29% Liveness
4% Instrumentalness • 79% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 29% Liveness
4% Instrumentalness • 79% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Marvin Gaye
Inner City Blues (Make Me Wanna Holler) ...
93 bpm • C# Maj • 02:58 • -9.91db
37% Popularity • 67% Danceability • 54% Energy • 12% Liveness
17% Instrumentalness • 82% Positiveness
37% Popularity • 67% Danceability • 54% Energy • 12% Liveness
17% Instrumentalness • 82% Positiveness
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The James Hunter Six
(Baby) Hold On
86 bpm • F min • 02:45 • -5db
44% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 69% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Lack Of Afro
A Time For
94 bpm • A# Maj • 04:34 • -9.84db
13% Popularity • 64% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 64% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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The Magnolia
Stormy Weather
86 bpm • G Maj • 03:34 • -5.23db
30% Popularity • 72% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 72% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Lee Fields & The Expressions
Don't Give Up
87 bpm • F# min • 03:57 • -5.62db
19% Popularity • 60% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 60% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Anderson .Paak
Celebrate
94 bpm • C Maj • 03:46 • -7db
49% Popularity • 70% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 70% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
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Khruangbin
C-Side
94 bpm • B min • 04:43 • -10.13db
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
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Candi Staton
He Called Me Baby
94 bpm • D# Maj • 03:33 • -13db
44% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Marvin Gaye
Inner City Blues (Make Me Wanna Holler)
94 bpm • C# Maj • 05:27 • -13.67db
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
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Darondo
The Wolf
86 bpm • C Maj • 04:58 • -11db
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Lee Fields & The Expressions
Regenerate
86 bpm • C# min • 03:32 • -7db
32% Popularity • 76% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 51% Positiveness
32% Popularity • 76% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 51% Positiveness
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Irma Thomas
Ruler Of My Heart
94 bpm • A Maj • 02:39 • -14.18db
49% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
49% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
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Matt Duncan
Beacon
86 bpm • G# Maj • 03:34 • -7.37db
61% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Gloria Ann Taylor
Deep Inside You
94 bpm • E min • 02:26 • -6.96db
30% Popularity • 58% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 58% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Ephemerals
Brixton Girls
94 bpm • C min • 03:41 • -8.98db
14% Popularity • 65% Danceability • 45% Energy • 14% Liveness
84% Instrumentalness • 80% Positiveness
14% Popularity • 65% Danceability • 45% Energy • 14% Liveness
84% Instrumentalness • 80% Positiveness
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Little Beaver
Everbody Has Some Dues To Pay
94 bpm • A Maj • 02:20 • -2.52db
29% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Darondo
Do You Really Love Me
94 bpm • G min • 02:58 • -7.65db
28% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Myron & E
If I Gave You My Love
94 bpm • A# Maj • 03:23 • -5.89db
34% Popularity • 51% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 51% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Mike James Kirkland
There's Nothing I Can Do About It
95 bpm • G# Maj • 02:29 • -4.95db
51% Popularity • 50% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 50% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Ephemerals
Loving Guaranteed
86 bpm • F# min • 04:17 • -8.92db
16% Popularity • 35% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 35% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Lee Fields & The Expressions
Love Prisoner
95 bpm • G min • 04:08 • -5.36db
17% Popularity • 54% Danceability • 58% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
17% Popularity • 54% Danceability • 58% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Clarence Carter
I Can't Do Without You
95 bpm • C Maj • 02:34 • -14db
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Darondo
True
95 bpm • C# min • 04:46 • -9.06db
35% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Aaron Frazer
If I Got It (Your Love Brought It)
95 bpm • G# min • 02:54 • -6.51db
71% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
71% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Marva Whitney
Nothing I'd Rather Be (Than Your Weaknes...
95 bpm • E min • 03:11 • -7.35db
37% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Fields & The Expressions
I'm Coming Home
95 bpm • C min • 03:14 • -5.21db
23% Popularity • 73% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 73% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Charles Bradley
Things We Do for Love
95 bpm • F# min • 03:28 • -8db
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
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The Olympians
Apollo's Mood
85 bpm • D min • 04:31 • -7db
45% Popularity • 47% Danceability • 69% Energy • 13% Liveness
85% Instrumentalness • 73% Positiveness
45% Popularity • 47% Danceability • 69% Energy • 13% Liveness
85% Instrumentalness • 73% Positiveness
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Ben E. King
Supernatural Thing, Pt. 1
95 bpm • A# min • 04:11 • -10.93db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Willie & West
Fairchild
95 bpm • F min • 03:16 • -8.94db
34% Popularity • 82% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 82% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Matt Duncan
The Keys
95 bpm • C Maj • 03:37 • -12.09db
62% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
62% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Alice Clark
Never Did I Stop Loving You
95 bpm • F Maj • 02:34 • -6.14db
33% Popularity • 46% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 46% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Aretha Franklin
One Step Ahead - Mono Mix
85 bpm • C min • 02:26 • -8.91db
42% Popularity • 59% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 59% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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The Lost Generation
This Is The Lost Generation
85 bpm • G Maj • 03:34 • -11.13db
35% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 50% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Darondo
Legs
95 bpm • D Maj • 03:44 • -9db
33% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
33% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
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Young-Holt Unlimited
Young & Holtful
95 bpm • G# Maj • 02:53 • -12db
42% Popularity • 71% Danceability • 46% Energy • 20% Liveness
75% Instrumentalness • 90% Positiveness
42% Popularity • 71% Danceability • 46% Energy • 20% Liveness
75% Instrumentalness • 90% Positiveness
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Yaw
Where Would You Be
95 bpm • E min • 04:14 • -10db
41% Popularity • 38% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 38% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Little Beaver
Do Right Man
95 bpm • C Maj • 02:54 • -4db
40% Popularity • 66% Danceability • 66% Energy • 8% Liveness
16% Instrumentalness • 68% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 8% Liveness
16% Instrumentalness • 68% Positiveness
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Saun & Starr
Sunshine (You're Blowin' My Cool)
96 bpm • F min • 04:02 • -5.76db
38% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Skull Snaps
It's a New Day - Remastered
96 bpm • C Maj • 02:59 • -10.36db
44% Popularity • 72% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
44% Popularity • 72% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 94% Positiveness
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The Honey Drippers
Impeach the President
96 bpm • A Maj • 03:58 • -5.77db
36% Popularity • 69% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 88% Positiveness
36% Popularity • 69% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 88% Positiveness
