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Falkirk
Songs like
Falkirk
by
James Horner
Based on a tempo of (+/- 10%) and a similar genre
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James Horner
Falkirk
99 bpm • A Maj • 04:04 • -27.49db
35% Popularity • 15% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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John Powell
Thinking Of Marie
99 bpm • C# min • 03:51 • -29.51db
24% Popularity • 13% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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BBC Scottish Symphony Orchestra
Linlithgow Palace
100 bpm • F min • 02:06 • -23db
35% Popularity • 20% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
41% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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Simon Franglen
Mighty Eywa
98 bpm • G Maj • 04:12 • -32.65db
35% Popularity • 13% Danceability • 1% Energy • 7% Liveness
9% Instrumentalness • 3% Positiveness
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Michael Giacchino
He's Here For Us
100 bpm • B min • 03:20 • -19db
31% Popularity • 30% Danceability • 22% Energy • 19% Liveness
82% Instrumentalness • 12% Positiveness
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James Horner
The Night Before
100 bpm • A# Maj • 03:28 • -39.28db
21% Popularity • 13% Danceability • 1% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Rehearsal - Finding Neverland/Soundt...
100 bpm • C Maj • 01:20 • -20db
24% Popularity • 31% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Clinton Shorter
When I Sail
101 bpm • D min • 01:26 • -14.42db
44% Popularity • 15% Danceability • 18% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
38% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Ilan Eshkeri
Arianne
101 bpm • F min • 01:10 • -33.02db
54% Popularity • 14% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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James Horner
Sacha's Risk - Instrumental
97 bpm • A min • 05:37 • -33.14db
10% Popularity • 12% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Trevor Morris
Murder In Urbino
97 bpm • F min • 02:07 • -24.5db
22% Popularity • 14% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Wagner
Ride of the Valkyries
102 bpm • B Maj • 04:43 • -18.54db
50% Popularity • 23% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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James Horner
Mornay's Dream
97 bpm • F min • 01:15 • -17.37db
34% Popularity • 31% Danceability • 32% Energy • 11% Liveness
76% Instrumentalness • 27% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
34% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Lorne Balfe
Farewell
96 bpm • G min • 01:05 • -29.8db
36% Popularity • 17% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Camel Race
96 bpm • A# Maj • 03:23 • -19db
29% Popularity • 22% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 7% Positiveness
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Michael Kamen
Spier's Speech - Instrumental
95 bpm • G Maj • 01:00 • -28.97db
21% Popularity • 35% Danceability • 10% Energy • 34% Liveness
26% Instrumentalness • 11% Positiveness
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James Horner
The Trojans Attack
96 bpm • C# min • 05:01 • -20.68db
25% Popularity • 12% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Steven Price
The Ocean Returns The Favour
103 bpm • E min • 02:20 • -15db
37% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
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Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Dario Marianelli
The War Rooms
103 bpm • G# Maj • 02:45 • -20.91db
29% Popularity • 46% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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George Fenton
Rescuing Maurice
95 bpm • C Maj • 04:02 • -23.28db
19% Popularity • 16% Danceability • 6% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Trevor Morris
Forest Cathedral
95 bpm • G min • 01:14 • -21.37db
27% Popularity • 17% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Kamen
Headscarf - Instrumental
95 bpm • G min • 04:10 • -23db
14% Popularity • 12% Danceability • 4% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
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Simon Franglen
Family Is Our Fortress
104 bpm • D Maj • 03:06 • -23db
34% Popularity • 15% Danceability • 7% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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James Horner
Troy
94 bpm • A# Maj • 05:01 • -21db
29% Popularity • 13% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Dumbledore's Speech
94 bpm • C min • 01:31 • -32db
43% Popularity • 11% Danceability • 1% Energy • 5% Liveness
96% Instrumentalness • 3% Positiveness
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
35% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
30% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
The Stairs - Finding Neverland/Soundtrac...
105 bpm • F Maj • 02:14 • -21.81db
20% Popularity • 24% Danceability • 7% Energy • 9% Liveness
21% Instrumentalness • 3% Positiveness
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James Horner
Wallace Courts Murron
94 bpm • A min • 04:25 • -29.27db
45% Popularity • 14% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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John Ottman
Operation Terminated
93 bpm • F min • 01:15 • -28.48db
25% Popularity • 16% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
38% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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John Debney
Peter Denies Jesus
92 bpm • D# Maj • 01:58 • -20.89db
35% Popularity • 23% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
The Carnmore Copper Company
92 bpm • F# min • 03:07 • -13.63db
9% Popularity • 17% Danceability • 18% Energy • 21% Liveness
83% Instrumentalness • 6% Positiveness
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Martin Phipps
Privy Council
92 bpm • C# Maj • 02:49 • -24.62db
21% Popularity • 19% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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James Horner
Briseis and Achilles
94 bpm • G min • 05:19 • -37.82db
30% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Chasing Margaret
92 bpm • C min • 01:27 • -18.24db
38% Popularity • 39% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Rachel Portman
Theme
92 bpm • G Maj • 02:59 • -21.8db
45% Popularity • 16% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
35% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Simon Franglen
Cove of the Ancestors
92 bpm • G min • 02:46 • -22.4db
36% Popularity • 11% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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James Horner
Real Or Imagined?
105 bpm • D Maj • 05:45 • -27.03db
25% Popularity • 15% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Trevor Morris
Henry Marries Jane Seymour
92 bpm • A min • 01:14 • -16.35db
27% Popularity • 17% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Nicholas Hooper
The Kiss
91 bpm • D# Maj • 01:56 • -30db
45% Popularity • 11% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
31% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Basil Poledouris
Two Wives
91 bpm • D# Maj • 02:42 • -29.94db
19% Popularity • 17% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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BBC Scottish Symphony Orchestra
Viking Battles
107 bpm • A min • 01:01 • -13.78db
35% Popularity • 51% Danceability • 49% Energy • 20% Liveness
81% Instrumentalness • 36% Positiveness
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James Horner
Off to War
106 bpm • D Maj • 05:55 • -24.21db
36% Popularity • 16% Danceability • 5% Energy • 10% Liveness
59% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Mark Isham
Tribune Tower
91 bpm • A Maj • 03:44 • -24.49db
27% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Trevor Morris
Messenger Of War - Theme Demo
91 bpm • G Maj • 01:31 • -14.37db
12% Popularity • 46% Danceability • 50% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Simon Franglen
Na'vi Attack
91 bpm • G min • 04:43 • -13.9db
33% Popularity • 17% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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James Horner
Attack On Murron
106 bpm • C# Maj • 03:00 • -24.99db
38% Popularity • 15% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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BBC Scottish Symphony Orchestra
James Rides Victorious
90 bpm • E min • 02:51 • -13.45db
30% Popularity • 17% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Blake Neely
I’ll Always Be Looking For You
109 bpm • D# Maj • 01:17 • -32.37db
33% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Karl Jenkins
Palladio: 1. Allegretto (arr. for String...
90 bpm • D min • 03:46 • -16.97db
55% Popularity • 53% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
37% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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John Debney
Raising rhe Cross
90 bpm • G# Maj • 02:13 • -19.56db
33% Popularity • 11% Danceability • 11% Energy • 29% Liveness
94% Instrumentalness • 7% Positiveness
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Roque Baños
El Collar
90 bpm • F# min • 03:35 • -28db
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Federico Jusid
Princesa de Portugal
90 bpm • A min • 02:24 • -19.21db
12% Popularity • 11% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Ennio Morricone
Penance
90 bpm • D Maj • 04:03 • -23.08db
31% Popularity • 10% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Michael Giacchino
Rogue One
110 bpm • C# Maj • 02:04 • -15.02db
39% Popularity • 57% Danceability • 22% Energy • 23% Liveness
96% Instrumentalness • 24% Positiveness
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Marc Streitenfeld
Creatures
110 bpm • A min • 02:09 • -16.29db
45% Popularity • 34% Danceability • 37% Energy • 25% Liveness
56% Instrumentalness • 6% Positiveness
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James Horner
Goodbyes
89 bpm • G Maj • 03:11 • -32.96db
31% Popularity • 16% Danceability • 2% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
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Domenico Monleone
Intermezzo (Cavalleria Rusticana)
89 bpm • F Maj • 03:26 • -8db
47% Popularity • 19% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
49% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Rachel Portman
Laughter Montage
89 bpm • D min • 01:15 • -25.67db
25% Popularity • 15% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Mark McKenzie
Red's Goodbye
110 bpm • G min • 01:35 • -21.57db
29% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Traditional
Nearer My God to Thee
89 bpm • G Maj • 02:49 • -37db
33% Popularity • 15% Danceability • 2% Energy • 28% Liveness
33% Instrumentalness • 13% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Trevor Morris
Behold The Great King Of England
88 bpm • G Maj • 02:50 • -20db
18% Popularity • 20% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Rachel Portman
The Cider House - Instrumental
88 bpm • C Maj • 04:12 • -19.21db
31% Popularity • 10% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Salazar
88 bpm • D# Maj • 04:27 • -15db
39% Popularity • 13% Danceability • 23% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Harald Kloser
Burning Books
111 bpm • E min • 01:42 • -27db
44% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Craig Armstrong
The Great Misunderstanding
88 bpm • C# min • 02:24 • -23.06db
27% Popularity • 32% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
Ride of the Valkyries
88 bpm • G Maj • 03:32 • -13db
40% Popularity • 29% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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James Horner
"You have bled with Wallace!" [Bravehear...
112 bpm • G Maj • 01:22 • -16.13db
17% Popularity • 23% Danceability • 30% Energy • 61% Liveness
52% Instrumentalness • 23% Positiveness
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Rob Lane
First Meeting
88 bpm • A min • 01:53 • -23.52db
31% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
This Is Neverland - Finding Neverland/So...
88 bpm • A min • 04:01 • -17.11db
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
88 bpm • E Maj • 07:26 • -17.39db
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
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Geoff Zanelli
El Matador Del Mar
88 bpm • C min • 08:04 • -11.76db
36% Popularity • 13% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Simon Franglen
Leaving Home
88 bpm • D min • 03:27 • -19db
39% Popularity • 18% Danceability • 22% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Wander
Edward's Theme
87 bpm • C min • 01:33 • -25.77db
39% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
38% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
37% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
The Militia Passes By
113 bpm • E min • 02:48 • -14.58db
14% Popularity • 39% Danceability • 52% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Falkirk