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Fall Like a Feather
Songs like
Fall Like a Feather
by
Dan Owen
Based on a tempo of (+/- 10%) and a similar genre
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Willemijn May
Closest Stranger
152 bpm • F Maj • 04:19 • -8.88db
10% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Matthew And The Atlas
To The North
152 bpm • G Maj • 03:35 • -9.13db
24% Popularity • 38% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
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Dean Lewis
Waves - Guitar Acoustic
152 bpm • B min • 04:08 • -9.92db
44% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dan Owen
Fall Like a Feather
152 bpm • G Maj • 03:22 • -5.44db
22% Popularity • 54% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Walking On Cars
Nothing's Impossible
151 bpm • A# Maj • 04:37 • -8.24db
38% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Seafret
Missing - Acoustic Sessions
151 bpm • C# min • 03:22 • -6.2db
16% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jamie Scott
Feels so Good
154 bpm • D Maj • 03:35 • -12.92db
21% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Stu Larsen
Maybe I Am
153 bpm • B min • 04:12 • -8.15db
18% Popularity • 29% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Billy Lockett
Fading Into Grey
154 bpm • B Maj • 03:38 • -6db
36% Popularity • 53% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Matthew And The Atlas
On A Midnight Street - Acoustic Version
150 bpm • D Maj • 03:33 • -13db
31% Popularity • 54% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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The Dunwells
Animal
150 bpm • F Maj • 03:57 • -10.6db
10% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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David Benjamin
Can't Get My Head Around Loving You
150 bpm • C Maj • 03:21 • -10db
33% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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CLOVES
Everybody's Son
150 bpm • G Maj • 03:26 • -7db
33% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jon Bryant
Love and War
154 bpm • D Maj • 05:42 • -7.25db
15% Popularity • 30% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Francis
Upon These Stones
149 bpm • C min • 04:18 • -14db
33% Popularity • 58% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 20% Positiveness
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Glen Hansard
Wedding Ring
149 bpm • E Maj • 04:47 • -13db
35% Popularity • 48% Danceability • 38% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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You+Me
Open Door
156 bpm • F# Maj • 03:41 • -13db
31% Popularity • 36% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron Espe
Yourself
148 bpm • B Maj • 03:07 • -13.41db
23% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Austin Plaine
The Cost
156 bpm • C# Maj • 03:19 • -12db
20% Popularity • 56% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Stevie McCrorie
Don't Go
148 bpm • G# Maj • 03:36 • -6.61db
12% Popularity • 42% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Raffoul
Could You Be Mine?
156 bpm • E Maj • 03:30 • -7.41db
39% Popularity • 72% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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King Charles
Gamble for a Rose
148 bpm • B Maj • 04:30 • -4.71db
35% Popularity • 43% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Corey Harper
California Sun - Acoustic
156 bpm • D# Maj • 03:08 • -11.5db
21% Popularity • 60% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Billy Lockett
More
148 bpm • F min • 03:36 • -10.08db
26% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Tom Joshua
Meteor Showers
148 bpm • F Maj • 03:40 • -12db
23% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jon Bryant
Heroine
148 bpm • C Maj • 04:09 • -11.41db
23% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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The Wealthy West
That Silver Line
148 bpm • G Maj • 03:36 • -13.42db
11% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dan Owen
Parachute - Acoustic
157 bpm • C# Maj • 04:13 • -7.24db
8% Popularity • 34% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Snow Patrol
What If This Is All The Love You Ever Ge...
148 bpm • C Maj • 03:49 • -10.13db
46% Popularity • 70% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Plested
Home By Now - Acoustic
148 bpm • A Maj • 03:38 • -10db
15% Popularity • 46% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Martin Luke Brown
Shadow & Light
147 bpm • C Maj • 03:41 • -8.76db
32% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Lockett
Blackmail Kiss
147 bpm • A# min • 03:26 • -13.03db
15% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew James & The Steady Tiger
Under the Umbrella
147 bpm • F Maj • 04:36 • -15.74db
23% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dan Owen
Running to the Hills
146 bpm • A# Maj • 03:12 • -6.12db
11% Popularity • 53% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Speak Brother
Lions Roar - Single Mix
147 bpm • F Maj • 04:09 • -8.17db
13% Popularity • 44% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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James Blunt
2005
146 bpm • C Maj • 04:05 • -11.77db
31% Popularity • 72% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Belle Mt.
Made to Find You
146 bpm • C# Maj • 03:29 • -6.98db
23% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Jake Coco
Strangers, Poets & Thieves
146 bpm • D Maj • 04:19 • -9db
13% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Peter Bradley Adams
Hey Believers
146 bpm • D# Maj • 03:58 • -14.65db
29% Popularity • 56% Danceability • 19% Energy • 12% Liveness
11% Instrumentalness • 20% Positiveness
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Donovan Woods
The Worst Way
158 bpm • F# Maj • 03:19 • -16.84db
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Greg Holden
Coney Island
159 bpm • D Maj • 04:03 • -10.44db
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dan Layus
You Can Have Mine
160 bpm • D# Maj • 03:11 • -7.94db
9% Popularity • 40% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Nathan Ball
Right Place
145 bpm • E Maj • 03:56 • -9.38db
28% Popularity • 55% Danceability • 57% Energy • 11% Liveness
77% Instrumentalness • 37% Positiveness
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Matt Winson
The River
159 bpm • C Maj • 03:49 • -12.91db
8% Popularity • 49% Danceability • 37% Energy • 17% Liveness
57% Instrumentalness • 14% Positiveness
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Peter Bradley Adams
Come Tomorrow
145 bpm • B min • 04:16 • -16.43db
38% Popularity • 66% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Perrin Lamb
There Is No Me Without You
160 bpm • C Maj • 03:41 • -9.12db
40% Popularity • 56% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Tiz McNamara
Would You Wait For Me?
160 bpm • D Maj • 03:52 • -10db
7% Popularity • 38% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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JP Cooper
Closer
144 bpm • F# Maj • 03:03 • -6.04db
45% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Plested
IOU - Demo
143 bpm • D Maj • 03:51 • -11.49db
14% Popularity • 31% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Whitaker
When My Love Won't Stick to You
162 bpm • C Maj • 05:19 • -10db
13% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Mad Hatter's Daughter
People Get Ready
143 bpm • C# Maj • 02:42 • -12.68db
10% Popularity • 61% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Plà si
Make the Call
142 bpm • C# Maj • 04:43 • -14.53db
14% Popularity • 51% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Tall Heights
Out of the Ground
142 bpm • F# Maj • 02:47 • -10.76db
17% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Daniel Docherty
Colours
163 bpm • A Maj • 05:38 • -7.63db
19% Popularity • 46% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jared & The Mill
Life We Chose
142 bpm • A Maj • 05:42 • -6.56db
23% Popularity • 53% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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James Gillespie
Him.Her.
141 bpm • B Maj • 04:07 • -7.84db
29% Popularity • 57% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Stu Larsen
Some Kind of Gypsy
141 bpm • D Maj • 03:57 • -8.49db
22% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Dan Owen
Splinter
141 bpm • D Maj • 04:18 • -5.31db
8% Popularity • 53% Danceability • 85% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
18% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jamie Sloan
Regret
164 bpm • C# Maj • 04:51 • -16.17db
12% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Joshua Moss
House
164 bpm • G# Maj • 04:24 • -10db
20% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Callum Beattie
Some Heroes Don't Wear Capes - Acoustic
140 bpm • B Maj • 04:11 • -10.12db
14% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Daniel Docherty
This Holy Fire
140 bpm • A# Maj • 05:37 • -6.94db
15% Popularity • 30% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Belle Mt.
Loving You
140 bpm • C Maj • 04:13 • -8.35db
24% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Elmore
I'm Still Here
140 bpm • A Maj • 03:04 • -7.92db
12% Popularity • 51% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Glenn Claes
Face In The Light
140 bpm • B Maj • 03:14 • -9.37db
9% Popularity • 51% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Leeb
Are We Too Late
166 bpm • C min • 04:51 • -9db
28% Popularity • 42% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Daniel Docherty
This Holy Fire
140 bpm • F min • 05:40 • -8.82db
14% Popularity • 31% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Belle Mt.
This Kind of Heavy
140 bpm • D# Maj • 03:42 • -9.02db
25% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
58% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Glen Hansard
Time Will Be The Healer
139 bpm • B min • 04:26 • -9db
35% Popularity • 42% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lewis Capaldi
Fade
138 bpm • G Maj • 04:06 • -8db
54% Popularity • 41% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jamie N Commons
Low Life - Acoustic
138 bpm • B min • 03:26 • -5.55db
22% Popularity • 50% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Patrick James
Bugs
138 bpm • E Maj • 03:57 • -8db
31% Popularity • 65% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
24% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dean Lewis
Need You Now - Acoustic
138 bpm • A# Maj • 03:23 • -8.95db
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Stu Larsen
The Black Tree
138 bpm • E Maj • 03:39 • -16.38db
26% Popularity • 49% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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John Smith
Save My Life - Radio Edit
138 bpm • F# Maj • 03:37 • -10.12db
44% Popularity • 58% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Mat Hunsley
Dropping
138 bpm • B min • 03:53 • -12.34db
11% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Adam French
Slow Dancing - Acoustic
168 bpm • C min • 03:38 • -11.71db
30% Popularity • 43% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Rachèl Louise
Keep Your Heart
138 bpm • F# Maj • 03:48 • -8db
7% Popularity • 55% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Bradley Adams
A Way to You Again
169 bpm • D Maj • 03:45 • -13.96db
28% Popularity • 39% Danceability • 26% Energy • 6% Liveness
17% Instrumentalness • 29% Positiveness
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Lee DeWyze
Oil & Water
137 bpm • F Maj • 03:18 • -6.68db
27% Popularity • 68% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Beach
Thieves
137 bpm • E min • 03:59 • -9db
30% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tim Chadwick
Belong
137 bpm • C# Maj • 03:45 • -9db
22% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Owen
Splinter - Acoustic
136 bpm • D Maj • 04:25 • -6.35db
10% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Elmore
Close to You
136 bpm • F Maj • 03:18 • -5.02db
11% Popularity • 56% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ford Turrell
The Heaviest Stars
136 bpm • F Maj • 03:58 • -15.57db
19% Popularity • 54% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Sweeplings
Hold Me
136 bpm • G Maj • 04:04 • -10.92db
40% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Axel Flóvent
Silently
136 bpm • C Maj • 04:14 • -9.3db
24% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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The Dunwells
Light Up The Sky
170 bpm • F# Maj • 03:39 • -8.9db
12% Popularity • 49% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Charlie Cunningham
Blindfold
170 bpm • E min • 03:05 • -14.64db
40% Popularity • 54% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dan Owen
Made to Love You - Edit
136 bpm • C Maj • 03:18 • -7.71db
19% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Michael Schulte
Thoughts
136 bpm • G# min • 03:47 • -12.1db
28% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Greg Holden
A Wonderful World
136 bpm • B Maj • 03:24 • -7.77db
7% Popularity • 53% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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David Benjamin
In Time
170 bpm • D Maj • 02:52 • -13.34db
17% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Fall Like a Feather