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Falling Asleep At The Wheel
Songs like
Falling Asleep At The Wheel
by
Holly Humberstone
Based on a tempo of (+/- 10%) and a similar genre
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Kacey Musgraves
Jade Green
122 bpm • A Maj • 02:58 • -7.71db
68% Popularity • 65% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 20% Positiveness
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Gracie Abrams
Best
122 bpm • A# Maj • 03:53 • -10.54db
64% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Debbii Dawson
Even If It Kills Me
122 bpm • G Maj • 03:16 • -6.22db
41% Popularity • 65% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Luz
i shouldn’t be here
123 bpm • G Maj • 03:06 • -11.76db
38% Popularity • 65% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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SISTRA
Lost My Way
123 bpm • C# min • 03:08 • -10.81db
28% Popularity • 76% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin
123 bpm • F# Maj • 03:41 • -7db
52% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Grace Enger
Bad Guy
123 bpm • C# Maj • 03:40 • -11.24db
33% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Gracie Abrams
Amelie
122 bpm • D Maj • 04:19 • -12.38db
58% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Genevieve Stokes
Surface Tension
123 bpm • A min • 03:26 • -9.17db
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
47% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Wild Rivers
Don't
121 bpm • C# Maj • 03:02 • -6db
49% Popularity • 79% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Holly Humberstone
Girl
121 bpm • F min • 03:22 • -7.53db
39% Popularity • 52% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kacey Musgraves
The Architect
123 bpm • A Maj • 02:57 • -8.54db
72% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Maggie Rogers
Anywhere With You
123 bpm • A Maj • 04:57 • -5.33db
52% Popularity • 39% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Matilda Mann
Four Leaf Dream
120 bpm • C# Maj • 02:21 • -5.77db
43% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Chelsea Cutler
I Don't Feel Alive
124 bpm • F Maj • 03:23 • -5.7db
50% Popularity • 63% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Del Water Gap
Beach House
124 bpm • G min • 03:56 • -4.92db
44% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Tommy Lefroy
Slick
120 bpm • F Maj • 02:24 • -12.99db
37% Popularity • 77% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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CMAT
Stay For Something
120 bpm • F min • 03:36 • -4.97db
54% Popularity • 49% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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SISTRA
You're a Lot
120 bpm • C# Maj • 02:32 • -8.64db
39% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Medium Build
Gimme Back My Soul
124 bpm • C Maj • 03:16 • -6.33db
45% Popularity • 74% Danceability • 64% Energy • 39% Liveness
40% Instrumentalness • 65% Positiveness
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Gracie Abrams
For Real This Time
124 bpm • F# Maj • 03:13 • -8.73db
61% Popularity • 79% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Alessi Rose
eat me alive
120 bpm • C# min • 02:39 • -6.51db
44% Popularity • 75% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Ethel Cain
American Teenager
120 bpm • E Maj • 04:18 • -5.01db
69% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
48% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Flora Rose
You've Been On My Mind
124 bpm • E Maj • 02:29 • -14.19db
37% Popularity • 64% Danceability • 34% Energy • 8% Liveness
4% Instrumentalness • 38% Positiveness
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Elle Coves
Outrun This Feeling
120 bpm • G Maj • 02:56 • -4.59db
33% Popularity • 67% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Del Water Gap
Quilt of Steam
120 bpm • F# Maj • 03:31 • -10.6db
43% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Claud
A Good Thing
124 bpm • B Maj • 02:45 • -6.49db
42% Popularity • 59% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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ella jane
nothing else i could do
120 bpm • D# Maj • 02:50 • -7.65db
55% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Griff
Miss Me Too
120 bpm • A# Maj • 03:02 • -4.48db
70% Popularity • 60% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sophie May
Some Italian Mountain
120 bpm • G Maj • 02:37 • -15db
49% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Medium Build
Cutting Thru The Country
120 bpm • D# Maj • 03:24 • -7.56db
40% Popularity • 72% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Del Water Gap
Doll House
120 bpm • A Maj • 03:11 • -8.05db
51% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Gracie Abrams
I know it won't work
120 bpm • F min • 04:05 • -8.96db
73% Popularity • 66% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Holly Humberstone
Scarlett - Garden Version
120 bpm • D Maj • 03:08 • -7db
32% Popularity • 49% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Kacey Musgraves
Sway
120 bpm • B Maj • 03:11 • -10.83db
68% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Hazlett
Missionary Feelings
125 bpm • D Maj • 03:32 • -13.23db
61% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Nieve Ella
His Sofa
125 bpm • G# min • 03:24 • -5.78db
37% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Griff
19th Hour
125 bpm • A Maj • 03:29 • -5.75db
48% Popularity • 64% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Gatlin
2000 Miles
125 bpm • C# min • 02:59 • -7db
41% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Grace Enger
When It Was Over
119 bpm • C Maj • 03:27 • -9.16db
33% Popularity • 85% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
62% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Wild Rivers
Everywhere I Go
119 bpm • F Maj • 02:56 • -7.38db
53% Popularity • 65% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Hazlett
Tell Me What You Dream About
126 bpm • G# Maj • 03:17 • -9.41db
49% Popularity • 76% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Middle Kids
Terrible News
126 bpm • C min • 02:52 • -3.11db
36% Popularity • 57% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Last Dinner Party
The Feminine Urge
118 bpm • D Maj • 03:26 • -5.9db
67% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Katelyn Tarver
Japanese Cafe
126 bpm • G Maj • 02:40 • -8.53db
36% Popularity • 95% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Holly Humberstone
I Would Die 4 U
126 bpm • D Maj • 02:20 • -12.61db
48% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Cate
Girlfriend
118 bpm • G# Maj • 02:35 • -4.32db
51% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Noah Cyrus
I Burned LA Down
118 bpm • B Maj • 03:15 • -8.71db
57% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tommy Lefroy
Worst Case Kid
118 bpm • D Maj • 02:32 • -4.52db
52% Popularity • 60% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Gracie Abrams
Camden
126 bpm • A# Maj • 04:06 • -12.57db
60% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Chappell Roan
Naked In Manhattan
118 bpm • C# Maj • 03:31 • -5.09db
68% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin - Floorboards...
118 bpm • B Maj • 03:23 • -7.46db
31% Popularity • 49% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Hazlett
Cemetery
118 bpm • G# Maj • 02:52 • -15.36db
56% Popularity • 54% Danceability • 17% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
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flowerovlove
Love You
117 bpm • D Maj • 02:56 • -7.83db
45% Popularity • 63% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Angie McMahon
Serotonin
117 bpm • A Maj • 04:19 • -10.62db
42% Popularity • 74% Danceability • 55% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Trousdale
Bad Blood
127 bpm • G# Maj • 02:45 • -6.24db
37% Popularity • 48% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
74% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Noah Kahan
She Calls Me Back
128 bpm • B Maj • 04:03 • -6.3db
77% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Lennon Stella
Time After Time - Spotify Singles
128 bpm • C Maj • 03:39 • -9.45db
52% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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SISTRA
Rollerskating
128 bpm • F# min • 02:26 • -8.7db
37% Popularity • 60% Danceability • 71% Energy • 15% Liveness
4% Instrumentalness • 32% Positiveness
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Sophie Holohan
Cognitive Dissonance
128 bpm • C# min • 02:56 • -7.09db
57% Popularity • 65% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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The Beaches
If A Tree Falls
128 bpm • E Maj • 04:25 • -4.95db
46% Popularity • 53% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Maude Latour
Cyclone
128 bpm • G# Maj • 03:36 • -5.46db
46% Popularity • 65% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
58% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Holly Humberstone
Please Don't Leave Just Yet
128 bpm • C Maj • 03:49 • -9db
40% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Madi Diaz
Don't Do Me Good
116 bpm • C# Maj • 04:13 • -8.26db
51% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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aleksiah
Fern
116 bpm • A Maj • 03:40 • -5.87db
42% Popularity • 56% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Middle Kids
Dramamine
116 bpm • F# Maj • 02:57 • -4.63db
40% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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MUNA
Home By Now
116 bpm • D Maj • 04:28 • -5.92db
50% Popularity • 65% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Nia Hendricks
Back For More
116 bpm • C# min • 03:12 • -6.35db
36% Popularity • 75% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Annika Bennett
Power, Sex, Dreams
116 bpm • D# Maj • 02:55 • -7.02db
40% Popularity • 83% Danceability • 45% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
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BEL
Read the Room
116 bpm • B Maj • 02:33 • -8.2db
41% Popularity • 81% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Elle Coves
Before I Fall Apart
116 bpm • C# Maj • 02:21 • -2.32db
46% Popularity • 60% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kacey Musgraves
Cardinal
129 bpm • A# min • 03:11 • -8.15db
72% Popularity • 58% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
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Maddie Zahm
little me
116 bpm • C Maj • 03:00 • -14.68db
56% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lizzy McAlpine
called you again
129 bpm • G Maj • 03:12 • -10.36db
54% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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VÉRITÉ
beverly hills
129 bpm • C Maj • 01:51 • -14.48db
31% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Charlotte Lawrence
Boys Like You
115 bpm • B Maj • 03:27 • -4.85db
44% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Holly Humberstone
Can You Afford To Lose Me?
129 bpm • A Maj • 04:02 • -11db
44% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Stevie Bill
Amsterdam
115 bpm • C Maj • 03:30 • -9.27db
31% Popularity • 61% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
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The Aces
Solo
115 bpm • G Maj • 02:47 • -8.45db
35% Popularity • 64% Danceability • 76% Energy • 26% Liveness
31% Instrumentalness • 52% Positiveness
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Rachel Chinouriri
All I Ever Asked
115 bpm • F Maj • 03:35 • -7.53db
59% Popularity • 91% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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MUNA
One That Got Away
115 bpm • F# Maj • 03:52 • -4.4db
57% Popularity • 76% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Olivia Dean
Ladies Room
115 bpm • B Maj • 03:40 • -5.87db
59% Popularity • 85% Danceability • 69% Energy • 13% Liveness
7% Instrumentalness • 64% Positiveness
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The Japanese House
Boyhood
115 bpm • F Maj • 03:09 • -9.06db
57% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Angie McMahon
Exploding
130 bpm • G Maj • 04:01 • -7.03db
43% Popularity • 48% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
62% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Taylor Bickett
I Like Mondays
115 bpm • D Maj • 02:45 • -10.21db
51% Popularity • 49% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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MUNA
Anything But Me
115 bpm • C Maj • 03:33 • -5db
53% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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FLETCHER
Eras Of Us
130 bpm • D Maj • 02:48 • -7.46db
62% Popularity • 58% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Falling Asleep At The Wheel