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Falling Down
Songs like
Falling Down
by
The Royal Cream
Based on a tempo of (+/- 10%) and a similar genre
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The Lords of Altamont
Million Watts Electrified
142 bpm • C Maj • 04:06 • -5.67db
16% Popularity • 42% Danceability • 99% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
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The Royal Cream
Melody
142 bpm • E min • 04:07 • -5.79db
0% Popularity • 30% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Nomads
Hangman's Walk
142 bpm • B Maj • 03:03 • -2.91db
13% Popularity • 50% Danceability • 97% Energy • 32% Liveness
4% Instrumentalness • 58% Positiveness
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The Heck
Fire on Fire
142 bpm • E min • 02:11 • -3.3db
17% Popularity • 48% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Diamond Dogs
You Shouldn't Be Lonely on a Saturday Ni...
142 bpm • C Maj • 03:46 • -4.28db
7% Popularity • 44% Danceability • 83% Energy • 24% Liveness
2% Instrumentalness • 53% Positiveness
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Petter Baarli
What Went Wrong
142 bpm • D Maj • 03:36 • -6.31db
18% Popularity • 55% Danceability • 72% Energy • 29% Liveness
1% Instrumentalness • 50% Positiveness
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Stephen Canesa
Night Journey
143 bpm • C Maj • 02:05 • -9.36db
30% Popularity • 48% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 88% Positiveness
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The Royal Cream
Falling Down
142 bpm • B min • 02:38 • -2.93db
3% Popularity • 42% Danceability • 93% Energy • 39% Liveness
1% Instrumentalness • 62% Positiveness
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Robert Pehrsson's Humbucker
Zero Emotion
143 bpm • B min • 03:11 • -5.28db
21% Popularity • 42% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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The Lords of Altamont
The 7th Day
143 bpm • G Maj • 02:45 • -2.49db
10% Popularity • 24% Danceability • 98% Energy • 28% Liveness
9% Instrumentalness • 29% Positiveness
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The Sewergrooves
Ain't Coming Home
141 bpm • C# Maj • 02:56 • -5.69db
17% Popularity • 39% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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The Nomads
Where The Wolfbane Blooms
141 bpm • E min • 02:16 • -5.21db
16% Popularity • 34% Danceability • 89% Energy • 16% Liveness
28% Instrumentalness • 73% Positiveness
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Barrence Whitfield & The Savages
Willow
143 bpm • G Maj • 02:31 • -4.42db
21% Popularity • 33% Danceability • 96% Energy • 75% Liveness
1% Instrumentalness • 70% Positiveness
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The Royal Cream
Another Kind of Blues
143 bpm • A Maj • 03:04 • -4.5db
1% Popularity • 33% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Baby Woodrose
Found My Way Out
141 bpm • G# min • 02:40 • -4.06db
21% Popularity • 32% Danceability • 97% Energy • 38% Liveness
8% Instrumentalness • 36% Positiveness
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The Urges
You Don't Look so Good
141 bpm • B min • 02:55 • -2.96db
11% Popularity • 37% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Deadbeat Poets
Johnny Sincere
141 bpm • G Maj • 03:37 • -4.86db
8% Popularity • 52% Danceability • 92% Energy • 40% Liveness
17% Instrumentalness • 92% Positiveness
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The Fleshtones
Do You Swing?
141 bpm • G Maj • 02:10 • -6.86db
19% Popularity • 50% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Satire of Games
What Does Aint Have
143 bpm • C Maj • 03:06 • -10.34db
22% Popularity • 30% Danceability • 88% Energy • 13% Liveness
83% Instrumentalness • 49% Positiveness
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Pete Repeat
Artifice
141 bpm • A min • 03:48 • 0.07db
11% Popularity • 44% Danceability • 99% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
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The Royal Cream
From Mad to Worse
143 bpm • G Maj • 04:44 • -5.42db
0% Popularity • 28% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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The Midnight Feature
Phantom Fever
143 bpm • A# min • 05:15 • -11.21db
12% Popularity • 35% Danceability • 54% Energy • 22% Liveness
43% Instrumentalness • 47% Positiveness
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Union Carbide Productions
Be Myself Again - Remastered 2013
141 bpm • B min • 03:34 • -6.22db
14% Popularity • 37% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 95% Positiveness
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Dirty Fences
Michael & The Slipper Tree
143 bpm • G# Maj • 02:33 • -5.63db
8% Popularity • 54% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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William Runolfsdottir
The Stray Dog
143 bpm • D# Maj • 03:19 • -8.94db
29% Popularity • 29% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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The Cynics
Baby, What's Wrong
144 bpm • D Maj • 02:28 • -3db
27% Popularity • 38% Danceability • 98% Energy • 20% Liveness
12% Instrumentalness • 79% Positiveness
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The Dahmers
No One
144 bpm • A# min • 01:35 • -4.76db
11% Popularity • 27% Danceability • 98% Energy • 69% Liveness
0% Instrumentalness • 58% Positiveness
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The Boatsmen
Take Me
140 bpm • G Maj • 03:17 • -6.95db
8% Popularity • 43% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Baby Woodrose
Nobody Knows
144 bpm • C# Maj • 02:24 • -5.65db
12% Popularity • 37% Danceability • 98% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
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The Maharajas
Alright!
144 bpm • D# Maj • 02:24 • -5db
10% Popularity • 38% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Telephone Lovers
Downtown Girl
144 bpm • E Maj • 02:31 • -6.16db
7% Popularity • 41% Danceability • 90% Energy • 59% Liveness
0% Instrumentalness • 74% Positiveness
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Simon Andrew Stubbs
Shake Your Ass
140 bpm • E Maj • 04:18 • -7.83db
15% Popularity • 57% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Petter Baarli
Stoneheart
144 bpm • A Maj • 03:28 • -6.4db
19% Popularity • 50% Danceability • 84% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
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Men In The Box
Broken glass
140 bpm • E Maj • 04:49 • -6.62db
11% Popularity • 30% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Dream of a Man in a Top Hat
Wolfcrier
140 bpm • E min • 03:48 • -6.3db
11% Popularity • 44% Danceability • 78% Energy • 17% Liveness
77% Instrumentalness • 32% Positiveness
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Plastic Wizzard
Was It You
140 bpm • A Maj • 03:52 • -3.94db
13% Popularity • 61% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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The Kremlins
Very Stable Genius
144 bpm • E Maj • 02:01 • -6.9db
36% Popularity • 45% Danceability • 85% Energy • 61% Liveness
91% Instrumentalness • 30% Positiveness
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The Royal Cream
Gasoline
140 bpm • A min • 03:59 • -8.67db
0% Popularity • 49% Danceability • 94% Energy • 17% Liveness
9% Instrumentalness • 45% Positiveness
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The Cynics
Cry, Cry, Cry
144 bpm • G Maj • 03:07 • -5.45db
10% Popularity • 34% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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The Cursed Machine
Toe To Toe
140 bpm • D Maj • 03:28 • -5.49db
16% Popularity • 32% Danceability • 92% Energy • 38% Liveness
1% Instrumentalness • 51% Positiveness
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Märvel
Monsters Grow in the Dark
140 bpm • D min • 03:55 • -6.5db
8% Popularity • 56% Danceability • 85% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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The Hippie Gun
Birddog
140 bpm • E Maj • 02:26 • -4.83db
8% Popularity • 58% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Ashtray Avenue
So Fine
140 bpm • A Maj • 02:57 • -5.97db
10% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The Heck
Wild, Wild, Wild
144 bpm • C Maj • 01:33 • -3.25db
24% Popularity • 36% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Imperial State Electric
Can't Seem to Shake it Off My Mind
144 bpm • F min • 02:30 • -2.18db
19% Popularity • 43% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Testors
Time Is Mine
140 bpm • D# min • 02:37 • -4.33db
15% Popularity • 52% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Barnett Finn
Let Me Go Home
144 bpm • A min • 03:15 • -5.35db
33% Popularity • 20% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Maharajas
Medication
144 bpm • A Maj • 02:18 • -4db
18% Popularity • 41% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Royal Cream
Sparklin'
140 bpm • G Maj • 04:54 • -6.1db
0% Popularity • 29% Danceability • 72% Energy • 28% Liveness
79% Instrumentalness • 25% Positiveness
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Cyanide Pills
Johnny Thunders Lived in Leeds
140 bpm • E Maj • 02:02 • -6.76db
13% Popularity • 45% Danceability • 90% Energy • 39% Liveness
11% Instrumentalness • 75% Positiveness
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Baby Woodrose
Baby Blows Your Mind
145 bpm • B Maj • 03:24 • -4.21db
15% Popularity • 27% Danceability • 93% Energy • 11% Liveness
21% Instrumentalness • 47% Positiveness
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Giuda
It ain't easy
139 bpm • G Maj • 03:04 • -4.76db
10% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Nomads
Lowdown Shakin' Chills
145 bpm • B min • 03:38 • -5db
11% Popularity • 26% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Diamond Dogs
Autopilot
139 bpm • G Maj • 03:18 • -6.66db
15% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Royal Cream
Darling Darling
145 bpm • A min • 03:12 • -4.12db
9% Popularity • 30% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Coated
Inaline
145 bpm • E Maj • 02:29 • -3.1db
20% Popularity • 41% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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Pete Repeat
Shame Cycle
145 bpm • G min • 03:19 • -0.8db
11% Popularity • 48% Danceability • 94% Energy • 41% Liveness
0% Instrumentalness • 29% Positiveness
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The Hangmen
Get It
139 bpm • A Maj • 02:42 • -4.12db
9% Popularity • 46% Danceability • 84% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Underdog
Struck Like Lightning
139 bpm • A Maj • 02:53 • -8db
11% Popularity • 36% Danceability • 62% Energy • 8% Liveness
13% Instrumentalness • 78% Positiveness
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Amphetamine Blues
Shots Fired
145 bpm • E min • 02:25 • -7.39db
15% Popularity • 51% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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The Royal Cream
Get It On
145 bpm • E Maj • 02:31 • -4.76db
0% Popularity • 33% Danceability • 94% Energy • 10% Liveness
5% Instrumentalness • 59% Positiveness
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Faz Waltz
Good time is callin' loud
139 bpm • A Maj • 03:15 • -7.5db
8% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Baby Woodrose
Disconnected
139 bpm • D# min • 02:09 • -3.51db
27% Popularity • 43% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Maharajas
I Won't Die
139 bpm • A min • 02:03 • -4.39db
10% Popularity • 38% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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The Boys
I'm a Believer - 2021 Single Version
139 bpm • E Maj • 03:44 • -6.25db
28% Popularity • 48% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Brian Carroll
Thailand Story
146 bpm • C# Maj • 03:54 • -4.91db
17% Popularity • 47% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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The Royal Cream
Alien
146 bpm • B min • 03:42 • -6.82db
0% Popularity • 35% Danceability • 60% Energy • 15% Liveness
17% Instrumentalness • 12% Positiveness
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"DEMONS"
...Come A Day - 25th Anniversary Version
146 bpm • C Maj • 03:34 • -9.86db
8% Popularity • 18% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Baby Woodrose
Honeydripper
139 bpm • F# Maj • 02:51 • -3.89db
18% Popularity • 39% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Underdog
There Goes the Neighborhood
146 bpm • A Maj • 03:05 • -4db
11% Popularity • 39% Danceability • 84% Energy • 9% Liveness
11% Instrumentalness • 64% Positiveness
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The Flaming Sideburns
Soulshaking
146 bpm • D Maj • 03:15 • -3.75db
11% Popularity • 44% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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The Smoggers
Strychnine
138 bpm • A# Maj • 02:33 • -4.81db
19% Popularity • 38% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Royal Cream
Velvet
138 bpm • A Maj • 04:43 • -8.66db
0% Popularity • 41% Danceability • 84% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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The Datsuns
Gods Are Bored
138 bpm • A Maj • 04:03 • -6.55db
20% Popularity • 36% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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"DEMONS"
Tragedy
146 bpm • D Maj • 02:34 • -10db
7% Popularity • 22% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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The Strollers
Bad Situation
146 bpm • G Maj • 02:44 • -5.83db
8% Popularity • 34% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Alicia Lucas
Love Song
146 bpm • F# Maj • 02:33 • -13db
24% Popularity • 45% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Jordan Jones
Rumors Girls
146 bpm • C Maj • 02:28 • -6.68db
8% Popularity • 44% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
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The Royal Cream
A Walk in the Park
138 bpm • A Maj • 04:30 • -6.01db
0% Popularity • 29% Danceability • 77% Energy • 40% Liveness
74% Instrumentalness • 53% Positiveness
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Nashville Pussy
Milkcow Blues
147 bpm • C Maj • 05:18 • -5.77db
9% Popularity • 15% Danceability • 93% Energy • 93% Liveness
62% Instrumentalness • 12% Positiveness
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Dog Valley
All For None
147 bpm • E min • 03:56 • -7.12db
7% Popularity • 34% Danceability • 94% Energy • 19% Liveness
26% Instrumentalness • 24% Positiveness
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Spiders
Shake Electric
147 bpm • D min • 04:14 • -4db
25% Popularity • 25% Danceability • 92% Energy • 37% Liveness
4% Instrumentalness • 40% Positiveness
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The Avondale Spiders
War n' Peace
147 bpm • G Maj • 03:50 • -6.84db
10% Popularity • 42% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Satire of Games
Times
147 bpm • A# Maj • 03:43 • -8.66db
22% Popularity • 50% Danceability • 81% Energy • 34% Liveness
1% Instrumentalness • 86% Positiveness
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The Royal Cream
It's All over Now, Baby
147 bpm • A Maj • 02:58 • -3.9db
0% Popularity • 28% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Woggles
Big Beat Strong
137 bpm • B min • 02:32 • -2.14db
17% Popularity • 47% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Rimu
When I See You Again
137 bpm • G Maj • 02:23 • -5.79db
9% Popularity • 58% Danceability • 61% Energy • 6% Liveness
27% Instrumentalness • 89% Positiveness
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Dead Mass
Sleepwalking
147 bpm • C Maj • 03:40 • -7db
13% Popularity • 53% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Baby Woodrose
Chemical Buzz
137 bpm • G# Maj • 02:03 • -4.02db
31% Popularity • 44% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Rockskin
Two Days
137 bpm • A Maj • 03:12 • -5.28db
15% Popularity • 27% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Robert Pehrsson's Humbucker
Who Else Is on Your Mind
147 bpm • B min • 02:57 • -5.8db
19% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Biters
Hold On
137 bpm • A# Maj • 02:34 • -4.5db
7% Popularity • 34% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Matt Karis
Ten Miles High
137 bpm • F# Maj • 02:58 • -10.26db
8% Popularity • 41% Danceability • 73% Energy • 18% Liveness
22% Instrumentalness • 62% Positiveness
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Giuda
Coming Back to You
148 bpm • A# min • 03:22 • -4.41db
17% Popularity • 54% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Freedom
Time of My Life
137 bpm • D Maj • 03:15 • -5.65db
7% Popularity • 37% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Thunder Express
Get back in
148 bpm • D Maj • 03:33 • -3.38db
11% Popularity • 33% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Dr. Boogie
Get Back to New York City
148 bpm • G Maj • 03:35 • -4.3db
8% Popularity • 44% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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The Courettes
I've Been Walking
136 bpm • C# min • 02:16 • -1.85db
18% Popularity • 34% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Pubholics
Acting Singles
148 bpm • A Maj • 02:59 • -4.14db
13% Popularity • 47% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Fabian Dickens
Rock Music
136 bpm • C# min • 04:39 • -10.18db
27% Popularity • 50% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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Falling Down