Songs like Falling Slowly - From "Good Trouble" by Josh Pence
Based on a tempo of (+/- 10%) and a similar genre
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Lucy Cloud
Crash and Learn
144 bpm • G# Maj • 03:28 • -6.94db
16% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Dan Berk
Blinding Lights - Acoustic
144 bpm • C# Maj • 03:27 • -9.25db
27% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Pence
Falling Slowly
144 bpm • C Maj • 02:06 • -7.47db
31% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Tim Halperin
The Boys of Summer
144 bpm • E Maj • 03:22 • -13.07db
25% Popularity • 35% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 35% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Sonny Tennet
Let Love
144 bpm • E Maj • 03:24 • -13.73db
27% Popularity • 38% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 38% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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JC Stewart
I Need You To Hate Me - Piano Version
144 bpm • D Maj • 02:50 • -7.4db
33% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Griffin Matthews
Invisible Thread
144 bpm • A# Maj • 03:20 • -8.29db
7% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Olivia Holt
Today
144 bpm • G Maj • 03:51 • -7.51db
27% Popularity • 34% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
27% Popularity • 34% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Josh Pence
Can't Take My Eyes Off You
144 bpm • A Maj • 03:07 • -11.48db
16% Popularity • 54% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 54% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Emily James
The Scientist
145 bpm • D Maj • 04:07 • -17.18db
36% Popularity • 49% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 49% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Chord Overstreet
Beautiful Disaster
145 bpm • G# min • 04:01 • -14db
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jamie Grey
What Matters Most
145 bpm • F# Maj • 03:35 • -11db
31% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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In the City
By Your Side
145 bpm • G Maj • 03:48 • -15.56db
11% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Morgan St. Jean
Not The Sun
143 bpm • E Maj • 03:42 • -8.12db
33% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Chance Peña
I Won't Give Up
142 bpm • B Maj • 03:18 • -11.6db
40% Popularity • 37% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 37% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Emily Weisband
The Way I Say Goodbye
142 bpm • F Maj • 03:04 • -11.18db
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Derek Hough
The Ones
142 bpm • D Maj • 03:12 • -6.85db
17% Popularity • 43% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 43% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Corey Ward
Arcade - The Voice Performance
146 bpm • C Maj • 02:47 • -8.37db
12% Popularity • 40% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 40% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Brynn Cartelli
Here Comes Goodbye - The Voice Performan...
146 bpm • E Maj • 03:30 • -6.59db
28% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Donovan Woods
Grew Apart - Piano
146 bpm • G Maj • 03:10 • -7.99db
16% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ruth B.
If I Have A Son
142 bpm • C# Maj • 03:55 • -11.35db
27% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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PJ Harding
The Best Of You
142 bpm • E Maj • 01:11 • -12.56db
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Janelle Kroll
Walk With You
147 bpm • D Maj • 03:55 • -9db
21% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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paris jackson
eyelids
147 bpm • G# Maj • 03:25 • -12.6db
28% Popularity • 32% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 32% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Leon Else
Beautiful World
141 bpm • E Maj • 04:20 • -13db
25% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Tyler Hilton
When I See You, I See Home - Wedding Ver...
147 bpm • G Maj • 04:37 • -8.35db
20% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Allen
Queen of Silver Linings
141 bpm • C Maj • 03:32 • -6.27db
41% Popularity • 47% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 47% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Francisco Martin
Swollen
141 bpm • A# Maj • 03:50 • -9.26db
36% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Lauren Duski
The Weather (Grandpa's Song)
148 bpm • F Maj • 03:52 • -11db
24% Popularity • 58% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 58% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Emily Bear
Just Leave
140 bpm • D Maj • 03:06 • -9.6db
23% Popularity • 56% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 56% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Tyler Hilton
When I See You, I See Home
147 bpm • G Maj • 04:36 • -7.13db
16% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
43% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Grace Kinstler
Love Someone
140 bpm • F Maj • 03:06 • -4.78db
29% Popularity • 43% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 43% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Sweeplings
I Won't Go
140 bpm • A# Maj • 04:06 • -12.24db
10% Popularity • 30% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The War And Treaty
Take Me In
140 bpm • C Maj • 03:47 • -10.73db
21% Popularity • 43% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 43% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Kat Cunning
Could Be Good
140 bpm • G# Maj • 02:44 • -6.12db
32% Popularity • 59% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 59% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Rozzi
Uphill Battle
140 bpm • C Maj • 03:54 • -6.94db
25% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Anna Akana
Need You Now
140 bpm • C# Maj • 03:29 • -3.79db
19% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mathew V
Lucky
140 bpm • A Maj • 03:57 • -13.64db
20% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Francisco Martin
Swollen
140 bpm • A# Maj • 03:50 • -9.83db
25% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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laurea
Beautifully Unfinished
140 bpm • F# min • 03:42 • -13.78db
9% Popularity • 64% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 64% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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SVRCINA
Ocean Eyes (Acoustic)
140 bpm • F min • 03:36 • -8.31db
36% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Maddie Poppe
Not Losing You
139 bpm • C Maj • 03:46 • -5.09db
34% Popularity • 42% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 42% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Lily Meola
Butterfly
139 bpm • C Maj • 02:46 • -7.11db
51% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Rozzi
Visions
149 bpm • C# Maj • 04:15 • -5.13db
26% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Julia Gargano
Growing Pains
140 bpm • C# Maj • 04:32 • -9.87db
27% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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RuthAnne
Move Me
139 bpm • A Maj • 02:58 • -14db
27% Popularity • 43% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 43% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Skinny Living
Sleepwalking
139 bpm • C Maj • 03:29 • -7db
30% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 52% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Sullivan
That Makes Me Sad
139 bpm • C Maj • 04:29 • -16.91db
14% Popularity • 45% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 45% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Connie Talbot
I Would
150 bpm • F Maj • 03:44 • -6.19db
40% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tim Halperin
The Reason
150 bpm • G Maj • 03:20 • -9db
45% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
33% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Bryar
Let's You Fly
150 bpm • A# Maj • 03:31 • -7.11db
20% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 38% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cap Carter
Triggers
138 bpm • A# Maj • 03:50 • -9.65db
18% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Katie Boeck
The Sign
138 bpm • F Maj • 04:21 • -17.39db
14% Popularity • 62% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 62% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Danielle Bradbery
God Is A Woman - Yours Truly: 2018
138 bpm • D# min • 03:37 • -5.8db
36% Popularity • 55% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 55% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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DANIEL SAINT BLACK
What It Takes (Stripped)
150 bpm • D Maj • 03:30 • -10db
34% Popularity • 31% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 31% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Wild Rivers
Thinking 'Bout Love - Acoustic
138 bpm • F Maj • 03:04 • -13.54db
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The Madison Letter
I Can’t Make You Love Me
138 bpm • A# Maj • 04:14 • -10db
30% Popularity • 43% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 43% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Emily Burns
Is It Just Me? (Acoustic)
138 bpm • E Maj • 03:33 • -8db
31% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Louis Knight
Maybe That
138 bpm • G# Maj • 03:36 • -7.3db
21% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Kyndal Inskeep
Letter
138 bpm • C Maj • 03:11 • -6.65db
33% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Martin Kerr
Delicate Love
137 bpm • G Maj • 03:30 • -8.53db
14% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Wrabel
hurts like hell - piano version
137 bpm • C Maj • 04:03 • -6.14db
24% Popularity • 37% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 37% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Lady Bri
This Will Be the Day
136 bpm • C# min • 03:45 • -7.36db
26% Popularity • 36% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 36% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Plested
Beautiful & Brutal
137 bpm • G Maj • 03:31 • -6.39db
33% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 52% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Thunderstorm Artis
Sedona - The Voice Performance
152 bpm • F# Maj • 03:25 • -9.82db
34% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Louis Knight
Change
136 bpm • D Maj • 03:55 • -8db
21% Popularity • 53% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 53% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Cait Fairbanks
If You're Not Busy
136 bpm • C Maj • 03:45 • -12.8db
16% Popularity • 56% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
16% Popularity • 56% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Isabella Richardson
Galaxies
136 bpm • C Maj • 04:27 • -11db
28% Popularity • 51% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 51% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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John Adams
Amen
152 bpm • D Maj • 03:12 • -6db
36% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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James Smith
Hailey - Acoustic
136 bpm • C# Maj • 03:28 • -9.63db
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Calum Scott
Biblical - Acoustic
136 bpm • D# Maj • 03:47 • -7db
43% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Griffin Matthews
New World
136 bpm • F Maj • 04:44 • -8.12db
4% Popularity • 40% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 40% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Emma Hunton
Minefields
153 bpm • F Maj • 03:11 • -5.94db
24% Popularity • 33% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 33% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Grace Davies
Amsterdam
135 bpm • C Maj • 03:28 • -11db
38% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Hannah Grace
Missing the Show
135 bpm • D Maj • 03:57 • -7db
15% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Maddie Zahm
Beautifully Human
135 bpm • E Maj • 04:25 • -10db
25% Popularity • 44% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 44% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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BURNS
Elevate Me
135 bpm • A# min • 02:41 • -9.31db
37% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Andra Day
Make Your Troubles Go Away
135 bpm • C Maj • 03:33 • -5.92db
28% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Oliver Daldry
Breaking [2021 Remastered Version]
154 bpm • G Maj • 03:00 • -7.7db
17% Popularity • 37% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 37% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Rosemary Joaquin
A Little More
154 bpm • B Maj • 03:03 • -9.87db
25% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Bella Taylor Smith
Misplaced
135 bpm • G Maj • 03:07 • -4.69db
16% Popularity • 36% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 36% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Elyse Myers
You Promised Me
135 bpm • A Maj • 03:01 • -8.8db
30% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Majestic Ones
Bring Me Back
134 bpm • D Maj • 03:54 • -6.98db
18% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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James TW
My Somebody
155 bpm • G min • 03:23 • -5db
37% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Natalie Taylor
You Were Mine
134 bpm • B Maj • 03:30 • -8.43db
30% Popularity • 31% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 31% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Emma Oliver
Getting Older
155 bpm • F# Maj • 03:45 • -8.88db
19% Popularity • 42% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 42% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Jonny Brenns
Love on You
134 bpm • D# Maj • 02:53 • -9db
24% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Abraham
Satellite
133 bpm • F# Maj • 04:22 • -19.44db
34% Popularity • 27% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
34% Popularity • 27% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
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Ingrid Michaelson
Hate You
133 bpm • D# min • 03:29 • -9.96db
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Shaw Fisher
Washington DC in the '70s / Rats
156 bpm • F Maj • 03:08 • -7.56db
2% Popularity • 48% Danceability • 63% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 48% Danceability • 63% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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Natalie Taylor
Climax
134 bpm • B Maj • 03:43 • -6.94db
21% Popularity • 35% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 35% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 13% Positiveness
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Ruth B.
Sycamore Tree
156 bpm • G# Maj • 03:33 • -9.79db
38% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ingrid Andress
Feeling Things
156 bpm • C# Maj • 03:10 • -10db
33% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Aron Wright
Tightrope
133 bpm • C Maj • 04:06 • -10.04db
13% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness