Songs like Falling by Daryl Hall & John Oates
Based on a tempo of (+/- 10%) and a similar genre
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Daryl Hall & John Oates
Falling
74 bpm • A# Maj • 06:12 • -9.25db
24% Popularity • 34% Danceability • 42% Energy • 34% Liveness
2% Instrumentalness • 9% Positiveness
24% Popularity • 34% Danceability • 42% Energy • 34% Liveness
2% Instrumentalness • 9% Positiveness
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Frankie Valli & The Four Seasons
Harmony, Perfect Harmony
75 bpm • C Maj • 04:48 • -10.6db
16% Popularity • 57% Danceability • 49% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
16% Popularity • 57% Danceability • 49% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
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Poco
Love Comes Love Goes
73 bpm • B Maj • 03:59 • -15.4db
19% Popularity • 54% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 54% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Badfinger
Apple Of My Eye - Remastered 2010
73 bpm • F# Maj • 03:06 • -10db
31% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Joel
Laura
72 bpm • F# Maj • 05:03 • -9.32db
34% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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REO Speedwagon
One Lonely Night
76 bpm • F Maj • 03:21 • -10.28db
43% Popularity • 41% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 41% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Boston
Let Me Take You Home Tonight
77 bpm • D Maj • 04:46 • -7db
51% Popularity • 49% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 49% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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The Guess Who
A Wednesday In Your Garden
78 bpm • D Maj • 03:21 • -11.53db
22% Popularity • 50% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 50% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Lindsey Buckingham
September Song
71 bpm • F# Maj • 03:17 • -13.16db
13% Popularity • 51% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 51% Danceability • 33% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Badfinger
Take It All - Remastered 2010
72 bpm • G Maj • 04:27 • -7db
26% Popularity • 44% Danceability • 50% Energy • 40% Liveness
1% Instrumentalness • 22% Positiveness
26% Popularity • 44% Danceability • 50% Energy • 40% Liveness
1% Instrumentalness • 22% Positiveness
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Dane Donohue
Woman
78 bpm • A Maj • 03:53 • -8.62db
38% Popularity • 40% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 40% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Carly Simon
That's The Way I've Always Heard It Shou...
70 bpm • C Maj • 04:18 • -19.01db
47% Popularity • 40% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 40% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Gold
Hope You Feel Good
78 bpm • F Maj • 04:47 • -13.61db
10% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Steely Dan
The Caves Of Altamira
79 bpm • F# min • 03:33 • -12db
55% Popularity • 67% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
55% Popularity • 67% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Daryl Hall & John Oates
Open All Night
79 bpm • C min • 04:34 • -12.14db
36% Popularity • 61% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 61% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Badfinger
Midnight Caller - Remastered 2010
77 bpm • F Maj • 02:48 • -9.69db
24% Popularity • 62% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 62% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Atlanta Rhythm Section
Going to Shangri-La
79 bpm • A min • 03:46 • -10.75db
27% Popularity • 62% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
27% Popularity • 62% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Gerry Rafferty
Stealin' Time
80 bpm • C Maj • 05:58 • -15.23db
32% Popularity • 49% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 49% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Boz Scaggs
Love Me Tomorrow (2023 Remaster)
80 bpm • A min • 03:16 • -10.79db
33% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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TOTO
Rosanna
81 bpm • G min • 05:31 • -13.03db
73% Popularity • 36% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
73% Popularity • 36% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Daryl Hall & John Oates
Lady Rain
80 bpm • E min • 04:25 • -13db
34% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Bread
Today's the First Day
81 bpm • G min • 03:25 • -11.53db
34% Popularity • 41% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 41% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Badfinger
Lost Inside Your Love
78 bpm • A Maj • 02:42 • -13.85db
19% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Starbuck
Easing Back
81 bpm • B min • 02:47 • -9.82db
10% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Climax Blues Band
Rollin' Home
81 bpm • A Maj • 03:12 • -10.1db
20% Popularity • 48% Danceability • 42% Energy • 15% Liveness
1% Instrumentalness • 31% Positiveness
20% Popularity • 48% Danceability • 42% Energy • 15% Liveness
1% Instrumentalness • 31% Positiveness
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Rupert Holmes
Answering Machine
81 bpm • C Maj • 03:35 • -15.04db
35% Popularity • 78% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 78% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Orleans
Ending of a Song
67 bpm • A Maj • 03:19 • -12.37db
19% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 44% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Gibb
Too Many Looks In Your Eyes
81 bpm • A# Maj • 04:10 • -10.83db
30% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Badfinger
Flying - Remastered 2010
81 bpm • C Maj • 02:35 • -9.89db
23% Popularity • 43% Danceability • 46% Energy • 53% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 43% Danceability • 46% Energy • 53% Liveness
0% Instrumentalness • 46% Positiveness
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Bill LaBounty
Dream On
81 bpm • C Maj • 04:22 • -12.96db
52% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Wham!
Wake Me Up Before You Go-Go
82 bpm • C Maj • 03:51 • -11.89db
81% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
81% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Eagles
In the City - 2013 Remaster
82 bpm • A Maj • 03:44 • -7db
57% Popularity • 45% Danceability • 55% Energy • 4% Liveness
20% Instrumentalness • 71% Positiveness
57% Popularity • 45% Danceability • 55% Energy • 4% Liveness
20% Instrumentalness • 71% Positiveness
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The Police
Every Little Thing She Does Is Magic
82 bpm • D Maj • 04:20 • -10db
77% Popularity • 56% Danceability • 77% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
77% Popularity • 56% Danceability • 77% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
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Andy Gibb
Good Feeling
82 bpm • E Maj • 03:48 • -9.51db
34% Popularity • 57% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 57% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Badfinger
Maybe Tomorrow - Remastered 2010
81 bpm • A Maj • 03:00 • -10db
35% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Daryl Hall & John Oates
Everytime I Look at You
82 bpm • C Maj • 07:02 • -13.13db
28% Popularity • 38% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 38% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Joel
Surprises
83 bpm • D Maj • 03:26 • -7.67db
29% Popularity • 50% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 50% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Larsen/Feiten Band
Who'll Be the Fool Tonight
83 bpm • C Maj • 04:12 • -14db
44% Popularity • 68% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 68% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Player
Come On Out
83 bpm • D min • 03:49 • -10.43db
21% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Cars
Drive - 2017 Remaster
83 bpm • F# Maj • 03:54 • -7.87db
72% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Julian Lennon
On The Phone
84 bpm • B Maj • 04:50 • -10.38db
13% Popularity • 59% Danceability • 53% Energy • 35% Liveness
9% Instrumentalness • 56% Positiveness
13% Popularity • 59% Danceability • 53% Energy • 35% Liveness
9% Instrumentalness • 56% Positiveness
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Daryl Hall & John Oates
The Emptyness
83 bpm • D# min • 03:35 • -13.16db
11% Popularity • 38% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 38% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Orleans
Siam Siam
85 bpm • F Maj • 03:41 • -14.37db
10% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 50% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Eagles
I Can't Tell You Why - 2013 Remaster
85 bpm • B min • 04:55 • -12db
66% Popularity • 71% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 49% Positiveness
66% Popularity • 71% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 49% Positiveness
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Raspberries
Waiting
86 bpm • F Maj • 02:47 • -10.76db
19% Popularity • 17% Danceability • 27% Energy • 21% Liveness
40% Instrumentalness • 32% Positiveness
19% Popularity • 17% Danceability • 27% Energy • 21% Liveness
40% Instrumentalness • 32% Positiveness
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Dane Donohue
Can't Be Seen
86 bpm • A# Maj • 03:01 • -7.3db
43% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Player
Some Things Are Better Left Unsaid
87 bpm • C Maj • 03:24 • -11.58db
21% Popularity • 67% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 67% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Atlanta Rhythm Section
Do It or Die
88 bpm • D Maj • 03:19 • -9.2db
30% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Daryl Hall & John Oates
Laughing Boy
87 bpm • G Maj • 03:29 • -19.9db
26% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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TOTO
99
89 bpm • A# min • 05:16 • -13.87db
52% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Steely Dan
Throw Back The Little Ones
88 bpm • G Maj • 03:13 • -11.32db
34% Popularity • 60% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 60% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Matthew Wilder
Dreams Keep Bringing You Back
89 bpm • C Maj • 04:37 • -15.58db
15% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Eagles
You Never Cry Like a Lover - 2013 Remast...
91 bpm • C Maj • 04:00 • -9.81db
31% Popularity • 41% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 41% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Supertramp
Give A Little Bit
91 bpm • D Maj • 04:08 • -5.36db
76% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
76% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
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Daryl Hall & John Oates
Had I Known You Better Then
89 bpm • F Maj • 03:22 • -16db
41% Popularity • 52% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 52% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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England Dan & John Ford Coley
I'll Stay
91 bpm • B min • 03:23 • -14.38db
23% Popularity • 50% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 50% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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TOTO
You Are the Flower
89 bpm • F Maj • 04:46 • -5.36db
37% Popularity • 58% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 58% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
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Heart
Love Alive
91 bpm • D Maj • 04:18 • -17db
44% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Atlanta Rhythm Section
All Night Rain
91 bpm • E Maj • 03:15 • -20.19db
35% Popularity • 65% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
35% Popularity • 65% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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REO Speedwagon
(Only A) Summer Love
92 bpm • G Maj • 04:40 • -7.08db
15% Popularity • 61% Danceability • 84% Energy • 33% Liveness
28% Instrumentalness • 76% Positiveness
15% Popularity • 61% Danceability • 84% Energy • 33% Liveness
28% Instrumentalness • 76% Positiveness
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Daryl Hall & John Oates
Melody For A Memory
90 bpm • E min • 04:51 • -16db
19% Popularity • 37% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 37% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Don Henley
Sunset Grill
92 bpm • G# Maj • 06:19 • -12.18db
46% Popularity • 56% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 56% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Culture Club
Karma Chameleon - Remastered 2002
92 bpm • A# Maj • 04:12 • -7.18db
77% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
77% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Robbie Dupree
Thin Line
92 bpm • D Maj • 04:05 • -15.64db
11% Popularity • 45% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 45% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Wilson Brothers
Take Me to Your Heaven
92 bpm • D Maj • 03:40 • -6.12db
46% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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REO Speedwagon
Golden Country
92 bpm • E min • 06:35 • -8.09db
38% Popularity • 36% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 36% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Bob Welch
Church
92 bpm • F min • 03:07 • -7.84db
12% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Daryl Hall & John Oates
Go Solo
90 bpm • D min • 04:37 • -11.42db
27% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 71% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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TOTO
Africa
93 bpm • A Maj • 04:55 • -18.06db
85% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
85% Popularity • 67% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Orleans
Waking and Dreaming
93 bpm • A Maj • 06:20 • -12.92db
11% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Badfinger
Perfection - Remastered 2010
92 bpm • D Maj • 05:08 • -9db
33% Popularity • 66% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 77% Positiveness
33% Popularity • 66% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 77% Positiveness
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The Beach Boys
From There To Back Again
93 bpm • C# Maj • 03:23 • -11.48db
19% Popularity • 50% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 50% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Tavares
I Don't Want You Anymore
94 bpm • C# Maj • 04:06 • -13.64db
38% Popularity • 66% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 66% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Daryl Hall & John Oates
Art of Heartbreak
91 bpm • F Maj • 03:42 • -14.24db
32% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Little River Band
Reminiscing
94 bpm • G Maj • 04:28 • -11.07db
25% Popularity • 49% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 49% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Orleans
Golden State
94 bpm • C Maj • 03:39 • -15.42db
9% Popularity • 35% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
9% Popularity • 35% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Eddie Money
Don't Worry (2022 Remaster)
94 bpm • A min • 03:48 • -10.85db
19% Popularity • 70% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 70% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Robert Palmer
Sailing Shoes
95 bpm • A Maj • 02:42 • -13.02db
43% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 69% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Glenn Frey
I Found Somebody
95 bpm • A Maj • 04:05 • -10.1db
36% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Daryl Hall & John Oates
I'm Watching You (A Mutant Romance)
93 bpm • C Maj • 04:26 • -7.2db
12% Popularity • 32% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 32% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
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Steve Winwood
Freedom Overspill
95 bpm • D min • 05:37 • -15.46db
38% Popularity • 65% Danceability • 56% Energy • 4% Liveness
3% Instrumentalness • 90% Positiveness
38% Popularity • 65% Danceability • 56% Energy • 4% Liveness
3% Instrumentalness • 90% Positiveness
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Billy Joel
Until the Night
95 bpm • C Maj • 06:36 • -14.35db
39% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Eddie Money
You've Really Got a Hold On Me (2022 Rem...
95 bpm • A Maj • 03:53 • -14db
32% Popularity • 59% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 59% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Beach Boys
It's Gettin' Late - Remastered 2000
95 bpm • E Maj • 03:26 • -10.3db
17% Popularity • 72% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 72% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Steely Dan
Pretzel Logic
95 bpm • A min • 04:31 • -14.04db
55% Popularity • 60% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
55% Popularity • 60% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
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Michael McDonald
I Keep Forgettin' (Every Time You're Nea...
95 bpm • E min • 03:42 • -13.87db
66% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 73% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Julian Lennon
O.K. For You
96 bpm • A min • 03:39 • -9.05db
16% Popularity • 73% Danceability • 73% Energy • 35% Liveness
13% Instrumentalness • 85% Positiveness
16% Popularity • 73% Danceability • 73% Energy • 35% Liveness
13% Instrumentalness • 85% Positiveness
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Taylor Swift
Fortnight
96 bpm • B Maj • 03:48 • -10.9db
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Eddie Money
Maybe I'm a Fool
96 bpm • C min • 03:05 • -7db
30% Popularity • 67% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 67% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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The Beach Boys
Maybe I Don't Know - Remastered 2000
96 bpm • G min • 03:54 • -9.35db
15% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Andy Gibb
(Love Is) Thicker Than Water
96 bpm • F# min • 04:15 • -9.88db
50% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Joel
Stiletto
96 bpm • F Maj • 04:41 • -15.76db
43% Popularity • 62% Danceability • 53% Energy • 5% Liveness
5% Instrumentalness • 46% Positiveness
43% Popularity • 62% Danceability • 53% Energy • 5% Liveness
5% Instrumentalness • 46% Positiveness
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Bob Welch
Outskirts
97 bpm • F# Maj • 03:18 • -12.75db
17% Popularity • 68% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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TOTO
Hold the Line
97 bpm • F# min • 03:55 • -4.8db
85% Popularity • 47% Danceability • 90% Energy • 17% Liveness
6% Instrumentalness • 81% Positiveness
85% Popularity • 47% Danceability • 90% Energy • 17% Liveness
6% Instrumentalness • 81% Positiveness
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Eddie Money
Maybe I'm a Fool
96 bpm • C min • 03:04 • -14db
20% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Boz Scaggs
Gimme the Goods
97 bpm • G# Maj • 04:14 • -11db
17% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Badfinger
Shine On
97 bpm • D Maj • 02:52 • -9.72db
23% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
