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Falling
Songs like
Falling
by
Joshua Hyslop
Based on a tempo of (+/- 10%) and a similar genre
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John Smith
Burden of the Road
76 bpm • C# Maj • 03:16 • -10.93db
32% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Joshua Hyslop
Falling
76 bpm • C Maj • 03:44 • -13.56db
19% Popularity • 52% Danceability • 27% Energy • 14% Liveness
3% Instrumentalness • 21% Positiveness
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Robby Hecht
The Ones I Love
76 bpm • D# Maj • 03:00 • -16.21db
29% Popularity • 56% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jamie Lawson
Oh, What a Foolish Me
76 bpm • G Maj • 03:04 • -8.62db
11% Popularity • 45% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Roo Panes
The Original
76 bpm • D Maj • 02:56 • -11.65db
37% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Donovan Woods
Empty Rooms
76 bpm • F Maj • 03:01 • -16.29db
13% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Careful Ones
Turn to You
77 bpm • A min • 04:19 • -13.57db
23% Popularity • 32% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Jon Bryant
Ontario
77 bpm • A Maj • 06:10 • -10.73db
17% Popularity • 39% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Joy Williams
Someone to Love You (Acoustic)
75 bpm • C Maj • 04:13 • -10.5db
23% Popularity • 31% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Joshua Hyslop
I'm on Fire
75 bpm • C Maj • 02:52 • -17.95db
20% Popularity • 48% Danceability • 13% Energy • 11% Liveness
27% Instrumentalness • 10% Positiveness
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The Saint Johns
Josephine
75 bpm • G Maj • 03:57 • -9.19db
14% Popularity • 47% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Hearn
Give It Up
77 bpm • G Maj • 04:00 • -8.8db
9% Popularity • 53% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Aaron Espe
Sleeper Must Awaken
77 bpm • C Maj • 03:13 • -13.97db
8% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Anchor + Bell
Falling
77 bpm • D Maj • 03:46 • -8.01db
12% Popularity • 57% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Madison Letter
The Words
77 bpm • F# Maj • 03:56 • -9db
16% Popularity • 33% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bruno Merz
There Is a Place
75 bpm • G Maj • 05:12 • -15.73db
16% Popularity • 56% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Erick Baker
Dear Amanda
75 bpm • G min • 04:58 • -13.75db
9% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Guest and the Host
Best Friend
77 bpm • D Maj • 02:54 • -11.66db
16% Popularity • 51% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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John Paul White
Hate The Way You Love Me
77 bpm • E Maj • 04:03 • -17.77db
47% Popularity • 46% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jon Bryant
Evening Sun
77 bpm • B Maj • 03:34 • -13db
26% Popularity • 45% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Ryan McNulty
If Your Mind Should Change
77 bpm • A# Maj • 03:24 • -17db
27% Popularity • 72% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 27% Positiveness
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Tall Heights
Heirloom
74 bpm • F# Maj • 03:47 • -11.36db
14% Popularity • 45% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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David Luning
Different Piano Song
78 bpm • C# Maj • 04:19 • -12.49db
14% Popularity • 25% Danceability • 20% Energy • 12% Liveness
34% Instrumentalness • 27% Positiveness
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Bruno Merz
When You Found Me
74 bpm • D min • 03:33 • -17.25db
16% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Brandon & Leah
Together
78 bpm • C Maj • 03:52 • -11.09db
22% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Joshua Hyslop
Where The Mountain Meets The Valley
78 bpm • G Maj • 04:41 • -13.43db
12% Popularity • 53% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Jon Bryant
Milk and Water
78 bpm • D Maj • 04:03 • -10.53db
16% Popularity • 55% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Ciaran Lavery
Wilder
78 bpm • F# min • 03:51 • -12.13db
19% Popularity • 54% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Lydia Luce
Love You True
79 bpm • D Maj • 03:53 • -11db
36% Popularity • 47% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Roo Panes
Know Me Well
78 bpm • G Maj • 04:24 • -9.52db
36% Popularity • 22% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Corey Kilgannon
Unable
79 bpm • A Maj • 03:29 • -9.99db
15% Popularity • 26% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hannah Gill
Distance
79 bpm • D Maj • 03:23 • -9.81db
9% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jon Bryant
At Home
74 bpm • B Maj • 03:46 • -11db
51% Popularity • 38% Danceability • 52% Energy • 10% Liveness
9% Instrumentalness • 36% Positiveness
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Good Old War
Part of Me
79 bpm • G# Maj • 03:02 • -5db
46% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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John Smith
Joanna
79 bpm • E Maj • 04:05 • -12.72db
30% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Halloran & Kate
Hello - Acoustic Version
79 bpm • E Maj • 04:49 • -9.27db
23% Popularity • 51% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Huston
This Life
79 bpm • D# min • 04:29 • -13.65db
22% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Maygen Lacey
One Foot
73 bpm • D Maj • 03:46 • -11.63db
25% Popularity • 71% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Preston
The Light Was Already Here
79 bpm • F# Maj • 03:42 • -12db
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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RHODES
Wishes
73 bpm • D Maj • 04:13 • -7.09db
29% Popularity • 25% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jon Bryant
Carolina
79 bpm • F Maj • 04:06 • -10.11db
23% Popularity • 51% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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William Wild
Sepia Swirl
80 bpm • G Maj • 03:12 • -13.65db
13% Popularity • 32% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Frances
Say It Again - Acoustic
80 bpm • E Maj • 03:01 • -9.82db
38% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Brandon Jenner
All I Need Is You
80 bpm • A Maj • 04:07 • -12.98db
25% Popularity • 48% Danceability • 39% Energy • 12% Liveness
31% Instrumentalness • 40% Positiveness
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Jake Etheridge
You Found Me First
80 bpm • F Maj • 04:15 • -12db
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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The Dunwells
Will You Wait For Me
80 bpm • C Maj • 03:20 • -14.32db
17% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Donovan Woods
Portland, Maine
80 bpm • E Maj • 03:23 • -14db
60% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
► Preview
Joshua Hyslop
Let It Go
80 bpm • C# min • 03:29 • -12.79db
25% Popularity • 60% Danceability • 47% Energy • 12% Liveness
78% Instrumentalness • 30% Positiveness
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Lauren Marsh
Dear Love
80 bpm • F Maj • 03:41 • -8.79db
36% Popularity • 66% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Ira Wolf
Waves
72 bpm • A Maj • 03:14 • -6.53db
21% Popularity • 48% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Lunatic Wolf
Roses
80 bpm • C# Maj • 03:30 • -11.12db
20% Popularity • 33% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Kel
Nightfall
81 bpm • D Maj • 04:48 • -10.98db
11% Popularity • 31% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Ed Patrick
What You See
81 bpm • D# Maj • 03:25 • -13.11db
31% Popularity • 60% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Joshua Hyslop
The Flood
81 bpm • F# Maj • 04:21 • -11db
53% Popularity • 58% Danceability • 45% Energy • 12% Liveness
8% Instrumentalness • 26% Positiveness
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Daily Emily Routine
Come Home The Tide Rose
81 bpm • C# Maj • 02:38 • -11.24db
5% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Brendan James
Where You Started
81 bpm • A Maj • 03:16 • -8.8db
7% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ciaran McMeeken
Spanish Steps
71 bpm • D Maj • 04:24 • -10.28db
9% Popularity • 53% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Scott Helman
Machine
81 bpm • D Maj • 02:53 • -7.71db
33% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kris Allen
Letting You In
71 bpm • C# min • 04:22 • -9.66db
20% Popularity • 40% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Katie Buxton
You Flew
82 bpm • D Maj • 03:08 • -9.54db
9% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hearts & Colors
Say You Will
82 bpm • B Maj • 03:31 • -11.44db
20% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Joshua Hyslop
World Spins Madly On
82 bpm • B Maj • 02:41 • -15.73db
22% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Graham Colton
Hold onto My Heart
70 bpm • F# Maj • 02:45 • -12.89db
38% Popularity • 59% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Joy Williams
What Can I Do (But Love You)
82 bpm • D Maj • 03:08 • -9db
34% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Donovan Woods
That Hotel
83 bpm • C# Maj • 03:14 • -11db
25% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Cornell
Poison and Wine
83 bpm • C Maj • 03:22 • -12.45db
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jennifer Kamikazi
To the Brim
83 bpm • B Maj • 02:54 • -12.02db
17% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Joshua Hyslop
Behind the Light
82 bpm • C# Maj • 02:51 • -13.19db
50% Popularity • 21% Danceability • 44% Energy • 13% Liveness
56% Instrumentalness • 53% Positiveness
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Jon Bryant
Wilderness
83 bpm • D# Maj • 04:29 • -16.67db
41% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Joy Williams
Welcome Home (Acoustic)
83 bpm • E Maj • 03:33 • -11.01db
28% Popularity • 59% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Daniel
Better Than Gold
83 bpm • B Maj • 03:53 • -5.72db
27% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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John Smith
Star-Crossed Lovers
83 bpm • G Maj • 04:06 • -17.73db
32% Popularity • 60% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Matthew Perryman Jones
Table for Two
83 bpm • G Maj • 04:10 • -14.62db
15% Popularity • 46% Danceability • 35% Energy • 7% Liveness
36% Instrumentalness • 5% Positiveness
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Joshua Hyslop
The Flood - Acoustic [Bonus Track]
83 bpm • F# Maj • 04:02 • -12.67db
18% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Thomas Daniel
Symphony - Acoustic
83 bpm • G Maj • 03:12 • -10.57db
43% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Joy Williams
Sweet Love of Mine (Acoustic)
83 bpm • B Maj • 02:55 • -12.18db
45% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Scott Helman
Machine - Spotify Sessions
83 bpm • D Maj • 03:42 • -8.66db
16% Popularity • 33% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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Corey Harper
On the Run
83 bpm • A Maj • 03:26 • -7.49db
35% Popularity • 41% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Stu Larsen
San Francisco
84 bpm • D Maj • 04:06 • -11db
39% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Joshua Hyslop
Free Fallin'
83 bpm • F Maj • 04:51 • -13.19db
38% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kodaline
I Wouldn't Be
69 bpm • G# Maj • 03:41 • -11.9db
32% Popularity • 22% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Corey Kilgannon
The Hollow in Retrospect
84 bpm • D Maj • 04:24 • -10.7db
21% Popularity • 23% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Jenny & Tyler
Somewhere Over the Rainbow
84 bpm • B Maj • 04:17 • -16.48db
24% Popularity • 21% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 11% Positiveness
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Andy Kong
Clarity
84 bpm • D# Maj • 03:21 • -12.59db
21% Popularity • 51% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Down Like Silver
Have I Loved
85 bpm • D Maj • 03:16 • -16.74db
36% Popularity • 54% Danceability • 30% Energy • 7% Liveness
23% Instrumentalness • 27% Positiveness
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Joshua Hyslop
Wells
84 bpm • F# Maj • 03:43 • -11.21db
39% Popularity • 54% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Lee DeWyze
Hollyridge
85 bpm • D# Maj • 02:04 • -9.77db
11% Popularity • 56% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Craig Cardiff
Boy Inside the Boat
85 bpm • D# Maj • 05:53 • -11.06db
12% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Donovan Woods
The Coldest State
85 bpm • E Maj • 02:40 • -10.59db
23% Popularity • 58% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Tall Heights
Learn Again
85 bpm • F Maj • 02:57 • -13.82db
16% Popularity • 47% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Elsmore Carey
Come on Love
86 bpm • D Maj • 04:32 • -15.99db
30% Popularity • 49% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Eddie Berman
This Past Storm
86 bpm • D Maj • 05:43 • -11db
22% Popularity • 35% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Joy Williams
Ordinary World
67 bpm • E min • 05:14 • -11.42db
53% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lydia Luce
The Blower's Daughter
86 bpm • D Maj • 04:19 • -11.14db
30% Popularity • 17% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Boatkeeper
Faraway Tree
87 bpm • D# Maj • 04:02 • -12db
21% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Parachute
When You Move
87 bpm • E Maj • 04:00 • -14db
25% Popularity • 54% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Joshua Hyslop
Overcome
87 bpm • B Maj • 02:54 • -15.82db
22% Popularity • 30% Danceability • 17% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
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Leah Nobel
Secret Room
87 bpm • A# Maj • 03:20 • -12.13db
17% Popularity • 48% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Grayson Kessenich
Alex's Song
87 bpm • G Maj • 05:10 • -15db
14% Popularity • 35% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Rose Cousins
Donoughmore
66 bpm • F Maj • 03:15 • -15.74db
37% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Falling