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False Direction
Songs like
False Direction
by
Dayglow
Based on a tempo of (+/- 10%) and a similar genre
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Dayglow
Balcony
150 bpm • B min • 02:31 • -6db
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
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Rex Orange County
Never Had The Balls
150 bpm • F Maj • 03:56 • -7.81db
50% Popularity • 70% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Her's
Mannie's Smile
150 bpm • F Maj • 03:40 • -4.94db
45% Popularity • 56% Danceability • 79% Energy • 26% Liveness
82% Instrumentalness • 71% Positiveness
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HUNNY
Vowels (and the Importance of Being Me)
150 bpm • E Maj • 03:04 • -5.24db
54% Popularity • 48% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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The Polar Boys
Life's a Dream
150 bpm • E Maj • 02:58 • -5.71db
39% Popularity • 38% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
51% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
49% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Phoneboy
Fomo
150 bpm • A# min • 03:17 • -8.25db
39% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Greer
Bittersweet
150 bpm • F Maj • 03:55 • -7.84db
41% Popularity • 29% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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CHYLD
ANTIDOTE
150 bpm • D# min • 03:03 • -5.98db
38% Popularity • 74% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Far Caspian
Finding My Way Home
149 bpm • A Maj • 04:09 • -10.29db
43% Popularity • 53% Danceability • 55% Energy • 11% Liveness
78% Instrumentalness • 26% Positiveness
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The Polar Boys
Barbados
149 bpm • F Maj • 03:52 • -6.1db
35% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Phoneboy
1987
152 bpm • C# min • 02:42 • -12.8db
49% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Peach Pit
Being so Normal
148 bpm • F# min • 03:40 • -8.89db
54% Popularity • 54% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Lawrence Rothman
Kate's Not Here - Day Wave & Lawrence Ro...
148 bpm • G Maj • 03:07 • -4.53db
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
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Far Caspian
Conversations
152 bpm • C# Maj • 03:19 • -6db
37% Popularity • 69% Danceability • 69% Energy • 10% Liveness
73% Instrumentalness • 76% Positiveness
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Vista Kicks
Chasing Waves
148 bpm • G# Maj • 05:37 • -5.76db
42% Popularity • 38% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Vacation Manor
Fading
152 bpm • A Maj • 03:22 • -5db
47% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Saint Motel
For Elise
153 bpm • A# Maj • 03:23 • -6.32db
58% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
37% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Wallows
Only Friend
154 bpm • E Maj • 03:01 • -5db
55% Popularity • 30% Danceability • 84% Energy • 34% Liveness
91% Instrumentalness • 8% Positiveness
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Far Caspian
Blue
154 bpm • G Maj • 03:25 • -9.96db
49% Popularity • 61% Danceability • 79% Energy • 25% Liveness
70% Instrumentalness • 84% Positiveness
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half•alive
What's Wrong
154 bpm • D Maj • 02:57 • -6.67db
49% Popularity • 68% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Grady
CAN YOU HEAR THE MOON
146 bpm • F# min • 03:02 • -6.02db
52% Popularity • 34% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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HARBOUR
With Love
154 bpm • D Maj • 03:37 • -4.33db
43% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Verzache
All I Need
146 bpm • A Maj • 03:23 • -5.33db
47% Popularity • 66% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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The Growlers
Dope on a Rope
146 bpm • G Maj • 04:10 • -3.86db
57% Popularity • 42% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Wallows
Pictures of Girls
155 bpm • F# Maj • 03:24 • -5.5db
59% Popularity • 44% Danceability • 82% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
46% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lunar Vacation
Swimming
155 bpm • E Maj • 04:40 • -13.25db
45% Popularity • 44% Danceability • 40% Energy • 12% Liveness
35% Instrumentalness • 37% Positiveness
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Peach Pit
Sweet FA
145 bpm • C# min • 03:35 • -7.89db
50% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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HUNNY
Hallways
155 bpm • A Maj • 03:12 • -7.03db
30% Popularity • 55% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Her's
Dorothy
145 bpm • C# min • 04:06 • -4.15db
55% Popularity • 52% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
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The Polar Boys
Nothing Has Changed
145 bpm • C# Maj • 03:34 • -5.95db
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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Dayglow
Talking To Light
145 bpm • G Maj • 03:02 • -3.76db
37% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
51% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Vansire
Nosebleed Seats
144 bpm • E Maj • 02:41 • -8.91db
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Husbands
Mexico
156 bpm • C Maj • 03:32 • -6.92db
48% Popularity • 58% Danceability • 84% Energy • 11% Liveness
66% Instrumentalness • 93% Positiveness
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Plums
Parking Lots
156 bpm • C# min • 03:26 • -5.33db
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
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Dayglow
Someone Else
145 bpm • B Maj • 03:10 • -2.97db
31% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Rec Hall
She Doesn't Get It
156 bpm • E Maj • 03:31 • -5.15db
56% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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boy pablo
honey
144 bpm • C Maj • 04:14 • -10.16db
56% Popularity • 66% Danceability • 63% Energy • 14% Liveness
7% Instrumentalness • 72% Positiveness
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HUNNY
Natalie
144 bpm • D# min • 03:08 • -4db
36% Popularity • 50% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Sure Sure
Good Thing
144 bpm • C# min • 03:04 • -7.02db
41% Popularity • 82% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Gus Dapperton
Gum, Toe and Sole
144 bpm • B Maj • 03:53 • -9db
41% Popularity • 85% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 62% Positiveness
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Briston Maroney
Freakin' Out On the Interstate
144 bpm • E Maj • 04:11 • -5.02db
70% Popularity • 45% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Tipling Rock
Staring
157 bpm • G# min • 03:26 • -6.45db
61% Popularity • 61% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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The Drives
Tell Me
143 bpm • A Maj • 03:19 • -4.71db
31% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Elevator Fight Club
Call Me
157 bpm • C Maj • 03:44 • -7.99db
41% Popularity • 44% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Far Caspian
Today
143 bpm • F# Maj • 02:46 • -8db
38% Popularity • 58% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 96% Positiveness
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Ashes To Amber
Sun Punks
158 bpm • F# Maj • 03:44 • -8.12db
45% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Kevin Walkman
its alright :)
158 bpm • D# Maj • 03:22 • -6db
59% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Sarah and the Sundays
Coward
158 bpm • E Maj • 03:04 • -6.9db
37% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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CRUISR
All Over
158 bpm • D Maj • 03:02 • -5.17db
46% Popularity • 55% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Greer
Understand
158 bpm • A Maj • 03:18 • -6.32db
42% Popularity • 44% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Colony House
You Know It
158 bpm • D# Maj • 03:02 • -2.9db
60% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Inner Wave
American Spirits
158 bpm • C# min • 02:50 • -5db
54% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Hails
Sugar
142 bpm • C Maj • 03:47 • -4.84db
32% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Early Eyes
Penelope
142 bpm • B Maj • 03:56 • -10.05db
40% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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Foster The People
Static Space Lover
142 bpm • C min • 04:00 • -4.65db
50% Popularity • 62% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
67% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Hot Flash Heat Wave
Hesitation
142 bpm • G# Maj • 03:29 • -4.07db
45% Popularity • 65% Danceability • 94% Energy • 10% Liveness
12% Instrumentalness • 59% Positiveness
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Kid Bloom
Different State of Mind
141 bpm • B Maj • 03:45 • -9.93db
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Far Caspian
Questions
141 bpm • F Maj • 03:40 • -7db
40% Popularity • 49% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
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Aidan Bissett
Different
160 bpm • B min • 03:20 • -5.51db
41% Popularity • 52% Danceability • 62% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Lunar Vacation
Blue Honey
160 bpm • F# min • 02:34 • -13.84db
52% Popularity • 44% Danceability • 58% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
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Sarah and the Sundays
Sweet Dream
160 bpm • G Maj • 02:36 • -8.61db
39% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Hall Johnson
City Lights
160 bpm • G Maj • 02:44 • -6.94db
52% Popularity • 55% Danceability • 85% Energy • 26% Liveness
11% Instrumentalness • 92% Positiveness
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Hala
Sorry
160 bpm • G Maj • 03:31 • -4.27db
35% Popularity • 50% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Happy Fits
Too Late
160 bpm • G Maj • 03:21 • -10.48db
59% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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HUNNY
Gilding the Lily
160 bpm • G# Maj • 03:00 • -8db
31% Popularity • 45% Danceability • 92% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
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The Mellowells
Melting Vibes
160 bpm • A Maj • 03:48 • -5.94db
39% Popularity • 44% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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The Neighbourhood
Stargazing
160 bpm • C Maj • 03:37 • -7.8db
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Wallows
Treacherous Doctor
160 bpm • F# min • 02:43 • -6db
54% Popularity • 46% Danceability • 86% Energy • 47% Liveness
0% Instrumentalness • 77% Positiveness
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Sure Sure
Receive
160 bpm • G# Maj • 02:12 • -7db
33% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Ax and the Hatchetmen
Silhouette
160 bpm • E Maj • 04:05 • -10.11db
40% Popularity • 59% Danceability • 71% Energy • 24% Liveness
1% Instrumentalness • 64% Positiveness
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Dayglow
Run the World!!!
160 bpm • C Maj • 02:56 • -7.71db
59% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Far Caspian
Let's Go Outside
140 bpm • B min • 04:36 • -8db
44% Popularity • 51% Danceability • 82% Energy • 9% Liveness
11% Instrumentalness • 77% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Gus Dapperton
Prune, You Talk Funny
140 bpm • A# min • 03:32 • -7.19db
57% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Ax and the Hatchetmen
Grace
160 bpm • D# min • 02:30 • -5.27db
50% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Dayglow
Close To You
140 bpm • F# Maj • 03:14 • -6db
67% Popularity • 88% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Arlie
wait a minute
140 bpm • E Maj • 03:23 • -4db
29% Popularity • 36% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
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HUNNY
Saturday Night
140 bpm • A min • 02:33 • -3db
38% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Djo
Mortal Projections
140 bpm • D min • 03:08 • -9db
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Polar Boys
After Breakfast
140 bpm • A Maj • 02:48 • -4.82db
25% Popularity • 42% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Wallows
Calling After Me
140 bpm • G# Maj • 03:07 • -4.64db
73% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Dayglow
Then It All Goes Away
140 bpm • D Maj • 03:03 • -3db
57% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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False Direction