Songs like Fame - Reimagined by Ocie Elliott
Based on a tempo of (+/- 10%) and a similar genre
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Haux
Heavy
130 bpm • G# Maj • 03:01 • -16.13db
40% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Gone Gone Beyond
Riptide
130 bpm • G Maj • 05:23 • -14.03db
36% Popularity • 48% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 48% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Ocie Elliott
Fame - Reimagined
130 bpm • D# Maj • 03:06 • -14db
52% Popularity • 70% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 70% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jon and Roy
The Road Ahead Is Golden
130 bpm • B min • 03:45 • -13.09db
55% Popularity • 60% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 17% Positiveness
55% Popularity • 60% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 17% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
39% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Alex Serra
So Free
130 bpm • D Maj • 04:12 • -9.5db
51% Popularity • 68% Danceability • 45% Energy • 13% Liveness
8% Instrumentalness • 16% Positiveness
51% Popularity • 68% Danceability • 45% Energy • 13% Liveness
8% Instrumentalness • 16% Positiveness
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Ocie Elliott
Fame
130 bpm • D# Maj • 03:10 • -14db
58% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Jon Bryant
Light
130 bpm • A Maj • 04:27 • -12db
43% Popularity • 51% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
43% Popularity • 51% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jon and Roy
Rising Sun
130 bpm • C min • 03:22 • -11.25db
52% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
52% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
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Fia
When I Found You
130 bpm • A# Maj • 04:11 • -18db
37% Popularity • 63% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 63% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Savanna
She Moves Me
131 bpm • A min • 01:57 • -14.01db
53% Popularity • 49% Danceability • 19% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
53% Popularity • 49% Danceability • 19% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
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Old Sea Brigade
Stayed Up Late (SCayos & Annie Elise Rem...
131 bpm • C# Maj • 03:00 • -16.64db
40% Popularity • 56% Danceability • 29% Energy • 18% Liveness
59% Instrumentalness • 25% Positiveness
40% Popularity • 56% Danceability • 29% Energy • 18% Liveness
59% Instrumentalness • 25% Positiveness
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Ocie Elliott
Baby, You Know
129 bpm • F Maj • 03:02 • -10db
53% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Yaima
Force - Acoustic
128 bpm • F# min • 04:29 • -14.53db
40% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jon and Roy
How the Story Goes
129 bpm • D# Maj • 02:22 • -11.32db
46% Popularity • 70% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
46% Popularity • 70% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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Minke
Gold Angel - Mahogany Sessions
128 bpm • G min • 04:59 • -8.78db
29% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
46% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ocie Elliott
Back Door Run
132 bpm • B min • 03:33 • -11.95db
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
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Mama Kin
The River As She Runs
132 bpm • C Maj • 04:56 • -12.25db
32% Popularity • 72% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
32% Popularity • 72% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jon and Roy
Summer Night
128 bpm • C Maj • 03:25 • -11.47db
40% Popularity • 64% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
40% Popularity • 64% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Old Sea Brigade
Feel You
128 bpm • D Maj • 03:54 • -14db
47% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
47% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
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Ocie Elliott
Rainbow and Arrow
132 bpm • D Maj • 03:26 • -14.37db
42% Popularity • 70% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
42% Popularity • 70% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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DAO
The View
132 bpm • D Maj • 01:31 • -9.69db
49% Popularity • 68% Danceability • 47% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 68% Danceability • 47% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Gone Gone Beyond
She Just Can't Help But Shine
128 bpm • C Maj • 02:44 • -13db
47% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Olivia Fern
Calling Us Home
133 bpm • B min • 03:45 • -14db
43% Popularity • 65% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 65% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Maggie Koerner
Birds
127 bpm • C Maj • 04:23 • -13db
28% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Old Sea Brigade
Caroline - Acoustic
127 bpm • E min • 03:57 • -12db
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Blanco White
Una Noche Más
127 bpm • E min • 03:20 • -15.16db
47% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Laura Zocca
Love, The Time Is Now
127 bpm • A# Maj • 02:23 • -17.09db
35% Popularity • 52% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 52% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Ocie Elliott
What Remains
127 bpm • F# min • 04:16 • -12db
39% Popularity • 64% Danceability • 18% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
39% Popularity • 64% Danceability • 18% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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Layv
From Blood
127 bpm • C# min • 04:50 • -14.71db
30% Popularity • 64% Danceability • 19% Energy • 12% Liveness
35% Instrumentalness • 6% Positiveness
30% Popularity • 64% Danceability • 19% Energy • 12% Liveness
35% Instrumentalness • 6% Positiveness
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Jon and Roy
Nothing but Everything
134 bpm • F# Maj • 03:34 • -16.12db
61% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
61% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
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Jon Middleton
South Pacific
134 bpm • F Maj • 03:00 • -15.69db
36% Popularity • 72% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 34% Positiveness
36% Popularity • 72% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 34% Positiveness
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Fiora
Let It Go By
126 bpm • A# Maj • 03:52 • -11db
36% Popularity • 58% Danceability • 29% Energy • 11% Liveness
11% Instrumentalness • 11% Positiveness
36% Popularity • 58% Danceability • 29% Energy • 11% Liveness
11% Instrumentalness • 11% Positiveness
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Old Sea Brigade
Cover My Own
134 bpm • G Maj • 03:53 • -15db
38% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
38% Popularity • 73% Danceability • 21% Energy • 7% Liveness
3% Instrumentalness • 40% Positiveness
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Yaima
Rise - Acoustic
134 bpm • F# min • 04:23 • -14.5db
35% Popularity • 52% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
35% Popularity • 52% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Ocie Elliott
Coming Home
126 bpm • D# Maj • 03:11 • -12.61db
42% Popularity • 55% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
42% Popularity • 55% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Abigail Lapell
Gonna Be Leaving
135 bpm • F Maj • 03:10 • -15.05db
42% Popularity • 72% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 72% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hayden Calnin
Unfortunate Love
135 bpm • C# min • 03:46 • -11db
44% Popularity • 47% Danceability • 42% Energy • 17% Liveness
25% Instrumentalness • 16% Positiveness
44% Popularity • 47% Danceability • 42% Energy • 17% Liveness
25% Instrumentalness • 16% Positiveness
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Didacte
Voices In The Storm
135 bpm • G Maj • 03:04 • -12.42db
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
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Wilderado
Surefire - Piano
125 bpm • B Maj • 04:01 • -8db
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sons Of The East
What I Do
125 bpm • F min • 03:35 • -7.65db
54% Popularity • 69% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 69% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Ocie Elliott
With the Lights Down
135 bpm • F Maj • 03:57 • -9.92db
44% Popularity • 75% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 75% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Elephant Revival
Raven Song
125 bpm • F# min • 02:31 • -21.33db
33% Popularity • 44% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 44% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
37% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Loah
Unveiled
136 bpm • E min • 04:12 • -11.63db
36% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
60% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
60% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Dustin Tebbutt
Cedar On The Fire
136 bpm • E Maj • 04:40 • -12db
34% Popularity • 72% Danceability • 43% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
34% Popularity • 72% Danceability • 43% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
51% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ella Grace
Wild Roads
124 bpm • C Maj • 03:22 • -7db
36% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Elderbrook
Feels Like a Sunday
124 bpm • G Maj • 02:28 • -12.12db
56% Popularity • 83% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 29% Positiveness
56% Popularity • 83% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 29% Positiveness
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Matthew Pinder
Golden Hour
124 bpm • D Maj • 03:36 • -12.17db
32% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
32% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Jamie Rose
Agnes Water
124 bpm • G# Maj • 02:14 • -12.53db
0% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Angus & Julia Stone
Nothing Else
124 bpm • C# min • 04:24 • -13.53db
48% Popularity • 71% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
48% Popularity • 71% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Ocie Elliott
Life I Know
124 bpm • A# Maj • 03:40 • -9.26db
37% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Goldkimono
The Morning
124 bpm • C# min • 01:49 • -14.47db
37% Popularity • 59% Danceability • 28% Energy • 11% Liveness
22% Instrumentalness • 54% Positiveness
37% Popularity • 59% Danceability • 28% Energy • 11% Liveness
22% Instrumentalness • 54% Positiveness
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Ryan Harris
You Were Right
124 bpm • G Maj • 03:04 • -13.63db
42% Popularity • 62% Danceability • 27% Energy • 9% Liveness
12% Instrumentalness • 21% Positiveness
42% Popularity • 62% Danceability • 27% Energy • 9% Liveness
12% Instrumentalness • 21% Positiveness
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Lily Kershaw
Darker Things
123 bpm • C# Maj • 02:02 • -12db
50% Popularity • 77% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 77% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Bliss Looper
Inspo
123 bpm • G Maj • 01:58 • -19.79db
51% Popularity • 76% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
51% Popularity • 76% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Golden Vessel
Hesitate
123 bpm • D Maj • 04:11 • -10db
53% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
53% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Nessi Gomes
These Walls
123 bpm • A# Maj • 03:36 • -16db
48% Popularity • 63% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
48% Popularity • 63% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Penny and Sparrow
Eloise
138 bpm • G min • 02:48 • -8.32db
53% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Old Sea Brigade
Day by Day - Acoustic
138 bpm • F# min • 03:29 • -14db
54% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
54% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Beta Radio
Come on Make It Right Once
138 bpm • E min • 03:04 • -11.05db
47% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
47% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
29% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Harris
Falling
122 bpm • G Maj • 02:31 • -12.2db
47% Popularity • 73% Danceability • 51% Energy • 12% Liveness
71% Instrumentalness • 41% Positiveness
47% Popularity • 73% Danceability • 51% Energy • 12% Liveness
71% Instrumentalness • 41% Positiveness
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Sons Of The East
Come Away
122 bpm • C Maj • 04:20 • -8.39db
56% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Leif Vollebekk
Big Sky Country
122 bpm • D# Maj • 04:28 • -15db
39% Popularity • 71% Danceability • 27% Energy • 29% Liveness
4% Instrumentalness • 60% Positiveness
39% Popularity • 71% Danceability • 27% Energy • 29% Liveness
4% Instrumentalness • 60% Positiveness
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Moontricks
Currents
122 bpm • F Maj • 04:43 • -11.91db
30% Popularity • 66% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 66% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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The Franklin Electric
In Your Heart
122 bpm • D# Maj • 02:45 • -9.34db
52% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sean Angus Watson
Let Me in
139 bpm • D Maj • 03:01 • -19.68db
51% Popularity • 70% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
51% Popularity • 70% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
48% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Rose Cousins
I Would Die 4 U
121 bpm • A min • 03:00 • -11.46db
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Heather Christie
After the Fire
140 bpm • G Maj • 02:49 • -12.18db
46% Popularity • 74% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
46% Popularity • 74% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
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AHI
Until You
140 bpm • A Maj • 03:18 • -10.18db
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Edwin Raphael
Elephant Crossing
121 bpm • D# Maj • 01:05 • -9.01db
61% Popularity • 71% Danceability • 43% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
61% Popularity • 71% Danceability • 43% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Random Rab
Apparently
140 bpm • G min • 04:04 • -11.96db
44% Popularity • 76% Danceability • 14% Energy • 37% Liveness
42% Instrumentalness • 52% Positiveness
44% Popularity • 76% Danceability • 14% Energy • 37% Liveness
42% Instrumentalness • 52% Positiveness
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Yaima
Rise
140 bpm • F# min • 03:55 • -12.22db
51% Popularity • 65% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
51% Popularity • 65% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Ed Patrick
Barcelona, Babe
140 bpm • C# Maj • 02:09 • -15.82db
54% Popularity • 46% Danceability • 20% Energy • 9% Liveness
47% Instrumentalness • 41% Positiveness
54% Popularity • 46% Danceability • 20% Energy • 9% Liveness
47% Instrumentalness • 41% Positiveness
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Cujo Moon
Knockin' On Heaven's Door
140 bpm • G Maj • 02:58 • -11.9db
36% Popularity • 65% Danceability • 36% Energy • 9% Liveness
13% Instrumentalness • 25% Positiveness
36% Popularity • 65% Danceability • 36% Energy • 9% Liveness
13% Instrumentalness • 25% Positiveness
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Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
