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Fame
Songs like
Fame
by
Ocie Elliott
Based on a tempo of (+/- 10%) and a similar genre
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
50% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Dekker
Maybe October
130 bpm • F# Maj • 02:44 • -10db
64% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Gone Gone Beyond
Riptide
130 bpm • G Maj • 05:23 • -14.03db
37% Popularity • 48% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Haux
Salt
130 bpm • G min • 04:07 • -17.99db
46% Popularity • 54% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Jordy Maxwell
She Came Back with Rainbows
130 bpm • G Maj • 03:50 • -9.58db
38% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Ocie Elliott
Fame
130 bpm • D# Maj • 03:10 • -14db
58% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Jon and Roy
The Road Ahead Is Golden
130 bpm • B min • 03:45 • -13.09db
56% Popularity • 60% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 17% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
45% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
40% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jon Bryant
Light
130 bpm • A Maj • 04:27 • -12db
44% Popularity • 51% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Ocie Elliott
Fame - Reimagined
130 bpm • D# Maj • 03:06 • -14db
53% Popularity • 70% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Jon and Roy
Rising Sun
130 bpm • C min • 03:22 • -11.25db
53% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
41% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
45% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ocie Elliott
Baby, You Know
129 bpm • F Maj • 03:02 • -10db
54% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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David O'Dowda
Be Like Home
129 bpm • F Maj • 01:56 • -14db
37% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Roo Panes
There's A Place
131 bpm • D Maj • 06:08 • -13.95db
48% Popularity • 41% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
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Jon and Roy
How the Story Goes
129 bpm • D# Maj • 02:22 • -11.32db
47% Popularity • 70% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Blanco White
Who's Gonna Love You Now?
131 bpm • A# Maj • 03:17 • -17.25db
41% Popularity • 39% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
50% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
54% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
47% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ocie Elliott
Back Door Run
132 bpm • B min • 03:33 • -11.95db
46% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
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Plà si
How Do You Know
132 bpm • G# Maj • 03:02 • -9.79db
34% Popularity • 53% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 31% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jon and Roy
Summer Night
128 bpm • C Maj • 03:25 • -11.47db
41% Popularity • 64% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
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Edwin Raphael
Will You Think Of Me Later?
128 bpm • D# Maj • 02:15 • -7.33db
56% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
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SOHN
Riverbank
128 bpm • A Maj • 04:15 • -9db
45% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Ocie Elliott
Rainbow and Arrow
132 bpm • D Maj • 03:26 • -14.37db
42% Popularity • 70% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Garrett Kato
Take It Slowly
132 bpm • F Maj • 03:52 • -14db
50% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Gone Gone Beyond
She Just Can't Help But Shine
128 bpm • C Maj • 02:44 • -13db
47% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Gregory Alan Isakov
Southern Star
133 bpm • C Maj • 02:19 • -11db
67% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Amistat
falling
127 bpm • C# min • 03:26 • -10.33db
51% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Blanco White
Una Noche Más
127 bpm • E min • 03:20 • -15.16db
48% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Laura Zocca
Love, The Time Is Now
127 bpm • A# Maj • 02:23 • -17.09db
36% Popularity • 52% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Joe Bel
In the Morning
127 bpm • D min • 03:24 • -11.93db
57% Popularity • 64% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ocie Elliott
What Remains
127 bpm • F# min • 04:16 • -12db
40% Popularity • 64% Danceability • 18% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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Boundary Run
Make It Out
134 bpm • D Maj • 03:41 • -11.44db
47% Popularity • 25% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 22% Positiveness
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Jon Middleton
South Pacific
134 bpm • F Maj • 03:00 • -15.69db
38% Popularity • 72% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 34% Positiveness
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Jon and Roy
Nothing but Everything
134 bpm • F# Maj • 03:34 • -16.12db
61% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
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Mar Malade
Clocks
126 bpm • F Maj • 03:17 • -9.74db
53% Popularity • 83% Danceability • 55% Energy • 18% Liveness
8% Instrumentalness • 93% Positiveness
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Hazlett
Tell Me What You Dream About
126 bpm • G# Maj • 03:17 • -9.41db
50% Popularity • 76% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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Amistat
colour in life - acoustic
134 bpm • C Maj • 04:19 • -12.81db
41% Popularity • 63% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Ocie Elliott
Coming Home
126 bpm • D# Maj • 03:11 • -12.61db
43% Popularity • 55% Danceability • 19% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Mogli
Earth
135 bpm • G min • 03:24 • -14db
48% Popularity • 32% Danceability • 29% Energy • 35% Liveness
70% Instrumentalness • 20% Positiveness
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Rob Riccardo
The Work
125 bpm • G# Maj • 04:40 • -9.73db
31% Popularity • 46% Danceability • 55% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
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Edwin Raphael
Isle Of Strawberries
135 bpm • C# min • 03:35 • -5.5db
47% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Abigail Lapell
Gonna Be Leaving
135 bpm • F Maj • 03:10 • -15.05db
42% Popularity • 72% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Salt Tree
Let My Guard Down
135 bpm • F# min • 03:10 • -8.33db
41% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ocie Elliott
With the Lights Down
135 bpm • F Maj • 03:57 • -9.92db
44% Popularity • 75% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Hayden Calnin
Unfortunate Love
135 bpm • C# min • 03:46 • -11db
44% Popularity • 47% Danceability • 42% Energy • 17% Liveness
25% Instrumentalness • 16% Positiveness
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Gregory Alan Isakov
The Fall
135 bpm • A Maj • 03:27 • -10.52db
56% Popularity • 56% Danceability • 55% Energy • 12% Liveness
44% Instrumentalness • 21% Positiveness
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Wilderado
Surefire - Piano
125 bpm • B Maj • 04:01 • -8db
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sons Of The East
What I Do
125 bpm • F min • 03:35 • -7.65db
54% Popularity • 69% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Freyr
Lights Out
125 bpm • D Maj • 03:17 • -16.47db
35% Popularity • 66% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Hazlett
Missionary Feelings
125 bpm • D Maj • 03:32 • -13.23db
62% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Aisha Badru
Millennial
125 bpm • D Maj • 02:53 • -18.2db
40% Popularity • 58% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gretta Ray
Re: Stacks
136 bpm • F Maj • 04:25 • -16.29db
38% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Andrew Belle
Dive Deep (Hushed)
136 bpm • A Maj • 03:38 • -9db
47% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
48% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Alivan Blu
Home - Acoustic
124 bpm • D Maj • 03:16 • -18.4db
36% Popularity • 55% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Dustin Tebbutt
Cedar On The Fire
136 bpm • E Maj • 04:40 • -12db
34% Popularity • 72% Danceability • 43% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
52% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ocie Elliott
Wait for You
136 bpm • C# Maj • 03:13 • -12db
60% Popularity • 65% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Elderbrook
Feels Like a Sunday
124 bpm • G Maj • 02:28 • -12.12db
57% Popularity • 83% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 29% Positiveness
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Ella Grace
Wild Roads
124 bpm • C Maj • 03:22 • -7db
36% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jamie Rose
Agnes Water
124 bpm • G# Maj • 02:14 • -12.53db
31% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Angus & Julia Stone
Nothing Else
124 bpm • C# min • 04:24 • -13.53db
48% Popularity • 71% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Sons Of The East
My Repair
124 bpm • D Maj • 03:05 • -8.28db
59% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ocie Elliott
Life I Know
124 bpm • A# Maj • 03:40 • -9.26db
38% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Goldkimono
The Morning
124 bpm • C# min • 01:49 • -14.47db
37% Popularity • 59% Danceability • 28% Energy • 11% Liveness
22% Instrumentalness • 54% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Lily Kershaw
Darker Things
123 bpm • C# Maj • 02:02 • -12db
51% Popularity • 77% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Amistat
Numb
123 bpm • G# min • 03:08 • -11.89db
40% Popularity • 46% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Leif Vollebekk
The Way That You Feel
138 bpm • G# Maj • 03:50 • -13db
37% Popularity • 62% Danceability • 11% Energy • 14% Liveness
19% Instrumentalness • 34% Positiveness
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Davis John Patton
Motives
138 bpm • A# Maj • 04:03 • -11.11db
40% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Salt Tree
Moving Away
138 bpm • D Maj • 03:40 • -12.02db
27% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Novo Amor
Holland
138 bpm • C# Maj • 02:39 • -12db
62% Popularity • 50% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 9% Positiveness
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Beta Radio
Come on Make It Right Once
138 bpm • E min • 03:04 • -11.05db
48% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Woodlock
Settle Down - Acoustic
138 bpm • C Maj • 02:45 • -7db
60% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Sons Of The East
Come Away
122 bpm • C Maj • 04:20 • -8.39db
57% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
32% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Leif Vollebekk
Big Sky Country
122 bpm • D# Maj • 04:28 • -15db
40% Popularity • 71% Danceability • 27% Energy • 29% Liveness
4% Instrumentalness • 60% Positiveness
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The Franklin Electric
In Your Heart
122 bpm • D# Maj • 02:45 • -9.34db
53% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rose Cousins
I Would Die 4 U
121 bpm • A min • 03:00 • -11.46db
52% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Hugo Barriol
Stay
140 bpm • G min • 03:08 • -14.61db
39% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Boundary Run
Ready To Fall
140 bpm • D Maj • 02:54 • -11.76db
48% Popularity • 28% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 30% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Fame