Songs like Family Tradition by Hank Williams, Jr.
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Hank Williams III
Country Heroes
126 bpm • E min • 03:28 • -7.45db
53% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
68% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
68% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Earl Thomas Conley
Holding Her and Loving You
126 bpm • G Maj • 03:10 • -14db
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Charlie Daniels Band
Stroker's Theme
126 bpm • G# Maj • 02:49 • -10.02db
48% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Toby Keith
Who's Your Daddy?
126 bpm • A Maj • 03:57 • -5db
59% Popularity • 69% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
59% Popularity • 69% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
69% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
69% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
69% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Tracy Lawrence
Sticks and Stones
126 bpm • G Maj • 03:38 • -7.28db
53% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Dwight Yoakam
Long White Cadillac
127 bpm • D# Maj • 05:21 • -10.74db
41% Popularity • 60% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 46% Positiveness
41% Popularity • 60% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 46% Positiveness
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The Oak Ridge Boys
Elvira
127 bpm • G# Maj • 03:45 • -17.49db
60% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
60% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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The Bellamy Brothers
Redneck Girl
127 bpm • A Maj • 03:27 • -15.17db
45% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Hank Williams, Jr.
All My Rowdy Friends (Have Settled Down)
127 bpm • C Maj • 04:00 • -10.32db
57% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Hank Williams III
Low Down
127 bpm • G Maj • 03:23 • -6db
46% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Toby Keith
A Little Less Talk And A Lot More Action
125 bpm • A Maj • 02:50 • -8db
62% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
61% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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David Lee Murphy
Party Crowd
127 bpm • G Maj • 03:18 • -11.66db
57% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
57% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Brooks & Dunn
Brand New Man
127 bpm • G Maj • 02:58 • -7.78db
56% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
56% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Cross Canadian Ragweed
17
124 bpm • G Maj • 05:19 • -5.24db
48% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tim McGraw
Down On The Farm
128 bpm • F min • 02:58 • -12db
62% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Jamey Johnson
Set 'Em Up Joe
128 bpm • D Maj • 02:47 • -10.57db
50% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Boland & The Stragglers
Pearl Snaps
128 bpm • G Maj • 03:24 • -10.17db
44% Popularity • 67% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 67% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Clint Black
Nothing's News
124 bpm • C Maj • 03:02 • -12db
46% Popularity • 68% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 68% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
64% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Whiskey Myers
Bury My Bones
128 bpm • G Maj • 04:19 • -5.04db
66% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Dwight Yoakam
1,000 Miles
123 bpm • E Maj • 04:11 • -10.71db
36% Popularity • 78% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 52% Positiveness
36% Popularity • 78% Danceability • 54% Energy • 9% Liveness
4% Instrumentalness • 52% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
67% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
67% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Little Texas
God Blessed Texas
129 bpm • A Maj • 03:28 • -8.51db
56% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Rhett Akins
That Ain't My Truck
129 bpm • G Maj • 04:03 • -9.01db
62% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The Oak Ridge Boys
American Made
129 bpm • G# Maj • 02:39 • -14.28db
53% Popularity • 70% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 70% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Zach Top
Sounds Like the Radio
129 bpm • G Maj • 03:38 • -4.14db
54% Popularity • 64% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 64% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Toby Keith
Whiskey Girl
123 bpm • F# Maj • 03:59 • -5.27db
61% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Johnny Paycheck
(Stay Away From) The Cocaine Train
123 bpm • C Maj • 03:08 • -10.4db
37% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 76% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Turnpike Troubadours
Before The Devil Knows We're Dead
129 bpm • A min • 03:54 • -6.69db
51% Popularity • 63% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 63% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Hank Williams, Jr.
Outlaw Women
129 bpm • D Maj • 03:02 • -20db
58% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Cody Jinks
Cast No Stones
123 bpm • G# Maj • 05:16 • -7db
52% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tracy Lawrence
Texas Tornado
123 bpm • F Maj • 03:24 • -10.51db
54% Popularity • 64% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 64% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Trace Adkins
Every Light In The House
129 bpm • F Maj • 02:59 • -7.3db
66% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Merle Haggard
Pancho and Lefty
123 bpm • D Maj • 04:47 • -12.44db
60% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Southall
Gunshy
130 bpm • E Maj • 04:16 • -10.81db
58% Popularity • 58% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 58% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Tracy Byrd
I'm From The Country - Single Version
130 bpm • D Maj • 03:33 • -4db
62% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
62% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Hank Williams, Jr.
Women I've Never Had
122 bpm • F# min • 02:54 • -9.2db
47% Popularity • 66% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 66% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
73% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
73% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Tracy Lawrence
Paint Me a Birmingham
130 bpm • F# Maj • 03:51 • -4.55db
52% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Whiskey Myers
Virginia
130 bpm • A min • 04:20 • -6.47db
60% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Colter Wall
Rocky Mountain Rangers
122 bpm • G Maj • 02:08 • -12.54db
60% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
60% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Ricky Skaggs
Uncle Pen
130 bpm • A Maj • 02:23 • -10.95db
43% Popularity • 58% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 58% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Williams, Jr.
The South's Gonna Rattle Again
130 bpm • D Maj • 03:30 • -13db
35% Popularity • 70% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 70% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
69% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
69% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
67% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
67% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Turnpike Troubadours
Whole Damn Town
130 bpm • C# min • 03:23 • -5.43db
56% Popularity • 58% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 58% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Whiskey Myers
Lonely East Texas Nights
130 bpm • E min • 04:20 • -5.26db
67% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Robison
New Year's Day
130 bpm • G Maj • 03:54 • -7.33db
55% Popularity • 61% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
55% Popularity • 61% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Hank Williams, Jr.
I've Been Down
130 bpm • D min • 03:42 • -10.5db
53% Popularity • 72% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 72% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
60% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
72% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
72% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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George Strait
All My Ex's Live In Texas
131 bpm • A Maj • 03:20 • -16.02db
64% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Merle Haggard
Are the Good Times Really Over (I Wish a...
131 bpm • C Maj • 04:13 • -15.44db
54% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
71% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Hank Williams, Jr.
I've Got Rights
130 bpm • G Maj • 03:35 • -15.11db
47% Popularity • 67% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 67% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
63% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Tippin
There Ain't Nothin' Wrong with the Radio
131 bpm • E Maj • 02:45 • -11.38db
52% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Tracy Byrd
Don't Take Her She's All I Got
131 bpm • A# Maj • 03:28 • -8db
55% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
55% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
72% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
72% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Jerry Reed
East Bound and Down
121 bpm • G Maj • 02:48 • -8.12db
63% Popularity • 51% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 51% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Confederate Railroad
She Never Cried - Remastered Version
121 bpm • D Maj • 03:24 • -9.05db
41% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Cody Jinks
All It Cost Me Was Everything
131 bpm • A Maj • 03:50 • -8db
50% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Tracy Lawrence
Paint Me A Birmingham
132 bpm • F# Maj • 03:48 • -9db
61% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Hank Williams, Jr.
Leave Them Boys Alone
132 bpm • B Maj • 03:36 • -9.56db
24% Popularity • 79% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 79% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Dwight Yoakam
Little Ways
132 bpm • A Maj • 03:21 • -11db
36% Popularity • 73% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 73% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Jamey Johnson
Playing The Part
120 bpm • D Maj • 04:29 • -10db
40% Popularity • 59% Danceability • 68% Energy • 67% Liveness
1% Instrumentalness • 44% Positiveness
40% Popularity • 59% Danceability • 68% Energy • 67% Liveness
1% Instrumentalness • 44% Positiveness
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Josh Meloy
Met the Devil in Oklahoma
132 bpm • G Maj • 03:56 • -4.15db
68% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Cody Jinks
Ain't a Train
121 bpm • A# min • 03:05 • -3.51db
56% Popularity • 36% Danceability • 88% Energy • 27% Liveness
2% Instrumentalness • 40% Positiveness
56% Popularity • 36% Danceability • 88% Energy • 27% Liveness
2% Instrumentalness • 40% Positiveness
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Alabama
Roll On (Eighteen Wheeler)
132 bpm • F Maj • 04:24 • -9.04db
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
67% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Earl Keen
Corpus Christi Bay
120 bpm • A# Maj • 03:57 • -10.89db
46% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Sammy Kershaw
Vidalia
133 bpm • E Maj • 03:21 • -7.39db
48% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Diffie
Bigger Than the Beatles
119 bpm • G Maj • 03:57 • -8db
50% Popularity • 74% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 74% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 65% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
62% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
62% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Clay Walker
Live Until I Die
133 bpm • D# Maj • 02:49 • -11.32db
52% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
55% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Tom T. Hall
The Year That Clayton Delaney Died
133 bpm • C# Maj • 02:44 • -11db
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Summer Dean
You're Lucky She's Lonely
119 bpm • E Maj • 03:26 • -10.66db
54% Popularity • 56% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 56% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Tyler Childers
Hard Times
133 bpm • G Maj • 02:58 • -13.64db
69% Popularity • 60% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 60% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
77% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
77% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Hank Williams, Jr.
Red, White & Pink Slip Blues
134 bpm • A min • 03:57 • -5.89db
44% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
51% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Jamey Johnson
Poor Man Blues
134 bpm • G Maj • 03:31 • -12.99db
42% Popularity • 59% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 59% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 23% Positiveness
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Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
69% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Hank Williams, Jr.
Weatherman
119 bpm • A Maj • 03:39 • -15.56db
64% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 70% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Charlie Daniels Band
The Devil Went Down to Georgia
134 bpm • C Maj • 03:34 • -9.43db
69% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
69% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
