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Fancy Lover
Songs like
Fancy Lover
by
The Whitlams
Based on a tempo of (+/- 10%) and a similar genre
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The Whitlams
Melbourne
82 bpm • C Maj • 04:19 • -8db
18% Popularity • 50% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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George
Strange Days
82 bpm • A Maj • 04:27 • -11.99db
16% Popularity • 24% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Dempsey
The Great Optimist
82 bpm • D Maj • 03:09 • -5.81db
24% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Weddings Parties Anything
Wide Open Road
81 bpm • G Maj • 04:16 • -5db
23% Popularity • 21% Danceability • 76% Energy • 93% Liveness
0% Instrumentalness • 62% Positiveness
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The Triffids
Wide Open Road
81 bpm • A min • 04:08 • -9db
40% Popularity • 54% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
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Powderfinger
These Days
84 bpm • A Maj • 04:58 • -7.64db
56% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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The Whitlams
Melbourne
82 bpm • C Maj • 04:50 • -9db
32% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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George
Truth
83 bpm • C Maj • 03:45 • -12.19db
19% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Hunters & Collectors
Imaginary Girl
80 bpm • A Maj • 05:01 • -7.12db
16% Popularity • 41% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Tim Rogers & The Twin Set
Last Nite I Left My Heart All Over the P...
80 bpm • D# Maj • 04:10 • -6.72db
21% Popularity • 46% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Machine Gun Fellatio
Unsent Letter
80 bpm • G# Maj • 05:12 • -9.74db
36% Popularity • 63% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 41% Positiveness
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Warumpi Band
My Island Home
80 bpm • G Maj • 04:57 • -15.95db
43% Popularity • 49% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Whitlams
Blow Up The Pokies
82 bpm • A min • 03:27 • -8db
47% Popularity • 25% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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George
Run
80 bpm • E min • 04:18 • -9.55db
15% Popularity • 43% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Taxiride
Helplessly Hoping
84 bpm • G Maj • 02:21 • -11db
30% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Boom Crash Opera
The Best Thing
79 bpm • F Maj • 04:13 • -3.86db
42% Popularity • 37% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Busby Marou
All Of You
79 bpm • D Maj • 02:52 • -6db
36% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tim Rogers & The Twin Set
You've Been So Good To Me So Far
79 bpm • E Maj • 04:39 • -6.83db
19% Popularity • 47% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Whitlams
Beautiful As You
79 bpm • E Maj • 03:48 • -7.27db
20% Popularity • 48% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Mia Dyson
Roll Me Out
79 bpm • E Maj • 04:31 • -6db
25% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Epicure
Self Destruct In Five
78 bpm • C# Maj • 04:02 • -8.27db
17% Popularity • 66% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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The Cruel Sea
You'll Do
79 bpm • F Maj • 03:32 • -8.01db
26% Popularity • 65% Danceability • 84% Energy • 23% Liveness
2% Instrumentalness • 96% Positiveness
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Busby Marou
Underlying Message
79 bpm • D Maj • 04:25 • -6db
30% Popularity • 63% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Augie March
There Is No Such Place
78 bpm • A Maj • 03:17 • -13db
31% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Whitlams
Where's The Enemy
79 bpm • E min • 04:09 • -8.66db
19% Popularity • 58% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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The Badloves
High on a Mountain
87 bpm • A Maj • 04:06 • -14.09db
18% Popularity • 31% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Weddings Parties Anything
Step In, Step Out
77 bpm • D Maj • 03:57 • -11db
22% Popularity • 45% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
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The Cruel Sea
Better Get A Lawyer
86 bpm • D Maj • 03:00 • -7db
42% Popularity • 47% Danceability • 64% Energy • 26% Liveness
20% Instrumentalness • 86% Positiveness
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Boy & Bear
Fall At Your Feet
87 bpm • C min • 04:31 • -6.6db
55% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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John Schumann
I Was Only 19 (A Walk in the Light Green...
88 bpm • A Maj • 04:19 • -9.75db
40% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Do Re Mi
Man Overboard
89 bpm • C Maj • 04:10 • -11db
36% Popularity • 58% Danceability • 51% Energy • 38% Liveness
1% Instrumentalness • 69% Positiveness
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The Badloves
Spirit in the Sky
87 bpm • C Maj • 03:37 • -22.48db
18% Popularity • 35% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Superjesus
Shut My Eyes
89 bpm • G Maj • 03:50 • -6db
31% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Hoodoo Gurus
Like Wow - Wipeout! - 2005 Remaster
76 bpm • A min • 03:12 • -6db
46% Popularity • 53% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Busby Marou
Better Be Home Soon
89 bpm • C Maj • 03:49 • -9db
31% Popularity • 56% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Epicure
Armies Against Me
75 bpm • C Maj • 05:11 • -5.31db
26% Popularity • 49% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Things Of Stone and Wood
Single Perfect Raindrop
89 bpm • F Maj • 04:06 • -9.11db
15% Popularity • 47% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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The Badloves
Slave
89 bpm • E min • 05:24 • -6.91db
16% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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George
Special Ones
90 bpm • G Maj • 03:46 • -11db
33% Popularity • 54% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Machine Gun Fellatio
Mutha Fukka On A Motorcycle
90 bpm • G Maj • 02:20 • -4.83db
30% Popularity • 65% Danceability • 91% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
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Francis Dunnery
American Life in the Summertime
90 bpm • C Maj • 04:11 • -7db
24% Popularity • 62% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Stevie Wright
Evie (Let Your Hair Hang Down)
90 bpm • A Maj • 03:57 • -4.62db
52% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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The Whitlams
There's No One
74 bpm • A Maj • 05:05 • -10.89db
11% Popularity • 43% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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The Black Sorrows
Hold On To Me
74 bpm • D Maj • 03:50 • -11.99db
32% Popularity • 37% Danceability • 60% Energy • 47% Liveness
1% Instrumentalness • 52% Positiveness
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The Badloves
The Weight
74 bpm • A Maj • 04:27 • -13db
45% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Basement Birds
Bus Stop
91 bpm • B Maj • 02:47 • -7db
15% Popularity • 72% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Cold Chisel
Saturday Night - 2011 Remastered
91 bpm • F Maj • 04:21 • -6db
45% Popularity • 62% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
25% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Whitlams
Tangled Up In Blue
91 bpm • G Maj • 05:39 • -7db
31% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
43% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Badloves
What's on Your Mind
92 bpm • D Maj • 04:29 • -16db
22% Popularity • 51% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 56% Positiveness
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Greg Johnson
Save Yourself
92 bpm • A# Maj • 03:33 • -6.28db
20% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
21% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Finn Brothers
All the Colours
93 bpm • F# Maj • 02:11 • -7.02db
17% Popularity • 44% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 52% Positiveness
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The Whitlams
There's No-one
74 bpm • A Maj • 05:04 • -8.87db
16% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Gyroscope
Australia
93 bpm • E Maj • 03:49 • -4.92db
32% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
50% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Richard Pleasance
Seachange (Theme from the TV Series)
93 bpm • C Maj • 04:07 • -5.97db
14% Popularity • 66% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Skunkhour
Up To Our Necks In It
93 bpm • A# Maj • 04:47 • -9db
30% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Whitlams
Cries Too Hard
73 bpm • C min • 04:11 • -7.95db
19% Popularity • 53% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Darren Hanlon
Falling Aeroplanes
94 bpm • D Maj • 03:32 • -10.24db
19% Popularity • 57% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Goldenhorse
I'll Never Know
94 bpm • E Maj • 03:04 • -7.23db
23% Popularity • 53% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
23% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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The Cruel Sea
Takin' All Day
94 bpm • G Maj • 03:31 • -8.16db
23% Popularity • 74% Danceability • 62% Energy • 19% Liveness
9% Instrumentalness • 60% Positiveness
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Lior
Daniel
94 bpm • G Maj • 03:50 • -9.58db
34% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Goodshirt
Fiji Baby
96 bpm • C# Maj • 03:13 • -11.22db
32% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Dempsey
Out The Airlock
96 bpm • C# Maj • 03:35 • -10.82db
32% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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End Of Fashion
Seize The Day
70 bpm • E Maj • 05:31 • -9.41db
9% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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The Whitlams
You Sound Like Louis Burdett
98 bpm • F# Maj • 04:01 • -5.79db
18% Popularity • 59% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Jebediah
Harpoon
98 bpm • B Maj • 04:26 • -4.41db
40% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Professor Ratbaggy
Love Letter
98 bpm • C Maj • 03:31 • -7.13db
20% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Bob Evans
Me & My Friend
97 bpm • F# Maj • 02:42 • -9.83db
16% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
25% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Whitlams
You Sound Like Louis Burdett
98 bpm • C# Maj • 04:01 • -6.66db
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Club Hoy
Not Like That
100 bpm • A Maj • 03:08 • -13db
9% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
33% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Grinspoon
Just Ace
100 bpm • D Maj • 01:48 • -6.83db
48% Popularity • 59% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Finn
Persuasion
101 bpm • D Maj • 03:53 • -11db
30% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Deborah Conway
Will You Miss Me When You're Sober?
101 bpm • C Maj • 04:01 • -11db
22% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Dave Dobbyn
Belle of the Ball
101 bpm • G min • 03:57 • -11.36db
17% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Killing Heidi
Astral Boy
101 bpm • G Maj • 03:08 • -16db
18% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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The Whitlams
Laugh In Their Faces
102 bpm • F min • 04:13 • -7.8db
18% Popularity • 58% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
35% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Things Of Stone and Wood
Rock This Boat
102 bpm • F min • 03:38 • -7db
12% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Badloves
In My Garden
102 bpm • G Maj • 03:58 • -11.09db
20% Popularity • 76% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Weddings Parties Anything
The Rain In My Heart
103 bpm • F Maj • 03:59 • -14.17db
16% Popularity • 74% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Birds Of Tokyo
Plans
103 bpm • A# Maj • 03:38 • -9.39db
56% Popularity • 61% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Lee
Tornados
103 bpm • C Maj • 03:21 • -6db
15% Popularity • 76% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Fancy Lover