Songs like Fancy Pants by Al Hirt
Based on a tempo of (+/- 10%) and a similar genre
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Al Hirt
Fancy Pants
155 bpm • G# Maj • 01:53 • -11.16db
14% Popularity • 56% Danceability • 60% Energy • 17% Liveness
40% Instrumentalness • 95% Positiveness
14% Popularity • 56% Danceability • 60% Energy • 17% Liveness
40% Instrumentalness • 95% Positiveness
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Earl Grant
House of Bamboo
154 bpm • C# Maj • 02:39 • -13.05db
20% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Nelson Riddle
The Theme From Route 66
154 bpm • C Maj • 02:10 • -12.26db
34% Popularity • 29% Danceability • 47% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
34% Popularity • 29% Danceability • 47% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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Si Zentner
The Fugitive Theme - Remastered
156 bpm • C Maj • 02:03 • -12.31db
24% Popularity • 36% Danceability • 55% Energy • 28% Liveness
85% Instrumentalness • 91% Positiveness
24% Popularity • 36% Danceability • 55% Energy • 28% Liveness
85% Instrumentalness • 91% Positiveness
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Terry Snyder & The All-Stars
Binga Banga Bongo/Percolator
154 bpm • C# Maj • 04:44 • -12.95db
15% Popularity • 51% Danceability • 56% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
15% Popularity • 51% Danceability • 56% Energy • 11% Liveness
86% Instrumentalness • 57% Positiveness
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The Bob Crewe Generation
Barbarella
157 bpm • F min • 03:03 • -13.93db
12% Popularity • 47% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
12% Popularity • 47% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
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John Buzon Trio
Mr. Ghost Goes To Town - Remastered
156 bpm • A# min • 02:20 • -14db
27% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
27% Popularity • 57% Danceability • 51% Energy • 17% Liveness
52% Instrumentalness • 96% Positiveness
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Marvin Hamlisch
The Entertainer - The Sting/Soundtrack V...
157 bpm • C Maj • 03:03 • -11.66db
44% Popularity • 62% Danceability • 39% Energy • 9% Liveness
78% Instrumentalness • 36% Positiveness
44% Popularity • 62% Danceability • 39% Energy • 9% Liveness
78% Instrumentalness • 36% Positiveness
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Al Hirt
Magic Trumpet
158 bpm • F Maj • 02:52 • -14.38db
13% Popularity • 54% Danceability • 40% Energy • 21% Liveness
57% Instrumentalness • 98% Positiveness
13% Popularity • 54% Danceability • 40% Energy • 21% Liveness
57% Instrumentalness • 98% Positiveness
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Si Zentner
Charade
157 bpm • A min • 02:38 • -10.16db
35% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
35% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
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Cab Calloway & His Orchestra
Everybody Eats When They Come to My Hous...
152 bpm • C Maj • 02:44 • -7.94db
22% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 58% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Gloria Wood
Hey! Bellboy! - Remastered
158 bpm • D# Maj • 03:22 • -11.8db
8% Popularity • 42% Danceability • 23% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
8% Popularity • 42% Danceability • 23% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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Dickie Harrell
Drivin' Around The Block - Remastered
151 bpm • C Maj • 02:15 • -12.68db
13% Popularity • 37% Danceability • 75% Energy • 4% Liveness
41% Instrumentalness • 62% Positiveness
13% Popularity • 37% Danceability • 75% Energy • 4% Liveness
41% Instrumentalness • 62% Positiveness
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Billy May & His Orchestra
I Believe In You
159 bpm • G Maj • 02:23 • -13db
26% Popularity • 36% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
26% Popularity • 36% Danceability • 30% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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Doris Day
Let The Little Girl Limbo
152 bpm • C Maj • 02:31 • -9.66db
10% Popularity • 51% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 51% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Si Zentner
Up A Lazy River
158 bpm • E min • 02:04 • -6db
29% Popularity • 44% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
29% Popularity • 44% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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Jan Savitt
720 in the Books
159 bpm • F min • 02:54 • -7.95db
17% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
17% Popularity • 48% Danceability • 49% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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Freddy Martin
Bubbles In The Wine - 1995 - Remaster; D...
159 bpm • G# Maj • 02:41 • -15.19db
5% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 92% Positiveness
5% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 92% Positiveness
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Betty Hutton
Stuff Like That There
159 bpm • A# Maj • 02:59 • -9.74db
18% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 59% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Desi Arnaz
Straw Hat Song
151 bpm • D Maj • 02:49 • -10.7db
13% Popularity • 65% Danceability • 55% Energy • 15% Liveness
3% Instrumentalness • 92% Positiveness
13% Popularity • 65% Danceability • 55% Energy • 15% Liveness
3% Instrumentalness • 92% Positiveness
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Brian Wilson
I Get Around / California Girls (Medley)...
151 bpm • G# Maj • 04:03 • -11.46db
8% Popularity • 34% Danceability • 58% Energy • 24% Liveness
64% Instrumentalness • 86% Positiveness
8% Popularity • 34% Danceability • 58% Energy • 24% Liveness
64% Instrumentalness • 86% Positiveness
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The Dinning Sisters
Fun and Fancy Free
160 bpm • A min • 02:40 • -14.6db
11% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 78% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Al Hirt
Yo-Yo (Puppet Song)
160 bpm • G min • 02:40 • -10.94db
13% Popularity • 55% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 92% Positiveness
13% Popularity • 55% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 92% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
20% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
20% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Xavier Cugat & His Orchestra
Daiquiri (Bossa Nova)
150 bpm • G min • 02:55 • -12db
30% Popularity • 52% Danceability • 46% Energy • 55% Liveness
80% Instrumentalness • 89% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 55% Liveness
80% Instrumentalness • 89% Positiveness
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Lee Allen
Walkin' With Mr Lee
149 bpm • G# Maj • 02:26 • -9db
20% Popularity • 66% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
20% Popularity • 66% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
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The Treniers
Say Hey (The Willie Mays Song) - Remaste...
149 bpm • G# Maj • 03:11 • -8.75db
4% Popularity • 63% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 63% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Lester Lanin
Just In Time - Moderate Society
162 bpm • F Maj • 02:06 • -14.87db
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
32% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
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Al Hirt
Más Que Nada
149 bpm • A# min • 02:49 • -12.57db
21% Popularity • 44% Danceability • 42% Energy • 50% Liveness
56% Instrumentalness • 66% Positiveness
21% Popularity • 44% Danceability • 42% Energy • 50% Liveness
56% Instrumentalness • 66% Positiveness
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Cap'n Geech & The Shrimp Shack Shooters
Shrimp Shack
162 bpm • C Maj • 02:21 • -6.15db
20% Popularity • 62% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 97% Positiveness
20% Popularity • 62% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 97% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
13% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Horst Jankowski
Third Man Theme
147 bpm • C Maj • 02:39 • -10.37db
28% Popularity • 53% Danceability • 42% Energy • 33% Liveness
6% Instrumentalness • 64% Positiveness
28% Popularity • 53% Danceability • 42% Energy • 33% Liveness
6% Instrumentalness • 64% Positiveness
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Tony Mottola
Zoom a Little Zoom (Rocket Ship)
163 bpm • A Maj • 02:14 • -14.38db
10% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Marketts
Surfer's Stomp
147 bpm • C Maj • 01:59 • -12.54db
8% Popularity • 52% Danceability • 34% Energy • 6% Liveness
73% Instrumentalness • 68% Positiveness
8% Popularity • 52% Danceability • 34% Energy • 6% Liveness
73% Instrumentalness • 68% Positiveness
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Al Hirt
Cotton Candy
148 bpm • D# Maj • 02:14 • -11.63db
24% Popularity • 68% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 97% Positiveness
24% Popularity • 68% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 97% Positiveness
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Si Zentner
Sweetheart Of Sigma Chi
147 bpm • F min • 02:11 • -12.35db
21% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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The Ventures
Hawaii Five-O
164 bpm • A Maj • 01:53 • -10db
49% Popularity • 52% Danceability • 78% Energy • 8% Liveness
65% Instrumentalness • 86% Positiveness
49% Popularity • 52% Danceability • 78% Energy • 8% Liveness
65% Instrumentalness • 86% Positiveness
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Will Bradley
Celery Stalks At Midnight
147 bpm • C Maj • 03:15 • -11.33db
15% Popularity • 67% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
15% Popularity • 67% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Syd Dale
Mexican Highway
146 bpm • C min • 02:39 • -11.81db
18% Popularity • 78% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
18% Popularity • 78% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Pedro Gonzales And His Mexican Brass
Bolivian Brass
165 bpm • D Maj • 02:11 • -7.66db
14% Popularity • 59% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
14% Popularity • 59% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
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Al Hirt
Hello, Dolly!
147 bpm • G min • 02:13 • -11.95db
4% Popularity • 48% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 48% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Si Zentner
The Swingin' Eye
146 bpm • F min • 02:54 • -11.03db
15% Popularity • 56% Danceability • 48% Energy • 26% Liveness
16% Instrumentalness • 69% Positiveness
15% Popularity • 56% Danceability • 48% Energy • 26% Liveness
16% Instrumentalness • 69% Positiveness
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Dixie Belles
(Down at) Papa Joe's
166 bpm • G Maj • 02:32 • -10.71db
14% Popularity • 43% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 43% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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The Bob Crewe Generation
Anna
166 bpm • F Maj • 03:30 • -13db
9% Popularity • 43% Danceability • 61% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 61% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
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Tommy Dorsey
Boogie Woogie
145 bpm • F Maj • 03:09 • -15.98db
21% Popularity • 69% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
21% Popularity • 69% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
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Burt Bacharach
Do You Know The Way To San Jose
166 bpm • F Maj • 02:29 • -13.89db
29% Popularity • 58% Danceability • 44% Energy • 13% Liveness
79% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 44% Energy • 13% Liveness
79% Instrumentalness • 44% Positiveness
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Al Hirt
Sugar Lips
165 bpm • C Maj • 02:00 • -11db
19% Popularity • 62% Danceability • 58% Energy • 14% Liveness
71% Instrumentalness • 72% Positiveness
19% Popularity • 62% Danceability • 58% Energy • 14% Liveness
71% Instrumentalness • 72% Positiveness
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Max Morath
Hello, Ma Baby
145 bpm • A# Maj • 02:53 • -11.69db
10% Popularity • 62% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 62% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Frank Chacksfield & His Orchestra
Route 66
166 bpm • G min • 02:03 • -12.73db
16% Popularity • 22% Danceability • 52% Energy • 37% Liveness
6% Instrumentalness • 61% Positiveness
16% Popularity • 22% Danceability • 52% Energy • 37% Liveness
6% Instrumentalness • 61% Positiveness
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Lou Busch
Cool - Remastered
144 bpm • C min • 02:33 • -13.29db
21% Popularity • 39% Danceability • 30% Energy • 20% Liveness
56% Instrumentalness • 55% Positiveness
21% Popularity • 39% Danceability • 30% Energy • 20% Liveness
56% Instrumentalness • 55% Positiveness
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Eddie Fisher
Dungaree Doll
166 bpm • G# Maj • 02:03 • -2.52db
8% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby Troup
Snootie Little Curtie
166 bpm • G# Maj • 02:12 • -11.28db
22% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 51% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Duke Ellington
TAKE THE "A" TRAIN
167 bpm • D# Maj • 03:02 • -8.94db
23% Popularity • 46% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 83% Positiveness
23% Popularity • 46% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 83% Positiveness
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Chuck Mangione
Cannonball Run Theme
168 bpm • A# Maj • 03:58 • -13.63db
27% Popularity • 57% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 57% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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The Agents
Get Smart/Casino Royale
143 bpm • F min • 05:27 • -12db
9% Popularity • 39% Danceability • 48% Energy • 7% Liveness
31% Instrumentalness • 79% Positiveness
9% Popularity • 39% Danceability • 48% Energy • 7% Liveness
31% Instrumentalness • 79% Positiveness
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The Ames Brothers
Destination Moon
143 bpm • G# Maj • 02:27 • -8.74db
16% Popularity • 52% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 52% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Mabel Scott
Baseball Boogie
169 bpm • F# min • 02:46 • -11.21db
12% Popularity • 64% Danceability • 34% Energy • 14% Liveness
16% Instrumentalness • 88% Positiveness
12% Popularity • 64% Danceability • 34% Energy • 14% Liveness
16% Instrumentalness • 88% Positiveness
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Johnny Tillotson
(Wait Til You See) My Gidget
142 bpm • A min • 01:59 • -7.64db
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Al Hirt
Gospel Of No Name City
169 bpm • D# Maj • 02:26 • -7.5db
3% Popularity • 42% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 70% Positiveness
3% Popularity • 42% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 70% Positiveness
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Don Swan
El Cumbanchero (Guaracha-Fast Rhumba) - ...
142 bpm • F min • 02:02 • -14db
28% Popularity • 45% Danceability • 35% Energy • 29% Liveness
13% Instrumentalness • 64% Positiveness
28% Popularity • 45% Danceability • 35% Energy • 29% Liveness
13% Instrumentalness • 64% Positiveness
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Judy Garland
Zing! Went The Strings Of My Heart
142 bpm • G Maj • 03:41 • -11.14db
41% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Tommy Dorsey Orchestra
Song of India
169 bpm • F Maj • 03:14 • -14.57db
19% Popularity • 32% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 69% Positiveness
19% Popularity • 32% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 69% Positiveness
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The Bob Crewe Generation
Winchester Cathedral
142 bpm • G Maj • 02:35 • -10.32db
14% Popularity • 42% Danceability • 66% Energy • 29% Liveness
4% Instrumentalness • 90% Positiveness
14% Popularity • 42% Danceability • 66% Energy • 29% Liveness
4% Instrumentalness • 90% Positiveness
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Sam Butera
Dig That Crazy Chick
170 bpm • F Maj • 02:25 • -12.66db
23% Popularity • 53% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 53% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Doris Day
Ain't We Got Fun? - Version 3
170 bpm • C min • 02:34 • -10.1db
21% Popularity • 62% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 62% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Al Hirt
Music to Watch Girls By
142 bpm • G min • 01:51 • -13db
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
45% Popularity • 72% Danceability • 40% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
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Judy Garland
Zing! Went The Strings Of My Heart - Rem...
142 bpm • G Maj • 03:41 • -13.25db
30% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 46% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Jo Stafford
It's a Lovely Day Today
141 bpm • F Maj • 02:25 • -9db
29% Popularity • 66% Danceability • 20% Energy • 69% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 66% Danceability • 20% Energy • 69% Liveness
0% Instrumentalness • 77% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
38% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The John Buzon Trio
Diga Diga Do
141 bpm • C# Maj • 02:04 • -10db
2% Popularity • 54% Danceability • 63% Energy • 60% Liveness
57% Instrumentalness • 74% Positiveness
2% Popularity • 54% Danceability • 63% Energy • 60% Liveness
57% Instrumentalness • 74% Positiveness
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Elmer Bernstein
One Before Closing
170 bpm • F# Maj • 02:54 • -14.81db
10% Popularity • 56% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 55% Positiveness
10% Popularity • 56% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 55% Positiveness
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Phil Harris
Smoke, Smoke, Smoke (That Cigarette)
141 bpm • F# min • 02:30 • -13.33db
7% Popularity • 59% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 59% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
31% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Dodie Stevens
Pink Shoe Laces
171 bpm • F min • 02:25 • -10db
29% Popularity • 66% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 66% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Ann-Margret
Mack the Knife
171 bpm • A min • 02:32 • -10.82db
10% Popularity • 47% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 47% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Fats Domino
Darktown Strutters' Ball
172 bpm • G Maj • 02:00 • -12.58db
24% Popularity • 67% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 67% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Hutton
Hit The Road To Dreamland - 1995 Remaste...
140 bpm • C Maj • 01:59 • -12.52db
31% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Frank Sinatra Jr.
Walking Happy
140 bpm • C Maj • 02:42 • -10.92db
25% Popularity • 44% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 44% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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The Fontane Sisters
Hearts of Stone
172 bpm • F Maj • 02:07 • -8.74db
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 66% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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The Bob Crewe Generation
Music To Watch Girls By
139 bpm • C min • 02:53 • -12.79db
35% Popularity • 46% Danceability • 47% Energy • 14% Liveness
39% Instrumentalness • 59% Positiveness
35% Popularity • 46% Danceability • 47% Energy • 14% Liveness
39% Instrumentalness • 59% Positiveness
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Perry Como
Juke Box Baby
173 bpm • D# Maj • 02:16 • -11.23db
27% Popularity • 48% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 48% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
56% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Don Ralke
Fascinating Rhythm
173 bpm • C min • 02:53 • -25db
19% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Sergio Mendes & Brasil '66
Day Tripper
139 bpm • A# Maj • 03:06 • -16.95db
30% Popularity • 63% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 63% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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The Hollywood Flames
Buzz, Buzz, Buzz
173 bpm • C Maj • 02:16 • -10db
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Bob Crewe Generation
Music To Watch Girls By - Mono 45 Mix
140 bpm • D# Maj • 02:51 • -8.34db
19% Popularity • 50% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 56% Positiveness
19% Popularity • 50% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 56% Positiveness
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Benny Goodman Trio
Puttin' On The Ritz
138 bpm • G min • 03:04 • -13.68db
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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Astrud Gilberto
Windy
138 bpm • G Maj • 02:47 • -15.29db
19% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 64% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Al Hirt
Green Hornet Theme
174 bpm • F Maj • 02:18 • -7.18db
33% Popularity • 42% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
33% Popularity • 42% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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Elliott Fisher
Theme From "Our Man Flint" - Remastered
138 bpm • G# Maj • 02:31 • -10.9db
16% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
16% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
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Kay Kyser
Woody Woodpecker (Alternate Take)
138 bpm • C# Maj • 03:00 • -5.57db
6% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
6% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Sergio Mendes & Brasil '66
With A Little Help From My Friends
138 bpm • D Maj • 02:38 • -17.23db
25% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Williams
I'm Gonna Sit Right Down and Write Mysel...
138 bpm • C# Maj • 02:07 • -17db
32% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 71% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Allan Sherman
Crazy Downtown
137 bpm • A Maj • 02:57 • -11.03db
16% Popularity • 60% Danceability • 58% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 60% Danceability • 58% Energy • 56% Liveness
0% Instrumentalness • 83% Positiveness
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Billy May & His Orchestra
Rhapsody In Blue
137 bpm • D# min • 03:21 • -16.53db
10% Popularity • 34% Danceability • 5% Energy • 16% Liveness
4% Instrumentalness • 9% Positiveness
10% Popularity • 34% Danceability • 5% Energy • 16% Liveness
4% Instrumentalness • 9% Positiveness
