Songs like Fanfare for Kennedy Center by Ron Nelson
Based on a tempo of (+/- 10%) and a similar genre
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Frank Ticheli
Simple Gifts: Four Shaker Songs: No. 2. ...
109 bpm • D min • 01:37 • -17.53db
22% Popularity • 65% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
22% Popularity • 65% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Ralph Vaughan Williams
Toccata marziale
109 bpm • F min • 04:44 • -16db
12% Popularity • 44% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 32% Positiveness
12% Popularity • 44% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 32% Positiveness
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Robert Jager
Third Suite, II: Vals - Robert E. Jager
109 bpm • A# Maj • 02:27 • -25db
11% Popularity • 39% Danceability • 7% Energy • 50% Liveness
72% Instrumentalness • 12% Positiveness
11% Popularity • 39% Danceability • 7% Energy • 50% Liveness
72% Instrumentalness • 12% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: IV. -
109 bpm • A min • 04:28 • -18db
9% Popularity • 41% Danceability • 22% Energy • 74% Liveness
78% Instrumentalness • 20% Positiveness
9% Popularity • 41% Danceability • 22% Energy • 74% Liveness
78% Instrumentalness • 20% Positiveness
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Percy Grainger
Lads of Wamphray March
109 bpm • A# Maj • 07:51 • -21.82db
11% Popularity • 43% Danceability • 18% Energy • 14% Liveness
82% Instrumentalness • 22% Positiveness
11% Popularity • 43% Danceability • 18% Energy • 14% Liveness
82% Instrumentalness • 22% Positiveness
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The University of Illinois Symphonic Band
Candide Suite III. Auto-Da-Fe
109 bpm • G Maj • 01:53 • -17db
8% Popularity • 40% Danceability • 27% Energy • 9% Liveness
74% Instrumentalness • 27% Positiveness
8% Popularity • 40% Danceability • 27% Energy • 9% Liveness
74% Instrumentalness • 27% Positiveness
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Malcolm Arnold
English Dances, Set 1, Op. 27 (Arr M. Jo...
109 bpm • A# Maj • 03:18 • -27db
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Eric Whitacre
Equus
108 bpm • F min • 09:21 • -21db
9% Popularity • 31% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
9% Popularity • 31% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 8% Positiveness
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Alfred Reed
Armenian Dances: I. The Apricot Tree - T...
108 bpm • A# Maj • 11:04 • -19db
16% Popularity • 24% Danceability • 14% Energy • 28% Liveness
66% Instrumentalness • 12% Positiveness
16% Popularity • 24% Danceability • 14% Energy • 28% Liveness
66% Instrumentalness • 12% Positiveness
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Jan van der Roost
Dublin Dances: I. Brian Boru's March
109 bpm • D min • 02:34 • -22.29db
13% Popularity • 35% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
13% Popularity • 35% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
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Edward Gregson
Tuba Concerto: I. Allegro deciso
110 bpm • G Maj • 06:27 • -18db
17% Popularity • 36% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
17% Popularity • 36% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Leonard Bernstein
Candide: III. Auto-da-fe
108 bpm • C Maj • 01:56 • -14.28db
26% Popularity • 56% Danceability • 43% Energy • 30% Liveness
94% Instrumentalness • 55% Positiveness
26% Popularity • 56% Danceability • 43% Energy • 30% Liveness
94% Instrumentalness • 55% Positiveness
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US Navy Band
Florentiner March
108 bpm • G# Maj • 05:50 • -16.79db
17% Popularity • 49% Danceability • 34% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
17% Popularity • 49% Danceability • 34% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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Ralph Vaughan Williams
Flourish for Wind Band
111 bpm • F Maj • 01:58 • -14db
22% Popularity • 29% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
22% Popularity • 29% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Percy Grainger
The Gum-Suckers March (Cornstalks' March...
111 bpm • D# Maj • 03:44 • -19.56db
19% Popularity • 45% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 56% Positiveness
19% Popularity • 45% Danceability • 25% Energy • 32% Liveness
90% Instrumentalness • 56% Positiveness
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The University of Illinois Symphonic Band
Scenes from the Louvre: V. Finale
107 bpm • C Maj • 02:05 • -19db
9% Popularity • 42% Danceability • 46% Energy • 68% Liveness
87% Instrumentalness • 25% Positiveness
9% Popularity • 42% Danceability • 46% Energy • 68% Liveness
87% Instrumentalness • 25% Positiveness
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US Military Academy Concert Band
Entry March of the Boyars
107 bpm • G min • 04:35 • -17.77db
17% Popularity • 42% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
17% Popularity • 42% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Roger Cichy
Quartets
111 bpm • D# Maj • 09:08 • -14.43db
8% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
8% Popularity • 38% Danceability • 25% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Richard Saucedo
Into the Clouds!
107 bpm • A# Maj • 01:49 • -9db
28% Popularity • 32% Danceability • 38% Energy • 19% Liveness
5% Instrumentalness • 28% Positiveness
28% Popularity • 32% Danceability • 38% Energy • 19% Liveness
5% Instrumentalness • 28% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
107 bpm • A min • 02:03 • -18.49db
17% Popularity • 44% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 63% Positiveness
17% Popularity • 44% Danceability • 8% Energy • 9% Liveness
99% Instrumentalness • 63% Positiveness
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United States Air Force Band
Symphony No. 3: Scherzo
112 bpm • C# Maj • 05:37 • -27.2db
0% Popularity • 44% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
0% Popularity • 44% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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The University of Illinois Symphonic Band
Scenes from the Louvre: II. Children's G...
111 bpm • F Maj • 02:12 • -29.67db
9% Popularity • 30% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 18% Positiveness
9% Popularity • 30% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 18% Positiveness
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Julius Fučík
Florentiner March, Op. 214
106 bpm • C min • 06:50 • -13.55db
9% Popularity • 27% Danceability • 52% Energy • 79% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 27% Danceability • 52% Energy • 79% Liveness
89% Instrumentalness • 11% Positiveness
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Ron Nelson
Courtly Airs and Dances: II. Basse danse
106 bpm • D min • 01:59 • -25.85db
0% Popularity • 18% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 20% Positiveness
0% Popularity • 18% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 20% Positiveness
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John Higgins
Celtic Ritual
112 bpm • A min • 04:26 • -13.92db
14% Popularity • 36% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 36% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Hugh Stuart
3 Ayres from Gloucester: No. 3. The Fief...
112 bpm • D min • 01:09 • -18.17db
17% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
17% Popularity • 38% Danceability • 27% Energy • 22% Liveness
82% Instrumentalness • 13% Positiveness
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Samuel R. Hazo
Blue and Green Music
112 bpm • F min • 04:20 • -17.69db
15% Popularity • 17% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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The University of Illinois Symphonic Band
Scenes from the Louvre: III. The Kings o...
112 bpm • G Maj • 03:01 • -19.89db
11% Popularity • 24% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
11% Popularity • 24% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
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John Mackey
Strange Humors
113 bpm • D# Maj • 05:24 • -11db
20% Popularity • 48% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 17% Positiveness
20% Popularity • 48% Danceability • 24% Energy • 6% Liveness
70% Instrumentalness • 17% Positiveness
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US Continental Army Band
Black Granite
113 bpm • C# Maj • 03:56 • -17.77db
11% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
11% Popularity • 28% Danceability • 21% Energy • 20% Liveness
94% Instrumentalness • 28% Positiveness
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US Air Force Concert Band
Symphony in Bb: Fugue
105 bpm • F Maj • 04:46 • -19.84db
0% Popularity • 33% Danceability • 17% Energy • 5% Liveness
88% Instrumentalness • 12% Positiveness
0% Popularity • 33% Danceability • 17% Energy • 5% Liveness
88% Instrumentalness • 12% Positiveness
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William Walton
Crown Imperial: Coronation March (arr. J...
113 bpm • C Maj • 06:10 • -10db
10% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
10% Popularity • 37% Danceability • 45% Energy • 8% Liveness
75% Instrumentalness • 21% Positiveness
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Samuel R. Hazo
Across the Halfpipe
113 bpm • A# Maj • 04:08 • -5.19db
8% Popularity • 47% Danceability • 60% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
8% Popularity • 47% Danceability • 60% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: I. -
113 bpm • C min • 03:08 • -15db
14% Popularity • 46% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
14% Popularity • 46% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 27% Positiveness
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David Maslanka
On This Bright Morning
113 bpm • A# Maj • 08:40 • -22.2db
5% Popularity • 17% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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United States Air Force Band
First Suite In E-Flat For Military Band:...
113 bpm • D# Maj • 03:48 • -21.89db
10% Popularity • 21% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
10% Popularity • 21% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Julie Giroux
Bookmarks from Japan: IV. Kinryuzan Temp...
114 bpm • C# Maj • 03:09 • -16.64db
16% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
16% Popularity • 40% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 22% Positiveness
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Air Combat Command Heritage Of America Band
IV. Burlesque (Divertimento for Band)
114 bpm • E min • 01:42 • -21.05db
9% Popularity • 49% Danceability • 19% Energy • 5% Liveness
90% Instrumentalness • 82% Positiveness
9% Popularity • 49% Danceability • 19% Energy • 5% Liveness
90% Instrumentalness • 82% Positiveness
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Ron Nelson
Behold man
104 bpm • B min • 02:11 • -17.13db
0% Popularity • 25% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gérard Besse
Suite française : IV. Alsace-Lorraine
114 bpm • D min • 03:59 • -17db
4% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
4% Popularity • 21% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Lester Seigel
Avinu Malkeinu: Avinu Malkeinu
115 bpm • G# min • 02:08 • -23.83db
5% Popularity • 22% Danceability • 14% Energy • 14% Liveness
18% Instrumentalness • 4% Positiveness
5% Popularity • 22% Danceability • 14% Energy • 14% Liveness
18% Instrumentalness • 4% Positiveness
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United States Air Force Band
Second Suite In F For Military Band: Son...
104 bpm • D min • 01:23 • -18db
15% Popularity • 58% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
15% Popularity • 58% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 66% Positiveness
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John Mackey
Xerxes
104 bpm • F# Maj • 05:35 • -15db
18% Popularity • 50% Danceability • 43% Energy • 27% Liveness
42% Instrumentalness • 21% Positiveness
18% Popularity • 50% Danceability • 43% Energy • 27% Liveness
42% Instrumentalness • 21% Positiveness
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Norman Dello Joio
Satiric Dances: I. Allegro pesante
115 bpm • A min • 02:03 • -14db
11% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
11% Popularity • 44% Danceability • 16% Energy • 7% Liveness
84% Instrumentalness • 27% Positiveness
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Ron Nelson
For Katharine In April (Sarabande)
115 bpm • D min • 04:59 • -24.11db
1% Popularity • 17% Danceability • 7% Energy • 40% Liveness
95% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 7% Energy • 40% Liveness
95% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Sea Songs
115 bpm • G# Maj • 04:01 • -19db
22% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
22% Popularity • 40% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 32% Positiveness
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Vladimir Cosma
Euphonium Concerto: I. Allegro assai
115 bpm • C Maj • 09:14 • -19.11db
12% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
12% Popularity • 36% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
103 bpm • D min • 01:14 • -19db
24% Popularity • 48% Danceability • 18% Energy • 22% Liveness
92% Instrumentalness • 77% Positiveness
24% Popularity • 48% Danceability • 18% Energy • 22% Liveness
92% Instrumentalness • 77% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 3. Oh Fr...
115 bpm • F Maj • 02:26 • -23.94db
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Percy Grainger
Lincolnshire Posy: V. Lord Melbourne
103 bpm • C Maj • 03:25 • -17db
24% Popularity • 30% Danceability • 6% Energy • 47% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 30% Danceability • 6% Energy • 47% Liveness
83% Instrumentalness • 4% Positiveness
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Omar Thomas
Mother of a Revolution
103 bpm • C# Maj • 04:16 • -15db
17% Popularity • 27% Danceability • 40% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
17% Popularity • 27% Danceability • 40% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Samuel R. Hazo
Perthshire Majesty
116 bpm • A# Maj • 04:35 • -16db
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
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Robert W. Smith
The Ascension
102 bpm • C min • 06:04 • -15.98db
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: II. Sea Songs
116 bpm • G# Maj • 03:57 • -23db
13% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
13% Popularity • 35% Danceability • 17% Energy • 24% Liveness
91% Instrumentalness • 58% Positiveness
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Johan de Meij
Symphony No. 1, "The Lord of the Rings":...
102 bpm • A Maj • 10:04 • -27db
8% Popularity • 26% Danceability • 3% Energy • 6% Liveness
52% Instrumentalness • 3% Positiveness
8% Popularity • 26% Danceability • 3% Energy • 6% Liveness
52% Instrumentalness • 3% Positiveness
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Arturo Márquez
Danzon No. 2 (arr. O. Nickel)
102 bpm • D min • 09:35 • -19.24db
7% Popularity • 33% Danceability • 26% Energy • 6% Liveness
79% Instrumentalness • 23% Positiveness
7% Popularity • 33% Danceability • 26% Energy • 6% Liveness
79% Instrumentalness • 23% Positiveness
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Air Combat Command Heritage Of America Band
III. Song of the Blacksmith; Moderato e ...
102 bpm • D min • 01:24 • -20db
19% Popularity • 68% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
19% Popularity • 68% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
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Adam Gorb
Yiddish Dances: II. Terkishe. Allegro mo...
102 bpm • F Maj • 02:17 • -22db
12% Popularity • 60% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
12% Popularity • 60% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Rossano Galante
A Childhood Remembered
102 bpm • A# Maj • 03:25 • -21db
15% Popularity • 22% Danceability • 11% Energy • 65% Liveness
80% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 65% Liveness
80% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March "Seven...
117 bpm • G# Maj • 03:27 • -20.27db
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
► Preview
Hugh Stuart
3 Ayres from Gloucester: No. 1. The Joll...
102 bpm • F Maj • 01:29 • -21db
17% Popularity • 35% Danceability • 16% Energy • 17% Liveness
91% Instrumentalness • 46% Positiveness
17% Popularity • 35% Danceability • 16% Energy • 17% Liveness
91% Instrumentalness • 46% Positiveness
► Preview
Percy Grainger
Shepherds Hey
101 bpm • D# Maj • 02:03 • -22.07db
26% Popularity • 55% Danceability • 22% Energy • 13% Liveness
64% Instrumentalness • 89% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 13% Liveness
64% Instrumentalness • 89% Positiveness
► Preview
Kevin Day
Havana
117 bpm • C min • 07:58 • -16.13db
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
9% Popularity • 33% Danceability • 35% Energy • 15% Liveness
81% Instrumentalness • 19% Positiveness
► Preview
Adam Gorb
Yiddish Dances: IV. Hora. Andante con mo...
117 bpm • A Maj • 04:24 • -28db
8% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 3% Energy • 9% Liveness
17% Instrumentalness • 8% Positiveness
► Preview
Erika Svanoe
Steampunk Suite: I. Charlie and the Mech...
118 bpm • A# Maj • 03:54 • -14.42db
3% Popularity • 47% Danceability • 45% Energy • 29% Liveness
39% Instrumentalness • 30% Positiveness
3% Popularity • 47% Danceability • 45% Energy • 29% Liveness
39% Instrumentalness • 30% Positiveness
► Preview
Ron Nelson
Courtly Airs and Dances: IV. Saltarello
118 bpm • A# Maj • 02:06 • -24.45db
14% Popularity • 68% Danceability • 14% Energy • 5% Liveness
4% Instrumentalness • 33% Positiveness
14% Popularity • 68% Danceability • 14% Energy • 5% Liveness
4% Instrumentalness • 33% Positiveness
► Preview
Arturo Márquez
Danzon No. 2 (arr. O. Nickel for wind en...
101 bpm • D min • 09:48 • -13.5db
14% Popularity • 35% Danceability • 32% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
14% Popularity • 35% Danceability • 32% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
► Preview
Johann Sebastian Bach
Fugue à la gigue
118 bpm • A# Maj • 03:12 • -22.75db
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
8% Popularity • 56% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
► Preview
Gustav Holst
1st Suite for Military Band in E-Flat Ma...
119 bpm • G# Maj • 03:11 • -21db
8% Popularity • 51% Danceability • 10% Energy • 29% Liveness
94% Instrumentalness • 40% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 29% Liveness
94% Instrumentalness • 40% Positiveness
► Preview
United States Marine Band
National Emblem
119 bpm • D# Maj • 02:59 • -15.1db
15% Popularity • 54% Danceability • 48% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
15% Popularity • 54% Danceability • 48% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
► Preview
SundanceStreams
A Hero Within
100 bpm • C# min • 02:01 • -19.07db
13% Popularity • 32% Danceability • 13% Energy • 10% Liveness
49% Instrumentalness • 6% Positiveness
13% Popularity • 32% Danceability • 13% Energy • 10% Liveness
49% Instrumentalness • 6% Positiveness
► Preview
Joseph Alessi
Carmen Fantasy - I. Prelude to Act IV: (...
119 bpm • D min • 02:29 • -19db
16% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
16% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
► Preview
Johan de Meij
Gollum (Sméagol)
100 bpm • E Maj • 09:52 • -23.84db
17% Popularity • 26% Danceability • 8% Energy • 13% Liveness
55% Instrumentalness • 3% Positiveness
17% Popularity • 26% Danceability • 8% Energy • 13% Liveness
55% Instrumentalness • 3% Positiveness
► Preview
Arturo Márquez
Conga del Fuego Nuevo (Arr. O. Nickel fo...
119 bpm • A min • 05:02 • -14.64db
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
Gustav Holst
Second Suite for Military Band, Op. 28 N...
118 bpm • F Maj • 04:38 • -22.45db
8% Popularity • 39% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
8% Popularity • 39% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
► Preview
John Philip Sousa
The Fairest of the Fair
119 bpm • G# Maj • 03:34 • -20db
19% Popularity • 57% Danceability • 23% Energy • 55% Liveness
87% Instrumentalness • 76% Positiveness
19% Popularity • 57% Danceability • 23% Energy • 55% Liveness
87% Instrumentalness • 76% Positiveness
► Preview
Launy Grøndahl
Concerto pour trombone et orchestre: III...
120 bpm • F# Maj • 05:14 • -22.74db
5% Popularity • 48% Danceability • 3% Energy • 24% Liveness
95% Instrumentalness • 9% Positiveness
5% Popularity • 48% Danceability • 3% Energy • 24% Liveness
95% Instrumentalness • 9% Positiveness
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Joseph Alessi and Philip Smith
Trombone Concerto-Allego
99 bpm • F min • 09:19 • -19.99db
11% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
11% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: I. March (Seven...
120 bpm • F min • 03:25 • -14db
30% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
30% Popularity • 54% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Clare Grundman
Kentucky 1800
99 bpm • G# Maj • 04:00 • -16.45db
16% Popularity • 23% Danceability • 9% Energy • 15% Liveness
60% Instrumentalness • 10% Positiveness
16% Popularity • 23% Danceability • 9% Energy • 15% Liveness
60% Instrumentalness • 10% Positiveness
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Ron Nelson
Courtly Airs and Dances: IV. Saltarello
120 bpm • A# Maj • 02:08 • -20.62db
5% Popularity • 69% Danceability • 17% Energy • 6% Liveness
70% Instrumentalness • 29% Positiveness
5% Popularity • 69% Danceability • 17% Energy • 6% Liveness
70% Instrumentalness • 29% Positiveness
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US Air Force Band of Mid-America
Midway March
120 bpm • A# Maj • 04:16 • -11db
12% Popularity • 56% Danceability • 47% Energy • 9% Liveness
76% Instrumentalness • 27% Positiveness
12% Popularity • 56% Danceability • 47% Energy • 9% Liveness
76% Instrumentalness • 27% Positiveness
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Pierre La Plante
American Riversongs
120 bpm • A# Maj • 06:26 • -18.54db
18% Popularity • 38% Danceability • 25% Energy • 85% Liveness
84% Instrumentalness • 32% Positiveness
18% Popularity • 38% Danceability • 25% Energy • 85% Liveness
84% Instrumentalness • 32% Positiveness
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John Mackey
Strange Humors
120 bpm • C min • 05:32 • -14.1db
22% Popularity • 34% Danceability • 46% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
22% Popularity • 34% Danceability • 46% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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Percy Grainger
Children's March, "Over the Hills and Fa...
120 bpm • A# Maj • 07:03 • -20.13db
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Robert Jager
Third Suite, I: March - Robert E. Jager
120 bpm • F Maj • 02:22 • -16.55db
10% Popularity • 40% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 31% Positiveness
10% Popularity • 40% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 31% Positiveness
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Ron Nelson
Courtly Airs and Dances: VI. Allemande
120 bpm • F Maj • 02:38 • -17.22db
0% Popularity • 41% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 30% Positiveness
0% Popularity • 41% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 30% Positiveness
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Samuel R. Hazo
Sevens
121 bpm • A# min • 03:57 • -16.92db
16% Popularity • 44% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
16% Popularity • 44% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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Launy Grøndahl
Trombone Concerto (1st version): III. Fi...
121 bpm • F# Maj • 05:11 • -23db
11% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 37% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Adam Gorb
Yiddish Dances: I. Khosidl. Andante
121 bpm • F min • 03:16 • -24db
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
10% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Percy Grainger
Molly on the Shore
98 bpm • G# Maj • 04:06 • -24.04db
28% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
28% Popularity • 51% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 33% Positiveness
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Gustav Holst
Holst: First Suite in E-Flat for Militar...
98 bpm • D# Maj • 04:03 • -19.11db
10% Popularity • 21% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Jan van der Roost
Puszta: Four Gipsy Dances: II. -
122 bpm • C Maj • 02:29 • -17.29db
11% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Alfred Reed
2 Suite for Band: I. Son Montuno
122 bpm • C min • 02:44 • -20db
9% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
9% Popularity • 41% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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Johan de Meij
Symphony No. 1, "The Lord of the Rings":...
97 bpm • F Maj • 09:07 • -21.59db
18% Popularity • 24% Danceability • 7% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
18% Popularity • 24% Danceability • 7% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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David Maslanka
Mother Earth
97 bpm • D# Maj • 03:14 • -17.97db
21% Popularity • 35% Danceability • 38% Energy • 33% Liveness
88% Instrumentalness • 22% Positiveness
21% Popularity • 35% Danceability • 38% Energy • 33% Liveness
88% Instrumentalness • 22% Positiveness
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Percy Grainger
Lincolnshire Posy: I. Lisbon
121 bpm • C# Maj • 01:24 • -26db
28% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
28% Popularity • 41% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 32% Positiveness
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Gustav Holst
Holst: Suite for Military Band No. 2 in ...
122 bpm • F Maj • 03:39 • -24db
0% Popularity • 40% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
0% Popularity • 40% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
