Songs like Fantasia à 4 em Lá Ré by Fabritio Caroso
Based on a tempo of (+/- 10%) and a similar genre
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Michael Praetorius
Terpsichore*: Volte
149 bpm • C Maj • 01:30 • -13.7db
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Bernhard Joachim Hagen
Sonata in C Minor: III. Allegretto
149 bpm • B min • 03:36 • -25.09db
9% Popularity • 29% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 53% Positiveness
9% Popularity • 29% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 53% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
149 bpm • A min • 01:19 • -19.79db
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Paolo da Firenze
Istampita instrumentale "Isabella"
150 bpm • F min • 06:33 • -21.06db
9% Popularity • 36% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
9% Popularity • 36% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
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Guillaume de Machaut
J'aim sans penser
147 bpm • D# min • 02:17 • -18db
17% Popularity • 13% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 13% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Claude Gervaise
Livre de danceries, Book 4: Pavane: La V...
148 bpm • F min • 01:47 • -18.95db
17% Popularity • 38% Danceability • 38% Energy • 72% Liveness
68% Instrumentalness • 38% Positiveness
17% Popularity • 38% Danceability • 38% Energy • 72% Liveness
68% Instrumentalness • 38% Positiveness
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Jacob Obrecht
Den haghel ende
151 bpm • A# Maj • 01:48 • -24.61db
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
14% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
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Antonio de Cabezón
Diferencias Sobre el Canto de "La Dama l...
152 bpm • D# min • 02:40 • -30.54db
17% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
17% Popularity • 29% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 41% Positiveness
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French 13th Cent.
Estampie Real: La Seste
146 bpm • G Maj • 03:27 • -41db
10% Popularity • 28% Danceability • 0% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
10% Popularity • 28% Danceability • 0% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
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Luis de Narváez
Canción del Emperador, Mille regres de...
146 bpm • D min • 02:34 • -28.53db
7% Popularity • 38% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
7% Popularity • 38% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Marco Dall'Aquila
Saltarello, "La traditora"
153 bpm • B Maj • 01:12 • -24db
30% Popularity • 54% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 91% Positiveness
30% Popularity • 54% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 91% Positiveness
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Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
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Alessandro Piccinini
Corrente IX
154 bpm • F min • 01:13 • -21db
28% Popularity • 42% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
28% Popularity • 42% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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Silvius Leopold Weiss
Prelude in D Minor
144 bpm • C min • 01:32 • -33db
20% Popularity • 27% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
20% Popularity • 27% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Enríquez de Valderrábano
Soneto II
144 bpm • F Maj • 01:28 • -30db
22% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
22% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
20% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
20% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Joachim van den Hove
Pavana lachrimae
144 bpm • F# min • 05:46 • -21.44db
21% Popularity • 39% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 61% Positiveness
21% Popularity • 39% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 61% Positiveness
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The Mulliner Book
La Shymyze
143 bpm • A min • 01:19 • -23.24db
11% Popularity • 14% Danceability • 13% Energy • 48% Liveness
95% Instrumentalness • 41% Positiveness
11% Popularity • 14% Danceability • 13% Energy • 48% Liveness
95% Instrumentalness • 41% Positiveness
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Fabritio Caroso
El fransosin, à 4
142 bpm • D# min • 01:13 • -22.53db
0% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Hayne van Ghizeghem
Ghizeghem / Arr. Des Prez: De tous biens...
156 bpm • D min • 01:39 • -39db
16% Popularity • 11% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 36% Positiveness
16% Popularity • 11% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 36% Positiveness
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Juan del Encina
Oy comamos y bebamos: Hoy comamos y beba...
142 bpm • D Maj • 04:07 • -17.66db
11% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Diego Ortiz
Recercada No. 1
141 bpm • C Maj • 03:22 • -19.26db
16% Popularity • 58% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 63% Positiveness
16% Popularity • 58% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 63% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Fabritio Caroso
Contrapasso Nuovo
141 bpm • F Maj • 02:04 • -17.48db
0% Popularity • 52% Danceability • 14% Energy • 16% Liveness
46% Instrumentalness • 50% Positiveness
0% Popularity • 52% Danceability • 14% Energy • 16% Liveness
46% Instrumentalness • 50% Positiveness
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Bartolomé de Selma y Salaverde
Canzoni fantasie et correnti da suonar: ...
140 bpm • A min • 03:58 • -22db
10% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Juan de Anchieta
Con amores, mi madre
158 bpm • D min • 02:34 • -18db
13% Popularity • 27% Danceability • 16% Energy • 11% Liveness
37% Instrumentalness • 44% Positiveness
13% Popularity • 27% Danceability • 16% Energy • 11% Liveness
37% Instrumentalness • 44% Positiveness
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Jacopo da Bologna
Aspire refus contre doulce priere
140 bpm • C Maj • 04:17 • -23.91db
21% Popularity • 56% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
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![Dances: Galliard [12] cover art](https://i.scdn.co/image/ab67616d00001e02c3336736e770b698ae7e58d0)
Anthony Holborne
Dances: Galliard [12]
158 bpm • C Maj • 01:02 • -18db
12% Popularity • 64% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
12% Popularity • 64% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
159 bpm • A# min • 02:18 • -20db
20% Popularity • 29% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 29% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Fabritio Caroso
Bassa Pompilia
140 bpm • C min • 04:25 • -26.86db
0% Popularity • 50% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 66% Positiveness
0% Popularity • 50% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 66% Positiveness
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Raimon de Miraval
Lonc tems ai - Lo ferm vole (arr. S. Ber...
159 bpm • C Maj • 04:01 • -30.09db
15% Popularity • 27% Danceability • 3% Energy • 5% Liveness
1% Instrumentalness • 18% Positiveness
15% Popularity • 27% Danceability • 3% Energy • 5% Liveness
1% Instrumentalness • 18% Positiveness
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Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Enríquez de Valderrábano
Soneto I
139 bpm • F Maj • 02:02 • -31db
18% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
18% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Giorgio Mainerio
La Parma
139 bpm • F Maj • 02:13 • -27.71db
10% Popularity • 30% Danceability • 2% Energy • 9% Liveness
34% Instrumentalness • 28% Positiveness
10% Popularity • 30% Danceability • 2% Energy • 9% Liveness
34% Instrumentalness • 28% Positiveness
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Edward Martin
Sans Liberte (Morlaye)
139 bpm • G min • 02:52 • -25db
16% Popularity • 42% Danceability • 3% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
16% Popularity • 42% Danceability • 3% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Fabritio Caroso
Furioso alla Spagnuola
139 bpm • D Maj • 01:23 • -20db
16% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 49% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Henry VIII
Tandernaken: The Kynge Henry VIII
139 bpm • F Maj • 01:52 • -23db
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Bartolomeo Tromboncino
A la guerra a la guerra
138 bpm • D# min • 03:12 • -21db
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Unicorn Ensemble
Principio Di Virtu
138 bpm • B min • 04:30 • -20db
14% Popularity • 62% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 66% Positiveness
14% Popularity • 62% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 66% Positiveness
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Heringman
De Navarez : Mille regretz
161 bpm • G min • 02:33 • -30.22db
14% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
14% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Ein wel...
161 bpm • C# min • 00:54 • -22db
27% Popularity • 39% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 96% Positiveness
27% Popularity • 39% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 96% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Tylman Susato
Susato: 12 Dances from the Danserye: XI....
137 bpm • A min • 00:46 • -14db
8% Popularity • 48% Danceability • 28% Energy • 28% Liveness
95% Instrumentalness • 68% Positiveness
8% Popularity • 48% Danceability • 28% Energy • 28% Liveness
95% Instrumentalness • 68% Positiveness
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Giorgio Mainerio
Ungarescha
137 bpm • D Maj • 01:14 • -15.37db
14% Popularity • 60% Danceability • 24% Energy • 48% Liveness
97% Instrumentalness • 21% Positiveness
14% Popularity • 60% Danceability • 24% Energy • 48% Liveness
97% Instrumentalness • 21% Positiveness
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Fabritio Caroso
Laura suave
137 bpm • C Maj • 04:33 • -19.48db
3% Popularity • 34% Danceability • 23% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
3% Popularity • 34% Danceability • 23% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Eduardo Paniagua
Tastar da Corde
137 bpm • G min • 01:29 • -21.96db
18% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
18% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Moniot d'Arras
Ce fut en mai
164 bpm • F Maj • 01:51 • -32db
10% Popularity • 30% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 30% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Francesco da Milano
Fantasia 16
161 bpm • D Maj • 01:02 • -31db
21% Popularity • 27% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 83% Positiveness
21% Popularity • 27% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 83% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
14% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
14% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Francesco Corbetta
Sua Corrente
135 bpm • C# min • 00:51 • -20db
18% Popularity • 66% Danceability • 9% Energy • 8% Liveness
51% Instrumentalness • 53% Positiveness
18% Popularity • 66% Danceability • 9% Energy • 8% Liveness
51% Instrumentalness • 53% Positiveness
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Fabritio Caroso
La Sciolta
162 bpm • E min • 01:39 • -12.9db
0% Popularity • 57% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 37% Positiveness
0% Popularity • 57% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 37% Positiveness
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Guillaume de Machaut
Joie, plaisance (Medieval Fiddle & Ensem...
135 bpm • A# min • 01:23 • -22.19db
9% Popularity • 33% Danceability • 10% Energy • 30% Liveness
3% Instrumentalness • 33% Positiveness
9% Popularity • 33% Danceability • 10% Energy • 30% Liveness
3% Instrumentalness • 33% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
135 bpm • C Maj • 01:57 • -29.02db
17% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
17% Popularity • 15% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Robert Ballard
Courante: Corante
165 bpm • A Maj • 01:28 • -21db
19% Popularity • 37% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
19% Popularity • 37% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Joan Ambrosio Dalza
Piva for Lute & Bass Viol
135 bpm • C# Maj • 01:55 • -20db
15% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
15% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Robert de Visée
Suite No. 9 en ré mineur: Menuet
135 bpm • C# Maj • 01:12 • -27.09db
18% Popularity • 59% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 71% Positiveness
18% Popularity • 59% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 71% Positiveness
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Fabritio Caroso
Cascarda "Chiara stella"
135 bpm • A min • 01:34 • -18.87db
0% Popularity • 74% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 95% Positiveness
0% Popularity • 74% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 95% Positiveness
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Marco Dall'Aquila
Ricercar
165 bpm • F Maj • 02:34 • -35db
16% Popularity • 26% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 68% Positiveness
16% Popularity • 26% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 68% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Antoine Busnois
Amours amours amours
134 bpm • G Maj • 02:19 • -26.9db
36% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
36% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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Gasparo Zanetti
La bergamasca
134 bpm • D Maj • 01:08 • -17db
22% Popularity • 61% Danceability • 30% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
22% Popularity • 61% Danceability • 30% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Capella de Ministrers
Amoroso
134 bpm • A min • 03:00 • -17.17db
10% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
10% Popularity • 35% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 51% Positiveness
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Hopkinson Smith
Marizapalos
133 bpm • G min • 04:25 • -29.39db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Richard Dering
Almaine
133 bpm • G Maj • 01:51 • -23.92db
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
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Gaucelm Faidit
Fort Chos' Oiatz
132 bpm • A min • 02:14 • -23db
12% Popularity • 37% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 47% Positiveness
12% Popularity • 37% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 47% Positiveness
► Preview
Edward Martin
The Fowerth Branle of Malte (Le Roy)
168 bpm • F Maj • 01:08 • -23.27db
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 84% Positiveness
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 84% Positiveness
► Preview
Antoine de Févin
Sancta Trinitas
132 bpm • E Maj • 03:31 • -25db
29% Popularity • 42% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
29% Popularity • 42% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
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Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
21% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
21% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
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Fabritio Caroso
Il Canarios
169 bpm • C Maj • 01:30 • -19.04db
0% Popularity • 50% Danceability • 29% Energy • 9% Liveness
99% Instrumentalness • 77% Positiveness
0% Popularity • 50% Danceability • 29% Energy • 9% Liveness
99% Instrumentalness • 77% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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William Byrd
Fantasia à 3 No. 3
131 bpm • A# Maj • 01:14 • -32.12db
13% Popularity • 30% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
13% Popularity • 30% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
► Preview
Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
► Preview
Tylman Susato
Dansereye (1551): Passe e medio/ Reprise...
170 bpm • D min • 01:25 • -30db
12% Popularity • 38% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 38% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Claude Gervaise
Suite I: Pavane Passamaize I
130 bpm • F Maj • 01:41 • -19.98db
10% Popularity • 27% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
10% Popularity • 27% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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Tarquinio Merula
Ciaconna à 6
170 bpm • C Maj • 02:43 • -24.33db
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Carlo Farina
Gagliarda prima
130 bpm • F Maj • 01:13 • -36db
16% Popularity • 50% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 70% Positiveness
16% Popularity • 50% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 70% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Henry VIII
Consort
130 bpm • D min • 03:04 • -18.2db
12% Popularity • 73% Danceability • 14% Energy • 35% Liveness
96% Instrumentalness • 67% Positiveness
12% Popularity • 73% Danceability • 14% Energy • 35% Liveness
96% Instrumentalness • 67% Positiveness
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John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
171 bpm • E min • 02:41 • -27db
10% Popularity • 11% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 16% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 16% Positiveness
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Robert Ballard
Branles de village
130 bpm • C Maj • 03:49 • -28db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
11% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
11% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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anon arr Alan Crumpler
Horse's bransle
129 bpm • A min • 01:40 • -27.99db
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
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Giorgio Mainerio
Saltarello della tedesca
129 bpm • D min • 01:38 • -21.36db
11% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
11% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
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Ronn McFarlane
O'Carolan's Dream
129 bpm • G# min • 03:31 • -23db
18% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
18% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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John Playford
Dances From the English Dancing Master: ...
172 bpm • A min • 01:35 • -24db
18% Popularity • 24% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 24% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Francesco da Milano
Fantasia
129 bpm • G min • 02:09 • -24db
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Michael Praetorius
Terpsichore*: Courante La Mouline
172 bpm • C Maj • 01:21 • -24db
19% Popularity • 48% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 50% Positiveness
19% Popularity • 48% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 50% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
25% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
25% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Tylman Susato
Ronde
129 bpm • F Maj • 01:22 • -21.31db
10% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
10% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
