Songs like Fantasia e Finale by Marcus Llerena
Based on a tempo of (+/- 10%) and a similar genre
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Chiquinha Gonzaga
Menina Faceira - Arr. for Piano and Viol...
97 bpm • C Maj • 02:18 • -13.44db
16% Popularity • 55% Danceability • 21% Energy • 11% Liveness
19% Instrumentalness • 43% Positiveness
16% Popularity • 55% Danceability • 21% Energy • 11% Liveness
19% Instrumentalness • 43% Positiveness
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Maria Linnemann
A song for Thomas
97 bpm • D Maj • 01:31 • -25.57db
14% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
14% Popularity • 47% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 54% Positiveness
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Domenico Cimarosa
Sonata No. 9 in D Minor
97 bpm • D min • 01:58 • -32.16db
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Marek Pasieczny
Little Sonata, Pt. II. Lento Religioso
97 bpm • B min • 01:40 • -19.86db
9% Popularity • 67% Danceability • 0% Energy • 26% Liveness
73% Instrumentalness • 45% Positiveness
9% Popularity • 67% Danceability • 0% Energy • 26% Liveness
73% Instrumentalness • 45% Positiveness
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Manuel de Falla
Danza Española No. 1
97 bpm • A Maj • 03:46 • -14.93db
2% Popularity • 44% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 70% Positiveness
2% Popularity • 44% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 70% Positiveness
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Guinga
Casa de Francisca
97 bpm • G# min • 02:10 • -22.74db
11% Popularity • 48% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
11% Popularity • 48% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Marcus Llerena
Burgalesa
96 bpm • E Maj • 02:16 • -17.09db
0% Popularity • 56% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
0% Popularity • 56% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Ulisses Rocha
Pra Ninar Você
98 bpm • E Maj • 02:24 • -22db
19% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 38% Positiveness
19% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 38% Positiveness
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Federico Moreno Torroba
Castillos de España: Alcázar de Segovi...
98 bpm • B min • 02:39 • -16.48db
8% Popularity • 40% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 61% Positiveness
8% Popularity • 40% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 61% Positiveness
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Maximo Diego Pujol
Suite del Plata No. 1: IV. Murga
98 bpm • E min • 01:46 • -12.99db
10% Popularity • 49% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
10% Popularity • 49% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
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Carolina Volla-Sørlie
Jeesus, sä ainoa
98 bpm • A min • 01:49 • -19.43db
12% Popularity • 44% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
12% Popularity • 44% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Mario Castelnuvo Tedesco
Sonatina Canônica / Mosso & Leggero
96 bpm • D min • 03:40 • -20.92db
0% Popularity • 45% Danceability • 13% Energy • 32% Liveness
88% Instrumentalness • 42% Positiveness
0% Popularity • 45% Danceability • 13% Energy • 32% Liveness
88% Instrumentalness • 42% Positiveness
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Xuefei Yang
Concerto Magna Carta: Cadenza
98 bpm • A Maj • 04:29 • -21.2db
9% Popularity • 26% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
9% Popularity • 26% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Turibio Santos
Xodó Da Baiana
96 bpm • D# Maj • 02:37 • -13db
25% Popularity • 54% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 87% Positiveness
25% Popularity • 54% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 87% Positiveness
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Francis Poulenc
Sarabande
98 bpm • E min • 02:17 • -20.71db
0% Popularity • 57% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
0% Popularity • 57% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 41% Positiveness
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Tsuki
Garden of lotus
98 bpm • A min • 01:26 • -19.13db
24% Popularity • 59% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
24% Popularity • 59% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
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Zé Paulo Becker
De Pernambuco a Nazareth
98 bpm • G Maj • 02:48 • -13.31db
12% Popularity • 57% Danceability • 44% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
12% Popularity • 57% Danceability • 44% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
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Thomas Robinson
A Toy
96 bpm • F Maj • 01:31 • -23.34db
0% Popularity • 48% Danceability • 11% Energy • 8% Liveness
77% Instrumentalness • 27% Positiveness
0% Popularity • 48% Danceability • 11% Energy • 8% Liveness
77% Instrumentalness • 27% Positiveness
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Antonio Chover Salom
Musicales 1 (2 guitarras)
96 bpm • C Maj • 01:39 • -22.19db
20% Popularity • 70% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
20% Popularity • 70% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Eulogio Dávalos
Tonada Sin Retorno
98 bpm • G Maj • 03:20 • -26.13db
11% Popularity • 54% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 54% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Chiquinha Gonzaga
O Corta Jaca
96 bpm • D min • 02:08 • -11.22db
19% Popularity • 57% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
19% Popularity • 57% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Federico Mompou
Impresiones íntimas (Arr. for 2 Guitars...
96 bpm • A Maj • 02:35 • -27db
14% Popularity • 59% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
14% Popularity • 59% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
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Antonio Garcia Isaac
Despedida en Buenos Aires
96 bpm • D min • 02:37 • -17.97db
16% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
16% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Bret Williams
Film Grain
96 bpm • A Maj • 03:07 • -27.22db
24% Popularity • 41% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
24% Popularity • 41% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 40% Positiveness
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Stefano Vivaldini
Serenade of the Sea
96 bpm • G Maj • 03:26 • -20.37db
10% Popularity • 45% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
10% Popularity • 45% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
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Federico Moreno Torroba
Castillos de España: Alcañiz
95 bpm • G Maj • 01:53 • -17.88db
15% Popularity • 40% Danceability • 22% Energy • 15% Liveness
96% Instrumentalness • 51% Positiveness
15% Popularity • 40% Danceability • 22% Energy • 15% Liveness
96% Instrumentalness • 51% Positiveness
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Marcus Llerena
Fantasia
95 bpm • C Maj • 00:59 • -19.59db
0% Popularity • 52% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 72% Positiveness
0% Popularity • 52% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 72% Positiveness
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Mario Castelnuvo Tedesco
Tempo di Fandango
99 bpm • A min • 02:52 • -21.6db
0% Popularity • 54% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
0% Popularity • 54% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Tim Brace
Study No. 3
99 bpm • D Maj • 01:20 • -25.78db
26% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Nicanor Teixeira
Carioca 1
99 bpm • A Maj • 01:54 • -11.66db
1% Popularity • 45% Danceability • 52% Energy • 23% Liveness
89% Instrumentalness • 96% Positiveness
1% Popularity • 45% Danceability • 52% Energy • 23% Liveness
89% Instrumentalness • 96% Positiveness
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Antonio Chover Salom
Minidanza del siglo XX - Nº 1
99 bpm • A min • 02:28 • -18db
14% Popularity • 41% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 41% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Matthew John Small
Waxing Gibbous
95 bpm • A Maj • 02:31 • -13.61db
10% Popularity • 72% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
10% Popularity • 72% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
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Marcus Llerena
Estudos Para Violão n°3
99 bpm • D Maj • 02:00 • -20.34db
0% Popularity • 32% Danceability • 16% Energy • 13% Liveness
85% Instrumentalness • 17% Positiveness
0% Popularity • 32% Danceability • 16% Energy • 13% Liveness
85% Instrumentalness • 17% Positiveness
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Kevin Callahan
Men In Grief
95 bpm • A min • 02:30 • -22.58db
11% Popularity • 47% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
11% Popularity • 47% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Rodrigo Zambrano
Lorena
95 bpm • A# min • 04:19 • -20.34db
8% Popularity • 50% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
8% Popularity • 50% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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NADiA KOSSINSKAJA
Salsa Fantasy - Dark Eyes
95 bpm • A Maj • 01:33 • -13.97db
32% Popularity • 61% Danceability • 40% Energy • 8% Liveness
91% Instrumentalness • 94% Positiveness
32% Popularity • 61% Danceability • 40% Energy • 8% Liveness
91% Instrumentalness • 94% Positiveness
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Fernando Sor
Allegretto Op 55n°1
99 bpm • A Maj • 01:52 • -19.75db
0% Popularity • 58% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 59% Positiveness
0% Popularity • 58% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 59% Positiveness
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Arturo Castro Nogueras
El Coquí
99 bpm • A Maj • 01:55 • -27.61db
17% Popularity • 38% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
17% Popularity • 38% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 66% Positiveness
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Daniel Akiva
May we sanctify and extol you 1
95 bpm • A Maj • 01:06 • -15.7db
15% Popularity • 33% Danceability • 19% Energy • 25% Liveness
78% Instrumentalness • 28% Positiveness
15% Popularity • 33% Danceability • 19% Energy • 25% Liveness
78% Instrumentalness • 28% Positiveness
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Marylise Florid
Saadia
95 bpm • D min • 03:08 • -19db
17% Popularity • 34% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
17% Popularity • 34% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Pom Guitarist
Contraband
100 bpm • G Maj • 01:18 • -10.84db
24% Popularity • 64% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 85% Positiveness
24% Popularity • 64% Danceability • 28% Energy • 10% Liveness
94% Instrumentalness • 85% Positiveness
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Jane Rutter
Solidão
100 bpm • C Maj • 03:49 • -19db
11% Popularity • 48% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
11% Popularity • 48% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Mrs C H Morris
Perto, Mais Perto
94 bpm • D Maj • 02:57 • -13.41db
0% Popularity • 62% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 71% Positiveness
0% Popularity • 62% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 71% Positiveness
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José Pierri Sapere
Gato
94 bpm • E min • 01:47 • -20.91db
14% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
14% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Marcus Llerena
Tristezas de um Violão
100 bpm • A min • 03:51 • -16.25db
0% Popularity • 65% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
0% Popularity • 65% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Fernando Sor
Allegretto Op 55n°2
94 bpm • G Maj • 02:47 • -24.75db
0% Popularity • 51% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 33% Positiveness
0% Popularity • 51% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 33% Positiveness
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Rosa García Ascot
Española
100 bpm • D Maj • 03:15 • -18.6db
3% Popularity • 62% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
3% Popularity • 62% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
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Fabian Zeller
Verdes Anos
94 bpm • G min • 02:20 • -13.5db
14% Popularity • 54% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 54% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Yorgos Karagiannis
Intro (The Story Teller)
100 bpm • D min • 02:13 • -18.15db
19% Popularity • 33% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Hermann Ambrosius
Spielmusik: IX. Scherzo
100 bpm • A min • 01:02 • -14.54db
22% Popularity • 70% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 63% Positiveness
22% Popularity • 70% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 63% Positiveness
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Marcus Llerena
Capriccio 24
94 bpm • A min • 06:35 • -18.64db
1% Popularity • 42% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
1% Popularity • 42% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
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Cecilio Perera
Cielito Lindo
94 bpm • F# min • 02:41 • -12.67db
10% Popularity • 44% Danceability • 33% Energy • 29% Liveness
85% Instrumentalness • 75% Positiveness
10% Popularity • 44% Danceability • 33% Energy • 29% Liveness
85% Instrumentalness • 75% Positiveness
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Turibio Santos
Doutor SabeTudo
100 bpm • F Maj • 01:40 • -11.39db
22% Popularity • 51% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
22% Popularity • 51% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Daniel Akiva
Lord, I will elevate your name
101 bpm • D min • 00:57 • -9db
12% Popularity • 43% Danceability • 20% Energy • 33% Liveness
95% Instrumentalness • 41% Positiveness
12% Popularity • 43% Danceability • 20% Energy • 33% Liveness
95% Instrumentalness • 41% Positiveness
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Jan Tariq Rui Rahman
Hamar, Elegi for Andreas Pedersensgate 2...
100 bpm • G# min • 01:31 • -24.88db
12% Popularity • 52% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
12% Popularity • 52% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
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Marek Pasieczny
Bon Odori (Dance Bon, Japan)
101 bpm • A Maj • 01:35 • -19.2db
7% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Marcus Llerena
Saltarello
100 bpm • F# Maj • 01:18 • -16.32db
0% Popularity • 58% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
0% Popularity • 58% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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Nicanor Teixeira
Carioca 2
93 bpm • D Maj • 01:34 • -10.98db
0% Popularity • 44% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 89% Positiveness
0% Popularity • 44% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 89% Positiveness
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Robert Harkness
Cristo Valera
101 bpm • A Maj • 02:10 • -11.09db
0% Popularity • 73% Danceability • 14% Energy • 8% Liveness
6% Instrumentalness • 38% Positiveness
0% Popularity • 73% Danceability • 14% Energy • 8% Liveness
6% Instrumentalness • 38% Positiveness
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Daniel Akiva
I will worship You
93 bpm • A min • 01:07 • -11.63db
15% Popularity • 34% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
15% Popularity • 34% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 35% Positiveness
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Ayres Nunes
Cantiga de Santa Maria 257 (Bem Guarda S...
93 bpm • E min • 01:49 • -13.62db
0% Popularity • 62% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
0% Popularity • 62% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Martin Romberg
Varangian Lied, fantasi over eget tema
101 bpm • E min • 05:31 • -23.25db
11% Popularity • 51% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
11% Popularity • 51% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
► Preview
Marcus Llerena
Mille Regretz
101 bpm • F min • 03:21 • -21.09db
0% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
0% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Sergio Assad
Sonata: II. Andante
93 bpm • A Maj • 05:59 • -24.27db
8% Popularity • 37% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
8% Popularity • 37% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Turibio Santos
Pó De Mico
93 bpm • G# Maj • 02:47 • -12.32db
20% Popularity • 51% Danceability • 58% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
20% Popularity • 51% Danceability • 58% Energy • 11% Liveness
89% Instrumentalness • 93% Positiveness
► Preview
Hucky Eichelmann
Branles de village
93 bpm • D Maj • 01:38 • -16.34db
17% Popularity • 45% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 46% Positiveness
17% Popularity • 45% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 46% Positiveness
► Preview
Carlos Moscardini
Temperley
93 bpm • F Maj • 01:31 • -18.8db
12% Popularity • 47% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
12% Popularity • 47% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
Rachelle Spring
نزوة
102 bpm • C# Maj • 02:18 • -23db
23% Popularity • 48% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
23% Popularity • 48% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
► Preview
Marcus Llerena
Altiplano
102 bpm • D min • 02:54 • -12.69db
14% Popularity • 31% Danceability • 27% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
14% Popularity • 31% Danceability • 27% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
► Preview
Maurizio Baudino
Ninna nanna: Pensando a Ravel
92 bpm • B min • 02:13 • -22.19db
13% Popularity • 56% Danceability • 1% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
13% Popularity • 56% Danceability • 1% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Federico Moreno Torroba
Estampas: Amanecer
102 bpm • B min • 01:45 • -21.7db
13% Popularity • 57% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
13% Popularity • 57% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
► Preview
Gustavo Ripa
El Cautivo de Til Til (Solo Guitar)
92 bpm • A min • 04:42 • -18.55db
18% Popularity • 36% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
18% Popularity • 36% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Daniel Akiva
Time for opening the gates of acceptnace...
102 bpm • C Maj • 00:53 • -12db
13% Popularity • 54% Danceability • 29% Energy • 6% Liveness
66% Instrumentalness • 62% Positiveness
13% Popularity • 54% Danceability • 29% Energy • 6% Liveness
66% Instrumentalness • 62% Positiveness
► Preview
Gerson Lizama
Colibrí
102 bpm • A Maj • 03:47 • -20.09db
26% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
26% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Marcus Llerena
Bianca Fiore
102 bpm • D Maj • 01:00 • -17.64db
0% Popularity • 54% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
0% Popularity • 54% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
► Preview
Sergio Assad
Sonata: I. Allegro moderato
102 bpm • A Maj • 06:08 • -22.64db
9% Popularity • 31% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
9% Popularity • 31% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Federico Moreno Torroba
Romance de los Pinos
102 bpm • A Maj • 02:23 • -17.47db
0% Popularity • 55% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
0% Popularity • 55% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
João Camarero
De João pra Pernambuco
92 bpm • B min • 03:45 • -20.7db
18% Popularity • 46% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
18% Popularity • 46% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
► Preview
MARCOS KAISER
Margarida
92 bpm • G Maj • 02:43 • -14.34db
11% Popularity • 63% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
11% Popularity • 63% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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Mario Castelnuvo Tedesco
Tempo di Siciliane
92 bpm • E min • 04:25 • -27.53db
0% Popularity • 44% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
0% Popularity • 44% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Hasan Çakırsoy
Estudio in B Minor, Op. 35, No. 22
103 bpm • B min • 01:36 • -18.7db
22% Popularity • 38% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 67% Positiveness
22% Popularity • 38% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 67% Positiveness
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Maru Figueroa
Lamento entrerriano
103 bpm • F# min • 02:52 • -18.03db
7% Popularity • 46% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
7% Popularity • 46% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Alberto Nepomuceno
Melodia
103 bpm • E min • 02:39 • -14.87db
18% Popularity • 63% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
18% Popularity • 63% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
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Joaquín Turina
Hommage a Tarrega: II. Soleares
91 bpm • D Maj • 02:20 • -19.33db
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
21% Popularity • 50% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
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Federico Moreno Torroba
Sonatina: I. Allegretto
103 bpm • A Maj • 04:14 • -18.9db
9% Popularity • 47% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
9% Popularity • 47% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
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moacir báia
Um Minuto para Cristo
103 bpm • E min • 01:03 • -21.01db
17% Popularity • 50% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
17% Popularity • 50% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Ferdinando Carulli
Poco Allegretto
103 bpm • C Maj • 01:20 • -18.03db
25% Popularity • 56% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
25% Popularity • 56% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 87% Positiveness
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Janco de Leeuw
Het Weidse Land
103 bpm • E min • 02:20 • -19.36db
8% Popularity • 51% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
8% Popularity • 51% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
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Thomas Robinson
A Plaine Song
103 bpm • A Maj • 01:22 • -24.13db
0% Popularity • 58% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
0% Popularity • 58% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Domenico Cimarosa
Keyboard Sonata No. 42 In D Minor: Andan...
104 bpm • E min • 02:18 • -18db
10% Popularity • 65% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
10% Popularity • 65% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Marcus Llerena
Ungaresca
104 bpm • D Maj • 01:31 • -17.06db
0% Popularity • 63% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
0% Popularity • 63% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 36% Positiveness
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Turibio Santos
Carioca 1 e 2
104 bpm • D# Maj • 01:45 • -14.11db
14% Popularity • 47% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
14% Popularity • 47% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 83% Positiveness
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Maria Linnemann
All At 7's and 8's
104 bpm • A min • 02:03 • -18.04db
12% Popularity • 52% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 77% Positiveness
12% Popularity • 52% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 77% Positiveness
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Ángel Barrios
Homenaje a Andalucía: II. Boliche (Bole...
91 bpm • E Maj • 03:08 • -20.49db
15% Popularity • 32% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
15% Popularity • 32% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
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Thomas Robinson
A Fantasy
104 bpm • F Maj • 02:45 • -25.24db
0% Popularity • 65% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
0% Popularity • 65% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Ulisses Rocha
Lua
104 bpm • E Maj • 04:06 • -17.47db
9% Popularity • 45% Danceability • 23% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
9% Popularity • 45% Danceability • 23% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
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Marcus Llerena
Foi Boto Sinhá
104 bpm • D min • 02:18 • -14.49db
0% Popularity • 56% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
0% Popularity • 56% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Virginia Morillas
Baiao
104 bpm • G Maj • 02:54 • -19.42db
8% Popularity • 44% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
8% Popularity • 44% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
