Songs like Fantasia on British Sea Songs (excerpts): II. Tom Bowling by Sir Henry Wood
Based on a tempo of (+/- 10%) and a similar genre
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Paul Daniel
Pergolesi: Stabat Mater: I. Stabat mater...
93 bpm • F min • 03:56 • -18.52db
14% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs (excerpts)...
93 bpm • C Maj • 01:54 • -40db
20% Popularity • 12% Danceability • 1% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
20% Popularity • 12% Danceability • 1% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
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Aaron Copland
Rodeo: IV. Saturday Night Waltz
93 bpm • D# Maj • 05:00 • -25.98db
14% Popularity • 14% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
14% Popularity • 14% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
93 bpm • G# Maj • 06:37 • -15.52db
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
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Ronald Binge
The Dance of the Snowflakes
93 bpm • C Maj • 03:31 • -31.35db
10% Popularity • 33% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Florence Beatrice Price
Symphony No. 4 in D Minor: II. Andante c...
93 bpm • A# Maj • 05:40 • -33db
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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William Walton
Viola Concerto: I. Andante comodo - con ...
93 bpm • A min • 08:26 • -24.48db
1% Popularity • 19% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
1% Popularity • 19% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs: 4. Tom Bo...
94 bpm • C Maj • 02:26 • -38.57db
1% Popularity • 12% Danceability • 3% Energy • 79% Liveness
58% Instrumentalness • 24% Positiveness
1% Popularity • 12% Danceability • 3% Energy • 79% Liveness
58% Instrumentalness • 24% Positiveness
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George Butterworth
A Shropshire Lad - Rhapsody
94 bpm • F min • 10:18 • -19db
16% Popularity • 11% Danceability • 8% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Wagner
The Ride of the Valkyries
92 bpm • G Maj • 05:02 • -11.54db
0% Popularity • 21% Danceability • 38% Energy • 12% Liveness
70% Instrumentalness • 16% Positiveness
0% Popularity • 21% Danceability • 38% Energy • 12% Liveness
70% Instrumentalness • 16% Positiveness
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Ludwig van Beethoven
Symphony No.5 in C Minor, Op. 67: I Firs...
94 bpm • C min • 06:18 • -13.96db
0% Popularity • 37% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 24% Positiveness
0% Popularity • 37% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 24% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Michael Tippett
Ritual Dances from The Midsummer Marriag...
92 bpm • A# min • 02:58 • -32db
0% Popularity • 15% Danceability • 1% Energy • 67% Liveness
44% Instrumentalness • 11% Positiveness
0% Popularity • 15% Danceability • 1% Energy • 67% Liveness
44% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
38% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Christian Sinding
Suite im alten Stil, Op. 10: Adagio
94 bpm • A min • 05:57 • -24.79db
10% Popularity • 12% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Gerald Finzi
Clear and gentle stream, Op. 17, No. 4 -...
92 bpm • F Maj • 04:30 • -25db
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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Peter Warlock
Serenade for Strings
94 bpm • D Maj • 07:42 • -21.54db
16% Popularity • 16% Danceability • 14% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 14% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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George Gershwin
Lullaby for string orchestra
94 bpm • G Maj • 08:05 • -37.23db
18% Popularity • 12% Danceability • 1% Energy • 5% Liveness
4% Instrumentalness • 9% Positiveness
18% Popularity • 12% Danceability • 1% Energy • 5% Liveness
4% Instrumentalness • 9% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga, Op. 18: Epilog aus "Ein W...
92 bpm • D min • 03:35 • -24.9db
19% Popularity • 11% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
19% Popularity • 11% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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William Walton
Belshazzar's Feast: If I forget thee, O ...
91 bpm • A# Maj • 05:04 • -18.75db
7% Popularity • 15% Danceability • 18% Energy • 11% Liveness
59% Instrumentalness • 5% Positiveness
7% Popularity • 15% Danceability • 18% Energy • 11% Liveness
59% Instrumentalness • 5% Positiveness
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Stephen Foster
Jeanie with the Light Brown Hair
95 bpm • D Maj • 03:18 • -17.73db
16% Popularity • 20% Danceability • 21% Energy • 22% Liveness
17% Instrumentalness • 20% Positiveness
16% Popularity • 20% Danceability • 21% Energy • 22% Liveness
17% Instrumentalness • 20% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
91 bpm • G min • 01:33 • -22.57db
15% Popularity • 38% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
15% Popularity • 38% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
28% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
28% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Sergei Prokofiev
Peter and the wolf, Op.67 - Narration in...
95 bpm • G# Maj • 02:15 • -18.32db
0% Popularity • 38% Danceability • 13% Energy • 13% Liveness
2% Instrumentalness • 33% Positiveness
0% Popularity • 38% Danceability • 13% Energy • 13% Liveness
2% Instrumentalness • 33% Positiveness
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Max Bruch
Bruch: Scottish Fantasy, Op. 46: I. (a) ...
95 bpm • D# min • 04:07 • -23.62db
9% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Má vlast (My Country): No. 3, Šárka
95 bpm • A Maj • 10:05 • -20db
15% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs: 1. Bugle ...
95 bpm • C Maj • 01:15 • -30.3db
1% Popularity • 51% Danceability • 13% Energy • 44% Liveness
74% Instrumentalness • 41% Positiveness
1% Popularity • 51% Danceability • 13% Energy • 44% Liveness
74% Instrumentalness • 41% Positiveness
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William Walton
Variations on a Theme by Hindemith: Tema...
91 bpm • A Maj • 01:46 • -29.71db
0% Popularity • 17% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Ole Bull
Saeterjentens Sondag, "The Herd-girls' S...
90 bpm • D Maj • 02:28 • -24db
16% Popularity • 11% Danceability • 6% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 6% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Frederick Delius
Koanga / Act 2: La Calinda
90 bpm • D Maj • 04:07 • -15.26db
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
12% Popularity • 20% Danceability • 25% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: I. Allegro
96 bpm • C Maj • 10:19 • -24db
15% Popularity • 16% Danceability • 10% Energy • 62% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 10% Energy • 62% Liveness
14% Instrumentalness • 4% Positiveness
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William Walton
Sinfonia Concertante (original 1926 vers...
90 bpm • G Maj • 05:14 • -22.56db
0% Popularity • 19% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Jean Sibelius
Karelia, JS 115: Intermezzo (I)
96 bpm • D# Maj • 03:49 • -23.05db
16% Popularity • 19% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
96 bpm • C min • 03:33 • -22.22db
3% Popularity • 17% Danceability • 13% Energy • 28% Liveness
50% Instrumentalness • 18% Positiveness
3% Popularity • 17% Danceability • 13% Energy • 28% Liveness
50% Instrumentalness • 18% Positiveness
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Christian Sinding
Sinding / Arr Sitt : Rustle of Spring
90 bpm • F min • 02:38 • -15.07db
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Herbert Howells
Elegy for Solo Viola, String Quartet and...
90 bpm • C min • 10:44 • -23.39db
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: 3. Youth (Romance)
90 bpm • C Maj • 02:59 • -40db
18% Popularity • 11% Danceability • 1% Energy • 15% Liveness
5% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 1% Energy • 15% Liveness
5% Instrumentalness • 6% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (arr...
97 bpm • G Maj • 06:27 • -12.42db
17% Popularity • 36% Danceability • 30% Energy • 30% Liveness
90% Instrumentalness • 35% Positiveness
17% Popularity • 36% Danceability • 30% Energy • 30% Liveness
90% Instrumentalness • 35% Positiveness
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George Butterworth
The Banks of Green Willow
90 bpm • E min • 06:06 • -20.22db
19% Popularity • 14% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: V....
97 bpm • E Maj • 03:40 • -19.27db
19% Popularity • 46% Danceability • 27% Energy • 20% Liveness
63% Instrumentalness • 33% Positiveness
19% Popularity • 46% Danceability • 27% Energy • 20% Liveness
63% Instrumentalness • 33% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
89 bpm • A Maj • 08:26 • -22.88db
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
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Gioachino Rossini
The Thieving Magpie Overture
97 bpm • E Maj • 09:00 • -9db
9% Popularity • 36% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 37% Positiveness
9% Popularity • 36% Danceability • 44% Energy • 8% Liveness
82% Instrumentalness • 37% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs
89 bpm • A# Maj • 02:19 • -22.16db
0% Popularity • 48% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 58% Positiveness
0% Popularity • 48% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 58% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
21% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
21% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
89 bpm • F Maj • 05:58 • -17.62db
14% Popularity • 19% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
14% Popularity • 19% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Young Prince
97 bpm • G Maj • 04:12 • -28.57db
31% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Hubert Parry
The Procession Of The Queen - March from...
97 bpm • C Maj • 03:47 • -19db
9% Popularity • 17% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Aaron Copland
Down a Country Lane
89 bpm • F Maj • 02:17 • -28db
19% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Sir Henry Wood
Fantasia on British Sea Songs: 5. Jack�...
89 bpm • D Maj • 02:35 • -21.68db
1% Popularity • 27% Danceability • 45% Energy • 96% Liveness
6% Instrumentalness • 4% Positiveness
1% Popularity • 27% Danceability • 45% Energy • 96% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
George Butterworth
Two English Idylls
89 bpm • C Maj • 09:44 • -19.54db
14% Popularity • 15% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
29% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsin...
98 bpm • C Maj • 07:57 • -19db
14% Popularity • 22% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Sergei Prokofiev
Peter and the wolf, Op.67 - Narration in...
98 bpm • G Maj • 01:00 • -13.3db
0% Popularity • 44% Danceability • 13% Energy • 53% Liveness
66% Instrumentalness • 25% Positiveness
0% Popularity • 44% Danceability • 13% Energy • 53% Liveness
66% Instrumentalness • 25% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
► Preview
Cecil Armstrong Gibbs
Dusk
98 bpm • G Maj • 03:13 • -19.02db
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Seattle Symphony Orchestra
Der Rosenkavalier: Walzerfolge No. 2, Tr...
98 bpm • D min • 08:54 • -24db
8% Popularity • 17% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
98 bpm • C Maj • 08:08 • -14.11db
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
39% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
39% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36,...
88 bpm • D# Maj • 03:28 • -27db
21% Popularity • 13% Danceability • 4% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 4% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
Trauermusik
88 bpm • E Maj • 08:38 • -30.48db
9% Popularity • 15% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
88 bpm • B Maj • 09:21 • -25.21db
21% Popularity • 14% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 14% Danceability • 4% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
98 bpm • C Maj • 02:29 • -16.52db
12% Popularity • 23% Danceability • 24% Energy • 29% Liveness
93% Instrumentalness • 39% Positiveness
12% Popularity • 23% Danceability • 24% Energy • 29% Liveness
93% Instrumentalness • 39% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
28% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
28% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Ralph Vaughan Williams
Symphony No. 3, "Pastoral Symphony": II....
88 bpm • G min • 09:19 • -24db
21% Popularity • 11% Danceability • 5% Energy • 47% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 5% Energy • 47% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Quintet in A Major, D. 667, "Trout...
88 bpm • D Maj • 07:23 • -27db
6% Popularity • 26% Danceability • 6% Energy • 8% Liveness
79% Instrumentalness • 17% Positiveness
6% Popularity • 26% Danceability • 6% Energy • 8% Liveness
79% Instrumentalness • 17% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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William Walton
Belshazzar's Feast: Then sing aloud to G...
99 bpm • F Maj • 03:43 • -11db
7% Popularity • 24% Danceability • 49% Energy • 22% Liveness
64% Instrumentalness • 19% Positiveness
7% Popularity • 24% Danceability • 49% Energy • 22% Liveness
64% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Peter and the wolf, Op.67 - Narration in...
99 bpm • C Maj • 01:53 • -23.35db
0% Popularity • 61% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 61% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
99 bpm • C Maj • 08:05 • -20db
15% Popularity • 24% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
15% Popularity • 24% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 10% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Nimro...
99 bpm • D# Maj • 02:48 • -18.32db
0% Popularity • 14% Danceability • 18% Energy • 21% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 18% Energy • 21% Liveness
82% Instrumentalness • 4% Positiveness
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George Butterworth
A Shropshire Lad (Rhapsody for Orchestra...
87 bpm • F min • 08:56 • -17.91db
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Arthur Fiedler
Song of India
99 bpm • G Maj • 03:33 • -28db
7% Popularity • 14% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 6% Energy • 15% Liveness
4% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Peter and the wolf, Op.67 - Narration in...
88 bpm • C Maj • 01:04 • -18.56db
0% Popularity • 39% Danceability • 18% Energy • 23% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 39% Danceability • 18% Energy • 23% Liveness
1% Instrumentalness • 38% Positiveness
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RTE Concert Orchestra
49th Parallel Suite: Prelude
87 bpm • G Maj • 02:15 • -20db
39% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 1: To a W...
87 bpm • A Maj • 01:31 • -38.57db
34% Popularity • 36% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
34% Popularity • 36% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Johan Svendsen
Variations on a Norwegian Folktune, Op. ...
87 bpm • E Maj • 04:29 • -27db
15% Popularity • 9% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Sir Henry Wood
Wood: Fantasia on British Sea Songs: V. ...
87 bpm • A Maj • 02:11 • -17.64db
8% Popularity • 41% Danceability • 23% Energy • 6% Liveness
30% Instrumentalness • 94% Positiveness
8% Popularity • 41% Danceability • 23% Energy • 6% Liveness
30% Instrumentalness • 94% Positiveness
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Alan Hovhaness
Prayer of St. Gregory, Op. 62b
87 bpm • A min • 04:49 • -24.9db
15% Popularity • 9% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 9% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
François-Adrien Boieldieu
Harp Concerto in C Major: III. Rondo. Al...
100 bpm • C min • 07:09 • -18.82db
8% Popularity • 37% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
87 bpm • D# Maj • 04:34 • -17.01db
11% Popularity • 13% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Dolly Suite, Op. 56 (1894-97): Berceuse
87 bpm • E Maj • 03:01 • -28.82db
21% Popularity • 19% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
21% Popularity • 19% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
► Preview
Frederick Delius
Florida Suite: Daybreak - Dance
100 bpm • A Maj • 11:43 • -25.68db
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Frank Bridge
The Sea: I. Seascape
86 bpm • F# min • 06:56 • -21db
9% Popularity • 14% Danceability • 7% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Sydney Symphony Orchestra
Symphony No. 9 in E Minor, Op. 95, B. 17...
86 bpm • C# Maj • 04:06 • -27.95db
9% Popularity • 16% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Franz von Suppé
The Peasant and The Poet
86 bpm • D Maj • 09:06 • -15db
15% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
15% Popularity • 24% Danceability • 15% Energy • 6% Liveness
85% Instrumentalness • 13% Positiveness
► Preview
Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
