Songs like Fantasia para un gentilhombre: Espanola y Fanfare de la caballeria de Napoles by Joaquín Rodrigo
Based on a tempo of (+/- 10%) and a similar genre
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
52% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Isaac Albéniz
Asturias (Leyenda)
104 bpm • C Maj • 07:14 • -17.33db
21% Popularity • 32% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
21% Popularity • 32% Danceability • 25% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
104 bpm • A Maj • 04:55 • -20.73db
4% Popularity • 41% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 32% Positiveness
4% Popularity • 41% Danceability • 7% Energy • 14% Liveness
92% Instrumentalness • 32% Positiveness
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Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
104 bpm • A Maj • 03:37 • -26db
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
24% Popularity • 23% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
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Bedřich Smetana
Má vlast: The Moldau
105 bpm • A# min • 10:08 • -21db
20% Popularity • 32% Danceability • 10% Energy • 15% Liveness
73% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 10% Energy • 15% Liveness
73% Instrumentalness • 4% Positiveness
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Luigi Boccherini
String Quintet No. 60 in C Major, Op. 30...
103 bpm • C Maj • 03:30 • -17db
33% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
33% Popularity • 61% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 10% Positiveness
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Isaac Albéniz
Asturias
104 bpm • G Maj • 07:07 • -25.87db
23% Popularity • 28% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 13% Positiveness
23% Popularity • 28% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 13% Positiveness
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Gaspar Sanz
Canarios
103 bpm • D Maj • 02:10 • -24db
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
41% Popularity • 34% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
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JoaquÃn Rodrigo
Concierto Madrigal for 2 Guitars and Orc...
105 bpm • G min • 02:00 • -22.68db
12% Popularity • 64% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
12% Popularity • 64% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
41% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
41% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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![Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Bedřich Smetana
Má Vlast, JB 1:112: The Moldau (Vltava)...
105 bpm • C Maj • 03:42 • -15db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
29% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
29% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
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Manuel Ponce
Intermezzo No. 1 in E Minor
106 bpm • E min • 02:54 • -25db
27% Popularity • 31% Danceability • 10% Energy • 71% Liveness
86% Instrumentalness • 6% Positiveness
27% Popularity • 31% Danceability • 10% Energy • 71% Liveness
86% Instrumentalness • 6% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
103 bpm • A Maj • 04:48 • -22.87db
14% Popularity • 36% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 24% Positiveness
14% Popularity • 36% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
102 bpm • B Maj • 02:39 • -20db
37% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
37% Popularity • 46% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
102 bpm • D Maj • 06:34 • -26.64db
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
50% Popularity • 15% Danceability • 1% Energy • 8% Liveness
19% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Rameau: Hippolyte et Aricie, RCT 43, Act...
107 bpm • C min • 01:40 • -26db
36% Popularity • 51% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
36% Popularity • 51% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
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JoaquÃn Turina
Sonata, Op. 61: II. Andante
106 bpm • A min • 04:09 • -18db
24% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
24% Popularity • 57% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Arturo Márquez
Danzón No. 2 - Transcr. for piano solo
107 bpm • D min • 09:10 • -21db
18% Popularity • 42% Danceability • 14% Energy • 5% Liveness
91% Instrumentalness • 17% Positiveness
18% Popularity • 42% Danceability • 14% Energy • 5% Liveness
91% Instrumentalness • 17% Positiveness
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Dmitri Shostakovich
Suite No. 2 for Jazz Orchestra: VII. Wal...
107 bpm • C min • 02:14 • -18db
32% Popularity • 32% Danceability • 20% Energy • 8% Liveness
75% Instrumentalness • 69% Positiveness
32% Popularity • 32% Danceability • 20% Energy • 8% Liveness
75% Instrumentalness • 69% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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JoaquÃn Rodrigo
3 Pequenas piezas: No. 1. Ya se van los ...
101 bpm • D Maj • 01:54 • -25.02db
1% Popularity • 54% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
1% Popularity • 54% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Enrique Granados
12 Danzas españolas: No. 2, Oriental
107 bpm • C min • 03:52 • -25db
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 147: No. 2, ...
101 bpm • C Maj • 05:58 • -17.38db
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Henry Purcell
Suite From Abdelzar: I. Rondeau
101 bpm • C# min • 01:29 • -21db
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 9% Energy • 11% Liveness
74% Instrumentalness • 52% Positiveness
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Wojciech Kilar
Moving to the Ghetto Oct. 31, 1940
101 bpm • A min • 01:45 • -41db
40% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
40% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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L'Arpeggiata
Ciaccona (I)
101 bpm • C Maj • 03:52 • -21db
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
44% Popularity • 46% Danceability • 22% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
37% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
12 Concertos, Op. 3 "L'estro armonico", ...
100 bpm • B min • 01:07 • -20.25db
41% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
41% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
108 bpm • A min • 09:01 • -26.34db
14% Popularity • 37% Danceability • 5% Energy • 26% Liveness
93% Instrumentalness • 15% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 26% Liveness
93% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: Torija (Elegia)
100 bpm • D Maj • 03:34 • -35db
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
30% Popularity • 38% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Aram Khachaturian
Oriental Dance
99 bpm • A min • 02:13 • -18.49db
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
24% Popularity • 60% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Narciso Yepes
Jeux interdits (Romance)
109 bpm • A min • 02:23 • -26.93db
30% Popularity • 70% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
30% Popularity • 70% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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George Frideric Handel
Handel: Keyboard Suite in G Minor, HWV 4...
109 bpm • G min • 06:56 • -18db
32% Popularity • 44% Danceability • 16% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
32% Popularity • 44% Danceability • 16% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
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Jorge Augusto Dias Cardoso
24 Piezas sudamericanas: Milonga
110 bpm • D min • 04:46 • -30db
18% Popularity • 28% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
18% Popularity • 28% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
99 bpm • E min • 06:55 • -25db
16% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 7% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 7% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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JoaquÃn Rodrigo
Fantasia para un Gentilhombre: I. Adagie...
98 bpm • A Maj • 04:50 • -21.33db
11% Popularity • 33% Danceability • 9% Energy • 14% Liveness
72% Instrumentalness • 26% Positiveness
11% Popularity • 33% Danceability • 9% Energy • 14% Liveness
72% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Concerto for Flute and Harp, K. ...
99 bpm • F Maj • 08:30 • -20.33db
29% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
29% Popularity • 26% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
41% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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JoaquÃn Rodrigo
En Aranjuez Con Tu Amor - Based On The S...
110 bpm • A min • 05:26 • -15.21db
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
30% Popularity • 26% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
97 bpm • B Maj • 07:33 • -34db
30% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Astor Piazzolla
Oblivion (Arr. for Violin & Strings)
98 bpm • C min • 04:42 • -21.92db
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Isaac Albéniz
Granada
111 bpm • E Maj • 05:02 • -23db
42% Popularity • 43% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 43% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Luiz Bonfá
Black Orpheus: Manha de Carnaval
97 bpm • G min • 04:13 • -23.37db
33% Popularity • 23% Danceability • 11% Energy • 10% Liveness
63% Instrumentalness • 19% Positiveness
33% Popularity • 23% Danceability • 11% Energy • 10% Liveness
63% Instrumentalness • 19% Positiveness
► Preview
JoaquÃn Rodrigo
Concierto andaluz: Tempo di bolero
111 bpm • A Maj • 08:01 • -20.89db
8% Popularity • 55% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
8% Popularity • 55% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
► Preview
Francis Poulenc
L'invitation au château, FP 138: Acte 2...
97 bpm • F min • 01:45 • -23.59db
27% Popularity • 40% Danceability • 4% Energy • 12% Liveness
57% Instrumentalness • 55% Positiveness
27% Popularity • 40% Danceability • 4% Energy • 12% Liveness
57% Instrumentalness • 55% Positiveness
► Preview
Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
97 bpm • C Maj • 02:45 • -22.36db
40% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
40% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
► Preview
Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7a, Act II, Scene 4: Lascia...
97 bpm • B Maj • 05:00 • -26.68db
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
47% Popularity • 13% Danceability • 2% Energy • 8% Liveness
37% Instrumentalness • 6% Positiveness
► Preview
François-Adrien Boieldieu
Concerto pour harpe en ut majeur: III. R...
97 bpm • C min • 06:49 • -20db
19% Popularity • 32% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
19% Popularity • 32% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
► Preview
JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
112 bpm • D Maj • 04:42 • -19.01db
3% Popularity • 60% Danceability • 21% Energy • 15% Liveness
91% Instrumentalness • 53% Positiveness
3% Popularity • 60% Danceability • 21% Energy • 15% Liveness
91% Instrumentalness • 53% Positiveness
► Preview
Jules Massenet
Massenet: Thaïs, Act 2: Méditation
97 bpm • E min • 05:17 • -29db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
Leo Brouwer
Un Dia de Noviembre
97 bpm • A min • 04:26 • -18.16db
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
40% Popularity • 39% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
► Preview
Isaac Albéniz
Suite espagnole, Op. 47: III. Sevilla
112 bpm • G Maj • 05:18 • -15.78db
27% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
27% Popularity • 49% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Philippe Rombi
Nocturne No. 20 en Do Dièse Mineur, Op....
96 bpm • F# min • 02:23 • -17.8db
36% Popularity • 27% Danceability • 14% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
36% Popularity • 27% Danceability • 14% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
► Preview
JoaquÃn Rodrigo
Pajaros de primavera
113 bpm • E min • 04:35 • -26.67db
2% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
2% Popularity • 42% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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David Oistrakh
Concerto Grosso in A Minor for Two Violi...
96 bpm • A min • 03:59 • -16db
29% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Celedonio Romero
Malagueña
96 bpm • C Maj • 05:22 • -26.45db
25% Popularity • 25% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 25% Positiveness
25% Popularity • 25% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 25% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Violin and...
95 bpm • D Maj • 04:59 • -16db
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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JoaquÃn Rodrigo
Concierto Madrigal for 2 Guitars and Orc...
113 bpm • A min • 01:40 • -28.11db
3% Popularity • 73% Danceability • 11% Energy • 12% Liveness
76% Instrumentalness • 70% Positiveness
3% Popularity • 73% Danceability • 11% Energy • 12% Liveness
76% Instrumentalness • 70% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach/Alexander Siloti
Prelude in B minor
114 bpm • B min • 03:19 • -31db
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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William Wilson
Lakmé: Flower Duet
114 bpm • B Maj • 01:28 • -23db
42% Popularity • 78% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
42% Popularity • 78% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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JoaquÃn Rodrigo
Concierto Andaluz for 4 Guitars and Orch...
95 bpm • E min • 09:05 • -20.82db
4% Popularity • 40% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
4% Popularity • 40% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
95 bpm • D Maj • 05:12 • -23.92db
30% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
30% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Jorge Cardoso
Milonga
114 bpm • D min • 04:13 • -32db
32% Popularity • 39% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
32% Popularity • 39% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Evocacion
114 bpm • E min • 01:36 • -28db
44% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
44% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Isaac Albéniz
V. Asturias
114 bpm • E min • 06:32 • -20.53db
38% Popularity • 36% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
38% Popularity • 36% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 22% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Jules Massenet
Elegie: O doux printemps d'autrefois
114 bpm • C min • 04:09 • -18db
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Nimrod David Pfeffer
Bach Siciliano
94 bpm • G min • 02:32 • -39.09db
30% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
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JoaquÃn Rodrigo
Concierto Andaluz for 4 Guitars and Orch...
115 bpm • E min • 09:56 • -30db
7% Popularity • 36% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
7% Popularity • 36% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Isaac Albéniz
Suite española, Op. 47 - Transcr. Franc...
94 bpm • G Maj • 04:16 • -29.01db
28% Popularity • 30% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
28% Popularity • 30% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
94 bpm • C# Maj • 05:31 • -28db
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
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Rundfunk-Sinfonieorchester Berlin
Hurdy-Gurdy: I. Moderato
93 bpm • G min • 01:40 • -27.65db
24% Popularity • 34% Danceability • 4% Energy • 25% Liveness
94% Instrumentalness • 12% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 25% Liveness
94% Instrumentalness • 12% Positiveness
