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Fantasia sopra 'la Canzon degli Ucelli'
Songs like
Fantasia sopra 'la Canzon degli Ucelli'
by
Diomedes Cato
Based on a tempo of (+/- 10%) and a similar genre
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Diomedes Cato
Fantasia sopra 'la Canzon degli Ucelli'
123 bpm • G# min • 03:51 • -25.29db
1% Popularity • 37% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Robert de Visée
Suite in A Major: VI. Menuet
123 bpm • G Maj • 01:37 • -29.41db
11% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Françoise Dufaut
Suite in A Minor: I. Prélude Amila
122 bpm • G# min • 00:46 • -30db
12% Popularity • 37% Danceability • 10% Energy • 9% Liveness
75% Instrumentalness • 60% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: VI. Giga
124 bpm • F min • 04:13 • -22.97db
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Ennemond Gaultier
Suite in D Minor: II. Tombeau de Mezange...
122 bpm • G min • 04:11 • -25db
13% Popularity • 45% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Adam Falckenhagen
Lute Sonata in C Minor, Op. 1, No. 1: I....
124 bpm • E min • 05:16 • -25.8db
10% Popularity • 55% Danceability • 6% Energy • 31% Liveness
73% Instrumentalness • 6% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
15% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Gaspar Sanz
Paradetas
122 bpm • C# Maj • 02:16 • -24db
9% Popularity • 52% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 52% Positiveness
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Jordi Savall
Girolamo Capsberger
121 bpm • G Maj • 02:13 • -33.5db
7% Popularity • 37% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 40% Positiveness
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Anthony Holborne
Dances: Galliard [32]
121 bpm • D# Maj • 01:18 • -22db
7% Popularity • 46% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
33% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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William Byrd
Byrd: Sermone blando a 3 & a 4
125 bpm • A# Maj • 04:18 • -23.79db
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Marin Marais
[Suite en la majeur]: XIII. Chaconne (No...
121 bpm • G# Maj • 02:45 • -19.42db
8% Popularity • 38% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
18% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
12% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Giulio Segni Da Modena
Ricercar Ottavo
120 bpm • D Maj • 02:06 • -25db
10% Popularity • 46% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 49% Positiveness
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The Royal Wind Music
Duo Et misericordia eius
126 bpm • G# min • 01:01 • -38.02db
13% Popularity • 44% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
22% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Diomedes Cato
Gagliarda (1)
126 bpm • E Maj • 01:28 • -28.12db
1% Popularity • 48% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Luis de Milán
Fantasia II
120 bpm • C min • 01:48 • -33db
21% Popularity • 38% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Gaspar Sanz
Matachin
126 bpm • G# Maj • 01:50 • -37.56db
15% Popularity • 43% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 42% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Jordi Savall
Suite En Mi Mineur: Allemande, II.98 (Ma...
120 bpm • D# min • 02:23 • -15.6db
11% Popularity • 36% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 32% Positiveness
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Robert de Visée
Suite in G Major: V. Gavotte - Rondeau
126 bpm • F Maj • 01:27 • -30.69db
18% Popularity • 36% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Thomas Robinson
A Fantasy
120 bpm • F Maj • 02:22 • -20db
12% Popularity • 61% Danceability • 12% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
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Esaias Reusner
Suite in D Minor: II. Paduan
127 bpm • C# min • 04:04 • -29.66db
9% Popularity • 43% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Ensemble Project Ars Nova
Regina gloriosa
119 bpm • D min • 02:19 • -33db
13% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
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François Dufaut
Suite in G Minor: III. Sarabande
127 bpm • F# min • 03:48 • -26.71db
11% Popularity • 56% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 18% Positiveness
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Ennemond Gaultier
Suite in D Minor: VI. Courante
127 bpm • C min • 01:34 • -24.18db
12% Popularity • 36% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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William Lawes
Lawes: Jigg, for Lyra Viol, VdGS 422
119 bpm • G Maj • 01:06 • -26.49db
12% Popularity • 57% Danceability • 1% Energy • 8% Liveness
27% Instrumentalness • 59% Positiveness
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Denis Gaultier
Cleopatre Amante - Double
119 bpm • F min • 03:23 • -21db
12% Popularity • 52% Danceability • 11% Energy • 13% Liveness
83% Instrumentalness • 36% Positiveness
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Hopkinson Smith
Gagliarda
128 bpm • E Maj • 02:04 • -27db
17% Popularity • 40% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Capella de Ministrers
Alta
118 bpm • A# Maj • 01:20 • -22.47db
8% Popularity • 71% Danceability • 14% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
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Andreas Hammerschmidt
Suite No. 27 in D Minor for Gambas a 5: ...
118 bpm • D min • 00:55 • -23.89db
14% Popularity • 58% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Robert de Visée
Suite in G Major: II. Allemande
118 bpm • F Maj • 01:58 • -27.27db
18% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
25% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Anthony Holborne
Dances: Muy Linda
118 bpm • G min • 01:14 • -18.29db
7% Popularity • 63% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 78% Positiveness
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Michael Praetorius
Terpsichore*: Pavane de Spaigne
117 bpm • C Maj • 03:36 • -25db
14% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Diomedes Cato
Prelude
117 bpm • A Maj • 01:26 • -31.54db
1% Popularity • 40% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: I. Praeludio
129 bpm • F min • 02:56 • -21.78db
10% Popularity • 41% Danceability • 15% Energy • 18% Liveness
83% Instrumentalness • 31% Positiveness
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Ennemond Gaultier
32 courantes: No. 10, L'immortelle in D ...
129 bpm • C# min • 01:26 • -26.63db
10% Popularity • 37% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 39% Positiveness
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Francesco da Milano
Fantasia
129 bpm • G min • 02:09 • -24db
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Anthony Holborne
Dances: Galliard [22]
129 bpm • F Maj • 01:13 • -16.96db
7% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
► Preview
Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Thomas Robinson
A Plaine song for 2 Lutes
117 bpm • G Maj • 01:09 • -20.61db
14% Popularity • 56% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Traditional Song
Good King Wenceslas
129 bpm • B Maj • 01:24 • -13.28db
8% Popularity • 68% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 70% Positiveness
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Ennemond Gaultier
10 gigues: No. 1, Carillon in D Minor
117 bpm • C# min • 01:32 • -22.94db
12% Popularity • 35% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Couran...
117 bpm • A Maj • 02:17 • -25db
18% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
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Francisco Guerau
Villanos
129 bpm • C# Maj • 04:55 • -22db
11% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Alonso Mudarra
Pavana [16th c]: Pavana
117 bpm • G# min • 01:41 • -34.49db
8% Popularity • 45% Danceability • 1% Energy • 13% Liveness
67% Instrumentalness • 55% Positiveness
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Robert Ballard
Branles de village
130 bpm • C Maj • 03:49 • -28db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
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Ennemond Gaultier
Suite in F-Flat Minor: III. Courante
117 bpm • E min • 05:42 • -23.15db
9% Popularity • 42% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Giovanni Girolamo Kapsberger
Gagliarda 12a
117 bpm • A# min • 01:44 • -20.37db
21% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Gaspar Sanz
Chaconne
116 bpm • A Maj • 01:56 • -32.55db
15% Popularity • 36% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
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Girolamo Frescobaldi
Quinta a 4, Canto Alto Tenor Basse
116 bpm • A# Maj • 03:33 • -17.48db
11% Popularity • 22% Danceability • 18% Energy • 10% Liveness
49% Instrumentalness • 28% Positiveness
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John Danyel
A Fancy
131 bpm • G Maj • 01:04 • -22db
10% Popularity • 61% Danceability • 30% Energy • 9% Liveness
78% Instrumentalness • 40% Positiveness
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Claude Gervaise
Troisième livre de danseries: Suite d�...
116 bpm • G Maj • 01:32 • -26.66db
9% Popularity • 59% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
116 bpm • G Maj • 01:39 • -23.55db
23% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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Diomedes Cato
Favorito
116 bpm • F Maj • 02:35 • -21.63db
0% Popularity • 54% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 69% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Joachim van den Hove
Toccata
115 bpm • E Maj • 01:01 • -20.31db
16% Popularity • 50% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 46% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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William Byrd
Fantasia à 3 No. 3
131 bpm • A# Maj • 01:14 • -32.12db
13% Popularity • 30% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
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Ronn McFarlane
Hoop Her and Gird Her
115 bpm • G# min • 01:45 • -19.56db
17% Popularity • 52% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
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Diomedes Cato
Canson - 111
115 bpm • A min • 01:14 • -30.11db
0% Popularity • 22% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
23% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Christian Zimmermann
Partita BWV 1007 V.
131 bpm • C# Maj • 01:09 • -20db
11% Popularity • 38% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
25% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Johann Daniel Mylius
Courante II
115 bpm • B min • 01:43 • -27db
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Tempo de Min...
132 bpm • B Maj • 03:46 • -20db
10% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 56% Positiveness
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Gaspar Sanz
Zarabanda Francesa
115 bpm • A# Maj • 01:44 • -27.13db
12% Popularity • 63% Danceability • 0% Energy • 11% Liveness
69% Instrumentalness • 12% Positiveness
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Joan Ambrosio Dalza
Calata ala Spagnola
115 bpm • A# Maj • 01:22 • -23db
16% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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William Byrd
Byrd: In nomine a 4 I
115 bpm • C min • 02:18 • -23.74db
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 10% Positiveness
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Robert de Visée
Suite in C Minor: III. Courante
132 bpm • F min • 01:40 • -26.91db
11% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
► Preview
Vincenzo Galilei
Passamezzo sesto
115 bpm • A# Maj • 02:57 • -23.35db
9% Popularity • 44% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Adam Jarzębski
Jarzebski: Concerto a 3 voci & continuo:...
132 bpm • D Maj • 02:28 • -12.05db
16% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Juan del Encina
Propiñan de Melyor
115 bpm • A min • 03:05 • -28db
14% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
114 bpm • D min • 01:26 • -24.55db
16% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
► Preview
Anthony Holborne
Dances: Ecce quam bonum
114 bpm • C min • 01:23 • -22.49db
8% Popularity • 35% Danceability • 3% Energy • 21% Liveness
69% Instrumentalness • 37% Positiveness
► Preview
Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
114 bpm • F# Maj • 01:21 • -30.81db
26% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
► Preview
Hopkinson Smith
Marizapalos
133 bpm • G min • 04:25 • -29.39db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
► Preview
Gaspar Sanz
Giga ingles
114 bpm • G min • 01:40 • -27.93db
13% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 89% Positiveness
► Preview
Alonso Mudarra
Romanesca o Guardame las Vacas
113 bpm • E min • 02:58 • -24db
14% Popularity • 48% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Jordi Savall
Suite En Si Mineur: Allemande, II.85 (Ma...
113 bpm • A# min • 03:19 • -16.28db
8% Popularity • 26% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 21% Positiveness
► Preview
Claudio Monteverdi
Introduzione al ballo, SV 154:1: Entrata...
113 bpm • G Maj • 02:04 • -19.86db
10% Popularity • 49% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 54% Positiveness
► Preview
Robert de Visée
Suite in G Major: III. Courante
134 bpm • F Maj • 01:43 • -28.09db
11% Popularity • 34% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Hopkinson Smith
Canarios
134 bpm • C# Maj • 02:29 • -31.95db
14% Popularity • 35% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
► Preview
Silvius Leopold Weiss
Lute Sonata No. 37 in C Major, WeissSW 3...
134 bpm • B Maj • 01:16 • -29.13db
12% Popularity • 39% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Domenico Pellegrini
Corrente
112 bpm • C# Maj • 01:28 • -26.33db
9% Popularity • 51% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 67% Positiveness
► Preview
Jordi Savall
Life (13) (Hume)
113 bpm • A Maj • 01:56 • -22.94db
7% Popularity • 44% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
► Preview
Jacques Gallot
Suite in F-Sharp Minor: III. Courante, "...
112 bpm • F Maj • 02:16 • -27.76db
16% Popularity • 38% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 54% Positiveness
► Preview
Robert de Visée
Suite No. 9 en ré mineur: Menuet
135 bpm • C# Maj • 01:12 • -27.09db
18% Popularity • 59% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 71% Positiveness
► Preview
Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Fantasia sopra 'la Canzon degli Ucelli'