Songs like Fantasia (II) by Robert Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
17% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
17% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
42% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
42% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Robert Johnson
Fantasia (II)
121 bpm • C min • 03:42 • -29.46db
2% Popularity • 41% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
2% Popularity • 41% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Thomas Robinson
Renaissance Medley: Air / Alman / Greens...
121 bpm • E min • 03:25 • -13.76db
0% Popularity • 47% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
0% Popularity • 47% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Giovanni Girolamo Kapsberger
Doni Lute Book: Canario
121 bpm • G Maj • 01:22 • -24.47db
11% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
11% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
12% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
12% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Marcabru
Lo vers comens
120 bpm • D# Maj • 06:11 • -26db
7% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 32% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Luis de Milán
Fantasia II
120 bpm • C min • 01:48 • -33db
21% Popularity • 38% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
21% Popularity • 38% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Robert Johnson
As I walked forth (Arr. The Dowland Proj...
120 bpm • G min • 05:43 • -26.24db
4% Popularity • 33% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
4% Popularity • 33% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
24% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Syntagma Musicum
Basse Danse (Moderne)
120 bpm • D Maj • 01:21 • -25db
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
18% Popularity • 61% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 82% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Cuthbert Hely
Fantasia (I)
122 bpm • D# min • 04:03 • -31.65db
29% Popularity • 38% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
29% Popularity • 38% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Robert Johnson
The first Witches Dance
120 bpm • D Maj • 01:57 • -17.56db
10% Popularity • 36% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 32% Positiveness
10% Popularity • 36% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 32% Positiveness
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John Playford
The English Dancing Master: Jenny Pluck ...
119 bpm • G Maj • 03:39 • -18db
6% Popularity • 46% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 46% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Giovanni Zamboni
Suonata: Preludio
123 bpm • C min • 01:20 • -21db
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Alonso Mudarra
Fantasia - Instrumental
119 bpm • F Maj • 01:34 • -24db
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
119 bpm • F Maj • 02:54 • -22db
25% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
24% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Marin Marais
Pièces de violes, Livre V: Petit capric...
124 bpm • B Maj • 01:00 • -21.54db
32% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
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Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
11% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Robert Johnson
The Nobleman
124 bpm • A# Maj • 02:10 • -20.69db
3% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
15% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
15% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Robert de Visée
Suite in G Major: II. Allemande
118 bpm • F Maj • 01:58 • -27.27db
18% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
18% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Michael Praetorius
Terpsichore*: Gaillarde
118 bpm • C Maj • 01:21 • -21.5db
21% Popularity • 50% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 50% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Claude Gervaise
Allemandes - Arranged by Piffaro
118 bpm • G# Maj • 03:17 • -22db
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Antonio de Cabezón
Pavana (Con Su Glosa)
118 bpm • F Maj • 02:39 • -20.41db
8% Popularity • 45% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 45% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
33% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
33% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Robert de Visée
Suite in G Major: VI. Chaconne
117 bpm • F Maj • 08:13 • -27.72db
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Oswald von Wolkenstein
Skak - Frolich geschrai so well wir mach...
117 bpm • D min • 01:13 • -18.24db
20% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 44% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Erasmus Widmann
Sibylla and Agatha
125 bpm • D min • 03:16 • -13.25db
11% Popularity • 52% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
11% Popularity • 52% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Couran...
117 bpm • A Maj • 02:17 • -25db
18% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
18% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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John Playford
The Dancing Master: Jog On
117 bpm • C Maj • 01:12 • -25.89db
17% Popularity • 46% Danceability • 14% Energy • 34% Liveness
17% Instrumentalness • 8% Positiveness
17% Popularity • 46% Danceability • 14% Energy • 34% Liveness
17% Instrumentalness • 8% Positiveness
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Andrea Falconieri
L’Eroica
117 bpm • G Maj • 04:19 • -15.63db
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
9% Popularity • 42% Danceability • 30% Energy • 15% Liveness
33% Instrumentalness • 56% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Pierre de la Rue
Soubz ce tumbel
116 bpm • C Maj • 05:03 • -24.03db
14% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
14% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Jacob Druckman
Divertimento: I. Allegro aperto - studio
126 bpm • G# Maj • 04:46 • -24.35db
0% Popularity • 36% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
0% Popularity • 36% Danceability • 4% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
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John Playford
The English Dancing Master: Jack Pudding
116 bpm • F Maj • 00:52 • -20db
12% Popularity • 54% Danceability • 22% Energy • 14% Liveness
3% Instrumentalness • 55% Positiveness
12% Popularity • 54% Danceability • 22% Energy • 14% Liveness
3% Instrumentalness • 55% Positiveness
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Claude Gervaise
Suite I: Gaillarde
116 bpm • A# Maj • 00:56 • -21.12db
21% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 29% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
116 bpm • G Maj • 01:39 • -23.55db
23% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
23% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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Gautier De Coincy
Ma viële
116 bpm • D# Maj • 04:07 • -29.41db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
21% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
21% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Manuel Machado
Dos estrellas le siguen
115 bpm • G min • 02:16 • -18.97db
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Robert Johnson
The Noble Man
127 bpm • F min • 02:51 • -24.85db
0% Popularity • 42% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 39% Positiveness
0% Popularity • 42% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 39% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Johann Daniel Mylius
Courante II
115 bpm • B min • 01:43 • -27db
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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The Broadside Band
White-Hall Minuett
127 bpm • D min • 02:25 • -20.53db
9% Popularity • 50% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 50% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Francesco Corbetta
Folias
115 bpm • B Maj • 03:05 • -33.4db
9% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
9% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
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Joan Ambrosio Dalza
Calata ala Spagnola
115 bpm • A# Maj • 01:22 • -23db
16% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
16% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Robert Johnson
Care-charming sleep (Arr. Stubbs, Potter...
115 bpm • F Maj • 02:46 • -29.15db
4% Popularity • 31% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
4% Popularity • 31% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
► Preview
Giovanni Girolamo Kapsberger
Canarios: Canarios
115 bpm • F# Maj • 02:00 • -31.98db
30% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
30% Popularity • 41% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Pierre Francisque Carroubel
Passepieds de Bretaigne
128 bpm • A min • 02:42 • -19db
12% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
114 bpm • F# Maj • 01:21 • -30.81db
26% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
26% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
► Preview
Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
12% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Robert Johnson
Care-charming sleep (Arr. The Dowland Pr...
128 bpm • D min • 06:51 • -22.49db
6% Popularity • 24% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
6% Popularity • 24% Danceability • 4% Energy • 9% Liveness
66% Instrumentalness • 6% Positiveness
► Preview
Henry VIII
Pastime with Good Company
128 bpm • A# Maj • 01:25 • -37db
17% Popularity • 53% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 43% Positiveness
17% Popularity • 53% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 43% Positiveness
► Preview
Tylman Susato
Ronde
129 bpm • F Maj • 01:22 • -21.31db
10% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
10% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
► Preview
John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
25% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
25% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
► Preview
Francesco da Milano
Fantasia
129 bpm • G min • 02:09 • -24db
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
► Preview
Robert Johnson
Full Fathom Five
114 bpm • C# Maj • 01:53 • -25.31db
1% Popularity • 35% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 35% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
► Preview
Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
John Playford
The Dancing Master: Newcastle
114 bpm • G Maj • 01:54 • -24.8db
10% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
10% Popularity • 50% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
Jacob Druckman
Divertimento: III. Scherzando - studio
113 bpm • A min • 02:37 • -23.37db
0% Popularity • 54% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 21% Positiveness
0% Popularity • 54% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 21% Positiveness
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Trefoil
Baude Cordier: Tout par compas: Tout par...
113 bpm • C Maj • 01:31 • -32.38db
14% Popularity • 48% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
14% Popularity • 48% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 68% Positiveness
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Robert Johnson
Alman
129 bpm • C min • 01:04 • -21.02db
1% Popularity • 40% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 55% Positiveness
1% Popularity • 40% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 55% Positiveness
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anon arr Alan Crumpler
Horse's bransle
129 bpm • A min • 01:40 • -27.99db
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
10% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
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Claudio Monteverdi
Introduzione al ballo, SV 154:1: Entrata...
113 bpm • G Maj • 02:04 • -19.86db
10% Popularity • 49% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 54% Positiveness
10% Popularity • 49% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 54% Positiveness
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John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
21% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
11% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
11% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Serenade "Gran Partita"
130 bpm • D# Maj • 02:46 • -27.37db
6% Popularity • 17% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Henry VIII
Consort
130 bpm • D min • 03:04 • -18.2db
12% Popularity • 73% Danceability • 14% Energy • 35% Liveness
96% Instrumentalness • 67% Positiveness
12% Popularity • 73% Danceability • 14% Energy • 35% Liveness
96% Instrumentalness • 67% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Carlo Farina
Gagliarda prima
130 bpm • F Maj • 01:13 • -36db
16% Popularity • 50% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 70% Positiveness
16% Popularity • 50% Danceability • 3% Energy • 8% Liveness
62% Instrumentalness • 70% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
29% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
29% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Tobias Hume
An Almaine
112 bpm • C# min • 03:08 • -33db
16% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
16% Popularity • 34% Danceability • 1% Energy • 11% Liveness
73% Instrumentalness • 17% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
23% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
23% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Giraut de Bornelh
Reis glorios
112 bpm • A# min • 08:52 • -31db
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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John Danyel
A Fancy
131 bpm • G Maj • 01:04 • -22db
10% Popularity • 61% Danceability • 30% Energy • 9% Liveness
78% Instrumentalness • 40% Positiveness
10% Popularity • 61% Danceability • 30% Energy • 9% Liveness
78% Instrumentalness • 40% Positiveness
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Thomas Tallis
Libera Nos, Salva Nos à 5
131 bpm • C min • 01:52 • -27.11db
12% Popularity • 16% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Michael Praetorius
Suite No. 1 in C Major: II. Spagnoletta
112 bpm • C Maj • 02:59 • -18.51db
34% Popularity • 45% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 45% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
18% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Tylman Susato
Susato: 12 Dances from the Danserye: III...
112 bpm • F Maj • 01:34 • -18db
19% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
19% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
