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Far Away
Songs like
Far Away
by
Alex Warner
Based on a tempo of (+/- 10%) and a similar genre
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Robert Cassard
Make It Last
81 bpm • G Maj • 03:29 • -11.32db
10% Popularity • 80% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Dave Day Band
Reason to Believe
81 bpm • A Maj • 02:57 • -8.97db
21% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Greg Wyard
Few and far between
81 bpm • G Maj • 04:25 • -8.15db
7% Popularity • 53% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Lacus Spei
Maybe So
81 bpm • E Maj • 03:09 • -11.17db
9% Popularity • 33% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Stewart
She Keeps on Comin' Back
81 bpm • A min • 03:58 • -14.82db
9% Popularity • 42% Danceability • 36% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Dean Friedman
Welcome to the World
81 bpm • F Maj • 05:03 • -8.95db
19% Popularity • 35% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Alex Warner
Far Away
81 bpm • D# Maj • 03:14 • -13.55db
0% Popularity • 50% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Reginald Bellamy
Champagne In Rain
82 bpm • A Maj • 04:21 • -14.35db
28% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Madge Brooks
When I'm With You
82 bpm • F# Maj • 02:51 • -10.66db
11% Popularity • 47% Danceability • 44% Energy • 28% Liveness
1% Instrumentalness • 50% Positiveness
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Lorenzo Gabanizza
Rainy Day Man
80 bpm • B Maj • 04:20 • -9.79db
40% Popularity • 36% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
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Bobby and the Fineliners
The Collector
80 bpm • D Maj • 03:04 • -15.84db
16% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Night Wilds
Just A Moment More
82 bpm • E Maj • 03:31 • -10.87db
27% Popularity • 57% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Warner
Half Moon Sky
80 bpm • D min • 02:44 • -12.22db
0% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Jinder
Wish I Could Have Known You Better
80 bpm • C Maj • 03:02 • -15.43db
9% Popularity • 52% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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FREI
Deep
80 bpm • G Maj • 02:57 • -8.24db
8% Popularity • 58% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Jeff Slate
San Francisco Days
82 bpm • E Maj • 03:40 • -4.06db
15% Popularity • 46% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Gordon
She's What He Needs
80 bpm • B Maj • 03:41 • -12.56db
10% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Otis Kerp
Hail Mary Pass
82 bpm • C min • 02:56 • -10.22db
19% Popularity • 60% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Myra Warren
Walking On Water
80 bpm • C min • 03:32 • -14.73db
27% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Robbins
For You
82 bpm • B min • 04:01 • -15.17db
10% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Scott Sean White
Small World
80 bpm • G# Maj • 04:09 • -12.6db
13% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mike Miz
Heroes
80 bpm • G Maj • 04:15 • -10.72db
13% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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sped up + slowed
Breakeven - slowed down
80 bpm • G Maj • 05:06 • -6.31db
15% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Otis Kerp
Luckiest Man Alive
82 bpm • D Maj • 04:27 • -8.35db
11% Popularity • 52% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jason James J
Cursed Blood
80 bpm • C min • 03:34 • -16.49db
12% Popularity • 55% Danceability • 37% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Michael Nero
Dirty Mary
80 bpm • C# min • 03:56 • -8.7db
9% Popularity • 59% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Tom Neven & the Side Effect
Call You Mine
80 bpm • G# Maj • 03:47 • -10.51db
13% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Frank Zaragoza
Sad Country Songs and Whiskey
80 bpm • G# Maj • 03:11 • -6.5db
13% Popularity • 32% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Augus Morley
Sailing Forward
82 bpm • E min • 05:13 • -11.76db
27% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Mike LaBianca
The Past Is Over
79 bpm • B Maj • 03:42 • -14.42db
7% Popularity • 53% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bobbie Lee Stamper
This Much Light
79 bpm • F# Maj • 03:34 • -16.27db
15% Popularity • 51% Danceability • 30% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Ronnie Gossett
You'll Think Of Me - Live
83 bpm • A Maj • 04:43 • -16.84db
33% Popularity • 37% Danceability • 31% Energy • 11% Liveness
6% Instrumentalness • 28% Positiveness
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Gretchen Adamek
Kitty Kat
79 bpm • C# Maj • 02:07 • -11db
9% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Morris Lewis
Island Song
79 bpm • E Maj • 03:27 • -17db
19% Popularity • 46% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Isaac Thompson
I've Been Hurt
83 bpm • G Maj • 03:13 • -9.4db
11% Popularity • 70% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Tammy Bender
Oh Snow
79 bpm • C Maj • 02:49 • -9.22db
11% Popularity • 31% Danceability • 47% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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Moreton/Hawkes Project
I Will Ride Again
83 bpm • G min • 03:36 • -10.91db
9% Popularity • 75% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Philipp G
People Get Ready
83 bpm • A# Maj • 03:23 • -16.79db
8% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Kenn Morr Band
Cuttin' Through
79 bpm • B Maj • 03:50 • -9.04db
9% Popularity • 56% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Hubery Frederick
Jasper Rain
79 bpm • D min • 03:59 • -5.93db
24% Popularity • 53% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Earth.Boy
After a Time
79 bpm • D Maj • 01:17 • -10.35db
10% Popularity • 46% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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James Reyne
Red Light Avenue - Acoustic, Live
83 bpm • G# Maj • 04:13 • -6.28db
10% Popularity • 34% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Bart
I'll Believe
84 bpm • G Maj • 04:12 • -6.12db
10% Popularity • 32% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Uncle Steve Furbish
Only Friend
84 bpm • D Maj • 03:00 • -13.9db
8% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Big Whip
I Have It in for You
84 bpm • G Maj • 03:01 • -7.36db
40% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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DownTown Mystic
Soul'd Out
78 bpm • D Maj • 04:13 • -4.07db
13% Popularity • 53% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Brian Burr
The Longest Time
84 bpm • D Maj • 03:42 • -9.51db
13% Popularity • 54% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sko/Torp
And Then She Walked Away
84 bpm • G Maj • 03:26 • -8db
8% Popularity • 34% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Woodmountain
Time To Say Goodbye
84 bpm • D min • 03:22 • -17.39db
16% Popularity • 57% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Drop B
Hell Yeah
78 bpm • G Maj • 03:19 • -12.53db
13% Popularity • 50% Danceability • 48% Energy • 11% Liveness
15% Instrumentalness • 45% Positiveness
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Greg Johnson
Smile or Frown
84 bpm • D Maj • 03:31 • -8.3db
20% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Maddock
Lavender Blue
78 bpm • E Maj • 04:04 • -7.68db
12% Popularity • 53% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 69% Positiveness
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Jude Cole
Peaceful in Mine
84 bpm • F# Maj • 03:45 • -17.49db
10% Popularity • 55% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Paul Brady
When Love Comes Tumbling in
78 bpm • D Maj • 03:40 • -10.97db
14% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rollingexile
Renegade
78 bpm • D Maj • 04:47 • -10.17db
15% Popularity • 50% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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Marshall Green & The Grey Men
One by One
84 bpm • E Maj • 01:13 • -12.16db
38% Popularity • 52% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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The Profitz
Long Live Love
84 bpm • G Maj • 03:46 • -7.86db
21% Popularity • 63% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Tremaine Abernathy
We Are Mortals
85 bpm • E Maj • 05:43 • -10.12db
30% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Scott Sean White
People
77 bpm • D# Maj • 03:59 • -10.53db
15% Popularity • 34% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Rosilind Stevenson
At The End
77 bpm • D min • 02:22 • -8db
15% Popularity • 48% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Mike McCarthy Band
Talk to Me
85 bpm • D Maj • 05:16 • -8.62db
14% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Garr Lange
Side by Side
85 bpm • G Maj • 04:23 • -7.52db
13% Popularity • 57% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
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J.R.Leonard
Branded
85 bpm • G Maj • 03:39 • -10.38db
10% Popularity • 58% Danceability • 44% Energy • 16% Liveness
84% Instrumentalness • 35% Positiveness
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George Mallette
Nobody Knows Me Like You Do
85 bpm • D Maj • 03:48 • -12.36db
7% Popularity • 58% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Mike Wilhoit
I Am Blessed
85 bpm • G Maj • 03:05 • -11.66db
11% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Campbell Talley
Three Wishes
77 bpm • A Maj • 02:26 • -10.44db
11% Popularity • 44% Danceability • 53% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Corey Taylor
This Old House
85 bpm • A min • 03:46 • -12.64db
16% Popularity • 45% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Ian Tamblyn
Chasing the Sun
77 bpm • E min • 04:20 • -8.45db
15% Popularity • 65% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Musique Matinale Calme De Luxe
Musique Matinale Calme Rythmes
77 bpm • F Maj • 01:52 • -16.31db
12% Popularity • 61% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
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Shane Larmand
Tennessee Cross
77 bpm • C# min • 05:30 • -11.4db
16% Popularity • 44% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Jarrell Rolfson
Houses
76 bpm • B Maj • 03:31 • -13.23db
27% Popularity • 49% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Alex Warner
If There's A Next Time
86 bpm • C Maj • 02:33 • -10.45db
0% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Errich
All the Promises
76 bpm • G Maj • 05:12 • -8.07db
11% Popularity • 52% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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The Mike McCarthy Band
Flowers in Your Hair
86 bpm • A min • 03:48 • -7.04db
14% Popularity • 65% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kurt Ackermann
Strong Enough - Birdhouse Sessions
76 bpm • G Maj • 02:47 • -13.72db
18% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Larry Brook
The broken string
87 bpm • F Maj • 03:20 • -10.7db
24% Popularity • 63% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Adam Fabianski
Celebrate Me
87 bpm • F Maj • 02:09 • -7.92db
11% Popularity • 53% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Elbert Shelton
RUINED
76 bpm • D Maj • 01:56 • -8.45db
11% Popularity • 45% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Michael Melia
Twenty-Three
87 bpm • E Maj • 04:03 • -11.49db
10% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Tyrone Veblen
Come Like You
75 bpm • F# Maj • 03:58 • -13.25db
27% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Walkley
Time Has Changed Me
87 bpm • C Maj • 05:00 • -18.39db
24% Popularity • 56% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Love Gangsters
Waiting For You
87 bpm • E Maj • 05:11 • -10.48db
7% Popularity • 39% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Geoffrey Mansfield
Take Me To
87 bpm • C Maj • 03:51 • -13.93db
28% Popularity • 54% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Henrik Carlsen
How Can It End
75 bpm • D min • 04:26 • -7.53db
9% Popularity • 43% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Brad White
I'm Coming Home
75 bpm • G Maj • 04:07 • -9.4db
13% Popularity • 56% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Phil Carmen
I Can't Sleep
87 bpm • D# Maj • 02:35 • -11.95db
25% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Baal
Wagner's Music
88 bpm • A Maj • 04:12 • -9.91db
14% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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The Gimlet Project
Grounded
88 bpm • G Maj • 04:02 • -6.76db
16% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Garr Lange
Everything She Does
88 bpm • G Maj • 03:47 • -7.52db
16% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jay Smyth
What A Surprise
88 bpm • A Maj • 03:27 • -16.5db
9% Popularity • 68% Danceability • 29% Energy • 25% Liveness
11% Instrumentalness • 40% Positiveness
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Alex Warner
Uncut Diamond Inst
74 bpm • C# min • 02:56 • -19.15db
0% Popularity • 62% Danceability • 25% Energy • 9% Liveness
55% Instrumentalness • 49% Positiveness
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Geoffrey Mansfield
Who Am I
75 bpm • F Maj • 04:38 • -15.33db
28% Popularity • 51% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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G.B. Lamb
Where Are You Dr. King
74 bpm • D Maj • 03:29 • -10.97db
15% Popularity • 57% Danceability • 25% Energy • 11% Liveness
39% Instrumentalness • 47% Positiveness
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Gelukkig Muziek voor Honden
Onderscheidend (Gevoel)
74 bpm • D min • 01:56 • -14.22db
13% Popularity • 64% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 59% Positiveness
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Yigal E
No Concerns About Tomorrow
89 bpm • A Maj • 03:57 • -7.57db
14% Popularity • 39% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Max Greene
The Fading Light
89 bpm • D Maj • 03:33 • -14.2db
15% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sjako!
All For Now
89 bpm • E Maj • 03:27 • -12.46db
21% Popularity • 65% Danceability • 49% Energy • 28% Liveness
21% Instrumentalness • 22% Positiveness
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Jason Howell
You Are the Star
89 bpm • E min • 06:40 • -10.45db
9% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Woodmountain
Angels In Trees
73 bpm • F Maj • 02:55 • -15.36db
16% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Matt Owens
Morning Light
90 bpm • F Maj • 03:40 • -10.88db
13% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Far Away