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Farah
Songs like
Farah
by
Sarah Schachner
Based on a tempo of (+/- 10%) and a similar genre
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Filippo Beck Peccoz
Stealthy Nature - Bonus Track
85 bpm • A# Maj • 02:46 • -19.73db
18% Popularity • 68% Danceability • 23% Energy • 11% Liveness
81% Instrumentalness • 31% Positiveness
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Piotr Musiał
The Shepherd
85 bpm • A min • 04:04 • -15.55db
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Junkie XL
Walhalla Awaits - Bonus Track
85 bpm • C min • 02:40 • -10.9db
27% Popularity • 20% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Stephen Barton
When Two Sides Go to War
85 bpm • A min • 04:09 • -14.02db
21% Popularity • 20% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Joris de Man
Promise of the West
84 bpm • A min • 02:55 • -16.13db
34% Popularity • 19% Danceability • 48% Energy • 6% Liveness
88% Instrumentalness • 9% Positiveness
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Sarah Schachner
Old Comrades
84 bpm • C# min • 03:01 • -12db
32% Popularity • 17% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 8% Positiveness
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Piotr Musiał
The Last Autumn Theme
86 bpm • F min • 02:44 • -13.36db
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Daniel Licht
Streets of Karnaca (Ambient)
84 bpm • G min • 02:31 • -28db
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Russell Shaw
Albion Awaits
86 bpm • D# min • 02:06 • -19.51db
37% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Steven Price
Refugees
86 bpm • F Maj • 02:42 • -18.81db
25% Popularity • 15% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Sarah Schachner
The Freelancers
84 bpm • A Maj • 01:51 • -16.62db
19% Popularity • 22% Danceability • 30% Energy • 15% Liveness
97% Instrumentalness • 5% Positiveness
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Piotr Musiał
Blood Run
86 bpm • G min • 02:01 • -14db
37% Popularity • 19% Danceability • 42% Energy • 16% Liveness
74% Instrumentalness • 4% Positiveness
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Joris de Man
Motherless - Part 1 - Motherland
87 bpm • D min • 01:41 • -20.61db
34% Popularity • 13% Danceability • 18% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness
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Philip Wareborn
Veni Vidi Vici
83 bpm • D min • 04:28 • -32db
31% Popularity • 8% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Brian Tyler
Manhattan Assault
87 bpm • D Maj • 04:53 • -10.62db
23% Popularity • 28% Danceability • 79% Energy • 18% Liveness
81% Instrumentalness • 17% Positiveness
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Sam Hulick
The Fate Of The Galaxy
87 bpm • A# min • 01:21 • -16.77db
32% Popularity • 12% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Robin Carolan
The Land of the Rus
87 bpm • C Maj • 01:42 • -11.02db
45% Popularity • 65% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
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Piotr Musiał
The Darkest of Days
87 bpm • F min • 04:41 • -14.11db
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Joris de Man
Mother of All
87 bpm • A min • 03:45 • -17.94db
30% Popularity • 12% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Hans Zimmer
Extraction Point
83 bpm • D Maj • 03:35 • -10.66db
46% Popularity • 45% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
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Justin E. Bell
Hope, Forever
87 bpm • D min • 01:59 • -18.98db
40% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Daniel Pemberton
What Lies At The Dream's End
87 bpm • D min • 03:18 • -11.78db
21% Popularity • 18% Danceability • 33% Energy • 35% Liveness
96% Instrumentalness • 6% Positiveness
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Walter Mair
The Best of Us
83 bpm • F# Maj • 01:51 • -17.3db
25% Popularity • 21% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Piotr Musiał
Are We Alone?
83 bpm • D min • 03:53 • -17db
40% Popularity • 8% Danceability • 32% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Joris de Man
Within The Embrace - Part 2 - Out of the...
83 bpm • F Maj • 04:21 • -21.65db
30% Popularity • 8% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Daniel Licht
Epilogue: Dead
87 bpm • E min • 01:07 • -21.33db
27% Popularity • 9% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Merkwood Music
The Death of Night
88 bpm • D Maj • 03:07 • -14db
25% Popularity • 38% Danceability • 61% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Neal Acree
The Golden Lotus
82 bpm • C min • 01:52 • -16db
37% Popularity • 16% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Greg Edmonson
The Setup
82 bpm • D Maj • 02:29 • -12.53db
24% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Piotr Musiał
Streets of New London
83 bpm • C min • 03:58 • -15.53db
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
A Reckoning in Blood
88 bpm • G min • 04:35 • -12.76db
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Daniel Licht
The Dreadful Wale
88 bpm • C# Maj • 01:08 • -28db
45% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Pemberton
The Legend of Excalibur
89 bpm • G Maj • 02:43 • -15.03db
37% Popularity • 18% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 3% Positiveness
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Jeff van Dyck
Rome Total War
82 bpm • G# Maj • 02:59 • -13.08db
29% Popularity • 18% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Primal
Tragic Death
81 bpm • C min • 01:22 • -20.25db
20% Popularity • 16% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Piotr Musiał
Final Push
88 bpm • G min • 04:01 • -14.03db
25% Popularity • 21% Danceability • 41% Energy • 13% Liveness
85% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
Lady Masako
81 bpm • G min • 04:01 • -16.35db
33% Popularity • 16% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Daniel Licht
The GrandPalace
89 bpm • D# Maj • 02:35 • -31.56db
34% Popularity • 17% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Audiomachine
Dusk of War
89 bpm • G# Maj • 02:47 • -8.55db
35% Popularity • 36% Danceability • 50% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
Rusted Sands
89 bpm • G Maj • 04:18 • -18.73db
31% Popularity • 10% Danceability • 19% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Steven Price
Fury Drives Into Camp
90 bpm • G min • 01:50 • -18db
34% Popularity • 23% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Piotr Musiał
On the Edge Theme
82 bpm • C min • 02:49 • -11.66db
34% Popularity • 33% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 23% Positiveness
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Inon Zur
Of the People, for the People
90 bpm • C Maj • 05:01 • -22.67db
36% Popularity • 24% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Daniel Licht
Ambients
89 bpm • E min • 02:10 • -25.31db
38% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
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Sarah Schachner
Backstabbed
90 bpm • D Maj • 03:42 • -14.8db
25% Popularity • 46% Danceability • 50% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Max LL
Jotun
90 bpm • E min • 02:08 • -18.04db
23% Popularity • 16% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Jed Kurzel
You're Not Alone
90 bpm • F# Maj • 05:52 • -16db
27% Popularity • 31% Danceability • 37% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Piotr Musiał
Price of Progress
89 bpm • D min • 04:08 • -17.15db
26% Popularity • 19% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Walter Mair
Operation 627
90 bpm • C# Maj • 02:26 • -18.88db
26% Popularity • 27% Danceability • 41% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Brian Tyler
Further
90 bpm • A min • 04:04 • -10.62db
42% Popularity • 15% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sarah Schachner
Marines
90 bpm • E Maj • 02:33 • -13db
24% Popularity • 35% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Tyler Bates
Bound by Blood
90 bpm • F Maj • 01:42 • -9.36db
22% Popularity • 47% Danceability • 75% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Jed Kurzel
Leap Of Faith
90 bpm • C# Maj • 01:40 • -13db
31% Popularity • 34% Danceability • 64% Energy • 21% Liveness
68% Instrumentalness • 9% Positiveness
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Daniel Pemberton
Knights of the Round Table
90 bpm • G Maj • 03:30 • -16.55db
31% Popularity • 59% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 13% Positiveness
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Piotr Musiał
Construction Site
89 bpm • F# min • 04:08 • -18.1db
27% Popularity • 25% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Mikolai Stroinski
Tesham Mutna
90 bpm • G Maj • 02:02 • -8.31db
37% Popularity • 45% Danceability • 57% Energy • 27% Liveness
25% Instrumentalness • 11% Positiveness
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Jeff van Dyck
Deal of the Millennia
90 bpm • D Maj • 03:02 • -12.06db
24% Popularity • 53% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
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Walter Mair
We Are All Dangerous
90 bpm • G# Maj • 03:15 • -13.57db
27% Popularity • 25% Danceability • 63% Energy • 11% Liveness
79% Instrumentalness • 14% Positiveness
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Jed Kurzel
First Regression
90 bpm • D Maj • 04:13 • -17.74db
21% Popularity • 48% Danceability • 48% Energy • 35% Liveness
94% Instrumentalness • 9% Positiveness
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Sarah Schachner
Horseback Ambush
80 bpm • F# Maj • 02:30 • -14.52db
18% Popularity • 43% Danceability • 45% Energy • 14% Liveness
65% Instrumentalness • 7% Positiveness
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Daniel Licht
Intro the Return
90 bpm • E min • 01:10 • -16.72db
45% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Commanding The Fury
90 bpm • G Maj • 02:08 • -11.51db
48% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
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Piotr Musiał
For Honor! For Toussaint!
90 bpm • A min • 02:04 • -9.17db
44% Popularity • 63% Danceability • 82% Energy • 33% Liveness
3% Instrumentalness • 47% Positiveness
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Chad Cannon
Ankhsar Khatun, The Eagle
80 bpm • C# Maj • 02:15 • -16db
17% Popularity • 24% Danceability • 28% Energy • 37% Liveness
92% Instrumentalness • 4% Positiveness
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Jed Kurzel
Young Cal
90 bpm • C# Maj • 02:38 • -18.42db
28% Popularity • 29% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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NINJA TRACKS
Darkness Awaits
80 bpm • E min • 02:33 • -11db
29% Popularity • 36% Danceability • 59% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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James Hannigan
200 Years Ago, On an Icy Planet...
80 bpm • D min • 07:20 • -15db
18% Popularity • 17% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Wake Up, Ciri
80 bpm • D min • 01:34 • -11.93db
48% Popularity • 14% Danceability • 27% Energy • 26% Liveness
69% Instrumentalness • 3% Positiveness
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Junkie XL
The Rig - Extended Version
80 bpm • F Maj • 06:31 • -16.67db
25% Popularity • 18% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Sarah Schachner
Violence and Timing
80 bpm • D Maj • 02:34 • -13.82db
28% Popularity • 58% Danceability • 42% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
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Kevin Riepl
Beast of the Blood Eaters
80 bpm • C# Maj • 02:26 • -15db
34% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
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Hans Zimmer
Safeguard
80 bpm • F min • 02:43 • -11.06db
33% Popularity • 45% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
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Tyler Bates
Primordial Rage
80 bpm • D min • 02:28 • -12.04db
25% Popularity • 36% Danceability • 60% Energy • 10% Liveness
73% Instrumentalness • 27% Positiveness
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Ted Reedy
Promises
80 bpm • A min • 01:45 • -19.33db
25% Popularity • 20% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Borislav Slavov
A Tear in the Veil
80 bpm • A# Maj • 04:37 • -17.16db
31% Popularity • 36% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 6% Positiveness
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Sarah Schachner
Hometown
80 bpm • C min • 04:03 • -14.26db
22% Popularity • 26% Danceability • 53% Energy • 19% Liveness
89% Instrumentalness • 8% Positiveness
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Joseph Trapanese
Witcher Training
80 bpm • D min • 02:11 • -16db
33% Popularity • 46% Danceability • 36% Energy • 16% Liveness
71% Instrumentalness • 25% Positiveness
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Stephen Barton
Assault on the Sentinel
91 bpm • C# Maj • 03:42 • -11.41db
16% Popularity • 28% Danceability • 70% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Sam Hulick
Farewell and Into the Inevitable
80 bpm • C Maj • 02:00 • -12.94db
33% Popularity • 24% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Riot & Flames - Bonus Track
91 bpm • A Maj • 01:59 • -13.21db
29% Popularity • 41% Danceability • 66% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Greg Edmonson
Reunion
79 bpm • F min • 01:41 • -15.81db
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Daniel Licht
Main Theme
79 bpm • C Maj • 02:09 • -22.29db
41% Popularity • 18% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Nilfgaard Attacks
91 bpm • A Maj • 02:38 • -13.5db
29% Popularity • 41% Danceability • 76% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Chad Cannon
The Tale of Clan Sakai
79 bpm • G min • 03:06 • -15.99db
21% Popularity • 28% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
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Pedro Bromfman
Viva Clara
79 bpm • D# min • 02:14 • -26.61db
16% Popularity • 20% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Sarah Schachner
Predator Instinct
79 bpm • G Maj • 03:02 • -17db
25% Popularity • 37% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Greg Edmonson
Drake's Elegy
79 bpm • C# Maj • 01:56 • -16.96db
25% Popularity • 7% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Mac Quayle
Eye for an Eye
92 bpm • A Maj • 02:37 • -19.74db
41% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sean Murray
Mac-V
92 bpm • D Maj • 02:17 • -12db
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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Stuart Chatwood
Battle in the Warrens
92 bpm • G Maj • 01:20 • -14.3db
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Hesham Nazih
Eye of Horus
78 bpm • C# Maj • 01:11 • -15.37db
26% Popularity • 14% Danceability • 24% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Wilbert Roget, II
A Long Way from Texas
78 bpm • E Maj • 02:09 • -22.51db
24% Popularity • 17% Danceability • 5% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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David Vanacore
Callous Heart
78 bpm • A# min • 01:05 • -19.35db
5% Popularity • 14% Danceability • 31% Energy • 15% Liveness
84% Instrumentalness • 14% Positiveness
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Jeff van Dyck
Journey to Rome, Pt. 1
78 bpm • C Maj • 02:16 • -19.46db
31% Popularity • 7% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Sarah Schachner
Danger Close
93 bpm • D Maj • 04:47 • -10db
27% Popularity • 28% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Joris de Man
Tell Me - Part 1 - Motherland
78 bpm • C min • 02:06 • -18.69db
32% Popularity • 16% Danceability • 12% Energy • 8% Liveness
26% Instrumentalness • 7% Positiveness
► Preview
Kara Talve
Waterhole & Tarbosaurus
93 bpm • D min • 04:41 • -15.29db
14% Popularity • 12% Danceability • 29% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Farah