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Farther Along
Songs like
Farther Along
by
Leslie Jordan
Based on a tempo of (+/- 10%) and a similar genre
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Lori McKenna
Humble & Kind
145 bpm • D# Maj • 04:03 • -13db
38% Popularity • 58% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Clete Bradley and the Mood
Hey Beth, This Is Rip
145 bpm • G Maj • 04:21 • -7.14db
12% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Leslie Jordan
Farther Along
145 bpm • E Maj • 04:04 • -5.64db
27% Popularity • 47% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Dwight Yoakam
The Back of Your Hand
145 bpm • F Maj • 03:07 • -6.98db
42% Popularity • 47% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Sevener
Me, My Old Man and Steely Dan
146 bpm • E Maj • 03:18 • -10.81db
21% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jessi Alexander
Mine Would Be You
144 bpm • G Maj • 04:12 • -9.69db
20% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Lori McKenna
The Dream
144 bpm • G Maj • 04:29 • -7.1db
14% Popularity • 42% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Weathers
Sometime
144 bpm • C Maj • 03:57 • -10.14db
17% Popularity • 34% Danceability • 52% Energy • 13% Liveness
4% Instrumentalness • 20% Positiveness
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Dave Fenley
God in It
146 bpm • G Maj • 03:28 • -5.03db
30% Popularity • 46% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Heath Sanders
Common Ground
146 bpm • D# Maj • 04:09 • -7.4db
24% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lee Brice
Hey World
144 bpm • G Maj • 03:17 • -10db
32% Popularity • 48% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Jessi Alexander
Mama Drank
146 bpm • D Maj • 03:16 • -5.87db
19% Popularity • 65% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Shenandoah
If Only
144 bpm • A Maj • 03:20 • -9.08db
15% Popularity • 66% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Fancy Hagood
Southern Curiosity
144 bpm • C Maj • 04:41 • -6.16db
11% Popularity • 48% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
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Travis Meadows
Better Boat
144 bpm • G Maj • 04:53 • -8.89db
23% Popularity • 33% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Zac Brown Band
Closer to Heaven
144 bpm • F# Maj • 03:58 • -5.62db
32% Popularity • 63% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Chrissy Metz
Girl Go
146 bpm • D Maj • 03:11 • -5.33db
24% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Leslie Jordan
Angel Band
144 bpm • D# Maj • 04:35 • -4.46db
16% Popularity • 46% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Ashland Craft
Two Wildflowers And A Box Of Wine
146 bpm • A Maj • 02:57 • -3.6db
16% Popularity • 49% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Ashley McBryde
Sparrow - Never Will: Live From A Distan...
144 bpm • E Maj • 03:51 • -7.19db
13% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Dave Fenley
Country Wedding Song
144 bpm • G Maj • 03:58 • -10.13db
27% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Folks Like Them
Fog On The Mountain
144 bpm • A Maj • 03:40 • -9.31db
16% Popularity • 58% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Jessi Alexander
The Climb
144 bpm • D# Maj • 04:12 • -7.63db
33% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dolly Parton
In the Sweet by and By
144 bpm • D Maj • 03:55 • -11.01db
34% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sean McConnell
I Built You Up
144 bpm • D Maj • 03:56 • -7.21db
10% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Ashley McBryde
Sparrow
144 bpm • E Maj • 03:50 • -5.47db
35% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Sundance Head
Showing Off
146 bpm • C Maj • 03:12 • -8.84db
15% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Texas Hill
Love Me When I'm Leaving
144 bpm • C Maj • 05:59 • -8.25db
24% Popularity • 57% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jessi Alexander
I Should Probably Go Now
144 bpm • G# Maj • 03:38 • -10.15db
7% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jason Eady
Possibilities
146 bpm • A Maj • 03:10 • -10.35db
12% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Sean McConnell
Nothing Anymore
147 bpm • C# Maj • 04:28 • -9.61db
8% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lori McKenna
Till You're Grown
147 bpm • D Maj • 04:13 • -9.87db
18% Popularity • 34% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Alana Springsteen
ghost in my guitar
143 bpm • C min • 03:20 • -5.93db
72% Popularity • 61% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Waylon Payne
7:28
147 bpm • E Maj • 04:02 • -8.99db
6% Popularity • 58% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Morello
The War Inside
143 bpm • C min • 03:49 • -3.22db
40% Popularity • 27% Danceability • 61% Energy • 13% Liveness
12% Instrumentalness • 29% Positiveness
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Dolly Parton
Seven Bridges Road
147 bpm • C# Maj • 03:29 • -9.58db
27% Popularity • 35% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Stapleton
When The Stars Come Out
148 bpm • C Maj • 04:16 • -9.68db
56% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Janelle Arthur
Hand Me Downs
148 bpm • C Maj • 03:25 • -5.55db
19% Popularity • 31% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ruthie Collins
Joshua Tree
148 bpm • B min • 04:11 • -7.21db
17% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Delbert McClinton
Sending Me Angels
148 bpm • A# Maj • 03:45 • -11db
23% Popularity • 58% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Aaron Raitiere
Everybody Else
142 bpm • F# Maj • 02:57 • -5.73db
9% Popularity • 52% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Church
Heart Of The Night
142 bpm • C# Maj • 03:18 • -6.78db
36% Popularity • 58% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Hannah Dasher
Tall Boy
148 bpm • F# Maj • 02:28 • -4.87db
14% Popularity • 61% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Ashland Craft
Make It Past Georgia
142 bpm • A# Maj • 03:21 • -5.05db
37% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Chrissy Metz
Talking To God
148 bpm • F# Maj • 03:07 • -3.79db
34% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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John Anderson
I’m Still Hangin’ On
148 bpm • D Maj • 03:45 • -8.94db
20% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Folks Like Them
When You're Called
148 bpm • D Maj • 03:28 • -7.85db
18% Popularity • 61% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Eric Church
Where I Wanna Be
148 bpm • A Maj • 04:04 • -6.39db
43% Popularity • 54% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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The Hello Darlins
Still Waters
148 bpm • B Maj • 04:02 • -12db
33% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Rodney Atkins
A Little Good News
142 bpm • G Maj • 03:22 • -6.77db
29% Popularity • 61% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Tori Forsyth
Johnny and June
142 bpm • G min • 02:58 • -9.7db
22% Popularity • 66% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Carly Pearce
Never Wanted To Be That Girl - Acoustic ...
148 bpm • C# Maj • 03:31 • -7.88db
36% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Collin Raye
Scars
148 bpm • G Maj • 03:55 • -7.67db
18% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Eric Church
Never Break Heart
148 bpm • B Maj • 03:48 • -7.59db
41% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Wade
Through Your Eyes (OurVinyl Sessions)
142 bpm • B Maj • 03:14 • -11.3db
31% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Dryes
Whites Creek
142 bpm • F# Maj • 03:34 • -6.97db
22% Popularity • 52% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lori McKenna
A Mother Never Rests
142 bpm • A Maj • 02:45 • -10.63db
28% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Lauren Mascitti
All the Words He Never Said
142 bpm • G Maj • 03:41 • -5.76db
9% Popularity • 52% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Stapleton
Hillbilly Blood
149 bpm • G Maj • 04:05 • -8.95db
48% Popularity • 55% Danceability • 58% Energy • 24% Liveness
8% Instrumentalness • 48% Positiveness
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Ashley Monroe
Groove
141 bpm • A# Maj • 02:37 • -9.84db
11% Popularity • 74% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Brittney Spencer
Thoughts And Prayers
141 bpm • A Maj • 04:09 • -12.21db
13% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Carly Pearce
Eighteen Wheels And A Dozen Roses
141 bpm • A Maj • 03:12 • -4.03db
31% Popularity • 63% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Taylor Swift
I Bet You Think About Me (Taylor’s Ve...
150 bpm • C Maj • 04:45 • -4.52db
73% Popularity • 39% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Tenille Townes
When I Meet My Maker
141 bpm • D# Maj • 03:32 • -10db
37% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Chris Stapleton
Joy Of My Life
149 bpm • D# Maj • 04:34 • -8.96db
73% Popularity • 63% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
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Whiskey Wolves of the West
Sound of the South
140 bpm • C Maj • 03:27 • -9.27db
10% Popularity • 56% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Brett James
Lonely Ain't So Lonely
140 bpm • A# Maj • 03:32 • -5.26db
24% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Sarah Hobbs
Like I Love You
150 bpm • A min • 03:51 • -4.36db
21% Popularity • 50% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Gary Allan
Trouble Knows Trouble
150 bpm • E Maj • 03:28 • -8db
28% Popularity • 52% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Kendell Marvel
Don't Tell Me How to Drink
140 bpm • E Maj • 03:15 • -7.57db
22% Popularity • 50% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
Only Thing That’s Gone
150 bpm • D Maj • 03:16 • -4.59db
73% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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The Oak Ridge Boys
Love, Light, and Healing
140 bpm • E Maj • 02:53 • -10.88db
10% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Old Dominion
I Was On a Boat That Day - Radio Edit
140 bpm • B Maj • 02:54 • -3.65db
20% Popularity • 54% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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rory feek
Gentleman
140 bpm • F# Maj • 04:01 • -8.99db
16% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Craig Morgan
The Father, My Son, And The Holy Ghost
140 bpm • C Maj • 04:08 • -5.62db
44% Popularity • 60% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone - wit...
140 bpm • G Maj • 04:18 • -8db
40% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Chris Roberts
Hate When You're Gone
140 bpm • A Maj • 03:28 • -7.71db
10% Popularity • 40% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Lori McKenna
When You're My Age
140 bpm • B Maj • 05:11 • -8db
37% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Wesley Dean
This Thing Called Life
139 bpm • F Maj • 06:25 • -10.5db
9% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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John Anderson
Years
151 bpm • F# min • 02:56 • -8.11db
38% Popularity • 33% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Pete Muller
Let You in
139 bpm • F Maj • 04:37 • -10.68db
10% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Highwomen
Redesigning Women
139 bpm • F Maj • 02:54 • -6db
45% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Caleb Lee Hutchinson
Love You Tonight
139 bpm • C# Maj • 03:03 • -8.42db
16% Popularity • 52% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Lukas Nelson and Promise of the Real
Leave ‘em Behind
139 bpm • G Maj • 03:25 • -6.4db
33% Popularity • 54% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Josh Weathers
One
139 bpm • D# Maj • 03:17 • -9.07db
24% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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P!nk
Love Me Anyway
139 bpm • D# Maj • 03:08 • -5.9db
60% Popularity • 37% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Blake Shelton
Bible Verses
152 bpm • D# Maj • 03:36 • -8.17db
28% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Erin Enderlin
I Can Be Your Whiskey
139 bpm • D Maj • 03:59 • -7.12db
22% Popularity • 38% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Brittney Spencer
Sorrys Don't Work No More
139 bpm • B Maj • 03:45 • -13.62db
20% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Darin and Brooke Aldridge
Once in a While
152 bpm • A Maj • 03:28 • -7.29db
17% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Scott
Cover the Earth
152 bpm • G Maj • 04:08 • -7.16db
10% Popularity • 63% Danceability • 64% Energy • 34% Liveness
3% Instrumentalness • 45% Positiveness
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Allie Colleen
Best Friend
152 bpm • A Maj • 04:02 • -4.84db
12% Popularity • 51% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Skip Ewing
The Gospel According to Luke
152 bpm • D Maj • 03:52 • -6.99db
21% Popularity • 42% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Charlie Worsham
Sugarcane
152 bpm • F Maj • 03:54 • -7.42db
14% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Zac Brown
Leader Of The Band
138 bpm • D Maj • 05:07 • -10.51db
34% Popularity • 52% Danceability • 35% Energy • 86% Liveness
0% Instrumentalness • 45% Positiveness
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Larry Fleet
Where I Find God (Live)
138 bpm • B Maj • 04:15 • -5.82db
44% Popularity • 52% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Loretta Lynn
One's On The Way
138 bpm • C# Maj • 02:41 • -6db
27% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Cam
Redwood Tree
138 bpm • D Maj • 03:18 • -10.29db
34% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Kelley
Hold Me My Lord
138 bpm • F Maj • 04:19 • -5.26db
12% Popularity • 46% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Farther Along