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Faster Than Light - Instrumental
Songs like
Faster Than Light (From Stellaris Original Game Soundtrack) - Instrumental
by
Paradox Interactive
Based on a tempo of (+/- 10%) and a similar genre
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Paradox Interactive
Journey Beyond the Galaxy
130 bpm • C min • 05:47 • -17.17db
30% Popularity • 54% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Michael McCann
First and Last
130 bpm • G Maj • 03:14 • -11.93db
30% Popularity • 29% Danceability • 87% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Arnaud Roy
Worship the Endless
130 bpm • C# min • 04:07 • -15.26db
30% Popularity • 49% Danceability • 30% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Joris de Man
City On The Mesa - Part 3 - Onwards to M...
130 bpm • F Maj • 04:07 • -22db
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Mick Gordon
Neuromods
130 bpm • C min • 01:22 • -11.9db
38% Popularity • 59% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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John Paesano
A Trail of Hope
130 bpm • F min • 02:44 • -15.73db
26% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Paradox Interactive
Nemesis Main Theme
130 bpm • C min • 04:01 • -13.04db
26% Popularity • 60% Danceability • 86% Energy • 12% Liveness
72% Instrumentalness • 34% Positiveness
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Video Games Live
Shadow of the Colossus®
130 bpm • E min • 03:02 • -9.91db
37% Popularity • 40% Danceability • 57% Energy • 20% Liveness
95% Instrumentalness • 11% Positiveness
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Marcin Przybyłowicz
The Vagabond
130 bpm • D min • 02:47 • -19.92db
51% Popularity • 37% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Ludvig Forssell
Once, There Was an Explosion
130 bpm • G min • 03:07 • -15.63db
35% Popularity • 22% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Sarah Schachner
Assassin's Creed Origins Main Theme
131 bpm • G# Maj • 03:15 • -12.38db
45% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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John Paesano
A Better Beginning
129 bpm • C Maj • 04:25 • -16.54db
36% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Paradox Interactive
Burned Bean Coffee
131 bpm • A Maj • 10:06 • -27.27db
14% Popularity • 29% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Jeremy Soule
Through the Valleys
132 bpm • E min • 04:19 • -24.33db
50% Popularity • 16% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Matt Piersall
Into the Tunnels
128 bpm • G Maj • 01:46 • -5.87db
31% Popularity • 60% Danceability • 92% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Trevor Morris
Dragon Age Inquisition Theme
128 bpm • D Maj • 02:52 • -12.67db
51% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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Inon Zur
Fallout 4 Main Theme
128 bpm • C# Maj • 03:02 • -19.09db
49% Popularity • 37% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Austin Wintory
Seriola Lalandi
132 bpm • G min • 03:16 • -20.51db
33% Popularity • 24% Danceability • 26% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Paradox Interactive
Faster Than Light
130 bpm • D min • 06:40 • -15.84db
34% Popularity • 44% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Halo
Promise the Girl
133 bpm • D# Maj • 01:07 • -21.83db
42% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Erasmus Talbot
Exploration: Neutral - Hypernova
127 bpm • C# Maj • 01:41 • -21.73db
17% Popularity • 17% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Jason Hayes
Graveyard
126 bpm • A# min • 01:08 • -17.75db
40% Popularity • 20% Danceability • 19% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Michael McCann
Embrace What You Have Become Trailer
134 bpm • G# min • 03:29 • -10db
28% Popularity • 17% Danceability • 86% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Austin Wintory
First Confluence
133 bpm • C# min • 01:40 • -29.58db
40% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Geoff Knorr
England (The Industrial Era)
126 bpm • D Maj • 03:58 • -13.63db
35% Popularity • 17% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Paradox Interactive
Faster Than Light - Instrumental
130 bpm • D min • 06:40 • -16.59db
39% Popularity • 45% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Brad Derrick
Recollection of Wars Long Lost
134 bpm • D min • 07:08 • -16.3db
37% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jason Hayes
My Life for Aiur
126 bpm • C min • 02:15 • -12.71db
21% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Michael McCann
Opening Credits
134 bpm • G Maj • 01:59 • -11.4db
33% Popularity • 44% Danceability • 79% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Mikko Tarmia
Alone (End Credits)
135 bpm • F min • 02:18 • -18.99db
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Curtis Schweitzer
To Reach Out
135 bpm • G Maj • 02:31 • -16.55db
10% Popularity • 41% Danceability • 37% Energy • 31% Liveness
95% Instrumentalness • 4% Positiveness
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Paradox Interactive
Crusader Kings 2 Main Title
130 bpm • C min • 02:47 • -13db
24% Popularity • 32% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 5% Positiveness
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Glenn Stafford
Terran One
135 bpm • D Maj • 04:56 • -12db
39% Popularity • 47% Danceability • 66% Energy • 17% Liveness
79% Instrumentalness • 14% Positiveness
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Yoann Laulan
Prisoner's Awakening
135 bpm • G# Maj • 04:37 • -18.57db
38% Popularity • 56% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 44% Positiveness
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Lorne Balfe
Assassin's Creed III Main Theme
135 bpm • D min • 03:06 • -10.68db
49% Popularity • 41% Danceability • 88% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
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Ben Prunty
MilkyWay (Battle)
125 bpm • E min • 02:40 • -16.09db
34% Popularity • 51% Danceability • 64% Energy • 24% Liveness
87% Instrumentalness • 72% Positiveness
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Curtis Schweitzer
Atlas
135 bpm • C min • 04:06 • -17db
30% Popularity • 42% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Michael McCann
The Mole
125 bpm • E Maj • 02:24 • -23.8db
36% Popularity • 52% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Paradox Interactive
Dino Oil
131 bpm • D Maj • 10:06 • -24.54db
13% Popularity • 33% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Christopher Larkin
Queen's Gardens
135 bpm • B min • 01:46 • -20.04db
50% Popularity • 37% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Greg Edmonson
Nate's Theme 2.0
125 bpm • G Maj • 01:45 • -15db
41% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Ben Prunty
MilkyWay (Explore)
125 bpm • E min • 02:40 • -19db
40% Popularity • 52% Danceability • 43% Energy • 17% Liveness
90% Instrumentalness • 39% Positiveness
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Guillaume David
Lost Civilizations
125 bpm • C min • 03:25 • -18.94db
38% Popularity • 18% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Curtis Schweitzer
Europa
135 bpm • A min • 06:04 • -18.57db
26% Popularity • 51% Danceability • 17% Energy • 7% Liveness
96% Instrumentalness • 19% Positiveness
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Michael McCann
Sandstorm
125 bpm • C# Maj • 04:50 • -13db
25% Popularity • 32% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Glenn Stafford
StarCraft Main Title
125 bpm • G Maj • 02:26 • -15.94db
31% Popularity • 35% Danceability • 44% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Paradox Interactive
Stern Berger
131 bpm • C Maj • 09:51 • -32.5db
10% Popularity • 34% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Sascha Dikiciyan
Infiltration
125 bpm • A Maj • 02:35 • -14.03db
23% Popularity • 42% Danceability • 37% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Amos Roddy
Mischievous Alchemy
136 bpm • G# Maj • 02:17 • -16.11db
41% Popularity • 68% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
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Halo
Trapped In Amber
136 bpm • G# min • 02:26 • -9.53db
38% Popularity • 60% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 64% Positiveness
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Jeremy Soule
King and Country
136 bpm • F# min • 04:04 • -21.33db
49% Popularity • 17% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Joel Schoch
Colored Engine
124 bpm • G min • 03:01 • -20.53db
39% Popularity • 63% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Paradox Interactive
Aukio
131 bpm • A Maj • 10:11 • -21.31db
17% Popularity • 28% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
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Inon Zur
Main Title
124 bpm • D min • 02:04 • -12db
39% Popularity • 23% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Berlinist
Gris, Pt. 1
136 bpm • F min • 02:36 • -14.8db
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Damjan Mravunac
Heavenly Clouds
136 bpm • C Maj • 02:40 • -21.69db
26% Popularity • 23% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Austin Wintory
The Call
124 bpm • E Maj • 03:39 • -24db
37% Popularity • 17% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Todd Masten
I Will Beat on Your Behind
124 bpm • G min • 04:07 • -14.39db
31% Popularity • 41% Danceability • 35% Energy • 11% Liveness
78% Instrumentalness • 13% Positiveness
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Paradox Interactive
The Master Plan
132 bpm • G min • 03:54 • -20.83db
22% Popularity • 16% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Russell Brower
The Sin'dorei
137 bpm • C# Maj • 06:39 • -17.29db
39% Popularity • 15% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mick Gordon
Human Elements
123 bpm • D min • 01:19 • -9.15db
37% Popularity • 51% Danceability • 52% Energy • 18% Liveness
44% Instrumentalness • 12% Positiveness
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Ben Prunty
Into the Breach
138 bpm • A min • 04:20 • -17.83db
27% Popularity • 63% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Ludvig Forssell
The Drop
138 bpm • D Maj • 01:01 • -12db
37% Popularity • 31% Danceability • 55% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Fanfares And Flowers
139 bpm • D min • 03:10 • -11db
44% Popularity • 24% Danceability • 41% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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David GarcÃa DÃaz
Dillion
138 bpm • D Maj • 02:42 • -18.47db
33% Popularity • 15% Danceability • 25% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Jason Hayes
Teldrassil
139 bpm • D# Maj • 03:56 • -15.95db
39% Popularity • 17% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Joris de Man
Victory - Part 1 - Motherland
121 bpm • C# Maj • 03:02 • -18.92db
32% Popularity • 17% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Ben Prunty
Open a Breach
138 bpm • C Maj • 02:00 • -18db
42% Popularity • 55% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Ludvig Forssell
The Face of Our New Hope
122 bpm • C# min • 03:25 • -22.22db
35% Popularity • 30% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Michael McCann
Icarus - Main Theme
121 bpm • G min • 03:41 • -12.8db
44% Popularity • 25% Danceability • 68% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Paradox Interactive
Battle Of Breitenfeld
140 bpm • G min • 03:05 • -10.39db
23% Popularity • 27% Danceability • 59% Energy • 16% Liveness
54% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Kaer Morhen
140 bpm • D min • 02:35 • -13.48db
55% Popularity • 40% Danceability • 33% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Battlefield One
140 bpm • A# min • 03:20 • -14db
42% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Lena Raine
Tarir, the Forgotten City
140 bpm • A Maj • 04:04 • -18.01db
34% Popularity • 23% Danceability • 17% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
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Curtis Schweitzer
I Was the Sun (Before It Was Cool) [Nova...
140 bpm • E min • 04:58 • -13.68db
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Collosia
The Road Most Travelled
140 bpm • G min • 02:57 • -22.36db
36% Popularity • 20% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Paradox Interactive
Legacy of Rome
140 bpm • C min • 03:39 • -12.57db
28% Popularity • 29% Danceability • 37% Energy • 35% Liveness
78% Instrumentalness • 40% Positiveness
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Stuart Chatwood
The Senescence
140 bpm • C# Maj • 03:48 • -11db
28% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
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Michael McCann
TF29
140 bpm • E min • 04:17 • -18.82db
34% Popularity • 60% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
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Jason Graves
Adventure Found Me
140 bpm • G Maj • 01:02 • -17.04db
35% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Berlinist
Debris
140 bpm • D min • 02:51 • -27db
38% Popularity • 34% Danceability • 5% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Theophany
Time's End
120 bpm • C# min • 08:22 • -7.52db
29% Popularity • 23% Danceability • 66% Energy • 14% Liveness
98% Instrumentalness • 9% Positiveness
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Paradox Interactive
Among The Poor
140 bpm • F min • 01:39 • -19.59db
29% Popularity • 58% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Stuart Chatwood
All Things Must Come
140 bpm • G# Maj • 03:48 • -11db
31% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
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Petri Alanko
A Whisper
120 bpm • A# min • 04:36 • -21db
27% Popularity • 20% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Curtis Schweitzer
Stellar Formation
141 bpm • G min • 07:49 • -17.3db
23% Popularity • 34% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 35% Positiveness
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Big Giant Circles
The Echo
120 bpm • D Maj • 02:40 • -20.24db
31% Popularity • 43% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 28% Positiveness
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Shunsuke Kida
Abandoned by God [Maiden Astraea]
141 bpm • F# Maj • 04:57 • -14.66db
31% Popularity • 23% Danceability • 28% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Paradox Interactive
The Byzantine Empire
120 bpm • G min • 05:04 • -12db
22% Popularity • 25% Danceability • 44% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Borislav Slavov
Rivellon - Light Version
120 bpm • G Maj • 02:17 • -17.07db
39% Popularity • 56% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Chris Tilton
Cities of Tomorrow
120 bpm • G# Maj • 03:42 • -17db
20% Popularity • 38% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Arnaud Roy
The We (Horatio Theme)
120 bpm • G min • 05:34 • -19.82db
18% Popularity • 26% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Damjan Mravunac
The Forbidden Tower
120 bpm • C min • 03:44 • -22.51db
23% Popularity • 42% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Paesano
Heleus
120 bpm • F min • 02:53 • -22.77db
35% Popularity • 54% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Paradox Interactive
Genesis
120 bpm • C min • 06:08 • -20.8db
30% Popularity • 41% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Chris Remo
Prologue
120 bpm • G# Maj • 03:34 • -23db
46% Popularity • 43% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Borislav Slavov
Quirky Bones
120 bpm • G# Maj • 01:23 • -16db
46% Popularity • 69% Danceability • 33% Energy • 10% Liveness
81% Instrumentalness • 14% Positiveness
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Alexander Brandon
So It Begins (Deus Ex Main Title)
120 bpm • D Maj • 02:40 • -9db
23% Popularity • 54% Danceability • 93% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Ben Prunty
Last Stand
120 bpm • C# min • 05:20 • -17db
33% Popularity • 70% Danceability • 36% Energy • 3% Liveness
82% Instrumentalness • 48% Positiveness
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Damjan Mravunac
False God
120 bpm • B min • 03:57 • -12db
22% Popularity • 47% Danceability • 66% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Faster Than Light - Instrumental