Songs like Fat and Happy by Carsie Blanton
Based on a tempo of (+/- 10%) and a similar genre
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Twisted Pine
I Don't Feel Like Dancin'
113 bpm • C min • 04:22 • -8.74db
11% Popularity • 66% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 66% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Erin McKeown
Sugar in a Pie
113 bpm • F min • 02:41 • -10.34db
18% Popularity • 69% Danceability • 45% Energy • 24% Liveness
1% Instrumentalness • 34% Positiveness
18% Popularity • 69% Danceability • 45% Energy • 24% Liveness
1% Instrumentalness • 34% Positiveness
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Elizabeth & the Catapult
More Than Enough
113 bpm • A Maj • 02:40 • -5db
14% Popularity • 53% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 53% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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I'm With Her
Ain’t That Fine
113 bpm • D# Maj • 03:08 • -11.95db
34% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Carsie Blanton
Fat and Happy
113 bpm • A Maj • 02:37 • -8.03db
16% Popularity • 74% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 74% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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Upstate
No Slack
113 bpm • A min • 04:07 • -8.18db
10% Popularity • 74% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 74% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Della Mae
Sixteen Tons
114 bpm • E min • 04:15 • -9db
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 72% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Jaymay
Singin' of the Birds
114 bpm • F Maj • 02:13 • -9.14db
13% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Carolina Chocolate Drops
Leaving Eden
114 bpm • A min • 04:35 • -10.86db
27% Popularity • 45% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 45% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Shania Hamill
Rotate
114 bpm • A Maj • 03:23 • -7.57db
27% Popularity • 68% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 68% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Erin McKeown
The Taste of You
112 bpm • G Maj • 01:48 • -6db
27% Popularity • 71% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 71% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Amelia Curran
I Am the Night
114 bpm • C Maj • 03:34 • -14.62db
16% Popularity • 79% Danceability • 37% Energy • 7% Liveness
14% Instrumentalness • 65% Positiveness
16% Popularity • 79% Danceability • 37% Energy • 7% Liveness
14% Instrumentalness • 65% Positiveness
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Deb Talan
Bring Water
114 bpm • E min • 02:53 • -6.42db
19% Popularity • 75% Danceability • 88% Energy • 5% Liveness
10% Instrumentalness • 94% Positiveness
19% Popularity • 75% Danceability • 88% Energy • 5% Liveness
10% Instrumentalness • 94% Positiveness
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The Wiyos
Yellow Lines
112 bpm • A# Maj • 03:02 • -7.74db
18% Popularity • 65% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 65% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Good Morning Bedlam
St. James Infirmary
112 bpm • D min • 03:44 • -9.64db
10% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Over the Rhine
I'm On A Roll
112 bpm • A Maj • 03:18 • -8db
17% Popularity • 70% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 70% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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David Myles
When It Comes My Turn
114 bpm • F Maj • 03:31 • -11db
33% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Erin McKeown
The Queer Gospel
114 bpm • C Maj • 03:15 • -8.98db
22% Popularity • 54% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 54% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Upstate
Old Advice
112 bpm • G Maj • 04:02 • -6db
27% Popularity • 75% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 75% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Amelia Curran
The Company Store
114 bpm • G Maj • 02:51 • -10.85db
11% Popularity • 58% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 58% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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April Smith and the Great Picture Show
Stop Wondering
115 bpm • D Maj • 02:12 • -11.32db
23% Popularity • 56% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 56% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Dave Carter
Happytown (All Right With Me)
115 bpm • D Maj • 03:34 • -11.07db
24% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Secret Sisters
Dirty Lie
115 bpm • C# min • 02:54 • -7db
23% Popularity • 65% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 65% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Jennifer Sullivan
Somethin' New
115 bpm • G Maj • 02:33 • -5.99db
9% Popularity • 63% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 63% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Upstate
Healing
111 bpm • D Maj • 03:08 • -7.48db
24% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Twisted Pine
Well, You Can Do It Without Me
115 bpm • B Maj • 04:01 • -10.59db
18% Popularity • 88% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
18% Popularity • 88% Danceability • 35% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Steve Martin
Another Round
115 bpm • E min • 02:22 • -9.05db
15% Popularity • 70% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 70% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Sarah Jarosz
Come On Up To The House
115 bpm • D Maj • 04:27 • -9db
34% Popularity • 77% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 77% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Amy LaVere
Killing Him
115 bpm • G min • 03:04 • -8db
21% Popularity • 76% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 76% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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The Quebe Sisters
Every Which-a-Way
115 bpm • D Maj • 02:36 • -6.31db
16% Popularity • 73% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 73% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Carolina Chocolate Drops
Cornbread and Butterbeans
111 bpm • G Maj • 03:09 • -8.48db
39% Popularity • 67% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 67% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Old Man Luedecke
Sardine Song
111 bpm • G Maj • 03:16 • -10.77db
11% Popularity • 73% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 73% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Living Sisters
(You Don't Know) How Glad I Am
111 bpm • F Maj • 04:18 • -8.36db
8% Popularity • 56% Danceability • 44% Energy • 10% Liveness
40% Instrumentalness • 47% Positiveness
8% Popularity • 56% Danceability • 44% Energy • 10% Liveness
40% Instrumentalness • 47% Positiveness
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Hem
The Cuckoo
111 bpm • E min • 02:57 • -9.3db
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
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Ruby the RabbitFoot
Comin' Your Way
115 bpm • A Maj • 02:53 • -10.58db
12% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Melissa Ferrick
Closer
111 bpm • A# Maj • 03:00 • -9db
10% Popularity • 70% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 70% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Sara Watkins
Say So
110 bpm • C min • 04:08 • -9.8db
4% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The California Honeydrops
Carolina Peach
116 bpm • F min • 04:55 • -8.87db
22% Popularity • 71% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 71% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Elle Cordova
No. 19
110 bpm • C Maj • 03:37 • -11.31db
17% Popularity • 78% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 78% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Amy LaVere
That Beat
116 bpm • C# Maj • 04:08 • -7.76db
12% Popularity • 59% Danceability • 59% Energy • 23% Liveness
1% Instrumentalness • 59% Positiveness
12% Popularity • 59% Danceability • 59% Energy • 23% Liveness
1% Instrumentalness • 59% Positiveness
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Twisted Pine
Bound to Do It Right (The Jersey City So...
116 bpm • B Maj • 04:20 • -7.67db
12% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 77% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Amythyst Kiah
Myth
110 bpm • A min • 04:35 • -14.44db
22% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Rachael & Vilray
At Your Mother's House
110 bpm • F Maj • 03:20 • -6.9db
28% Popularity • 74% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 74% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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The California Honeydrops
Spreadin' Honey
110 bpm • G# Maj • 03:53 • -5.57db
23% Popularity • 73% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 73% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Show Ponies
Whiskey and Wine
116 bpm • G Maj • 03:41 • -6.43db
23% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Jacob Miller and the Bridge City Crooners
Gotta Keep Keepin' On
110 bpm • C Maj • 02:47 • -8.43db
17% Popularity • 82% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 82% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Sweet Crude
Little Darling
110 bpm • B min • 04:18 • -8.85db
29% Popularity • 66% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 66% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Bearfoot
Good In The Kitchen
110 bpm • A Maj • 01:30 • -8.43db
12% Popularity • 81% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 81% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Blair Crimmins and The Hookers
In the Neighborhood
110 bpm • C Maj • 03:08 • -7.05db
15% Popularity • 70% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 70% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Barbra Lica
Nowhere with You
110 bpm • G Maj • 03:26 • -6.12db
7% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cary Ann Hearst
American Made Machine
110 bpm • D Maj • 02:38 • -4.06db
17% Popularity • 69% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 69% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Watkins Family Hour
Hop High
116 bpm • D Maj • 04:54 • -8.86db
8% Popularity • 42% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
8% Popularity • 42% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Lizzy & The Triggermen
Dance Song (For the End of the World)
117 bpm • D min • 04:32 • -6.09db
11% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Pokey LaFarge
Pack It Up
117 bpm • B min • 03:02 • -8.49db
11% Popularity • 82% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 82% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Quebe Sisters
How High the Moon
109 bpm • A Maj • 02:45 • -6.05db
11% Popularity • 69% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 69% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Carsie Blanton
Desire
117 bpm • C Maj • 03:19 • -9.94db
9% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Nicole Atkins
Goodnight Rhonda Lee
117 bpm • C Maj • 02:33 • -8db
30% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Po' Girl
Movin' On
117 bpm • E Maj • 02:51 • -8db
28% Popularity • 58% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 58% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Taylor Ashton
Hand In My Pocket
117 bpm • A Maj • 02:41 • -9.56db
23% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Twisted Pine
Right Now
109 bpm • A Maj • 03:42 • -8.17db
14% Popularity • 82% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 82% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Wildmans
You're Gonna Make Me Lonesome When You G...
109 bpm • A# Maj • 03:43 • -5.21db
12% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Luther Dickinson
Fly With Me
108 bpm • D Maj • 02:11 • -12.59db
0% Popularity • 78% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
0% Popularity • 78% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 54% Positiveness
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Sara Watkins
One Last Time
118 bpm • D Maj • 03:08 • -9.26db
5% Popularity • 62% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 62% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Erin Bode
The Little Garden
118 bpm • C Maj • 06:00 • -11.31db
10% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 74% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Yes Darling
Call Your Mother
108 bpm • A# Maj • 02:59 • -9.06db
16% Popularity • 74% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 74% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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The Wild Reeds
Of All the Dreams
118 bpm • G Maj • 03:32 • -7.36db
31% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Wailin' Jennys
The Devil's Paintbrush Road
118 bpm • D Maj • 03:47 • -11.56db
25% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Toni Price
We Just Couldn't Say Goodbye
108 bpm • F Maj • 03:13 • -13.3db
0% Popularity • 72% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 72% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Bonnie Whitmore
Fuck With Sad Girls
108 bpm • A Maj • 04:38 • -6.33db
30% Popularity • 67% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 67% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Upstate
Going Gone
118 bpm • B Maj • 04:05 • -8db
13% Popularity • 46% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 46% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Meschiya Lake and The Little Big Horns
Miss Otis Regrets
108 bpm • G# Maj • 03:30 • -8.24db
10% Popularity • 88% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 88% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Tia Brazda
Bandshell
108 bpm • A# Maj • 03:32 • -7.28db
14% Popularity • 73% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 73% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Mariel Buckley
Rose Coloured Frames
108 bpm • G Maj • 03:19 • -10.27db
13% Popularity • 56% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
13% Popularity • 56% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
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The Wild Reeds
Only Songs
108 bpm • F# Maj • 04:36 • -5db
32% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Caroline Rose
I Will Not Be Afraid
108 bpm • D Maj • 02:26 • -5.47db
22% Popularity • 73% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 73% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Amy LaVere
Last Rock n Roll Boy to Dance
108 bpm • E min • 05:11 • -9.23db
10% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Meschiya Lake and The Little Big Horns
Scotch
108 bpm • C Maj • 01:33 • -9.67db
18% Popularity • 61% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 61% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Caitlin Canty
Leaping Out
118 bpm • B Maj • 03:55 • -13.13db
25% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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![Desire [Feat Lucius] cover art](https://i.scdn.co/image/ab67616d00001e02d092c09811fb7f809fcbb0c8)
Grace Potter
Desire [Feat Lucius]
118 bpm • C# Maj • 03:00 • -7.13db
33% Popularity • 83% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 83% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Truckstop Honeymoon
Bad Attitude
108 bpm • G Maj • 03:15 • -7.27db
9% Popularity • 75% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 75% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Shelby Lynne
Telephone
108 bpm • F Maj • 03:50 • -13.96db
22% Popularity • 81% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 81% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Dom Flemons
'Til The Seas Run Dry
119 bpm • D# Maj • 03:00 • -8.1db
12% Popularity • 80% Danceability • 67% Energy • 26% Liveness
3% Instrumentalness • 69% Positiveness
12% Popularity • 80% Danceability • 67% Energy • 26% Liveness
3% Instrumentalness • 69% Positiveness
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The Two Man Gentlemen Band
Chocolate Milk
119 bpm • B min • 02:47 • -7.79db
18% Popularity • 84% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 84% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Elle Cordova
Goodbye Butterfly
119 bpm • A# Maj • 03:39 • -13.5db
23% Popularity • 66% Danceability • 48% Energy • 25% Liveness
59% Instrumentalness • 48% Positiveness
23% Popularity • 66% Danceability • 48% Energy • 25% Liveness
59% Instrumentalness • 48% Positiveness
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Ani DiFranco
Woe Be Gone
107 bpm • G Maj • 04:00 • -10.23db
19% Popularity • 77% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
19% Popularity • 77% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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Dave Carter
236-6132
107 bpm • A Maj • 03:04 • -7.09db
22% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Erin McKeown
Blackbirds
107 bpm • D min • 04:25 • -9.51db
26% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Squirrel Nut Zippers
Happy Days Are Here Again
119 bpm • C# Maj • 02:44 • -7.27db
11% Popularity • 58% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
11% Popularity • 58% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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Sam Phillips
Too Many Light Years
107 bpm • A min • 02:30 • -13.71db
16% Popularity • 72% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 72% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Carsie Blanton
Caroline
120 bpm • C Maj • 02:45 • -11.18db
36% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Weepies
Fancy Things
120 bpm • B min • 02:15 • -9.27db
31% Popularity • 71% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 71% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Little Miss Higgins
Bargain! Shop Panties
120 bpm • A Maj • 05:03 • -6.7db
11% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Reina del Cid
The Fall
120 bpm • C Maj • 03:21 • -10.19db
18% Popularity • 67% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
18% Popularity • 67% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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Woody Pines
Anything for Love
120 bpm • D Maj • 02:45 • -8.86db
29% Popularity • 84% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 84% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Dead Horses
Golden Sky
106 bpm • A Maj • 03:37 • -9.02db
14% Popularity • 46% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 46% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Over the Rhine
Faithfully Dangerous
106 bpm • D min • 04:54 • -12.47db
20% Popularity • 67% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 67% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Peter Mulvey
Lies You Forgot You Told
121 bpm • B min • 02:24 • -6.48db
12% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 81% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Eleni Mandell
Cold Snap
121 bpm • E Maj • 03:02 • -11.33db
7% Popularity • 67% Danceability • 39% Energy • 9% Liveness
6% Instrumentalness • 61% Positiveness
7% Popularity • 67% Danceability • 39% Energy • 9% Liveness
6% Instrumentalness • 61% Positiveness