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Fat As* House Mix
Songs like
Fat As* House Mix
by
Andrew Dice Clay
Based on a tempo of (+/- 10%) and a similar genre
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Jason Allen
The Gym
133 bpm • C min • 01:21 • -14.43db
22% Popularity • 64% Danceability • 50% Energy • 86% Liveness
0% Instrumentalness • 76% Positiveness
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Doug Stanhope
The Best Shot
134 bpm • A Maj • 02:05 • -9.02db
14% Popularity • 61% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Pavich
Sugar Daddy
131 bpm • G min • 01:17 • -15.05db
27% Popularity • 59% Danceability • 49% Energy • 83% Liveness
0% Instrumentalness • 46% Positiveness
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Tommy Tiernan
The Psychiatric Hospital
131 bpm • C# Maj • 04:31 • -11.19db
12% Popularity • 63% Danceability • 63% Energy • 92% Liveness
0% Instrumentalness • 68% Positiveness
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Gary Gulman
Sex Road Blocks When You're A Teen
131 bpm • C# Maj • 03:08 • -17.27db
23% Popularity • 64% Danceability • 34% Energy • 96% Liveness
0% Instrumentalness • 47% Positiveness
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Lavell Crawford
Unfunctional Pussy
131 bpm • B min • 02:46 • -11.89db
12% Popularity • 52% Danceability • 83% Energy • 96% Liveness
0% Instrumentalness • 37% Positiveness
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Rick & Bubba
Rick Has Two Chocolate Bunnies
130 bpm • G# Maj • 03:26 • -7.78db
8% Popularity • 71% Danceability • 39% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Danke
Trust the Science
136 bpm • G Maj • 02:26 • -10.83db
14% Popularity • 44% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 58% Positiveness
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Gabriel Rutledge
My Safeword Is Meatloaf
136 bpm • C# min • 06:24 • -7.68db
8% Popularity • 48% Danceability • 96% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Allen
Whiskey Dick / Single Guys
130 bpm • C Maj • 01:36 • -15.84db
19% Popularity • 63% Danceability • 46% Energy • 86% Liveness
0% Instrumentalness • 55% Positiveness
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Eddie Ifft
ATM Slot Machines
136 bpm • E Maj • 01:26 • -12.94db
24% Popularity • 60% Danceability • 66% Energy • 72% Liveness
0% Instrumentalness • 72% Positiveness
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Louie Anderson
7 Miles Per Hour
137 bpm • C# Maj • 05:09 • -17.03db
9% Popularity • 48% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 7% Positiveness
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Tom Stade
Used to Be My Dad
129 bpm • D# Maj • 02:00 • -11.6db
11% Popularity • 59% Danceability • 67% Energy • 93% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Danke
Own Worst Critic
137 bpm • D Maj • 03:01 • -11.41db
14% Popularity • 47% Danceability • 73% Energy • 69% Liveness
0% Instrumentalness • 62% Positiveness
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Gary Owen
48
129 bpm • G# Maj • 02:46 • -16.47db
7% Popularity • 64% Danceability • 56% Energy • 87% Liveness
0% Instrumentalness • 26% Positiveness
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Christopher Titus
White Supremacy
137 bpm • E Maj • 06:15 • -22.14db
13% Popularity • 50% Danceability • 55% Energy • 86% Liveness
0% Instrumentalness • 47% Positiveness
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Rob Crean
What's My Age Again
129 bpm • C Maj • 01:56 • -15.41db
13% Popularity • 70% Danceability • 48% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
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Clayton Fletcher
Children's Names
137 bpm • C# Maj • 05:27 • -13.42db
14% Popularity • 64% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Eddie Ifft
Drunk Driving
129 bpm • F Maj • 01:53 • -26.04db
19% Popularity • 61% Danceability • 29% Energy • 85% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Danke
Free Thinker
130 bpm • F# min • 01:47 • -10.69db
15% Popularity • 53% Danceability • 65% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Casey Corbin
I Love Boobies
129 bpm • G# Maj • 01:18 • -14.11db
21% Popularity • 52% Danceability • 79% Energy • 78% Liveness
0% Instrumentalness • 27% Positiveness
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Derrick Hurley
Food With No Smell
138 bpm • A Maj • 01:07 • -14.87db
34% Popularity • 47% Danceability • 71% Energy • 94% Liveness
6% Instrumentalness • 36% Positiveness
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TK Kirkland
Apps
128 bpm • B min • 01:50 • -13.17db
20% Popularity • 68% Danceability • 48% Energy • 72% Liveness
0% Instrumentalness • 87% Positiveness
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National Lampoon
Dating Games
138 bpm • G# Maj • 03:56 • -21.52db
18% Popularity • 64% Danceability • 26% Energy • 94% Liveness
0% Instrumentalness • 43% Positiveness
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Brian Stollery
Slings and Arrows
128 bpm • D Maj • 03:51 • -17.53db
13% Popularity • 64% Danceability • 43% Energy • 84% Liveness
0% Instrumentalness • 68% Positiveness
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Special K
Average Medium
128 bpm • C Maj • 01:40 • -9.19db
16% Popularity • 58% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Dice Clay
Do It Ourselves - Live
128 bpm • D Maj • 02:22 • -13.6db
14% Popularity • 53% Danceability • 75% Energy • 89% Liveness
0% Instrumentalness • 28% Positiveness
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Derrick Stroup
Masks
138 bpm • F Maj • 04:32 • -12.67db
10% Popularity • 47% Danceability • 66% Energy • 75% Liveness
0% Instrumentalness • 72% Positiveness
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Akaash Singh
Doctors with Borders
128 bpm • F# Maj • 02:24 • -11.21db
9% Popularity • 47% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Allen
Destination Wedding / Ghost / Teaming Up...
139 bpm • C# Maj • 02:26 • -15.6db
15% Popularity • 65% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 75% Positiveness
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Brian Stollery
Five Stars on Facebook Marketplace
128 bpm • D Maj • 04:46 • -15.99db
13% Popularity • 66% Danceability • 44% Energy • 96% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Danke
Impervious to Fire
127 bpm • C Maj • 01:48 • -11.54db
14% Popularity • 52% Danceability • 51% Energy • 72% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Dice Clay
Marriage - Live
128 bpm • D Maj • 01:41 • -13.8db
10% Popularity • 59% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 67% Positiveness
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Bret Ernst
Engagement Scams
127 bpm • D# Maj • 03:18 • -5.11db
17% Popularity • 53% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
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Harmony McElligott
The Will to Survive
140 bpm • D# Maj • 01:16 • -11.1db
24% Popularity • 63% Danceability • 46% Energy • 72% Liveness
0% Instrumentalness • 49% Positiveness
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TK Kirkland
Disrespectful Young Bitches
127 bpm • E min • 02:53 • -11.37db
15% Popularity • 58% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Lavell Crawford
Reverse Syndrome
126 bpm • E Maj • 05:07 • -11.58db
11% Popularity • 54% Danceability • 83% Energy • 67% Liveness
0% Instrumentalness • 31% Positiveness
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Jeremiah Watkins
Fiancé
140 bpm • F# Maj • 02:42 • -14.47db
13% Popularity • 53% Danceability • 77% Energy • 93% Liveness
0% Instrumentalness • 53% Positiveness
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Tom Rhodes
Loving a Dark Skinned Woman
126 bpm • F# Maj • 01:19 • -11.34db
24% Popularity • 66% Danceability • 67% Energy • 90% Liveness
0% Instrumentalness • 52% Positiveness
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Gary Gulman
Thank You & Goodnight
126 bpm • B min • 00:59 • -17.45db
24% Popularity • 66% Danceability • 40% Energy • 78% Liveness
0% Instrumentalness • 82% Positiveness
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Dan Levy
Waze
126 bpm • G# Maj • 01:44 • -13.31db
12% Popularity • 62% Danceability • 71% Energy • 78% Liveness
0% Instrumentalness • 14% Positiveness
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Special K
Dollar Store
126 bpm • D# Maj • 01:50 • -9.92db
16% Popularity • 58% Danceability • 87% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Somerville
Connecting
126 bpm • C# min • 01:53 • -16.79db
15% Popularity • 52% Danceability • 55% Energy • 90% Liveness
0% Instrumentalness • 67% Positiveness
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Rick & Bubba
Why Is Rick Scaring Sherri
126 bpm • D Maj • 06:43 • -11.36db
8% Popularity • 72% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Clayton Fletcher
Brooklyn and Canadian Geese
126 bpm • G# Maj • 04:50 • -13.29db
13% Popularity • 69% Danceability • 33% Energy • 69% Liveness
0% Instrumentalness • 50% Positiveness
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Glenn Wool
Fatty Fatty 2x4
141 bpm • G# Maj • 02:58 • -8db
8% Popularity • 56% Danceability • 68% Energy • 88% Liveness
0% Instrumentalness • 26% Positiveness
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Bill Bellamy
Women Are Better Side Chicks Than Men
124 bpm • C# min • 02:37 • -13.5db
13% Popularity • 67% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 55% Positiveness
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Tom Rhodes
Fort Worth City Slogan
124 bpm • A# Maj • 01:50 • -11db
20% Popularity • 66% Danceability • 66% Energy • 76% Liveness
0% Instrumentalness • 68% Positiveness
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Michael Somerville
Getting Older
125 bpm • C# Maj • 01:30 • -13.68db
19% Popularity • 54% Danceability • 75% Energy • 92% Liveness
0% Instrumentalness • 60% Positiveness
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Andrew Dice Clay
The Weatherman - Live
124 bpm • D Maj • 03:48 • -12.45db
11% Popularity • 60% Danceability • 66% Energy • 91% Liveness
0% Instrumentalness • 45% Positiveness
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Jeremy Essig
Toucan Sam
142 bpm • G Maj • 01:17 • -23.24db
14% Popularity • 52% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 29% Positiveness
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Jason Allen
My Wife Gets Jealous / Juicy Boys
123 bpm • A Maj • 03:03 • -13.83db
13% Popularity • 63% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
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Jared Freid
My 600-Lb Life
123 bpm • F Maj • 02:17 • -11.81db
18% Popularity • 63% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 45% Positiveness
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Bobby Lee
I Wanna Be A Ninja
123 bpm • F# Maj • 01:15 • -19.65db
16% Popularity • 50% Danceability • 77% Energy • 97% Liveness
0% Instrumentalness • 7% Positiveness
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Tom Stade
We're All into Diversity
123 bpm • D# min • 04:19 • -12.82db
9% Popularity • 59% Danceability • 62% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
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Danny Bevins
The Confederate Flag
145 bpm • F# min • 02:15 • -16.15db
17% Popularity • 67% Danceability • 29% Energy • 88% Liveness
0% Instrumentalness • 50% Positiveness
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David Tyree
Black/White
122 bpm • A# min • 03:40 • -14.71db
9% Popularity • 44% Danceability • 85% Energy • 88% Liveness
0% Instrumentalness • 17% Positiveness
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Louie Anderson
Darwin Chart
122 bpm • D Maj • 02:03 • -16.5db
19% Popularity • 40% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Nick Griffin
Shot In The Face
122 bpm • C# Maj • 02:13 • -17.23db
18% Popularity • 67% Danceability • 51% Energy • 78% Liveness
0% Instrumentalness • 46% Positiveness
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Fahim Anwar
Rival or Racist
121 bpm • F Maj • 01:42 • -9.16db
16% Popularity • 44% Danceability • 97% Energy • 79% Liveness
0% Instrumentalness • 18% Positiveness
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Casey Corbin
Symbol Of Distress
122 bpm • C# Maj • 03:27 • -14.04db
9% Popularity • 66% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
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Rob Crean
Accents of the American Northeast
121 bpm • G Maj • 02:18 • -16.71db
13% Popularity • 54% Danceability • 55% Energy • 91% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Somerville
Acting Grownup
121 bpm • A# Maj • 02:09 • -13.1db
17% Popularity • 59% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 49% Positiveness
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Derrick Stroup
The Hot Sauce From Earlier
121 bpm • F Maj • 02:29 • -13.68db
8% Popularity • 47% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Pavich
Digital Cable
121 bpm • G# Maj • 01:24 • -11.47db
26% Popularity • 58% Danceability • 60% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Kyle Kinane
Grappling with the diagnostics (I went t...
120 bpm • A Maj • 09:19 • -10.67db
26% Popularity • 67% Danceability • 52% Energy • 78% Liveness
0% Instrumentalness • 57% Positiveness
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Tommy Tiernan
Abortion
120 bpm • F Maj • 02:00 • -11.59db
21% Popularity • 61% Danceability • 70% Energy • 93% Liveness
0% Instrumentalness • 58% Positiveness
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Akaash Singh
The Nicest Gift
120 bpm • C# min • 05:48 • -11.6db
8% Popularity • 55% Danceability • 81% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Somerville
Grownups
120 bpm • G# Maj • 04:09 • -15db
13% Popularity • 51% Danceability • 59% Energy • 86% Liveness
0% Instrumentalness • 70% Positiveness
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Tom Rhodes
Tripadvisor.Com
120 bpm • A# Maj • 02:16 • -11.14db
21% Popularity • 64% Danceability • 65% Energy • 94% Liveness
0% Instrumentalness • 61% Positiveness
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Zach Peterson
Not Film, but Movies
120 bpm • D# min • 05:19 • -10.34db
17% Popularity • 53% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
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Jeremiah Watkins
Would You Rather...
149 bpm • C Maj • 01:21 • -11.88db
25% Popularity • 48% Danceability • 76% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
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Kyle Kinane
The unlikely acceptance of ideological d...
120 bpm • F# min • 03:07 • -9.11db
31% Popularity • 67% Danceability • 60% Energy • 73% Liveness
0% Instrumentalness • 67% Positiveness
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Andrew Dice Clay
How To Treat A Queen - Live
149 bpm • B min • 00:58 • -14.01db
12% Popularity • 51% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Somerville
Eating Out
120 bpm • A# Maj • 02:26 • -13.22db
15% Popularity • 57% Danceability • 64% Energy • 96% Liveness
0% Instrumentalness • 47% Positiveness
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Matt Pavich
Face Tattoo
150 bpm • E Maj • 01:49 • -16.04db
21% Popularity • 55% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Danke
Death by Misadventure
118 bpm • F# min • 03:42 • -12.06db
14% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Adam Cayton-Holland
Denver Applause Break
118 bpm • F Maj • 01:17 • -16.15db
27% Popularity • 60% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Ifft
Attention Deficit Disorder
117 bpm • D# Maj • 00:58 • -13.12db
25% Popularity • 64% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 74% Positiveness
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Gary Owen
We're All Going to Heaven
117 bpm • B min • 03:02 • -16.64db
7% Popularity • 60% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Tallent
In Cold Blood
117 bpm • F min • 01:56 • -11.47db
12% Popularity • 56% Danceability • 67% Energy • 91% Liveness
0% Instrumentalness • 50% Positiveness
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Alan Ford
Worst Places
151 bpm • D# min • 00:59 • -18.52db
12% Popularity • 59% Danceability • 34% Energy • 92% Liveness
0% Instrumentalness • 53% Positiveness
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TK Kirkland
Old Folks Home Pimp
116 bpm • B min • 01:30 • -13.48db
21% Popularity • 61% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Andrew Dice Clay
Morning Breath - Live
116 bpm • D Maj • 01:42 • -14.78db
10% Popularity • 54% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 23% Positiveness
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Eddie Ifft
Parachuting
117 bpm • A Maj • 02:01 • -13.73db
21% Popularity • 69% Danceability • 54% Energy • 73% Liveness
0% Instrumentalness • 75% Positiveness
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Rick & Bubba
Ten Puppies And One Big Butt
116 bpm • F min • 08:20 • -11.89db
8% Popularity • 72% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Erik Griffin
Female Revolution
116 bpm • G Maj • 01:22 • -9.93db
20% Popularity • 62% Danceability • 91% Energy • 77% Liveness
0% Instrumentalness • 26% Positiveness
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Josh Johnson
Do You Believe in Aliens?
116 bpm • C# min • 02:03 • -13.07db
22% Popularity • 59% Danceability • 54% Energy • 79% Liveness
0% Instrumentalness • 64% Positiveness
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Nick Griffin
Sad Morons
115 bpm • E min • 04:00 • -17.67db
11% Popularity • 54% Danceability • 55% Energy • 88% Liveness
0% Instrumentalness • 36% Positiveness
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Arthur Simeon
Black Panther
115 bpm • E min • 01:14 • -16.09db
16% Popularity • 44% Danceability • 78% Energy • 70% Liveness
2% Instrumentalness • 61% Positiveness
► Preview
Andrew Dice Clay
Newscasters - Live
115 bpm • B min • 03:26 • -13.27db
12% Popularity • 60% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Derrick Stroup
The Weather
115 bpm • E min • 02:09 • -14.66db
9% Popularity • 52% Danceability • 65% Energy • 94% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Brian Stollery
Your Money Is No Good Here
114 bpm • C# Maj • 02:03 • -10.19db
18% Popularity • 70% Danceability • 63% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
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Bobby Lee
Christmas
114 bpm • B Maj • 01:32 • -20.42db
15% Popularity • 50% Danceability • 70% Energy • 87% Liveness
0% Instrumentalness • 15% Positiveness
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Tom Stade
Sheila Can't Remember
114 bpm • C# Maj • 02:18 • -11.1db
11% Popularity • 52% Danceability • 90% Energy • 89% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Griffin
Better When You're Drunk
114 bpm • F# Maj • 04:55 • -17.02db
10% Popularity • 55% Danceability • 63% Energy • 93% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Pavich
Potato Problem
114 bpm • E Maj • 02:15 • -13.57db
20% Popularity • 60% Danceability • 62% Energy • 74% Liveness
0% Instrumentalness • 50% Positiveness
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Kyle Kinane
From whence I came, Pt. 1 (Mom)
114 bpm • F# min • 07:02 • -10.32db
29% Popularity • 63% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Derrick Stroup
Dog Poo
113 bpm • E min • 03:30 • -12.87db
9% Popularity • 47% Danceability • 76% Energy • 92% Liveness
0% Instrumentalness • 58% Positiveness
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Louie Anderson
Written in Gravy
113 bpm • C# min • 02:54 • -16.3db
11% Popularity • 50% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 4% Positiveness
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Fat As* House Mix