Songs like Fat Chance Hotel by Public Image Ltd.
Based on a tempo of (+/- 10%) and a similar genre
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Morrissey
You're Gonna Need Someone on Your Side -...
164 bpm • E Maj • 03:41 • -6.31db
25% Popularity • 34% Danceability • 95% Energy • 11% Liveness
22% Instrumentalness • 57% Positiveness
25% Popularity • 34% Danceability • 95% Energy • 11% Liveness
22% Instrumentalness • 57% Positiveness
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Public Image Ltd.
Fat Chance Hotel
164 bpm • A min • 07:03 • -14.91db
15% Popularity • 24% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
15% Popularity • 24% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 28% Positiveness
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Big Country
Inwards
164 bpm • D Maj • 04:34 • -11db
29% Popularity • 48% Danceability • 74% Energy • 18% Liveness
60% Instrumentalness • 77% Positiveness
29% Popularity • 48% Danceability • 74% Energy • 18% Liveness
60% Instrumentalness • 77% Positiveness
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Ultra Vivid Scene
It Happens Every Time
164 bpm • B Maj • 03:18 • -13.35db
13% Popularity • 37% Danceability • 85% Energy • 36% Liveness
83% Instrumentalness • 73% Positiveness
13% Popularity • 37% Danceability • 85% Energy • 36% Liveness
83% Instrumentalness • 73% Positiveness
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R.E.M.
Wolves, Lower
165 bpm • D Maj • 04:09 • -7.33db
30% Popularity • 28% Danceability • 89% Energy • 37% Liveness
4% Instrumentalness • 75% Positiveness
30% Popularity • 28% Danceability • 89% Energy • 37% Liveness
4% Instrumentalness • 75% Positiveness
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Ministry
She's Got A Cause
163 bpm • D Maj • 03:33 • -12.32db
24% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Gun Club
Brother and Sister - Remastered 2020
165 bpm • D Maj • 02:57 • -3db
28% Popularity • 26% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
28% Popularity • 26% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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Pete Shelley
I Generate A Feeling
163 bpm • E Maj • 03:12 • -8.08db
10% Popularity • 57% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 57% Danceability • 64% Energy • 53% Liveness
0% Instrumentalness • 92% Positiveness
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DEVO
Praying Hands
165 bpm • D min • 02:48 • -11db
32% Popularity • 62% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
32% Popularity • 62% Danceability • 65% Energy • 19% Liveness
2% Instrumentalness • 88% Positiveness
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Hüsker Dü
Could You Be the One?
162 bpm • C Maj • 02:35 • -10db
32% Popularity • 33% Danceability • 87% Energy • 37% Liveness
2% Instrumentalness • 67% Positiveness
32% Popularity • 33% Danceability • 87% Energy • 37% Liveness
2% Instrumentalness • 67% Positiveness
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The Damned
Smash It Up - Pts. 1 & 2
166 bpm • G Maj • 05:13 • -9db
39% Popularity • 26% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
39% Popularity • 26% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
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The The
I've Been Waitin' For Tomorrow (All Of M...
167 bpm • F# min • 05:43 • -12db
31% Popularity • 58% Danceability • 93% Energy • 38% Liveness
37% Instrumentalness • 93% Positiveness
31% Popularity • 58% Danceability • 93% Energy • 38% Liveness
37% Instrumentalness • 93% Positiveness
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The Three Johns
Teenage Nightingales To Wax
167 bpm • F Maj • 03:02 • -7db
15% Popularity • 36% Danceability • 91% Energy • 29% Liveness
74% Instrumentalness • 23% Positiveness
15% Popularity • 36% Danceability • 91% Energy • 29% Liveness
74% Instrumentalness • 23% Positiveness
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Adam & The Ants
Physical (You're So) - Single Version
161 bpm • A Maj • 04:27 • -9.84db
25% Popularity • 23% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 23% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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DEVO
Gates of Steel - Live
167 bpm • C Maj • 03:27 • -6.74db
10% Popularity • 46% Danceability • 100% Energy • 96% Liveness
81% Instrumentalness • 16% Positiveness
10% Popularity • 46% Danceability • 100% Energy • 96% Liveness
81% Instrumentalness • 16% Positiveness
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Gang Of Four
I Found That Essence Rare
161 bpm • A Maj • 03:13 • -10db
37% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Fall
Bombast
161 bpm • D Maj • 03:08 • -11.37db
26% Popularity • 32% Danceability • 64% Energy • 20% Liveness
64% Instrumentalness • 60% Positiveness
26% Popularity • 32% Danceability • 64% Energy • 20% Liveness
64% Instrumentalness • 60% Positiveness
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The The
I've Been Waitin' For Tomorrow (All Of M...
167 bpm • F# min • 05:45 • -3.02db
11% Popularity • 57% Danceability • 100% Energy • 41% Liveness
26% Instrumentalness • 87% Positiveness
11% Popularity • 57% Danceability • 100% Energy • 41% Liveness
26% Instrumentalness • 87% Positiveness
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The Screaming Blue Messiahs
Big Brother Muscle
160 bpm • G Maj • 02:59 • -10.36db
9% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 47% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Magazine
Permafrost
161 bpm • E min • 05:31 • -12.4db
19% Popularity • 46% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 46% Positiveness
19% Popularity • 46% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 46% Positiveness
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The Bolshoi
Giants
160 bpm • E Maj • 04:56 • -7.93db
9% Popularity • 43% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 43% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Hüsker Dü
Eight Miles High
160 bpm • G Maj • 03:56 • -11.31db
31% Popularity • 18% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 18% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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The Damned
Wait for the Blackout
160 bpm • D Maj • 03:51 • -6.79db
30% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
30% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
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Lords Of The New Church
Portobello
168 bpm • E Maj • 03:02 • -6.47db
15% Popularity • 29% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 22% Positiveness
15% Popularity • 29% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 22% Positiveness
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Psi Com
Ho Ka Hey
160 bpm • C Maj • 04:07 • -5.17db
16% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Ultravox
Fear In The Western World
168 bpm • D Maj • 04:00 • -8db
10% Popularity • 23% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 23% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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![Into The Light [John Peel 10/2/81] cover art](https://i.scdn.co/image/ab67616d00001e024db3bbe106526b4f3fc04e4b)
Siouxsie and the Banshees
Into The Light [John Peel 10/2/81]
169 bpm • A Maj • 04:20 • -4.8db
15% Popularity • 38% Danceability • 96% Energy • 16% Liveness
3% Instrumentalness • 70% Positiveness
15% Popularity • 38% Danceability • 96% Energy • 16% Liveness
3% Instrumentalness • 70% Positiveness
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Hüsker Dü
Charity, Chastity, Prudence, and Hope
159 bpm • D Maj • 03:15 • -9.54db
18% Popularity • 34% Danceability • 94% Energy • 26% Liveness
83% Instrumentalness • 34% Positiveness
18% Popularity • 34% Danceability • 94% Energy • 26% Liveness
83% Instrumentalness • 34% Positiveness
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Fun Boy Three
The More I See (The Less I Believe)
159 bpm • E min • 03:40 • -11db
31% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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DEVO
Strange Pursuits
169 bpm • A min • 02:46 • -13.23db
22% Popularity • 64% Danceability • 48% Energy • 5% Liveness
30% Instrumentalness • 55% Positiveness
22% Popularity • 64% Danceability • 48% Energy • 5% Liveness
30% Instrumentalness • 55% Positiveness
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Julian Cope
Trampolene
170 bpm • A Maj • 03:38 • -7db
30% Popularity • 44% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 44% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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The Damned
Plan 9 Channel 7
159 bpm • C Maj • 05:08 • -8.59db
30% Popularity • 20% Danceability • 95% Energy • 43% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 20% Danceability • 95% Energy • 43% Liveness
9% Instrumentalness • 22% Positiveness
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Romeo Void
Chinatown
170 bpm • D Maj • 03:15 • -6.82db
12% Popularity • 33% Danceability • 76% Energy • 7% Liveness
84% Instrumentalness • 82% Positiveness
12% Popularity • 33% Danceability • 76% Energy • 7% Liveness
84% Instrumentalness • 82% Positiveness
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Public Image Ltd.
Flowers Of Romance - Remastered 2011
171 bpm • C Maj • 02:49 • -12db
26% Popularity • 51% Danceability • 60% Energy • 32% Liveness
4% Instrumentalness • 81% Positiveness
26% Popularity • 51% Danceability • 60% Energy • 32% Liveness
4% Instrumentalness • 81% Positiveness
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Wire Train
Everything's Turning Up Down Again
171 bpm • D Maj • 03:33 • -5.45db
14% Popularity • 44% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
14% Popularity • 44% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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DEVO
Gates of Steel - 2009 Remaster
157 bpm • C Maj • 03:28 • -8.49db
24% Popularity • 59% Danceability • 89% Energy • 28% Liveness
3% Instrumentalness • 63% Positiveness
24% Popularity • 59% Danceability • 89% Energy • 28% Liveness
3% Instrumentalness • 63% Positiveness
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Wire
The Queen of Ur and the King of Um
157 bpm • C Maj • 04:03 • -11.78db
14% Popularity • 47% Danceability • 74% Energy • 8% Liveness
55% Instrumentalness • 79% Positiveness
14% Popularity • 47% Danceability • 74% Energy • 8% Liveness
55% Instrumentalness • 79% Positiveness
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Buzzcocks
Sixteen Again - 1996 Remastered Version
157 bpm • E Maj • 03:15 • -11db
27% Popularity • 29% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 29% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Romeo Void
Just Too Easy
158 bpm • A min • 03:11 • -8db
24% Popularity • 57% Danceability • 84% Energy • 12% Liveness
8% Instrumentalness • 77% Positiveness
24% Popularity • 57% Danceability • 84% Energy • 12% Liveness
8% Instrumentalness • 77% Positiveness
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The B-52's
Runnin' Around
171 bpm • A# Maj • 03:10 • -12.93db
27% Popularity • 52% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 52% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Wall Of Voodoo
Back In Flesh
171 bpm • A min • 03:43 • -8db
28% Popularity • 56% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 56% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 54% Positiveness
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DEVO
Gates of Steel
157 bpm • C Maj • 03:27 • -7.97db
40% Popularity • 59% Danceability • 92% Energy • 52% Liveness
21% Instrumentalness • 64% Positiveness
40% Popularity • 59% Danceability • 92% Energy • 52% Liveness
21% Instrumentalness • 64% Positiveness
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The Damned
Gigolo
157 bpm • C Maj • 06:04 • -12.31db
14% Popularity • 40% Danceability • 53% Energy • 34% Liveness
4% Instrumentalness • 46% Positiveness
14% Popularity • 40% Danceability • 53% Energy • 34% Liveness
4% Instrumentalness • 46% Positiveness
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The Ruts
West One (Shine On Me)
172 bpm • D Maj • 05:42 • -15.53db
18% Popularity • 24% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 24% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Bauhaus
In Fear of Dub - Remastered 2008
157 bpm • A min • 02:56 • -7.16db
17% Popularity • 56% Danceability • 76% Energy • 5% Liveness
91% Instrumentalness • 95% Positiveness
17% Popularity • 56% Danceability • 76% Energy • 5% Liveness
91% Instrumentalness • 95% Positiveness
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The Replacements
The Ledge - 2008 Remaster
156 bpm • C Maj • 04:07 • -9.05db
31% Popularity • 41% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 41% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Wall Of Voodoo
Faded Love
172 bpm • A min • 01:00 • -19.71db
21% Popularity • 66% Danceability • 33% Energy • 12% Liveness
9% Instrumentalness • 89% Positiveness
21% Popularity • 66% Danceability • 33% Energy • 12% Liveness
9% Instrumentalness • 89% Positiveness
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Joy Division
These Days - 2020 Digital Remaster
156 bpm • D Maj • 03:28 • -10.16db
37% Popularity • 63% Danceability • 83% Energy • 14% Liveness
10% Instrumentalness • 86% Positiveness
37% Popularity • 63% Danceability • 83% Energy • 14% Liveness
10% Instrumentalness • 86% Positiveness
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DEVO
Through Being Cool
157 bpm • B min • 03:14 • -14.9db
31% Popularity • 64% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
31% Popularity • 64% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Adam & The Ants
The Day I Met God
156 bpm • D Maj • 02:57 • -5db
20% Popularity • 32% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 32% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Siouxsie and the Banshees
Into The Light
172 bpm • B min • 04:13 • -7.94db
40% Popularity • 49% Danceability • 89% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
40% Popularity • 49% Danceability • 89% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Lords Of The New Church
Question Of Temperature
156 bpm • E Maj • 02:57 • -7.4db
25% Popularity • 34% Danceability • 91% Energy • 29% Liveness
68% Instrumentalness • 71% Positiveness
25% Popularity • 34% Danceability • 91% Energy • 29% Liveness
68% Instrumentalness • 71% Positiveness
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Red Lorry Yellow Lorry
Hollow Eyes
156 bpm • C Maj • 03:03 • -12.96db
20% Popularity • 55% Danceability • 74% Energy • 18% Liveness
92% Instrumentalness • 79% Positiveness
20% Popularity • 55% Danceability • 74% Energy • 18% Liveness
92% Instrumentalness • 79% Positiveness
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Pere Ubu
Modern Dance
156 bpm • G Maj • 03:28 • -9db
29% Popularity • 37% Danceability • 63% Energy • 53% Liveness
3% Instrumentalness • 51% Positiveness
29% Popularity • 37% Danceability • 63% Energy • 53% Liveness
3% Instrumentalness • 51% Positiveness
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The Mighty Lemon Drops
Happy Head - C86 Version
155 bpm • G# Maj • 02:45 • -5.78db
18% Popularity • 36% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 36% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Adam & The Ants
Digital Tenderness
155 bpm • C Maj • 03:03 • -6db
22% Popularity • 63% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 63% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Television
Shane, She Wrote This
155 bpm • A min • 04:21 • -11.56db
25% Popularity • 55% Danceability • 82% Energy • 4% Liveness
12% Instrumentalness • 82% Positiveness
25% Popularity • 55% Danceability • 82% Energy • 4% Liveness
12% Instrumentalness • 82% Positiveness
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The Screaming Blue Messiahs
Sweet Water Pools
174 bpm • D Maj • 03:32 • -10.29db
16% Popularity • 26% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 26% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Ultravox
Distant Smile
174 bpm • E min • 05:21 • -8.67db
9% Popularity • 17% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Adrian Belew
Gunman
154 bpm • A# min • 03:53 • -11.29db
8% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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The Damned
Anything
153 bpm • A Maj • 04:48 • -9.42db
24% Popularity • 45% Danceability • 92% Energy • 34% Liveness
69% Instrumentalness • 34% Positiveness
24% Popularity • 45% Danceability • 92% Energy • 34% Liveness
69% Instrumentalness • 34% Positiveness
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Public Image Ltd.
Covered
153 bpm • G Maj • 04:40 • -7.79db
10% Popularity • 57% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
10% Popularity • 57% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Buzzcocks
Fiction Romance - 1996 Remastered Versio...
153 bpm • F Maj • 04:26 • -8db
25% Popularity • 39% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 39% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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The The
The Sinking Feeling
152 bpm • D Maj • 03:41 • -13db
37% Popularity • 64% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
37% Popularity • 64% Danceability • 38% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
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Ultravox
Someone Else's Clothes
153 bpm • E Maj • 04:26 • -9.99db
14% Popularity • 50% Danceability • 92% Energy • 45% Liveness
7% Instrumentalness • 72% Positiveness
14% Popularity • 50% Danceability • 92% Energy • 45% Liveness
7% Instrumentalness • 72% Positiveness
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Wire
Cheeking Tongues
153 bpm • B min • 02:08 • -12.84db
19% Popularity • 63% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 63% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Hüsker Dü
Sorry Somehow
152 bpm • A min • 04:29 • -12db
33% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
33% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
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Public Image Ltd.
Attack - 2011 Remaster
152 bpm • A Maj • 02:55 • -12.9db
18% Popularity • 40% Danceability • 63% Energy • 34% Liveness
72% Instrumentalness • 56% Positiveness
18% Popularity • 40% Danceability • 63% Energy • 34% Liveness
72% Instrumentalness • 56% Positiveness
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The Damned
Alone Again Or
177 bpm • D Maj • 03:38 • -11db
45% Popularity • 32% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 32% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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fIREHOSE
Hear Me
152 bpm • E Maj • 02:40 • -13.32db
15% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 66% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Julian Cope
Saint Julian
151 bpm • A Maj • 03:04 • -7.07db
15% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Tones On Tail
Real Life
151 bpm • D Maj • 05:06 • -10.51db
19% Popularity • 33% Danceability • 52% Energy • 43% Liveness
3% Instrumentalness • 9% Positiveness
19% Popularity • 33% Danceability • 52% Energy • 43% Liveness
3% Instrumentalness • 9% Positiveness
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The The
The Mercy Beat
151 bpm • E min • 07:23 • -4.26db
17% Popularity • 57% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 57% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Department S
Of All The Lost Followers
178 bpm • A Maj • 02:48 • -12.47db
10% Popularity • 49% Danceability • 79% Energy • 59% Liveness
22% Instrumentalness • 97% Positiveness
10% Popularity • 49% Danceability • 79% Energy • 59% Liveness
22% Instrumentalness • 97% Positiveness
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Siouxsie and the Banshees
Hong Kong Garden - Royal Albert Hall, Lo...
151 bpm • C Maj • 03:10 • -4.83db
8% Popularity • 30% Danceability • 96% Energy • 96% Liveness
35% Instrumentalness • 48% Positiveness
8% Popularity • 30% Danceability • 96% Energy • 96% Liveness
35% Instrumentalness • 48% Positiveness
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Ultravox
Hiroshima Mon Amour - Alternate Version
151 bpm • G Maj • 04:56 • -7.32db
6% Popularity • 18% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
6% Popularity • 18% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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The Fall
Barmy
150 bpm • A# Maj • 05:20 • -10.63db
25% Popularity • 34% Danceability • 82% Energy • 23% Liveness
1% Instrumentalness • 39% Positiveness
25% Popularity • 34% Danceability • 82% Energy • 23% Liveness
1% Instrumentalness • 39% Positiveness
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Adam & The Ants
Zerøx
150 bpm • A Maj • 03:46 • -5db
29% Popularity • 30% Danceability • 96% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
29% Popularity • 30% Danceability • 96% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
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Daniel Ash
Here She Comes
180 bpm • B Maj • 05:06 • -9.01db
12% Popularity • 52% Danceability • 60% Energy • 4% Liveness
30% Instrumentalness • 85% Positiveness
12% Popularity • 52% Danceability • 60% Energy • 4% Liveness
30% Instrumentalness • 85% Positiveness
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Lords Of The New Church
Eat Your Heart Out
180 bpm • B min • 02:36 • -6.93db
20% Popularity • 11% Danceability • 93% Energy • 36% Liveness
83% Instrumentalness • 62% Positiveness
20% Popularity • 11% Danceability • 93% Energy • 36% Liveness
83% Instrumentalness • 62% Positiveness
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Julian Cope
Reynard The Fox
150 bpm • F Maj • 06:14 • -10db
17% Popularity • 31% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 31% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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That Petrol Emotion
Creeping To The Cross
150 bpm • B min • 04:42 • -10.52db
8% Popularity • 52% Danceability • 95% Energy • 22% Liveness
11% Instrumentalness • 24% Positiveness
8% Popularity • 52% Danceability • 95% Energy • 22% Liveness
11% Instrumentalness • 24% Positiveness
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The Fall
15 Ways
150 bpm • E min • 03:17 • -7.04db
12% Popularity • 52% Danceability • 89% Energy • 49% Liveness
7% Instrumentalness • 71% Positiveness
12% Popularity • 52% Danceability • 89% Energy • 49% Liveness
7% Instrumentalness • 71% Positiveness
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DEVO
Beautiful World
149 bpm • E Maj • 03:35 • -13db
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Joy Division
Leaders Of Men (Martin Hannett Sessions)
149 bpm • G Maj • 02:20 • -4.54db
25% Popularity • 28% Danceability • 88% Energy • 17% Liveness
26% Instrumentalness • 49% Positiveness
25% Popularity • 28% Danceability • 88% Energy • 17% Liveness
26% Instrumentalness • 49% Positiveness
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The Triffids
Kelly's Blues
181 bpm • A min • 04:34 • -7.56db
5% Popularity • 42% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
5% Popularity • 42% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Ultravox
Dislocation
149 bpm • C# min • 02:55 • -9db
21% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Godfathers
When Am I Coming Down
182 bpm • D Maj • 04:56 • -10.09db
10% Popularity • 7% Danceability • 79% Energy • 35% Liveness
84% Instrumentalness • 34% Positiveness
10% Popularity • 7% Danceability • 79% Energy • 35% Liveness
84% Instrumentalness • 34% Positiveness
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Lords Of The New Church
Black Girl White Girl
148 bpm • E Maj • 03:42 • -3.97db
15% Popularity • 27% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
15% Popularity • 27% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
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DEVO
The Super Thing
148 bpm • B min • 04:21 • -14.14db
14% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Joy Division
Novelty - 2020 Digital Remaster
148 bpm • E min • 04:03 • -9.06db
33% Popularity • 53% Danceability • 90% Energy • 14% Liveness
32% Instrumentalness • 48% Positiveness
33% Popularity • 53% Danceability • 90% Energy • 14% Liveness
32% Instrumentalness • 48% Positiveness
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The Damned
I Just Can't Be Happy Today
148 bpm • D Maj • 03:43 • -8.81db
32% Popularity • 34% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 34% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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The Wolfgang Press
Raintime
182 bpm • E min • 04:39 • -16.27db
11% Popularity • 72% Danceability • 43% Energy • 8% Liveness
29% Instrumentalness • 62% Positiveness
11% Popularity • 72% Danceability • 43% Energy • 8% Liveness
29% Instrumentalness • 62% Positiveness
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Public Image Ltd.
Low Life - Studio Version / 2011 Remaste...
148 bpm • F min • 03:37 • -10db
26% Popularity • 32% Danceability • 72% Energy • 32% Liveness
83% Instrumentalness • 60% Positiveness
26% Popularity • 32% Danceability • 72% Energy • 32% Liveness
83% Instrumentalness • 60% Positiveness
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Soft Cell
Little Rough Rhinestone
183 bpm • A# min • 04:32 • -4.94db
9% Popularity • 37% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 37% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Glove
Like An Animal
146 bpm • D Maj • 04:44 • -8db
21% Popularity • 42% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 42% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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The Mission
Bridges Burning
146 bpm • G min • 04:08 • -11.75db
25% Popularity • 51% Danceability • 87% Energy • 93% Liveness
7% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 87% Energy • 93% Liveness
7% Instrumentalness • 44% Positiveness
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The Damned
Under the Floor Again
147 bpm • D Maj • 05:03 • -7.79db
21% Popularity • 27% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 27% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness